Mike Marshall and Caterina Lichtenberg – Third Journey (Adventure Music, 2018)
Two of the leading American mandolin players, Mike Marshall and Caterina Lichtenberg, reconnect again for the third time. Third Journey contains a set of superb mandolin duos showcasing the virtuosity of both musicians. The music is inspired by bluegrass and other forms of American traditional music, along with Brazilian sounds, Bach and jazz-infused improvisation.
Mike Marshall and Caterina Lichtenberg met in 2007 at the Mandolin Symposium in Santa Cruz, California. Although they had heard about each other, had each other’s albums and respected each other’s playing, they had not met formally. The duo’s first collaborations was titled Mike Marshall & Caterina Lichtenberg (Adventure Music, 2018) with a focus on Bach, Brazilian music, Bulgarian traditions and bluegrass music. The second album, JS Bach (Adventure Music (2015) was dedicated to their favorite composer Johann Sebastian Bach.
On Third Journey, Mike Marshall and Caterina Lichtenberg deliver impeccable mandolin virtuosity and intuitive interplay.
Mike Marshall grew up in Central Florida, where he developed his career playing traditional American music. His interest in many musicals styles however eventually led him to the San Francisco Bay Area to join the original David Grisman Quintet in 1978 at age 19. This band toured and recorded with the legendary jazz violinist Stephan Grappelli, Mark O’Connor and guitarist Tony Rice. They performed on the popular American TV program Johnny Carson Show that same year and toured Europe and Japan and helped set a new standard for American stringband music.
Since then Mike has continued pushing the boundaries of acoustic music and can be heard on hundreds of recordings as a composer featured artist sideman and producer.
Mike is one of the most accomplished and versatile string instrumentalists in American music today. A master on mandolin, guitar, mandocello and violin he has created adventurous instrumental music for over 30 years.
As a teacher, Mike founded a one week mandolin camp for in 2002 with his colleague David Grisman. The Mandolin Symposium takes place the last week of June at U.C. Santa Cruz with over 15 mandolinists and some of of the greatest players/teachers in the world.
Gator Strut (Rounder 1987) Chiaroscuro with Darol Anger (Windham Hill 1990)
Brasil: Duets (Rhino 1996)
Midnight Clear (Acorn 1998)
Short Trip Home with Joshua Bell (Sony 1999)
Wine Country (Menus and Music 2001)
At Home and On the Range (Compass 2002)
Into the Cauldron with Chris Thile (Sugar Hill 2003)
Serenata (Adventure Music 2003)
Mike Marshall & Choro Famoso (Adventure Music 2004)
The Duo with Darol Anger (Rounder Select 2005)
Brazil Duets (Adventure Music 2005)
Live: Duets with Chris Thile (Sugar Hill 2006) New Words [Novas Palavras] (Adventure Music 2006)
Mike Marshall and Darol Anger with Vasen (Adventure Music 2007)
Woodshop with Darol Anger (Adventure Music 2007)
Mike Marshall’s Big Trio with Alex Hargreaves and Paul Kowert (Adventure Music 2009) Caterina Lichtenberg and Mike Marshall (Adventure Music 2010)
An Adventure 1999-2009 (Adventure Music 2010)
Mike Marshall & The Turtle Island Quartet (Adventure Music 2014)
The Savannah Music Festival 2017 will present an impressive set of world music and American roots sounds. The festival will take place from March 23 to April 8, 2017.
The lineup includes acclaimed Québécois traditional ensembles Le Vent du Nord and De Temps Antan; Canary Island timple (a small Spanish guitar) maestro Germán López; Dom Flemons; Foghorn Stringband; Caleb Klauder & Reeb Willms; cellist and vocalist Leyla McCalla; Haitian vodou drum and dance ensemble Chouk Bwa Libète; dobro maestro Jerry Douglas with celebrated bluegrass band the Earls of Leicester; Molsky’s Mountain Drifters; Irish accordionist Máirtín O’Connor; Geno Delafose & French Rockin’ Boogie; Holt & Coleman; banjo player Noam Pikelny; Sufi singer Sanam Marvi; 80-year-old virtuoso multi-instrumentalist Hermeto Pascoal; mandolinist Danilo Brito’s choro quintet; Edgar Meyer & Mike Marshall; and admired Ukrainian band DakhaBrakha with an original score for the 1930 Dovzhenko silent film, Earth.
Tickets to the 2017 festival are available online at savannahmusicfestival.org, by phone at 912-525-5050 and in person at 216 E. Broughton Street in Savannah.
The July and August free Sunset Concerts scheduled at Skirball Cultural Center include Issa Bagayogo; Mike Marshall, Darol Anger, and Väsen; Gadji-Gadjo; The Wild Magnolias; and Omar Faruk Tekbilek Ensemble.
On Thursdays in July and August at 8 pm, the series presents global masters of musical enchantment and cultural fusion at the Los Angeles museum and performing arts venue, often in their United States or Los Angeles debuts, all in a uniquely inspiring, intimate atmosphere.
But the Skirball does more than put on a fine show. It opens its galleries, currently featuring two exhibitions on the enduring art of comic books, for special evening hours. It offers a buffet dinner at the Skirball’s Zeidler’s Café, often serving cuisine from the region of that night’s performers. It even provides inexpensive and ample parking in the facility’s newly expanded parking lots.
The Skirball goes to these lengths for a reason that may surprise those who consider the Skirball as dedicated solely to Jewish culture. “It is essential to our mission as a Jewish institution to present global artists,” explains Jordan Peimer, Skirball Director of Programs. “At the heart of all of our programming is the core Jewish value of welcoming the stranger. It’s built into everything that we do.”
Along with openhanded hospitality, this welcoming spirit is reflected in the Skirball’s goal of promoting cross-cultural exchange. “Our mission is about inclusion,” continues Peimer. “World music celebrates people’s cultural heritage, the history and ideas they bring with them when they encounter new communities, the universal values that transcend time and place. The music we present is about the generational gifting of culture. We want people of all backgrounds to have an investment in their ethnic and cultural identities and to celebrate them within a society in which all of us can feel at home.”
To the Skirball, this is a gift that musicians share with each other, as well as with an audience: to create a forum for sharing stories and celebrating ancient legacies. Adds Skirball Music Director Yatrika Shah-Rais, “When artists collaborate with sincerity and true respect, what often emerges is an amazing fusion that stands out as its own unique music. That is what always comes across at our Sunset Concerts.”
In this summer’s 2009 season, Sunset Concerts will showcase innovative fusion, thanks to the electronica-fired Malian grooves of Issa Bagayogo (Thursday, July 16); the trans-Atlantic, bluegrass-meets-Swedish folk encounter of Mike Marshall, Darol Anger, and Väsen (Thursday, July 23; L.A. premiere); the Roma and klezmer-inflected jams of Montreal’s Gadji-Gadjo (Thursday, July 30; Los Angeles premiere); the serious funk of New Orleans beloved Mardi Gras Indian ensemble The Wild Magnolias (Thursday, August 6); and the Sufi-inspired virtuosity of Turkish multi-instrumentalist Omar Faruk Tekbilek Ensemble (Thursday, August 13).
The young Issa Bagayogo, now known in his native Mali as “Techno Issa,” seemed destined for a career as a blacksmith, not as a global dance-floor sensation. Despite remarkable talent on the three-stringed n’goni lute, a long-lost relative of the banjo, Bagayogo was down and out in Bamako working as a bus driver when he ran into French electronica producer Yves Wernert. They teamed up to create a sound that showcases Bagayogo’s sixth sense for honoring treasured traditions while grooving to edgy beats.
Bluegrass innovators Mike Marshall on mandolin and Darol Anger on fiddle dreamed of jamming with the guys from Swedish instrumental trio Väsen after learning a few of their tunes from recordings. When they wound up on stage together one night, the five musicians realized how perfectly Appalachia’s fiddle tunes could intertwine with Swedish dances on the nyckelharpa. Transforming the sounds of their musical forefathers in the increasingly global spirit of folk, Marshall , Anger, and Väsen have discovered that for passionate musicians, the Atlantic is a bridge easily crossed. (Los Angeles premiere)
Gadji-Gadjo take their passion for the zesty sounds of Roma and klezmer-along with jazz and other beloved genres-and infuse it into soaring, elegant improvisations and songs with true joie-de-vivre. Based in Montreal and wryly referring to their non-Gypsy status in their name, the sextet moves effortlessly and irrepressibly through lightning-fast dances and playful choruses, paying merry homage to the myriad cultures that forged Eastern European Jewish and Gypsy music. (Los Angeles premiere)
[image2_right]The Wild Magnolias sound like the best down-and-dirty funk band you’ve ever heard. But they carry an entire history in their booty-shaking music and unforgettably flamboyant costumes. As Mardi Gras Indians, the Wild Magnolias represent the defiant demand for pride their African-American ancestors made when faced with the rising tide of racism in 19th-century New Orleans, as well as their gratitude to the Choctaws and other Native Americans who aided escaping slaves, effectively welcoming the stranger.
The night before the Wild Magnolias take the stage, the Skirball will screen Tootie’s Last Suit, an insightful documentary about late legendary Mardi Gras Indian Allison “Tootie” Montana, revered for turning Mardi Gras Indian life away from gang-style violence towards artistic accomplishment
Omar Faruk Tekbilek intuited the connection between prayer and music one afternoon while playing the flute as a child in Turkey. That connection has guided the masterful multi-instrumentalist ever since, as he evolved from sought-after young musician in Istanbul to immigrant blue-collar worker in the U.S. to world-recognized peacemaker and virtuoso. Tekbilek weaves melodies and songs from across the Eastern Mediterranean into stunning compositions reflecting the Sufi belief that all is one.
Savannah (Georgia), USA – The Savannah Music Festival (SMF) announces its most artistically diverse lineup to date for the upcoming 2009 festival, including several commissioned works and a wealth of original productions showcasing a wide variety of American and international musical traditions.
Committed to enhancing the cultural landscape of Savannah, SMF programs combine elegance and soul in a way that mirrors the history and culture of the remarkable city. The unique musical arts event is one of the highlights of springtime on the southeastern U.S. coast and a distinctive destination for cultural travelers.
The 2009 festival takes place between March 19 and April 5 in historic downtown Savannah and features more than 100 musical performances in intimate settings.
Original Productions & Other Highlights
• Long Time Travelin’, a celebration of American folksong traditions: Rayna Gellert of Uncle Earl with Patrick Sauber, old-time balladeer Tim Eriksen, National Heritage Fellow Doyle Lawson & Quicksilver, the Tatnall River Shapenote Singers, and host Jim Lauderdale, an acclaimed Nashville singer-songwriter
• Jazz Now and Forever, a series of jazz greats including Dianne Reeves, Chick Corea & John McLaughlin’s Five Peace Band featuring Christian McBride, Kenny Garrett and Brian Blade, and The Clayton Brothers
• The Gershwin Songbook, jazz pianist Marcus Roberts and classical pianist Sebastian Knauer performing the greatest compositions of this masterful American composer
• The Blues was Born Here, an authentic southern blues review showcasing Piedmont blues masters Cephas & Wiggins on a one-time only bill with Georgia’s own Beverly “Guitar” Watkins
• Resplendent Recitals, a series highlighting the world’s finest recitalists including tenor Ian Bostridge, guitarist Manuel Barrueco, and pianists Garrick Ohlsson, Marc-Andre Hamelin and Sebastian Knauer
• Big World of Music, leading international artists such as fado star Mariza, Mike Marshall & Darol Anger with Väsen, Bela Fleck’s Africa Project featuring virtuosos Toumani Diabate, Vusi Mahlasela, and D’Gary, and Indian maestros Zakir Hussain & Shiv Kumar Sharma.
• The 16th annual American Traditions Competition, some of the nation’s most talented aspiring vocalists competing for more than $30,000 in prize monies
• The three-night Savannah Jazz Party featuring Bucky Pizzarelli, Howard Alden, Howard Paul and Ken Peplowski; the Ellis Marsalis Quartet; and the 2009 Piano Showdown with solos and duos by pianists Eddie Palmieri, Henry Butler, Aaron Goldberg and Bob Seeley
• The Complete Brandenburg Concertos performed by the Academy of Ancient Music with Richard Egarr
• Organ Stops, a six-concert series featuring such internationally acclaimed organists as Janette Fishell
• Everybody Dance Now, a three-concert series of dance parties featuring Eddie Palmieri & La Perfecta II, Zydeco great Cedric Watson, and the rising young Cajun ensemble, Feufollet
• Georgia On My Mind, a four-concert series including Savannah’s own Bobby Lee Rodgers & Friends in a one-time only event, as well as the Marcus Printup Quartet, Caroline Herring, and Sacred Harp Singing with Tim Eriksen
• Swing Central, a three-day high school jazz band and competition capped off by Battle Royale, the closing night finale concert featuring a cutting contest with trumpeters, saxophonists, trombonists and rhythm sections. Featured performers: Marcus Roberts Trio, The Clayton Brothers, Wycliffe Gordon, Terrell Stafford, Scotty Barnhart and others
• Roots & Twang, a varied series featuring Neko Case with Crooked Fingers, Punch Brothers featuring Chris Thile, The Infamous Stringdusters and The Lovell Sisters, and The Blues was Born Here
• Tap master Savion Glover, combining two different projects on a Savannah stage
Two remarkable instrumentalists join forces on a mandolin fest. American musician Mike Marshall is a renowned mandolinist who has played in numerous ensembles, performing a wide range of styles: newgrass, contemporary instrumental, jazz, etc. Meanwhile, Brazilian Hamilton de Holanda is a master of the bandolim, an instrument closely related to the mandolin.
For their collaboration, Marshall and De Holanda have chosen an impressive and eclectic mix of pieces, including originals by Marshall and De Holanda, together with Brazilian compositions by masters such as Hermeto Pascoal, and a piece by banjo revolutionary Bela Fleck.
If you want to see how these two marvels collaborate, the CD comes with a companion DVD of live footage.
Darol Anger & Mike Marshall – Woodshop (Adventure Music AMA1037 2, 2007)
Longtime acoustic music collaborators, Darol Anger (violin) and Mike Marshall (mandolin) have recorded together again on Woodshop. “We have one of those rare and wonderful relationshipsthat combines a very cool blend of two kids just playing in a sand box and two adults who truly respect each other’s creativity and are willing to help the other see their vision manifest itself,” says Mike Marshall about Darol Anger.
The album includes other musician friends who were also part of the Windham Hill family: Phil Aaberg on piano and Michael Manring on bass. Other guests include Todd Sickafoose on bass and Aaron Johnston on percussion.
Stylistically, Woodshop takes the listener in the audacious new acoustic realm. It’s a combination of virtuoso improvised acoustic music spiced with elements of bluegrass, jazz, classical and American folk. There is one pierce that breaks the mold. the musicians call it a West Coast Americana folkestra, emulating the large Turkish orchestras where all the musicians play the melody in unison.
During the last two decades, a new breed of American virtuoso musicians have developed primarily instrumental music with roots in bluegrass, country, Celtic and blues. Some call it new acoustic, others newgrass. Mike Marshall is one of the most prolific and creative of that generation. He is now recording for the Adventure Music label, which has released the latest Psychograss CD, Now Hear This (Adventure Music AM1017 2, 2005) and Brazil Duets, an album of stimulating duets featuring Marshall alongside top of the line American and Brazilian musicians.
Psychograss is a now legendary American roots band, which draws inspiration from bluegrass. It includes five leading instrumentalists: Darol Angel (violin), Mike Marshall (mandolin), David Grier (guitar), Todd Phillips (acoustic bass) and Tony Trishka (banjo).
The Brazil Duets recording is dedicated to Choro music from Brazil. Choro is anbinstrumental style that is growing in popularity inside and outside Brazil. For this project, Mike Marshall collaborates with an impressive list of musicians: Bela Fleck (banjo), Edgar Meyer (bass), Andy Narell (piano), Kaila Flexer (violin), Michael Manring (electric bass), Jovino Santos Neto (piano), Andy Connell (saxophone) and Jackie Rago (cuatro).
For a taste of Mike Marshall’s earlier works, Rounder Records has reissued The Duo (Rounder Records, 2005), with Darol Anger & Mike Marshall. Violinist Darol Anger and mandolinist Mike Marshall were pioneers of the New Acoustic Music movement, which brought folk, jazz, bluegrass and world music influences together in an instrumental acoustic setting. Their groundbreaking 1983 album The Duo, highlights their virtuosity and creativity.
Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion