Marinho – Gaitas de Fole em Portugal (Fundacao GDA, 2018)
Portuguese multi-instrumentalist Paulo Tato Marinho dedicates Gaitas de Fole em Portugal (Bagpipe music from Portugal) to the bagpipes of Western Europe. He plays various types of Iberian bagpipes along with Irish, Scottish and Breton pipes.
Gaitas de Fole em Portugal contains a mix of modern recreations
of traditional and medieval Portuguese tunes, dances and songs along with original
compositions. In addition to bagpipes, Paulo Tato Marinho also plays a wide
range of wind instruments, percussion and string instruments such as cavaquinho
and viola braguesa.
Gaita de fole is the name used in Portuguese to refer to a
set of wind and reed musical instruments that have in common the ability to
emit continuous sound through a flexible air bag. Its variety is enormous in
morphological and musical characteristics, corresponding to different
geographical and historical origins.
Paulo Tato Marinho was born in Lisbon, Portugal, in 1964. He
is dedicated to bagpipes as an instrumentalist, teacher, researcher, composer
He began playing the bagpipes in 1982. His taste for the instrument
was born in Alto Minho where he spent his vacations in the village of his
paternal family, São Pedro da Torre – Valença. In this area, bordering Galicia
(Spain), he saw and heard Galician pipers who led to an early fascination for
In 1983 he joined iconic Portuguese band Sétima Legião and
the following year he joined the dance and song group “Anaquiños da Terra” based
out of the Galician Center of Lisbon. In 1992 he was one of the founders of another
seminal band, Gaiteiros de Lisboa.
In 1999 he was one of the founders of “APEDGF – Portuguese Association for the Study and Dissemination of Bagpipes”. He has participated and collaborated in shows and recordings with various musical projects.
Omiri is the project of Portuguese multi-instrumentalist and composer Vasco Ribeiro Casais. Omiri combines Portuguese traditional folk music with electronics and stunning live visuals.
In 2019, Omiri released Alentejo Vol.I: Évora. Invited by the Évora City Council, Omiri collected the traditions, arts, cante (traditional singing from Alentejo), crafts and rituals of the local people with the goal of creating a unique show and an album. The project features the cowbell craftsmen, weavers, sculptors, singers, washerwomen, the Cante Alentejano, typographers, barbers, carpenters, cobblers, the campaniça guitar and everything else that is alive in Évora.
Vasco Ribeiro Casais says about the project: “The collections for this work were carried out between January and June of 2019, a temporary window that made me leave out many traditions that I would like to have included, like the picking of cork, the wine making process from harvesting to bottling, the harvesting of the olive, among many others. The Municipality of Évora has a lot to offer, much more than what I could capture and include in this work, but, as its title says, a first volume is just the beginning of something and who knows what the future will bring?”
Domingos Morais from the Institute for Literature and Tradition Studies at the School of Social and Human Sciences of the New University of Lisbon says: “The reinvention of traditional music is one of the sources that Vasco uses, for his knowledge of the records made by ethnomusicologists and disseminators of the songs of the peoples (all those who sensitize him). He is a poly-instrumentalist by choice, when he looks for each one of the instruments searching for its tone and potential sound as well as their unique performative potentialities.”
Alentejo Vol.I: Évora features guest appearances by Afonso Branco, Cantares de Évora, Vozes do Imaginário, Teresa Branquinho and Gigabombos do Imaginário.
Cristiana Águas is one of the most influential voices of the new fado generation. A singer with an international career, she studied chant and vocal technique, as well as Portuguese guitar and accordion.
She won several prizes in different Fado contests throughout Portugal and she provided the voice for the character representing the iconic Fado singer Amália Rodrigues (as a 20-year old) in the film Amália Rodrigues, produced by Valentim de Carvalho, exhibited in 24 countries and festivals like Cannes Festival and Festival Do Rio, Rio de Janeiro.
She appeared in most well-known Fado houses in Lisbon, like Luso, Faia, Adega Machado and regularly sings in Clube de Fado in Lisbon. She has performed in different countries such as Brazil, Netherlands, United Kingdom, France and Russia. She was also the host of the Japanese TV show JIN in Portugal, promoting Portuguese culture in Japan.
In 2014, Cristiana released her first album, Cristiana Águas, produced by Pierre Aderne, recorded in Portugal and Brazil. The album includes a stellar cast of Portuguese musicians (Luís Guerreiro, Carlos Leitão, António Quintino, Henrique Leitão) and Brazilians (Jorge Helder, Ricardo Silveira, Jurim Moreira, Dadi, An Oak, Golden Nilson, Gustavo Roriz)
Sandra Martins started studying the clarinet when she was five years old and the cello when she was seven, at the Academia Luísa Todi, in Setúbal. She continued her studies at the Oporto Higher School of Music.
Very early on, music became a way of life for her, and she has collaborated as a cellist on many occasions with various artists, including celebrated Portuguese musicians Rodrigo Leão and Júlio Pereira.
Sandra was a member of the RosaNegra project, a musical space where the combination of the thrill of fado with Mozarabic ornamentation constituted a challenge and helped affirm her art.
She is connected with traditional folk projects and European dances in the world music sphere. After many journeys, Sandra found in the trio Caixa de Pandora a place of her own, as well as a unique and original role made to the measure of her talent and artistic ability.
Born in France, of Portuguese descent, violinist Cindy Gonçalves started her musical education in Tourcoing, her hometown, at the age of seven. Later, she moved to Portugal, where she won the “Musical Youth” competition that allowed her to continue and finish her musical studies. At the same time, she attended a program in Drama Training at Lusíada University.
She joined the music project RosaNegra that combined fado and Mediterranean Sephardic music. Cindy later became a member of the trio Caixa de Pandora, an ensemble where she feels at home, the place that embraces her art and where she displays her boldness.
Violinist and performer of rare sensitivity and curiosity, Cindy also dedicates herself to projects related to dance, theater and puppetry.
Pianist, multi-instrumentalist, composer and musical producer Rui Filipe Reis started his musical education at the Instituto Gregoriano and became a professional musician at the age of twenty.
After collaborating with Dulce Pontes in the mid-1990s, he undertook a vast enterprise of composition and direction, while continuing to collaborate with many other singers, as well as in musicals, TV shows, music for dancing and the theater.
Starting in 2006, Rui Reis inaugurated a new artistic phase with such projects as Xaile and RosaNegra, the latter of which was awarded the 2012 Carlos Paredes Prize.
The trio Caixa de Pandora reveals Rui’s more emotional side.
Portuguese accordion quartet Danças Ocultas recorded Dentro desse mar at Casa do Mato Studios in Rio de Janeiro, produced by celebrated cellist and producer Jaques Morelenbaum. Danças Ocultas is a group of talented accordion players who perform exquisite contemporary musical pieces rooted in tradition and classical music. It is a nuanced sound, creating a mix of laid back ambience and melody rather than flashy virtuosity.
Dentro desse mar is a set of charming, elegant songs and instrumentals featuring various musical guests. Jaques Morelenbaum brought in Brazilian percussionists, highly expressive cavaquinho, several other instrumentalists and guest vocalists from Brazil and Portugal, who provided finely-crafted chemistry around the accordions. Morelebaum also contributed his own enchanting cello work.
The line-up includes Artur Fernandes on diatonic accordion; Francisco Miguel on diatonic accordion; Filipe Cal on diatonic accordion; and Filipe Ricardo on diatonic accordion; David Feldman on pinao; Marcos Suzano on percussion; Brazilian singer Zelia Duncan; Jaques Morelenbaum on cello; Rogério Caetano on 7-string guitar; Luis Barcelos on mandolin and cavaquinho; Marcelo Costa on percussion; Portuguese fado singer Carminho; Robertinho Silva on percussion; Dora Morelenbaum on vocals; Tiago Abrantes on cvlarinet; and Paulo Braga on percussion.
Dentro desse mar features a captivating amalgam of Portuguese and Brazilian influences under a modern prism.
Danças Ocultas is an ensemble comprising four accordionists from Agueda near Porto, in Portugal. The quartet is among the most innovative and most exciting representatives of contemporary Portuguese music. Their concept is based on tranquil, lyrical, almost traditional music, performed with only four diatonic accordions.
The quartet’s name, Hidden Dances, has nothing to do with mysterious domains but instead means that Dancas Ocultas play music for dances that have yet to be invented. Portuguese fado plays a minor role in the ensemble’s sound; the band’s inspiration comes instead from traditional village music, Tango Nuevo and the chamber music exemplified by the Russian Terem Quartet.
Dancas Ocultas neither engage in virtuosity competitions, nor do they play pure folk music. “Impressionist Folk” is perhaps the best definition for this timeless art music: minimalist, thoughtful sound designs full of unanticipated turns and gracious melancholy.
One of the first supporters of Danças Ocultas was Gabriel Gomes, the accordionist of Portugal’s most famous world music band Madredeus. He encouraged them to explore their own sound worlds.
Dancas Ocultas’ collaboration with choreographer Paul Ribeiro and the Gulbenkian Ballet, regular appearances at international festivals and a highly acclaimed showcase at the World Music Expo (WOMEX) in 2010 have resulted in wide international recognition.
The line-up includes Artur Fernandes on diatonic accordion; Francisco Miguel on diatonic accordion; Filipe Cal on diatonic accordion; and Filipe Ricardo on diatonic accordion.
Danças Ocultas (EMI VC, 1996) (EMI VC, 1998) Travessa da Espera (L’Empreinte Digitale, 2002) Pulsar (Magic Music, 2004) Tarab (Numerica, 2009) Alento (iplay / Galileo MC, 2011) Arco, EP (Uguru, 2014) Amplitude (Uguru/Galileo Music, 2016) Dentro desse mar (Galileo Music, 2018)
Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion