Brian Dunning had been a professional flutist in Ireland, playing regular classical and jazz gigs, before coming to the U.S. in 1977 to study at the Berklee College of Music in Boston. “I remember hearing a flute solo on a tune by Them (with Van Morrison) when I was about 16.” Dunning recalls, “and it really used to send me. But jazz became my love.” So it’s not surprising that Dunning’s influences would include both classical master James Galway and jazz great Herbert Laws. But it was after hearing Micheal Ó Domhnaill and Kevin Burke playing duets at a music festival in Birmingham, Alabama that Dunning realized what direction his own music might take. “I jammed with Micheal there,” he says, “and that really made me want to write music that had on Irish flavor but with the freedom of jazz.”
From collaborating with bodhran player Tommy Hayes in a Celtic-tinged improvisational project called Puck Fair, Dunning and O Domhnaill settled into their long-term musical relationship in Nightnoise.
Mel Mercier is a lecturer in Music at UCC where he specializes in Irish Traditional Music, Ethnomusicology, Javanese Gamelan, Indian Classical Music and Ewe Dance Drumming (Ghana). Born in Dublin in 1959, he received his first bodhran and bones lessons from his father, Peadar Mercier, a member of The Chieftains until 1976.
Mel has performed and collaborated with pianist and composer, Micheal O Suilleabhain, for over twenty-five years and, throughout the 1980s, he performed extensively in Europe and the USA with John Cage and the Merce Cunningham Dance Company. He has also performed and recorded with many of the leading Irish traditional musicians of the last thirty years and his Bodhran & Bones video tutor was released in 1991 by Interworld Music. Mel has given bodhr?n and bones workshops in the USA and Europe for more than twenty years.
Mel also composes music for theater, working regularly with Deborah Warner and Fiona Shaw (Medea at Abbey Theatre, West End London, Broadway ? Drama Desk Award nomination, Paris, and Rome 2000-3. The Powerbook at National Theatre UK, Paris, and Rome 2003-4. Julius Caesar at Barbican, Paris, Madrid, and Luxembourg 2005. Readings – Paris 2005. Happy Days – National Theatre, London 2007) He co-composed (with Linda Buckley) the music for Corcadorca’s A Midsummer Night’s Dream in 2000 and The Merchant of Venice in June 2005.
Mel directs the UCC Javanese Gamelan and has been commissioned to write several contemporary works for the ensemble (Telephones and Gongs, 2004. Kelly and Andy, 2005). Mel was commissioned to write Panarama, the Signature Music for Cork 2005: European Capital of Culture.
One of the most sensational musical pioneers to explode on the Irish scene, Melanie O’Reilly is now firmly established in the pantheon of creative Irish artists.
As a performer/singer-songwriter, her exhilarating and unique blend of Irish traditional music and jazz creates a powerful and haunting soundscape, exploring untouched frontiers, and which captivates audiences on both sides of the Atlantic.
Born in Dublin, Melanie comes from a family of musicians and actors, and she spent most of her youth treading the boards as an actress and singer, while at the same time was a multiple- award -winner singing in Dublin’s Feis Ceol competitions.
Her passion for jazz began when her sister Clodagh introduced her the sound of jazz singers at the age of 11. Intrigued by the rhythms and scat improvisations of Ella Fitzgerald, she decided then that she would become a jazz singer, and she immersed herself in the music of other jazz giants such as Billie Holiday, Sarah Vaughan, Miles Davis and Dizzy Gillespie. She also absorbed much by listening to Irish groups such as Horslips, Louis Stewart’s Trio and the Sean-nos (unaccompanied traditional) singing of Sean O Riada.
After an Arts Degree from University College Dublin, Melanie began her professional musical career, discovering the possibilities of mixing jazz with traditional Irish music and began to build phenomenal respect within jazz circles.
Melanie tours extensively throughout Ireland, Scotland, England, France and other parts of Europe and the United States. Venues of note include New York’s Cooper Union, the London Barbican, the Lorient Festival Inter-Celtique in Brittany, the Cork International Jazz Festival, La Fete de la Musique in Norway and the Royal Festival Hall in London; a special highlight of her international work was performing at the Lincoln Center Out-of-Doors festival in New York. Her 2004 concert with guitarist Larry Coryell at Dublin’s Green Room was noted as one of the top jazz concerts of the year by the Sunday Independent (Dublin).
Melanie is a regular performer on the BBC radio and TV and on Ireland’s National broadcast station (RTE) as well as being a frequent guest on French radio and TV. In 2004 she entered the world of radio broadcasting, being asked by RTE to record a series of interviews with American jazz musicians. Her interviews of Bobby McFerrin, David Benoit, Larry Coryell, Kitty Margolis and others will air under the name ‘Jazz on the Bay’ in 2005.
Melanie’s stunning Celtic jazz album Oilean Draiochta (Enchanted Island) received the critical thumbs-up from the artistic community as well as garnering wide radio play and has contributions from a host of renowned musicians such as guitarist Larry Coryell, and Irish traditional stars Tommy Hayes and Eileen Ivers. It also features songs that were the result of her collaboration with Nuala Ni Dhomhnaill.
Other recordings include the album House of the dolphins, a further development of Melanie’s fusion of Celtic jazz, and nominated for Best Contemporary Album and Best Contemporary Female Artist by Irish Music magazine.
Her subsequent album, Aisling Ghear (Bitter Vision), is a duo album with guitarist Sean O’Nuallain and has been released to wide critical acclaim. Two of her songs she has co-written with Nuala ni Dhomnaill, ‘Chugat an Puca’ and ‘Amhran na Milaoise,’ were chosen for the compilation albums -‘Realta ’98‘ and ‘Realta 2000‘ (RTE). She also featured on the recently released French album Lorient Festival Interceltique ‘Trent Ans/Thirty Years, a compilation of the best of Lorient.
Melanie’s album, Women who Left, is an original song cycle exploring 19th Century Irish emigration to America through a fusion of jazz and Irish traditional themes.
In addition to her performing and recording work, Melanie also enjoys her work as a music educator. Since 1994, she has taught jazz vocals in workshops and to individual students and has presented workshops in the Scottish Highlands and Islands and at Princeton University, the Chicago Irish Heritage Center the University of Wisconsin, Milwaukee, the National Concert Hall in Dublin and Napier University, Edinburgh.
In 2003, she was awarded a Visiting Research Scholarship by the University of California at Berkeley in the Celtic Studies program to develop and research the theme of Irish immigration for her songwriting and performing. She currently resides in Berkeley (California).
Micheal Ó Domhnaill was born and raised in Kells, County Meath, Ireland. Mícheál and his sisters, Triona and Maighread grew up in Kells, spending their school vacation with their parents in Irish-speaking Rann naFeirste.
Their father, Hugh, was a musician, singer and collector of songs. Their mother, Brid, was a choir singer, so the children grew up in a very fertile musical environment. They received music lessons from an early age. Mícheál received piano lessons from the age of six until he was sixteen. At that age he decided to focus on the guitar, his preferred instrument.
Summers in Donegal brought the siblings into contact with their aunt, Neil?, a well-known singer who had a vast repertoire of songs in Irish and English. Other acquaintances made in Donegal were Pol and Ciarán Brennan (members of Clannad), and Daithi Sproule (long a member of Altan).
Mícheál and Triona came together with Daithi when they went to University College Dublin in the late 1960s. They played gigs around Dublin and Mícheál and Daithi spent a summer as the house band at Teach Hiuda? Bhig in Gaoth Dobhair (Gweedore), Donegal. Around 1970, the three siblings -Mícheál, Triona and Maighread – teamed up with Daithi Sproule to form Skara Brae.
Skara Brae produced an album of the same name, Skara Brae, in 1971, and broke up in 1972. The album was re-released in 1998 by Gael-Linn.
Then followed a stint with Mick Hanly in a duo named Monroe, which release the album Celtic folkweave in 1974. In 1975 he was a founder member of one of the most influential Irish traditional bands The Bothy Band. In the four years the band was together they toured extensively and recorded several highly acclaimed albums and although The Bothy Band broke up in 1979 their legacy still lives on in the young traditional bands coming out of Ireland today.
After the demise of The Bothy Band , Micheal moved to the United States of America where he played with many musicians including fiddle player Kevin Burke, also of The Bothy Band .
Later, he formed Nightnoise. The group began as a collaboration between American fiddler Billy Oskay, and Irish singer/guitarist Mícheál Ó Domhnaill. Together, they released the album Nightnoise in 1984. Three years later, Mícheál’s sister, Irish pianist/vocalist Triona N? Dhomhnaill, who had previously collaborated with her brother in Skara Brae, Relativity, and The Bothy Band; and Irish-American flutist Brian Dunning joined the original duo. Nightnoise, the band, was born. Nightnoise gained widespread recognition and acclaim throughout The United States and Europe.
Micheal returned to Ireland in the 1990s. He recorded the album Athcuairt/Reprise with fiddler Paddy Glackin
Micheal Ó Domhnaill died July 9, 2006, in Dublin. He was 54.
Skara Brae (Gael Linn, 1971)
Celtic Folkweave, with Mick Hanly (1974)
Mirella Murray (accordion) grew up in Claddaghduff, Ireland. Her father John Joe, is a leading sean nos dancer,from Inishark Island, Ireland, and has a deeply-rooted understanding of, and love for, traditional music. Mirella studied the piano accordion under the guidance of from Mary Finn (a great player from the musical Finn family of Ballymote, County Sligo). She and fiddler Liz Kane won the All-Ireland duet in 1995, while Mirella gained the title on the piano accordion that same year. The pair performed together for years and toured in France and North America with Comhaltas.
Later, Mirella teamed up with the fiddle player Tola Custy and they played throughout Ireland and Europe as part of various tours and festivals. Their album, Three Sunsets received critical acclaim and was voted one of the top five albums of 2002 by The Irish Times.
Mirella has accumulated a vast store of tunes from her travels, and musicians such as Sharon Shannon, Lunasa, and the Bumblebees credit her as a source for many uncommon melodies.
Moving Cloud was based mainly in Ennis, County Clare. This quintet was one of the finest traditional bands playing for dancing in Ireland in the 1990s. They were also a stellar concert band featuring five accomplished Irish musicians. The group played a wide variety of dance styles: jigs, reels, horn pipes, barn dances, clogs, waltzes, polkas and flings. Maeve Donnelly and Manus McGuire were former members of the group Buttons &Bows.
Musicians: Paul Brock (accordion and melodeon), Maeve Donnelly (fiddle), Manus McGuire (fiddle), Kevin Crawford (flute) amd Carl Hession (piano).
Arty McGlynn, born in Omagh, County Tyrone, was one of the leading guitar players in Ireland. He started playing guitar at the age of eleven, influenced by the great jazz guitar masters.
By the age of fifteen, he was already playing professionally various genres of music. Near the end of the 1970s, Arty focused his interest on Irish traditional music and released his first solo album, McGlynn’s Fancy. It was the first album in which the guitar was played in an authentic traditional style. Eventually, it became a classic recording.
Arty thereafter became one of the most in demand musicians in Ireland. He performed and recorded with Enya, Christy Moore, Paul Brady, Donal Lunny and Liam O’Flynn. He also played as a member of celebrated groups such as Planxty, Patrick Street, De Danann and The Van Morrison Band.
Arty recorded as a duo with fiddler Nollaig Casey. They released Lead the Knave (1990) and Causeway (1995).
Nollaig Casey has a great international reputation as an exponent of Irish traditional music on the fiddle. She is a winner of several All-Ireland titles for fiddle-playing and traditional singing. She has played with the RTE Symphony Orchestra and has recorded and toured with a variety of artistes including, Planxty, Moving Hearts, Liam O’Flynn, Mary Black, Elvis Costello, and most recently with Donal Lunny’s band, Coolfin. Her television appearances include the BBC TV series Bringing it All Back Home and A River of Sound.
She collaborated with Arty McGlynn as a duo, Nollaig Casey and Arty McGlynn. Their first album together, Lead the Knave (1990), was awarded the Belfast Telegraph Entertainment Media and Arts Award for excellence in the field of Folk Music. Their second album together. Causeway (1995, Tara Music), features Nollaig’s superb singing for the first time, and nine sets of original tunes composed by Nollaig and Arty, and includes the harmonica playing of Brendan Power. They also arranged and played music for the soundtrack of the feature film Moondance as well as Hear My Song, the feature film based on the life of singer Joseph Locke.
In 2015 she recorded an album with her sisters, virtuosa harp player Máire Ní Chathasaigh and fiddler Mairéad Ní Chathasaigh.
Lead The Knave (Ringsend Road Music Group, 1989) Causeway (Tara Records, 1995)
Irish Heritage (Outlet, 1998) The music of what happened (Old Bridge Music, 2004)
Heartstring Sessions (Old Bridge Music, 2008) Sibling Revelry, with The Casey Sisters (Old Bridge Music, 2015)
Internationally acclaimed singer-songwriter Robbie O’Connell brings an inspired vision and new voice of Ireland to American audiences. Robbie O’Connell was born in Waterford, Ireland and grew up in Carrick-on-Suir, County Tipperary. In 1979 he moved to the United States, to Franklin, Massachusetts.
First coming to international prominence touring with his legendary uncles The Clancy Brothers, he has appeared in such prestigious venues as Carnegie Hall and Madison Square Garden. Loved by metro audiences for his appearances with Green Fields of America, Seamus Egan (of Solas) and Eileen Ivers (of Riverdance), O’Connell’s songs have been recorded by celebrity artists such as American country artist Kathy Mattea.
In 1993 he released “Never Learned to Dance,” an album of original songs. This was followed by “Older But No Wiser” with the Clancy Brothers in 1995. Next came the “Clancy, O’Connell & Clancy” album.
In 1998 Robbie released “The Wild and Wasteful Ocean” CD with Liam and Dónal Clancy. That same year, two additional albums came out: “Robbie O’Connell, Live, Humorous Songs” and “All on a Christmas Morning” with the group Aengus.
“Recollections,” a twenty-year complication album was released in 2001.
In 2006 Robbie started an ongoing collaboration with his cousins Aoife and Donal Clancy. The Clancy Legacy, their first album together was released in 2010.
In 2009, the second album by the Green Fields of America project came out.
Alternating between heart-breaking tragedy and side splitting hilarity, O’Connell’s songs define the Irish condition, both for natives and American-born, in intriguing and enthralling ways. His intimate, breathy tenor has long been a treat, and his wonderful sense of pace, effortlessly moves his listeners from profound sadness to riotous laughter.
The Clancy Brothers With Robbie O’Connell – Live! (Vanguard, 1982) Close To The Bone (Green Linnet, 1982)
There Were Roses (Green Linnet, 1986)
Kilkelly *Green Linnet, 1987)
Tunes ‘N’ Tales Of Ireland (Folk Era Records, 1988)
The Love Of The Land (Green Linnet, 1989) Never Learned To Dance (Green Linnet, 1993)
Older But Not Wiser (Vanguard, 1995)
Clancy, O’Connell & Clancy (Helvic Music, 1997) Humorous Songs – Live (Celtic Media, 1998) Recollections Vol. 1 (2001)
The Wild & Wasteful Ocean (Helvic Music, 2002) The Clancy Legacy (2010)
The Greenfields of America (Compass, 2009)
Niamh Parsons is one of the freshest and most powerful voices out of Ireland today. The great Scottish balladeer Archie Fisher says of Niamh, “a voice like hers comes along once or twice in a generation.” Likened to such singers as Mary Black, Dolores Keane or the late Sandy Denny, Niamh’s smoky, silken voice stands on its own on traditional Irish or contemporary pop songs.
Born and raised in Dublin, Niamh (pronounced “Neeve”) was surrounded by music from an early age. She and her sister learned traditional Irish songs and harmonizing from their father, who instilled in them the joy of singing. “Daddy has a beautiful voice,” says Niamh, “and a great ear for a good song.”
As a young woman, she came upon a traditional song session at Dublin’s Brazen Head Pub, where she expanded her repertoire. Gerry “Banjo” O’Connor heard her there, asking her to join the band Killera, with which she sang for two years. In 1989, she was invited by Mike Scott of The Waterboys to sing with him at Dublin’s Olympia Theatre.
Niamh’s meeting with Belfast musician Dee Moore led to a partnership in both music and life. The songwriter and bass-player found in Niamh a perfect voice for his songs. With their band of top-notch Belfast musicians, The Loose Connections, Niamh and Dee were invited to play the Edinburgh (Scotland) Folk Festival. Ian Green of the Celtic label Greentrax heard Niamh sing at an Edinburgh club, and offered her a recording contract on the spot.
Niamh’s debut recording, Loosely Connected (Greentrax 1992, Green Linnet 1995) met with the highest of praise. A beautiful mix of traditional Irish and contemporary songs, it featured what would come to be Niamh’s signature song, the stunning “Tinkerman’s Daughter.” Produced by Vinnie Kilduff, the album had a cast of hand-picked Belfast musicians many of whom have become stars in their own right, including Brian Kennedy, piper John McSherry (Lúnasa, Coolfin), accordionist Alan Kelly, and session players from the bands of Van Morrison and Mary Black.
One month after the release of the album, renowned bodhran player Johnny “Ringo” McDonagh of De Dannan fame heard the disc, and invited Niamh to join his traditional Irish band Arcady, as singer Frances Black was leaving to pursue a solo career. Niamh is still a member of the band, and appears on their Shanachie recording Many Happy Returns.
Touring with both her band The Loose Connections and Arcady, Niamh has appeared at festivals around the world, including Tönder (Denmark), Gasport (UK), Schaffhiusen (Switzerland), Wolfenbottle (Germany), The Hong Kong Folk Festival, and in America at The San Francisco and Dallas Celtic festivals, and the Edmonton and Calgary (Canada) Folk Festivals.
Niamh’s first record was released in America on the Green Linnet label, followed up by a worldwide recording deal with the label. Her second album, Loosen Up (Green Linnet, 1997) was another buoyant mix of Moore’s originals and well-chosen contemporary ballads, like the gorgeous “Cloinhinne Winds” and Tom Waits’ “The Briar and the Rose,” a powerful a cappella duet with Fran McPhail of the Voice Squad. Once again the album had first-class musicians, including guitarist Gavin Ralston (Mike Scott, Sharon Shannon) and young Kilkenny accordion player Mick McAuley (now with Solas).
1999 saw Niamh with a brilliant new release of traditional Irish ballads, called Blackbirds and Thrushes. The collection of songs span over 15 years of Niamh’s singing repertoire. She has painstakingly collected and researched the history of each song, creating an album that is a deep reflection of her. In Niamh’s own words, “these songs are living in me.”
Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion