Tag Archives: American folk music

Artist Profiles: Becky Buller

Becky Buller in 2016

Becky Buller grew up in Minnesota. She played fiddle with her parents and Gordy and Roxy Shultz in the group Prairie Grass. She studied classical violin with both Patti Tryhus and Charles Gray and participated in the Mankato Area Youth Symphony and the Minnesota All-State Orchestra while in high school. Becky won the junior division of the 1996 Minnesota State Old Time Fiddle Championship in Cotton, Minnesota.

She graduated in 2001 with a public relations degree from East Tennessee State University (ETSU), where she took part in the prestigious Bluegrass, Old-Time and Country Music program. That same year, Becky’s songwriting won first-place in the bluegrass category of the prestigious Chris Austin Songwriting Contest at MerleFest in Wilksboro, North Carolina.

Her journey as a professional musician included ten-years with Valerie Smith & Liberty Pike. She is featured on several of that group’s recordings, wrote for the group and toured internationally with them as well. She also produced several of Val’s records.

Becky was also a significant part of three albums with the award-winning Daughters of Bluegrass: Pickin’ Like A Girl (2013), Bluegrass Bouquet (2008), and Back To The Well (2006), which won the 2006 IBMA Recorded Event Of The Year award.

In 2018, Becky performed with the all-female bluegrass super-group, The First Ladies Of Bluegrass, which includes all the first women to win in their respective categories at the IBMA awards: Alison Brown (banjo, 1991); Becky (fiddle, 2016); Sierra Hull (mandolin, 2016); Missy Raines (bass, 1998); Molly Tuttle (guitar, 2017). This configuration took home the 2018 IBMA Recorded Event Of The Year award for their work on “Swept Away”, written by Laurie Lewis and recorded by the First Ladies on Missy Raines’ solo album, Royal Traveller.

Crêpe Paper Heart, Becky’s fourth solo album and second release for the Dark Shadow Recording label, came out on Valentine’s Day 2018. The album featured Becky’s renowned road band: Ned Luberecki (banjo); Professor Dan Boner (mandolin/guitar/vocals); Brandon Bostic (guitar); Daniel “Hulk” Hardin (bass/vocals); and Nate Lee (fiddle); along with award-winning guests Rhonda Vincent, The Fairfield Four, Sam Bush, Frank Solivan, Claire Lynch, Rob Ickes, Stephen and Jana Mougin, and Erin Youngberg (FY5).

In 2018, Becky Buller released a music video featuring special guest artist, Sam Bush. “The Rebel And The Rose,” co-written by Buller, appeared on her Crepe Paper Heart album. “This song is special to me on so many levels, from writing it with my dear friend, Tony Rackley, to recording it with my hero, Sam Bush,” Becky said. “The message of hope in this song is timeless; not one of us is so broken that love can’t mend us.

Becky Buller and Sam Bush

Becky is very active in the bluegrass music business community, serving on the IBMA Foundation board. She was on the IBMA Board of Directors from 2013-17 and did a three-year term as chair of the IBMA Songwriter Committee from 2013-16.

Discography:

Little Bird (Bell Buckle Records, 2004)
Rest My Weary Feet (2000)
Here’s A Little Song, with Valerie Smith (Bell Buckle Records, 2007)
Tween Earth and Sky (Dark Shadow Recording, 2014)
Crêpe Paper Heart ‎(Dark Shadow Recording, 2018)

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Candid Respect for American Stringband Music

Tui – Pretty Little Mister

Tui – Pretty Little Mister (Hearth Music, 2019)

The shiny sparkly goodness whipped up on the debut recording Pretty Little Mister by the duo called Tui must be akin to the goodness that makes hummingbirds hang around the backdoor, make bad dogs go good and why some fish jump out of the water to kiss the light. Writer’s hyperbole? Perhaps, but only by inches because this is an excellent CD in the resurgence of Americana stringband music. Tight, neat instrumentation, expressive vocals and infectious energy transform Pretty Little Mister into a true delight.

The duo of Tui is fashioned out of singer and musician Jake Blount, one of the few African American banjo players on the stringband scene today and Libby Weitnauer, a sweet voiced fiddler and banjo player from Maryville, Tennessee. This unlikely duo have come to stringband music from entirely different backgrounds.

Mr. Blount found his way beyond funk and metal to American folk through his studies at Hamilton College and delved deep after the acquittal of George Zimmerman for the murder of Trayvon Martin in 2012. He says, “I remember going into my bedroom and pulling out these old spirituals, digging through the music of black people and slaves to figure out what our coping mechanism was.” Picking up the banjo seemed fitting as it was African slaves in the Chesapeake Bay area were the first to have brought the banjo to the America.

For Ms. Weitnauer the banjo and fiddle are a sort of birthright in Maryville, Tennessee. She says, “I moved to Chicago to get my degree in violin performance and I got homesick and had a reframing of my upbringing. Growing up, you’re supposed to feel shame about growing up in that area. Once I moved away, it became more a feeling of pride, so playing fiddle music was an expression of that.”

But in order to play this kind of music you have to find it first. More than just reclaiming, it’s a kind of unearthing by way of a worldwide roundabout of musicians that share old field recordings, archival material and trades of knowledge of long forgotten songs and musicians. It’s by way of this deep dive into the stringband traditions that the material for Pretty Little Mister emerges.

It’s simply apparent from the get-go that Mr. Blount and Ms. Weitnauer are masterful musicians, but it is the almost elegant interplay of this pair that makes the recording sparkle, especially on instrumental tracks like “Crazy Horse,” “Eighth of January” and “Twin Sisters.”

Equally delightful are tracks like “Sugar Babe” with Mr. Blount’s haunting vocals or the sweet vocals of Ms. Weitnauer on “Went Up on the Mountain” or the swayback slide of her vocals on “Mistreated Mama Blues.”

The duo of Tui offers up first rate performances that come across with a kind of genuine respect and love for the tradition.

Buy Pretty Little Mister

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Vocal Worldly Delights from Moira Smiley


Moira Smiley – Unzip The Horizon

Moira Smiley – Unzip The Horizon (Moira Smiley Music, 2018)

Itinerant American multi-instrumentalist, composer and prodigious singer Moira Smiley has toured the world with various ensembles. Her solo album Unzip The Horizon contains a delightful set of songs where she delivers remarkable solo, overdubbed and layered vocals. Her influences include contemporary American folk music, blues, African beats, jazz, Eastern European vocal traditions, Irish music and mesmerizing electronic ambience.

Personnel: Moira Smiley on vocals, accordion, banjo, piano, prepared piano, percussion, body percussion, field organ, keyboards, string arrangements; Sola Akingbola on percussion; Laura Bohn on vocals; Charlie Campagna on guitar; Krista Detor on vocals; Pilar Diaz on ukulele; Seamus Egan on percussion; Dena El Saffar on violin, viola, josa; Merrill Garbus on vocals; Elizabeth LaPrelle on vocals; Sam Lee on vocals; Jens Linell on percussion; Vanessa Lucas-Smith on cello; Steve Mascari on bass; Joseph Phillips on bass; Rekan Ibrahimi on percussion; Chip Reardin on percussion; Anna Robertson-Gevalt on vocals; Darrell Scott on vocals, piano; Chloe & Leah Smith on vocals; Jayme Stone on banjo; Kristen Toedtman on vocals; and David Weber on percussion, keyboards.

Buy Unzip The Horizon

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Artist Profiles: Rhiannon Giddens

Rhiannon Giddens

Rhiannon Giddens was born February 21, 1977 in Greensboro, North Carolina. She is a renowned multi-instrumentalist, composer, singer-songwriter and researcher, best known as one of the founders of the country, blues and old-time music band Carolina Chocolate Drops, where she was the lead singer, violinist, and banjo player.

The Carolina Chocolate Drops’ album Genuine Negro Jig won the Grammy Award for Best Traditional Folk Album at the 53rd Annual Grammy Awards.

One of the essential part of Giddens’ work is her research of folk instruments and traditions of the African-American diaspora.

Rhiannon Giddens – Photo by Dan Winters

A MacArthur “Genius” Grant recipient, Rhiannon has performed for the Obama’s at the White House and acted in two seasons of the hit television series Nashville.

In February 2015, Giddens released her debut solo recording
Tomorrow Is My Turn on Nonesuch Records to widespread critical acclaim. Produced by T Bone Burnett, the album includes songs made famous by Patsy Cline, Odetta, Dolly Parton, and Nina Simone.

In addition to her solo recordings and her albums with the Carolina Chocolate Drops, Rhiannon recorded Out On the Ocean: Music of the British Isles (2004) and Northern Lights (2005) with Gaelwynd; Lost on the River: The New Basement Tapes (2014) as The New Basement Tapes; and Songs of Our Native Daughters (Smithsonian Folkways), a collaborative album that tells the stories of historic black womanhood and survival. Rhiannon has European American, African American and Native American background.

In 2016, Rhiannon received the Steve Martin Prize for Excellence in Banjo and Bluegrass.

in 2019 she collaborated with Italian multi-instrumentalist Francesco Turrisi. they released an album titled

Dicography:

With Carolina Chocolate Drops:

Dona Got a Ramblin’ Mind (Music Maker, 2006)
The Great Debaters Soundtrack, with Alvin Youngblood Hart, Sharon Jones and Teenie Hodges (Atlantic, 2007)
Heritage (Dixiefrog, 2008)
Carolina Chocolate Drops & Joe Thompson (Music Maker, 2009)
Genuine Negro Jig (Nonesuch, 2010)
Carolina Chocolate Drops/Luminescent Orchestrii EP (Nonesuch, 2011)
Leaving Eden (Nonesuch, 2012)

As Rhiannon Giddens:

We Rise, EP (NC Music Love Army records, 2014)
Tomorrow Is My Turn (Nonesuch, 2015)
Factory Girl, EP (Nonesuch, 2015)
Live at Jazzfest 2016 (MunckMix, 2016)
Freedom Highway (Nonesuch, 2017)
Live at Jazzfest 2017 (MunckMix, 2017)
There Is No Other, with Francesco Turrisi (Nonesuch, 2019)

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Big Statements and African Diaspora Roots Sounds from Leyla McCalla

Leyla McCalla – Capitalist Blues

Leyla McCalla – Capitalist Blues (PIAS, 2019)

Capitalist Blues is the third album by former Carolina Chocolate Drops cellist and singer-songwriter, Leyla McCalla. On Capitalist Blues, Leyla incorporates a wide range of influences that reflect her Haitian heritage, the music of the Afro-diaspora and her current home in New Orleans, which is one the essential musical melting pots of the United States.

Leyla sings in English and in Haitian Kreyol and collaborated with local artists and acclaimed Haitian ensemble Lakou Mizik, who participated in the album while they were staying in New Orleans to perform at the Jazz and Heritage Festival. In addition to African-American and Haitian music, Leyla also added Brazilian rhythms and Cajun music to Capitalist Blues.

Capitalist Blues illustrates Leyla’s ideas and sentiments about the current world events, including violence in Aleppo during the Syrian civil war; capitalism; lead poisoning in water that has affected many minority communities, especially in Flint, Michigan; the divisiveness of Donald Trump; and the protests in New Orleans over the dismantling of Confederate monuments.

For this album, Leyla McCalla decided to use the guitar and banjo instead of her familiar cello.

Capitalist Blues s is a finely-crafted example of the essence of New Orleans roots music and songwriting with a social conscience.

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An Instructive Representation of Black Cowboy Music

Dom Flemons – Black Cowboys

 

Dom Flemons – Black Cowboys (Smithsonian Folkways Recordings, 2018)

Celebrated multi-instrumentalist, singer and musicologist Dom Flemons, a founding of the seminal Carolina Chocolate Drops, explores and honors the African American cowboy songs of the Old West.

Dom Flemons used poems, rearranged traditional songs and composed new material using a mix of American folk, country and other American roots music forms.

On Black Cowboys, Dom Flemons is joined by various blues and folk musicians from the Washington Dc area as well as members of the Squirrel Nut Zippers.

Dom Flemons played a wide-range of musical instruments from various traditions: 6-string banjo; background vocal; cow “rhythm” bones; fiddle; fife; Fraulini Angelina 6-string guitar; Fraulini Angelina 6-string guitar-banjo; Mexican guitarrón; harmonica; Hawaiian guitar; kazoo; mandolin; marching bass drum; original Hound Dog resonator guitar; Plectrum 4-string banjo; quills (musical instrument); recitation; snare drum; Stella 12-String Guitar; upright bass; and vocals.

 

 

Flemons’ earlier recording include Prospect Hill (Music Maker, 2014) and American Songster (2009).

The extensive Black Cowboys CD booklet contains a history of black culture in the American West, details about the songs, vintage photos and biographical information about the artists.

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Artist Profiles: Toshi Reagon

Toshi Reagon

Born in Atlanta and raised in Washington DC, Toshi Reagon cites her musical abilities from her family. Both parents belonged to SNCC’s (Student Non-Violent Coordinating Committee) The Freedom Singers a folk group that sprung from the Civil Rights movement and toured the country to teach people about civil rights through song. Bernice Johnson Reagon is not only Toshi’s mom but the founder of the world renowned a capella ensemble Sweet Honey In The Rock (she retired in 2004 after 30 years with the group).

Toshi and her mom have collaborated on many projects together including co-producing many of Sweet Honey’s recordings. In 2009 they worked on ‘The Temptation of St. Anthony’, a musical-theater work based on a tale by Gustave Flaubert. The piece is directed by Robert Wilson with music and libretto by Bernice Johnson Reagon. Toshi wrote the instrumental arrangements and serves as the production’s musical director.

Her rich musical heritage led her to become saturated in many traditional styles of music feeding her desire to explore a range of music that was not as accessible from blues to Kiss. Admittedly Toshi says that she attempts to: ‘take whatever I’m really into and try to learn it and put it into music.’

Toshi is a recipient of 2004 New York Foundation for the Arts (NYFA) award for Music Composition.

Discography

Justice (Flying Fish Records, 1990)
The Rejected Stone (1994)
Kindness (Smithsonian Folkways, 1997)
The Righteous Ones (Razor and Tie, 1999)
Africans in America Soundtrack (Ryko, 2001)
Toshi (Razor and Tie, 2002)
I Be Your Water (2004)
Have You Heard (Righteous Babe Records, 2005)
Until We’re Done (2008)
Lava: We Become (2009)
There and Back Again (2010)

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Artist Profiles: Paul Simon

Paul Simon – Photo by Myrna Suarez

 

Folk singer Paul Frederic Simon was born October 13, 1941 in Newark New Jersey. His music career started in Forest Hills High School when he and his friend Art Garfunkel began singing together as a duo occasionally performing at school dances. In 1964 Simon and Garfunkel got signed by Columbia Records. Their first LP, Wednesday Morning 3 AM was released in 1964.

The first album didn’t do very well so Simon moved to England where he released The Paul Simon Song Book in 1965. He returned to the United States to reunite with Garfunkel. They recorded several albums that had considerable commercial success, including Sounds of Silence (1965); Parsley, Sage, Rosemary and Thyme (1966); Bookends (1968); The Graduate soundtrack (1968); and Bridge Over Troubled Water (1969).

Paul Simon’s early relationship with world music was clearly visible in Bridge Over Troubled Water which featured an Andean song called “El Condor Pasa.”

Simon and Garfunkel disbanded in 1971. Simon released a solo album titled Paul Simon in 1972. Subsequent albums included “There Goes Rhymin’ Simon” (1973) that contained the hit songs as “Something So Right”, “Kodachrome”, “American Tune” and “Loves Me Like A Rock.”

In 1975 Paul Simon released “Still Crazy After All These Years” featuring the hit single “5 Ways to Leave Your Lover.” The next albums were “Greatest Hits Etc.” (1977) and “One Trick Pony” (1980). The One Trick Pony recording, Simon’s first album with Warner Bros. Records was also paired with a major motion picture of the same name, with Simon in the starring role. The hits dried up by the time he released Hearts and Bones (1983).

Paul Simon’s commitment with the USA for Africa project led him to perform on the famine relief fundraising single ‘We Are the World.” The Africa connection continued in 1986 with the Grammy-winning “Graceland”, which featured South African vocal ensemble Ladysmith Black Mambazo. His fascination with rhythm continued in 1990 with “The Rhythm of the Saints” that included Brazilian sounds.

 

 

On May 9 2006, Warner Bros. Records released “Surprise,” Paul Simon’s first release since 2000, which was produced by Simon, and in collaboration with Brian Eno. Said Paul Simon: “Working with Brian Eno opens the door to a world of sonic possibilities; plus he’s just a great guy to hang with in the studio”, or for that matter in life. I had a really good time.” Surprise includes contributions from musicians including Steve Gadd, Herbie Hancock and Bill Frisell.

During his distinguished career, Paul Simon has been the recipient of many honors and awards including twelve Grammy Awards three of which (Bridge Over Troubled Water, Still Crazy After All These Years and Graceland) were albums of the year. In 2003 he was given a Grammy Lifetime Achievement Award for his work as half of the duo Simon and Garfunkel.

He is an inductee of The Songwriters Hall of Fame and is in the Rock and Roll Hall of Fame both as a member of Simon and Garfunkel and as a solo artist. He was a recipient of The Kennedy Center Honors in 2003.

Of Simon’s many concert appearances he is most fond of the two concerts in Central Park in New York (with his partner and childhood friend Art Garfunkel in 1981 and as a solo artist in 1991) and the series of shows he did at the invitation of Nelson Mandela in South Africa-the first American artist to perform in post-apartheid South Africa.

Paul Simon’s philanthropic work includes the co-founding of The Children’s Health Fund (CHF) with Dr. Irwin Redlener. The CHF donates and staffs mobile medical vans that bring health care to poor and indigent children in urban and rural locations around the United States. Simon has also raised millions of dollars for worthy causes as varied as AMFAR, The Nature Conservancy The Fund for Imprisoned Children In South Africa and Autism Speaks. In 1989 The United Negro College Fund honored him with its Frederick D. Patterson Award.

On May 23rd 2007, Simon was the recipient of the first annual Library of Congress Gershwin Prize for Popular Song. Named in honor of George and Ira Gershwin, this newly created award recognizes the profound and positive effect of popular music on the world’s culture and will be given annually to a composer or performer whose lifetime contributions exemplify the standard of excellence associated with the Gershwins.

 

 

Discography:

Wednesday Morning, 3 A.M., with Simon & Garfunkel (Columbia Records, 1964)
The Paul Simon Songbook (CBS, 1965)
Sounds of Silence, with Simon & Garfunkel (Columbia Records, 1966)
Parsley, Sage, Rosemary and Thyme, with Simon & Garfunkel (Columbia Records, 1966)
Bookends, with Simon & Garfunkel (Columbia Records, 1968)
Bridge over Troubled Water, with Simon & Garfunkel (Columbia Records, 1970)
Paul Simon (Columbia Records, 1972)
There Goes Rhymin’ Simon (Columbia Records, 1973)
Paul Simon in Concert: Live Rhymin’ (Columbia Records, 1974)
Still Crazy After All These Years (Columbia Records, 1975)
One-Trick Pony (Warner Bros. Records, 1980)
The Concert in Central Park, with Simon & Garfunkel (Warner Bros. Records, 1982)
Hearts and Bones (Warner Bros. Records, 1983)
Graceland (Warner Bros. Records, 1986)
The Rhythm of the Saints (Warner Bros. Records, 1990)
Paul Simon’s Concert in the Park (Warner Bros.Records, 1991)
Songs from The Capeman (Warner Bros. Records, 1997)
You’re the One (Warner Bros. Records, 2000)
Live from New York City, 1967, with Simon & Garfunkel (Columbia Records, 2002)
Old Friends: Live on Stage, with Simon & Garfunkel (Warner Bros. Records, 2004)
Live 1969, with Simon & Garfunkel (Columbia Records, 2008)
Surprise (Warner Bros. Records, 2006)
So Beautiful or So What (Hear Music, 2011)
Live in New York City (Hear Music/Concord, 2012)
Stranger to Stranger (Concord Records, 2016)
Paul Simon – The Concert in Hyde Park (Sony Legacy, 2017)

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Artist Profiles: Jake Armerding

Jake Armerding

Jake Armerding performed around Massachusetts from an early age often with his father Taylor’s popular bluegrass band Northern Lights. Armerding has won both regional and national acclaim for his mix of bluegrass instrumentation with contemporary melodic songwriting.

His album Jake Armerding was released in the spring of 2003 on Compass Records. It combines Armerding’s fine instrumental skill on guitar fiddle and mandolin with an ingenious set of songs that draw from the traditional forms while staying firmly grounded on contemporary ground.

Discography:

Wrong Highway Blues with Northern Lights (1994)
Living in the City with Northern Lights (1996)
Caged Bird (1999)
Jake Armerding (Compass Records 2003)
Walking on the World (2007)
Songs in Stained Glass (2009)
Her (Stick Shift Records 2009)
Cellar Sessions, with The Fretful Porcupine (2010)
C’mon!, with Barnstar! (2011)
Cosmos in the Chaos (Stick Shift Records, 2013)

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Artist Profiles: Doc Watson

Doc Watson

Arthel L. “Doc” Watson was born in Deep Gap North Carolina in 1922 to a musical family. Blind since infancy Doc started playing harmonica and a homemade banjo as a child.

At 13, armed with a $12 Stella guitar, Doc learned both the traditional tunes passed down through his family as well as the new “pop” songs he heard on the radio and records. Yet it wasn’t until Doc was 30 that he started earning money for his music. Hooking up with a local piano player Doc played rockabilly and swing for pay and traditional tunes in his free time.

The 1960s folk revival brought Doc out of the mountains and into the spotlight. Since his “discovery,” Doc became a full time musical artist. He played concerts clubs colleges and festivals all over the country including the Newport Folk Festival the Kennedy Center for the Performing Arts and Carnegie Hall. His style included everything from Appalachian folk music roots to rockabilly, blues, country, gospel and bluegrass. Doc was acknowledged by fans and critics alike as one of the Unirted States’ most accomplished flat-pickers and his artistic influence cannot be overstated. Doc’s many accolades and honors included five Grammy Awards, two honorary degrees, The National Heritage Fellowship, and The National Medal of Arts.

Doc Watson was a disciple of the legendary guitarist Merle Travis. Together with Merle Travis and Chet Atkins he made up the top tier of country guitar. Doc was able to record with his hero before his death.

He recorded over 50 albums blending Appalachian folk music with bluegrass, country ,gospel and the blues. Virtuoso fiddle player Mark O’Connor believes Doc was “as progressive as anybody I’ve ever heard.” There is no skill on the guitar that Doc hadn’t mastered whether it be speed tone or feeling.

In 1985, Doc’s son, Merle,  who was 36-years old, died in a tragic tractor accident a few miles from home. A festival in his honor, Merlefest, was started in North Carolina and has become the largest and most important bluegrass and American folk music festival in the United States.

A historical meeting between Chet Atkins and Doc Watson, two of the 20th century’s most influential American guitarists, was documented in 1980. Released on CD, Reflections has become  an influential guitar album.

The Watson family musical tradition continues with yet another generation. An album called Third Generation Blues found Doc carrying the Watson legacy forward, this time with Merle’s son, Richard on 2nd guitar.

Before he died, Doc Watson was semi-retired. He died on Tuesday May 29, 2012 at Wake Forest Baptist Medical Center in Winston-Salem, North Carolina.


Discography:

Old Time Music at Clarence Ashley’s Vol. 1 live (Folkways 1961)
Old Time Music at Clarence Ashley’s Vol. 2 live (Folkways 1963)
Doc Watson (1964)
Doc Watson & Son (1965)
Southbound (Vanguard 1966)
Ballads From Deep Gap (Vanguard 1967)
Old-Timey Concert (with Clint Howard and Fred Price) (live) (Vanguard 1967)
Doc Watson in Nashville: Good Deal! (Vanguard 1968)
Doc Watson on Stage (Vanguard 1971)
The Elementary Doctor Watson! (Sugar Hill 1972)
Then and Now (Tomato 1973)
The Best of Doc Watson (1973)
Two Days in November (Poppy Records 1974)
Memories (Sugar Hill 1975)
Doc and the Boys (United Artists Records 1976)
Lonesome Road (Beat Goes On 1977)
Look Away! (United Artists Records 1978)
Live and Pickin’ (United Artists Records 1979)
Reflections with Chet Atkins (Sugar Hill SH-3896 1980)Tellulive (Flying Fish 198)
Red Rocking Chair (Flying Fish 1981)
Doc and Merle Watson’s Guitar Album (Flying Fish 1983)
Down South (Sugar Hill 1984)
Pickin’ the Blues (Flying Fish 1985)
Riding the Midnight Train (Sugar Hill 1986)
Portrait (Sugar Hill 1987)
On Praying Ground (Sugar Hill 1990)
Jean Ritchie and Doc Watson at Folk City (1990)
My Dear Old Southern Home (Sugar Hill 1991)
Remembering Merle (1992)
Live Recordings 1963-198: Off the Record Volume 2 (with Bill Monroe) (1993)
Original Folkways Recordings of Doc Watson and Clarence Ashley 196-1962 (1994)
Original Folkways Recordings: 196-1962 (1994)
Docabilly (Sugar Hill 1995)
The Vanguard Years (1995)
Watson Country (1996)
Doc & Dawg with David Grisman (Acoustic Disc 1997)
Elementary Doctor Watson! / Then and Now (1997)
Del Doc & Mac with Del McCoury and Mac Wiseman (Sugar Hill 1998)
Home Sweet Home (Sugar Hill 1998)
Third Generation Blues (Sugar Hill 1999)
The Best of Doc Watson: 1964-1968 (1999)
Foundation: Doc Watson Guitar Instrumental Collection 1964-1998 (2000)
Doc Watson at Gerdes Folk City (live) (2001)
Legacy (2002)
Then and Now/Two Days in November (2002)
The Three Pickers with Earl Scruggs and Ricky Skaggs (2003)
Trouble in Mind: Doc Watson Country Blues Collection (2003)
Sittin’ Here Pickin’ the Blues (Rounder, 2004)
Black Mountain Rag (2006)
Vanguard Visionaries (2007)
Americana Master Series: Best of Doc Watson (2008)
The Definitive Doc Watson (Sugar Hill Records 2013)
Never the Same Way Once, 7 CD boxed set with live concerts by Doc & Merle Watson made in 1974 at The Boarding House in San Francisco (Owsley Stanley Foundation, 2017)

Videos

Doc’s Guitar. Fingerpicking and Flatpicking. 9 minute DVD includes tabbooklet. Produced by Smithsonian/Folkways and Homespun Video.

Flatpicking With Doc. 8-min. video Includes music + tab book. HomespunVideo.

Doc’s Guitar. 9 Min Video Includes Music and Tab. Produced by Smithsonian/Folkways and Homespun Video

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