Vasumathi Badrinathan comes from a family with an intense musical background. She is an accomplished vocalist of Carnatic music, the classical style of music from Southern India. She was initiated into this art at a very young age by her mother, the late Smt. Padma Seshadri, who was a talented singer. Subsequently, Vasumathi learned music from Smt. T. R. Balamani, the reputed music guru.
Vasumathi has imbibed in her style the fine tradition passed on by her mother – disciple of the late Yageneswara Bhagavathar and Smt. Balamani – disciple of the legendary late Musiri Subramanya Iyer and Sri. T. K. Govinda Rao. Vasumathi enjoys a rich traditional paathanthara by virtue of her training. Her distinct undiluted classical style reveals itself in her rendition of Kritis, raga contours and niraval passages. Endowed with a rich bass voice, Vasumathi uses it to explore the profound melodies of Carnatic music.
Vasumathi has been performing widely within and outside India for several years and has toured extensively in Europe and Asia Pacific countries. Apart from her concerts, her skill in presenting lecture-demonstrations and workshops has been well appreciated. Vasumathi is a recipient of the Junior Fellowship for music from the Ministry of Human Resources and Development, Government of India, awarded to outstanding young artistes. Vasumathi is the recipient of the title “Sur Mani” for her proficiency in music by the Sur Singar Samsad, Mumbai. Her music is often broadcast over the All India Radio, one of India’s strongest upholders of classical music.
Vasumathi has released four CDs: Tamil Padams and Nayika portray the love songs of Tamil Naidu and Andra Pradesh, rarely performed and at risk of disappearing. Tamil Marai Isai contains the most beautiful verses of musical poetry by the Alwars -saints-philosophers-poets- of Tamil Naidu during the 8th to 13th centuries. Swara Dhwani presents songs that are typical of Carnatic music.
Besides music, Vasumathi is also an able dancer of Bharata Natyam, a classical dance style of South India. She has been groomed in this art by one of India’s s most revered and celebrated masters in the field – Kalaimamani Guru T.K. Mahalingam Pillai, of Sri Rajarajeswari Bharata Natya Kala Mandir, Mumbai. Vasumathi represents in her style of dancing, the pristine beauty of the Tanjavur school of Bharata Natyam. Vasumathi has many performances and choreographic efforts to her credit. For her proficiency in dance, the Sur Singar Samsad, Mumbai awarded Vasumathi the title of “Singar Mani” given to young dancers.
As an artist, Vasumathi derives joy as a performer of both music and dance. Her intense involvement in both these streams gives her an added advantage and helps her present her art with more feeling, awareness and aesthetic appeal. Vasumathi’s grip over music nourishes her dance endeavors and her dancer’s intuition invests her singing with feeling and sensitivity.
She directs the Sivubadra Institute of Indian Art and culture that she founded to propagate the Indian arts.
Veena Sahasrabuddhe was born on September 14, 1948 in Kanpur, India. She came from from a family of musicians. Her father, Pundit Shankar Shripad Bodas, was a disciple of Pundit Vishnu Digambar Palsukar. Young Veena started her musical education with Kathak dance. She was initiated into Khayal singing by her father and her brother, late Pundit Kashinath Shankar Bodas. Padmashri Balwantrai Bhatt, late Pundit Vasant Thakar and late Pundit Gajananbua Joshi also contributed to her education.
The style she created for herself retained the fundamental values of Gwalior Gharana while borrowing somewhat from Kirana and Jaipur gharanas. The vidwans lauded the authenticity of her music while most listeners were moved by its directness and intensity.
Apart from Khayal, she was sought after for her rich repertoire of bhajans.
She sang at all the prestigious venues and occasions including Tansen Samaroh in Gwalior and Sawai Gandharva in Pune. At the Vokalfestival in Stockholm and at the Voices of the World festival in Copenhagen she represented Indian Classical Voice. She recorded under many leading labels. She was awarded the Uttar Pradesh Sangeet Natak Akademi Award for the year 1993.
Besides being a popular performer, she was also a composer and a teacher. Her compositions adorned many of her recordings. She taught voice at institutions as well as privately.
In 2005 Abaton Book Company released One Thousand Minds (ABC#Ol2). It is a special edition numbered release with a 20-page booklet and folded bilingual lyric sheet, enclosed in 5″ audio-reel box. This special edition was limited to 1000 numbered copies and included a 20-page photo journal of Veena Sahasrabuddhe’s musical history and a lyric sheet in Devanagari with English translations and phonetic spellings.
Veena Sahasrabuddhe died on June 29, 2016 in Pune, India.
Vijayalakshmy Subramaniam Born in a family with a rich musical heritage, Vijayalakshmy Subramaniam started her training in Carnatic Music at the age of five. Her keen sense in grasping musical nuances was evident from a young age. A captivating, melodious and rich voice, good control on rhythm, diction and bhava have earned her noteworthy attention in the music field.
Appearing in her first concert at the age of twelve, Vijayalakshmy has an impressive record of performance with several concerts in India and abroad. Vijayalakshmy was invited by the KI Tropentheater, Amsterdam, for a series of programs in Belgium and Holland in Jan 2005. Vijayalakshmy was invited to present a paper on Music Communication, Raga and Tala, a bridge across- at the Sims 2004, Melbourne, Australia in July 2004. She also conducted a workshop for the students of the Victoria Academy, Wellington, New Zealand in July 2004. Vijayalakshmy presented a concert and a workshop on Carnatic music at the World Vocal Music Festival, Tampere, Finland, 2003.
She has performed widely in Delhi, Nagpur, Chennai, other cities of Tamilnadu, Andhra, Kaanataka and Kerala. In Chennai, she has given concerts for all the well-known Music institutions. She has participated in lecdems organized by music institutions in Chennai as also by the Tyagaraja Aradhana Festival Committee in Tirupati. She has participated in the Swati Tirunal Sangeetotsavam organized by the Kerala Sangeet Natak Academy in 2002. In addition she has given concerts in Malaysia, Singapore, Australia, New Zealand, Germany and Switzerland. She participated in the Asia Pacific Music Festival in New Zealand in 1992. She has conducted workshops in Carnatic Music in New Zealand, Germany and Switzerland.
With her extensive repertoire, Vijayalakshmy has presented exclusive concerts of composers like Thyagaraja, Muthuswami Dikshitar, Syama Sastri, Swati Tirunal, Purandara Dasa, Annamacharya, Bhadrachala Ramadas, Koteeswara Iyer, Oothukadu Venkata Subbier, Arunagirinathar Tiruppugazh and Jayadeva Ashtapadis.
Vijayalakshmy is an ‘A’ grade artiste with the All India Radio. She has performed in the prestigious Akashvani Sangeet Sammelan Concerts and sings regularly over the Chennai Station of All India Radio.
After an illustrious career with All India Radio Chennai as a Programing Executive, Vijayalakshmy worked as Program Director (South) till March 2002, with the FM division of Sa Re Ga Ma India Limited, at Chennai.
Apoorva Kriti Manjari
Kritis of Annamayya (Charsur Digital Workstation)
Raga Series – Todi (Charsur Digital Workstation)
Kshetra Sringeri (Charsur Digital Workstation)
Muruga Muruga (Rajalakshmi Audio)
Madrasil Margazhi (Rajalakshmi Audio)
Sarvanandham (Rajalakshmi Audio) Shaktam-Shakti (Disques dom, 2004) Nada Sukham (Saregama, 2009)
Vikku Vinayakram, one of India’s finest ghatam (a large clay pot percussion instrument) players, studied with his father, Harihara Sharma. He is in great demand in India and has accompanied nearly all the leading South Indian musicians and vocalists like Semmangudi Srinivasa Iyer, MS Subbulakshmi, Balamurali Krishna, Bhimsen Joshi, Hariprasad Chaurasia and VG Jog.
Vinayakram became known in the West as a member of the group Shakti, an innovative acoustic jazz/Indian fusion band with guitarist John McLaughlin, violinist L. Shankar, and Zakir Hussain on tabla. He has also played under the direction of Zubin Mehta and shared the stage with internationally acclaimed musicians like Herbie Hancock, Peter Gabriel and Larry Corryell.
In 1991 he participated in the recording of Planet Drum as a music composer and co-producer together with The Grateful Dead’s drummer, Mickey Hart. The album featured other world class percussionists like Zakir Hussain and Airto Moreira. Planet Drum won the Grammy for Best World Music Album in 1991.
The extraordinary speed and precision of his duets with tabla virtuoso Zakir Hussain and mrdangam player Ramnad V. Raghavan have captivated listeners throughout the world. Vikku devotes much of his time to teaching at his own ghatam school in Madras. In addition to touring with Shankar and Zakir Hussain and accompanying other musicians, he has performed with J.G. Laya in an experimental group that includes pianists and other percussionists.
Recently Vinayakram was featured in a percussion show called Drums of India, along with Zakir Hussain, sarangi maestro Ustad Sultan Khan, drummers Sivamani and Taufiq Qureshi and enchanted the audience with his dazzling performance.
Vinayakram has won numerous prestigious awards in India. He has many recordings to his credit and is also the author of several books on percussion in Tamil and English. Vinayakram forged and led the group “The Mahaperiyava,” an ensemble of young, talented artists from Chennai.
Vivek V Krishna, a talented flutist was initiated into this art form of carnatic music at the age of 12 years. He acquired basic lessons and flute technique from Sri Vijay and Vidwan H.S. Venugopal. His innate desire to acquire deep insight over this music was nurtured and took shape under the scholarly guidance of rasika kala ratna Neyveli R. Santhanagopalan where in he under went a vigorous training in the traditional gurukulam style. This may be considered as the golden period in the life of vivek where he not only learnt the nuances of music but every aspects of life.
Vivek began to bloom as an artiste and rendered his first performance in the year 1998. There on he never looked back. Unstinting support from his parents and vigorous training from his gurus has taken him way ahead in this art form.
He has been exceptionally gifted with wonderful blowing and bhava and he has acquired different fingering techniques and produces different tonal quality in flute using different lengths of flutes to produce base and shrill sounds and he also has an delightfully appealing personality both on and off the stage which has been commended by connoisseurs and critics.
He has been performing in almost all the major festivals, organizations and sabhas all over India he has bagged enormous prizes in recognition of excellence of performance. he has extensively traveled all over united states of America. In recognition of his talent he has been awarded “Venu Gana Praveena” from Savitri Arts Academy (California).
Ronu Majumdar grew up in Varanasi where he was originally taught flute by his father Dr Bhanu Majumdar and then by Pandit Vijay Raghavrao. Ronu’s father was a close disciple of Pt. Pannalal Ghosh, the first Indian flute player to take the flute to concert level and the musician responsible for bringing this folk instrument into the classical era.
Ronu Majumdar’s principal teacher (guru) was the legendary Pandit Ravi Shankar. Ronu has recorded on the groundbreaking Private Music (BMG) album entitled Passages with Pt. Ravi Shankar and Philip Glass. He also performed on Pt. Ravi Shankar’s 1997 release Chants Of India on Angel (EMI) and toured with him in 1988. He has recorded with other legends such as Beatle George Harrison who championed Indian music to young people in the West, Ry Cooder and Zakir Hussain.
He enjoyed a close 10-year association with RD Burman the illustrious film maker, performing on the Bollywood film score Love Story-1942; he also recorded with Zakir Hussain and Ustad Sultan Khan on the 1994 Merchant Ivory film In Custody which won the President of India Gold Medal for Best Picture.
In Custody (1994)
Remembrance: Melodies of India (1995)
Rag Jog (1996)
Hollywood Hit: Primary Colours (1998) Hollow Bamboo (Water Lily Acoustics, 2000)
Krishna’s Journey (2002) Raga Miyan Ki Malhar / Bhatiali (India Archives, 2002)
Ekatman: Spiritual bonding of the Indian Ragas (2005) Jewels of India (Sense World Music, 2005)
Fusion Yatra (2006) A sacred space (Sense World Music, 2006) Natural (Sense World Music, 2007)
Music for Pranayam (2008)
Breathless flute (2009)
Lady Astride the Tiger (2011)
Timeless Tagore (2013)
Flute Symphony (2015) Divine Flute (2015)
Krishna dancing with the flute (2015)
Journey: Folk music of India (2017)
Seven Raagas (2017) North India – Sangeet Trio en concert (Outhere, 2018)
Pandit Yogesh Samsi was born in the family of the renowned vocalists Pandit Dinkar Kaikini and Shashikala Kaikini. He was initiated into tabla by his father at the age of six, and continued under the guidance of Pandit H. Taranath Rao; from the age of ten he studied with the late Ustad Alla Rakha.
An ‘A’ grade artist of All India Radio and Doordarshan, he has given numerous solo performances as well as accompanied many distinguished artists. He has also accompanied Ustad Allah Rakha and Ustad Zakir Hussain in their solo performances. He has performed in music festivals throughout India as well as Europe, the U.S., Canada, Japan and South Africa. Pandit Yogesh Samsi also teaches tabla workshops.
Devapriya Nayak (Debu) was born in West Bengal, India, and began learning tabla at the age of three from his grandfather, Chaudhury Kausalya Nandan, who was an accomplished pakhawaj and tabla player of the Punjab Gharana. Later, Debu became a disciple of Pt. Radhakanta Nandi of the Benaras Gharana. In 1981, Debu came to the US to pursue higher studies and continued his tabla taalim from Maestros like Ustad Zakir Hussain, Pandit Anindo Chattergee and Pt. Samir Chatterjee.
Currently Debu remains a ?Ganda Bandha? shishya of Pt. Samir Chatterjee. Debu is an accomplished soloist and accompanist. He has performed with renowned artists like Pt. Vinayak Torvi, Pt. Ramesh Mishra, Ustad Fahimuddin Dagar, Habib Wali Mohammad, Asif Ali Khan, Shahanaz Begum, Gaurav Mazumdar, Partha Bose, Mitali Banerjee-Bhawmik, Tulika Ghosh and many others.
Recently, his tabla was featured in a collaborative effort of Indian Classical Music and Jazz titled Probe. Debu, along with the members of Probe, have also performed at the Smithsonian Institution.
He is also the director of the Washington DC Chapter of Chhandayan, a tabla school dedicated to the promotion of tabla and Indian Classical Music in the Washington DC metro area.
His new CD is called Tabla Rising where he has showcased his 16 years of concert experience with various artists, vocalists & instrumentalists.
Mridangam artist T. Viswanathan graduated from the Tamilnadu Music College in 1990. Since then, he has been receiving advanced training from the world renowned mridangam maestro Guruvayur Dorai.
He has performed with several leading artists in the field as well as numerous dance performers. He has extensively toured USA and Europe and conducted workshops in Europe.
Viswanathan has also collaborated with top ranking jazz artists in France.
Viswanathan comes from a traditional music family. His grandfather [on his mother’s side] Thiru Muthuveer Pillai is the famous thavil vidwan in the field of music. He was honored by the Indian goverment. His other grandfather is also a thavil vidwan. His name is Pakkirisswamy Pillai.
Legendary virtuoso sitarist, composer, teacher and writer, Ravi Shankar was born April 7, 1920 in Varanasi, India. He was renowned throughout the world for his pioneering work in bringing Indian music to the West. He was a cultural influence in the West for several decades as India’s most recognized and esteemed musical ambassador. The youngest son of a Bengali family, he grew up in Varanasi (Benares), the holiest of Indian cities.
At a young age he accompanied his elder brother, Uday Shankar, with his company of dancers and musicians to Paris where he attended school. He spent several years in the West absorbing different kinds of music but returned to India in 1938 where he began his career in his native India. He combined his concert performances with his work for All India Radio (1949-56) where he established the National Chamber Orchestra. As word of his virtuosity spread throughout India, then Europe, Asia and the United States, Shankar embarked on one of the most extraordinary careers in the history of contemporary music.
Ravi Shankar was a prolific composer and in addition to his numerous ragas and talas, he wrote for musicians from the East and West including Menuhin, Jean-Pierre Rampal and Japanese artists. Among his works are two Concertos for Sitar and Orchestra, the first commissioned by the London Symphony Orchestra and premiered under Andre Previn.
In 1980 he was commissioned by the New York Philharmonic, under the direction of Zubin Mehta, to compose “Raga-Mala” (A garland of Ragas), which was his second Sitar Concerto. Ravi Shankar also wrote, composed and choreographed the ballet “Ghanashyam,” a work that made history on the British and Indian cultural scenes.
He composed extensively for ballets and films including Satyajit Ray’s Apu trilogy, which raised film music to a new standard of excellence, and Gandhi, the Academy Award winning classic by Richard Attenborough which won him nominations for both an Oscar and a Grammy Award.
Ravi Shankar was the recipient of many awards and honors including the Presidential Padma Vibhushan Award (1980) and the Award of Deshikottam, given by Vishawa Bharati and presented in December 1982 by the then Prime Minister, the late Mrs. Indira Gandhi. He is an honorary member of the American Academy of the Arts and Letters and recipient of twelve doctorates.
In 1986 he became a member of the Rajya Sabha, India’s Upper House of Parliament. He was a Fellow of the Sangeet Natak Academy and Founder President of The Research Institute for Music and the Performing Arts.
In 1999 the government of India honored Ravi Shankar by awarding him its highest civilian award, the “Bharat Ratna” or Jewel of India. In February 2000, Mr. Shankar received France’s highest civilian award, the “Commandeur de la Legion d’Honneur”.
In 1996 Angel Records released In Celebration, a lavishly documented 4-CD retrospective of his greatest recordings, in honor of his 75th birthday. Angel/EMI is continuing to release many of Mr. Shankar’s albums previously unavailable on CD.
In 2004, Ken Hunt, Pandit Ravi Shankar’s approved biographer, a full-time freelance writer, broadcaster and translator specializing in music, compiled The Rough Guide To Ravi Shankar. The album is an excellent introduction to the music of the most famous Indian alive.
Called the “Godfather of World Music” by George Harrison, Ravi Shankar was also given the title “Global Ambassador” by the World Economic Forum. He continued to tour each season all over the world dividing his time between India and the USA with regular visits to Europe and the Far East. He was the author of three books My Music, My Life (in English), Rag Anurag (in Bengali) and Raga Mala (English) – the latest of which is an autobiography that was released in Fall 1999.
Perhaps no other greater tribute can be paid to this remarkable musician than the words of his colleague, Yehudi Menuhin, “Ravi Shankar has brought me a precious gift and through him I have added a new dimension to my experience of music. To me, his genius and his humanity can only be compared to that of Mozart’s.”
Ravi Shankar died on December 11, 2012 in La Jolla, California, USA. His daughter, groundbreaking sitarist Anoushka Shankar continues the family tradition.
Three Ragas (Angel Records, 1956)
Improvisations (Angel Records, 1962)
India’s Most Distinguished Musician in Concert (Beat Goes On, 1962)
India’s Master Musician (Angel Records, 1963)
In London (Angel Records, 1964)
Ragas & Talas (World Pacific, 1964)
Sound of the Sitar (Angel Records, 1965) West Meets East (Beat Goes On, 1966)
In San Francisco (Beat Goes On, 1967)
At the Monterey International Pop Festival (One Way Records, 1967) Live at Monterey 1967 (Beat Goes On, 1967)
In New York (Beat Goes On, 1968)
A Morning Raga/An Evening Raga (Angel Records, 1968)
The Sounds of India (Columbia, 1968)
West Meets East, Vol. 2 (Beat Goes On, 1968)
At the Woodstock Festival (Beat Goes On, 1970)
Ravi Shankar: Concerto for Sitar & Orchestra; Morning Love (Beat Goes On, 1971)
Transmigration Macabre: Music from the Film Viola (See For Miles Records, 1973)
Shankar Family & Friends (Topspin Media, 1974)
Ravi Shankar’s Music Festival from India (Dark Horse, 1976)
Raga Parameshwari (Capitol, 1976)
East Meets West in an Historical Improvisation (Ravi Shankar Music Circle, 1979)
Räga-Mälä (Sitar Concerto No. 2) (Angel Records, 1982)
Tana Mana (Private Music, 1987)
Inside the Kremlin (Private Music, 1988)
The Genius of Ravi Shankar (Scorpio Distribution, 1990)
Passages (Atlantic, 1990)
Megh Malhar, Vol. 1 (Music Today, 1991)
Flute & Sitar Music of India (Empire, 1993)
Doyen of Hindustani Music Oriental, 1995)
Ravi Shankar in Venice: Raga Gurjari Todi, Manj-Khamaj, Shailangi (Discovery, 1995)
Concert for Peace: Royal Albert Hall (Moment Records, 1995)
Genesis [Original Soundtrack] (Milan, 1995)
Sublime Sounds of Sitar (Oriental, 1996) Chants of India (Angel Records, 1997)
Raga Tala (Movieplay Music, 1997)
From India (Saar, 1997)
Raga Jogeshwari (Interra, 1998)
Four Ragas (Movieplay Music, 2000)
Full Circle: Carnegie Hall 2000 Angel Records, 2001)
Inde du Nord Ocora, 2001)
Spiritual Music of India: Ragas for Meditation (Proper, 2003)
Shankar: Concerto for Sitar & Orchestra; Morning Love (Warner Classics, 2003)
Traditional: The Spirit of India (Deutsche Grammophon, 2004)
Raga Hamir, Raga Hemant (2004)
Jod, Jhala, Gat (Saregama, 2004)
Raag Mishra Pilu (Saregama, 2004)
Raag Rajya Kalyan (Saregama, 2004)
Raga Bilaskhani Todi (Saregama, 2004)
Raga Mala: Aalap, Rajakhani Gat Teentaal (Saregama, 2004)
Alap, Jod, Gat, Vilamlit, Madhyalaya Teentaal (Saregama, 2004)
Raga Des: Maseekhani Gat-Teentaal/Rajakhani Gat-Ektaal (Saregama, 2004)
Raag Mishra Pilu (Saregama, 2004)
Homage to Mahatma Gandhi (Deutsche Grammophon / Edge Music, 2004)
Real Togetherness (Saregama, 2004)
Eternal Ragas (Saregama, 2004)
Timeless Classics: Hindustani Classical (Saregama, 2004)
Unique: Indian Night Live Stuttgart ’88 (Chhanda Dhara, 2004)
Sangeet Sartaj, Vols. 1 & 2 (Music Today, 2005)
Sur Saaz Aur Taal, Vol. 2 (Music Today, 2005)
Jazz et Ragas (Beat Goes On, 2005)
Spirit of India Chhandra Dhara (Chhanda Dhara, 2005)
Raga Charukauns (Chhanda Dhara, 2005)
Saaz Sitar, Vol. 1 (Music Today, 2005)
Saaz Sitar, Vol. 2 (Music Today, 2005)
Homage to Mahatma Gandhi (Fontana, 2006)
Raga Jogeshwari (Fontana, 2006)
Sitar Soul (Music Today, 2007)
More Flowers of India (Él, 2008)
Psychedelic India (Cherry Red, 2010) Nine Decades, Vol. 2: Reminiscence of North Vista (East Meets West, 2011)
Nine Decades, Vol. 3 (East Meets West, 2011) Nine Decades – Vol.4 – A Night at St. John the Divine (East Meets West, 2014) Ravi & Anoushka Shankar Live In Bangalore (East Meets West, 2015) Nine Decades 5 – Ghanashyam: A Broken Branch (East Meets West, 2017)
Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion