Celtic music innovators The Gloaming have a new music video featuring The Pilgrim’s Song, the opening track of the second album by The Gloaming, to be released on Real World Records on 26 February 2016.
The Gloaming 2 was recorded at Real World Studios in December 2015 and this performance video captures the actual recording of The Pilgrim’s Song that appears on the album.
The new album will be available on CD, download and double vinyl LP. The CD and Download will be distributed on February 26th while the 2LP version will follow on May 6th.
Guitarist Gary Lucas is set to present a multimedia performance featuring 1930s cartoon tunes on Saturday, March 5, 2016 at the American Film Institute’s AFI Silver Theatre in Silver Spring, Maryland. The event includes a 6-piece ensemble direct from New York City, Broadway vocalist Sarah Stiles and screenings of Max Fleischer cartoons (Betty Boop, Popeye).
Max Fleischer, the creator of such iconic cartoons as Betty Boop, Popeye, Olive Oyl, and Bluto, was one of the United States’ top cartoonists, his New York-based Studios in the early 20th Century rivaled only by Walt Disney’s on the West Coast. The music that accompanied his cartoons in the 1930s reflected New York/urban popular music of the time: a rowdy, high-speed jumble of Harlem jungle jazz (Louis Armstrong and Cab Calloway), Yiddish music hall, Tin Pan Alley and Broadway show tunes, and Klezmer.
Gary Lucas’ Fleischerei restores this music and will perform it live at the AFI with a 6 piece acoustic ensemble, composed of some of New York’s finest jazz musicians: Joe Fiedler on trombone and ensemble arrangements; Jeff Lederer on woodwinds; Rob Garcia on drums; Rob Jost on bass; and vocalist Sarah Stiles, who captures the spirited delivery of 1930s actress Mae Questel.
The March 5th performance by Gary Lucas’ Fleischerei celebrates the album Music from Max Fleischer Cartoons, to be released February 22, 2016 on Cuneiform Records.
Gary Lucas’ Fleischerei featuring Sarah Stiles – The Music Goes Round and Round:
The Earls of Leicester have announced the February tour dates and the current Festival schedule. The group released the critically acclaimed traditional bluegrass album The Earls of Leicester (Rounder) in 2014.
February & Festival Dates
2/19 Johnson City, TN at ETSU’s Martha Street Culp Auditorium
2/20 Selby, NC at Malcolm Brown Auditorium with Del McCoury
2/26 Bellevue, WA at Wintergrass Festival
4/14 Driftwood, TX at Old Settler’s Music Festival
5/1 Indio, CA at Stagecoach Music Festival
5/26 Cumberland, MD at DelFest
6/3 Auburn, AL at Bluegrass On The Plains Festival
6/22 Owensboro, KY at ROMP Fest
7/14 Oak Hill, NY at Grey Fox Bluegrass Festival
9/15 Denton, NC at Dailey & Vincent Landfest
10/14 Framers Branch, TX at Bloomin’ Bluegrass Festival
The International Bluegrass Music Association (IBMA) has announced the dates of the 2016 World of Bluegrass and Wide Open Bluegrass Festival. The events will take place September 27-October 1, 2016 in downtown Raleigh, North Carolina.
The expo is expected to attract hundreds of bluegrass industry professionals, fans and newcomers. Activities include parties, panels and Q&A sessions with artists and experts, the Bluegrass Ramble, the World of Bluegrass Expo, networking, music showcases and the Wide Open Bluegrass Festival.
The highlight of the week will be the annual Awards Ceremony, where the finest artists in bluegrass music will be rewarded for their talents.
Tickets for World of Bluegrass will go on sale April 5th at 10 a.m. Central Time. Details regarding pricing the music lineup will be coming soon, so watch this spot for the latest information.
The 2016 Flamenco Festival will take place throughout New York City from March 2–19. The festival presents Spain’s most talented singers, dancers, and musicians together with cultural activities and educational programs at venues city-wide.
The performances include guitar maestro Vicente Amigo at Carnegie Hall on Friday, March 4 at 8:00 p.m. in Stern Auditorium / Perelman Stage.
Granada-born conductor Pablo Heras-Casado will lead Orchestra of St. Luke’s in “Colors of Spain” featuring singer Marina Heredia and pianist Javier Perianes at Carnegie Hall on Thursday, March 10 at 8:00 p.m. in Stern Auditorium / Perelman Stage.
The following week on Friday, March 18 at 8:30 p.m. in Zankel Hall, Sevillian cantaora Rosario Guerrero “La Tremendita” and Iranian traditional vocalist Mohammad Motamedi team up to perform Qasida, a musical fusion of Spanish folk poetry and Persian high art, presented by Carnegie Hall as part of the Flamenco Festival.
Tickets, priced $35–$65, are available at the Carnegie Hall Box Office, 154 West 57th Street, or can be charged to major credit cards by calling CarnegieCharge at 212-247-7800 or by visiting the Carnegie Hall website, carnegiehall.org.
Joey Lewis, who, for 6 decades, led the longest -running, and last of Trinidad’s popular dance orchestras, died in the early hours of February 8, at 78. Diagnosed with colon cancer in 2011, he effectively stopped playing with the band (originally called the Teenagers) in 2012, weakened by the effects of chemotherapy.
Born on October 26th, 1937, in Gonzales, east Port of Spain, into a family of musicians (his father played guitar, and his mom sang), he began in the bands of elder brothers, Randolph, and Sonny.
Able to play any instrument, he first took to the piano – his electric keyboard riffs on an instrumental version of 1974’s “You’ll Always Be A Friend” by British group, Hot Chocolate, stand out- but the guitar made him popular.
In 1955, the Teenagers became the Joey Lewis Orchestra; its sound distinctly Trinidadian/calypso, but with strong Latin and jazz influences and elements.
He and the orchestra added the nickname ‘Pal’, after (seeing) the 1957 American film, ‘Pal Joey’, starring Frank Sinatra and Rita Haywood.
His 1960 hit, “Joey’s Saga”, in support of the ‘Saga Ting’ dance craze, introduced his unique guitar-strumming style, and saw them as the 1st to play on local television (as resident for the ‘Dance Party’ series).
In the golden era of dance bands (late 1940s to late 1970s), the Pal Joey Lewis Orchestra, with loyal members(, including, for 52 years, until his death in 2009, saxman, George Boucaud), took its place at the top, alongside those led by ‘Sir’ Sel Duncan, Clarence Curvan, the Dutchy (deVlugt) Brothers, and Fitz Vaughn Bryan.
It produced music for and to accompany the costumed masquerade bands on carnival parade days, and worked and recorded with established calypsonians such as the Mighty Sparrow, the Mighty Terror, the Mighty Duke, and soca (or party calypso) pioneer, Lord(later Ras) Shorty, as well as Barbados-born Singing Francine.
And, at a time when radio restricted the airplay of calypsos after carnival (especially in Lent), Joey Lewis’ instrumental versions helped maintain the genre’s profile, and, in the dances, popularity.
He toured North America(, meeting Harry Belafonte and jazz legend, Dizzie Gillespie, in 1964, briefly setting up base in Canada, in the early 1970s), the Caribbean and Europe, won the ‘Brass-o-Rama’ contest(, in which bands rendered instrumental arrangements of calypsos) in the carnival of 1979, and, in 2002, as Trinidad andTobago celebrated 40 years of independence, received a national award (the Humming Bird Medal) for his ‘services in the field of music’.
In all, the Joey Lewis Orchestra issued 83 albums, 142 singles and 12 CDs, (some, early on, for the RCA label) of originals like “ Pint of Wine”, “Bound To Dance” and “Debbie”, and covers (Kris Kristofferson’s “Why My Lord” and the Cuban classic, “Peanut Vendor”, among them), vocalists engaged sparingly; and continued entertaining sold-out audiences and lovers of ballroom dancing across the country all year ‘round to the present.
Clarence Curvan met Joey Lewis in brother, Sonny’s, band, before both went off to form their own. The two teamed up, a few years later, to create JoVan records. Now based in, and working out of New York City, USA, he remembers Joey ” …recommending that promoters hire me, even before I had a record. That…says a lot about his character. We maintained our relationship to the end“.
Another long-standing musician, saxophonist, Roy Cape, leader, from the late 1970s, of the All Stars, that backed calypsonians in the tents, and fetes (parties) but records mostly soca tunes, started with Curvan, after failing a 1961 audition with Lewis. He described him as “…a Rock of Gibraltar…with a huge influence on local music“.
‘Pal’ Joey Lewis ( October 26, 1937- February 8, 2016) leaves to mourn his wife of 52 years, Julia, children, Gerry (part of the orchestra since the 1980s, eventually assuming leadership), Joanne, Charmaine, Debra (about whom “Debbie” was written), Benedict, Judy and Gail, 8 grandchildren, 4 great grandchildren, and sister, Jean.
from Sean Edwards, Power102FM, Port of Spain, Trinidad
Italian band Riserva Moac plays lively music with a party atmosphere, incorporating Balkan brass, Gypsy music, Mediterranean sounds, toe tapping dance beats, ska and more. On the vocal side, the ensemble uses a mix of regular vocals and rapping. Rap is a tired technique that has little new to say so the best moments are the instrumental moments.
Riserva Moac was formed in 2003 with the goal to knock down musical borders as well as geographical and historical fences. The group’s name Moac Moac is an acronym for Molise (a region in southern Italy), Oriente (the East), Africa and Cuba. Previous recordings include “Bienvenido” (2005) and “La musica dei popoli” (2009).
The lineup on Babilonia includes Maya Pavone on vocals; Roberto “Zanna” Napoletano on percussion, accordion and vocals; Patrizio “Basko” Forte on bass; Fabrizio “Pacha Mama” Russo on vocals; Mario Evangelista on electric, cutsic and classical guitar, dobro, mandolin, banjo, steel guitar; Graziano Carbone on drums, Vladimiro D’Amico on saxophone; Alessio Lalli on trumpet; Antonio Sciolli on tuba and helicon; Giuseppe Ferrante on t-bone, euphonium, baritone fluegelhorn,; Mario Cusano on clarinet; Francesco Bruni on guitar; Enrico Greppi on vocals; Master App on vocals; Carla Patullo on vocals; Yam Salia on vocals; and Big Roma on vocals.
Noura Mint Seymali, one of the most respected artists in Mauritania, is st to perform on Friday, Feb. 12, 2016 at the Arab American National Museum
The Mauritanian artist was raised in a transitive culture where sounds from across the Sahara, the Maghreb, and West Africa merge. Noura Mint Seymali is a vocalist and master of the ardin, a nine-string harp reserved only for women. She is one of Mauritania’s most audacious young artists. Her band is backed by a funk-style rhythm section, composed of Ousmane Touré and Matthew Tinari.
Noura Mint Seymali’s most recent album is the critically acclaimed Tzenni.
Thirty years in the making, the Finnish folk group Varttina started out as a children’s music project in the village of Raakkyla in 1983. In those years the group has evolved in membership and endured the occasional change in musical direction, putting out such recordings as Varttina (1987), Musta Lindu (1989), Oi Dai (1991), Ilmatar (2000) and Miero (2006), performed live across the globe and collaborated with A.R. Rahman for the musical theatrical production of The Lord of the Rings performed in Toronto, Canada and London, England. Headed up by original Varttina singer, Mari Kaasinen, Varttina is back with thirteenth studio album Viena on the Westpark Music label.
Varttina’s tight, neat sound is crafted out of the talents of vocalist and kantele player Mari Kaasinen; vocalist and kantele player Karoliina Kantelinen; vocalist Susan Aho; accordionist, bansuri player and vocalist Matti Kallio; fiddler, nyckelharpist, bowed lyre player and vocalist Lassi Logren and guitarist mandocellist, bouzouki player, mandolinist and vocalist Matti Laitinen. Keeping to that sharply honed sound centered on the blending and the myriad of harmonies of its female vocalists, Viena is just as energetic, beguiling and edgily eccentric as ever and the result is contagiously joyful.
Drawing influence from a trip to Russia’s Viena Karelian folklore villages where the last of the “rune singers” and Kalevala folk tradition and poetry have eked out an existence for thousands of years, Viena is a tribute to the region’s untouched nature and the musical roots.
Opening with the lovely “Taivasranta” or “The Heavenly Shore,” fans get the full force of these elegantly entwined vocals surrounded by guitar, accordion and kantele (a Finnish plucked instrument belonging to the dulcimer and zither family).
Dipping into the traditional, Viena offers up the vocally sensational track “Raijan Joiku,” before giving over to the joyfully worked “Kanaset” and the delicately dreamy “Kelo.”
Working through stunners like “Ukonlammas,” the traditional “Kokko” and irrepressibly delightful “Kiri,” Viena exudes the richness of Finland’s musical traditions. Closing traditional track “Oi Dai” with its happy energy is reason enough to check out Viena.
By turns Viena is infectiously folksy and dramatically elegant and well worth the legacy of Varttina.
The Gloaming, a contemporary Celtic music band, is set to perform at Baldwin Auditorium in Durham, North Carolina on Saturday, March 26, 2016 at 8:00 p.m.
The quintet includes some of the world’s greatest Celtic musicians, including vocalist Iarla Ó Lionáird (Afro Celt Sound System), fiddle master Martin Hayes, hardanger fiddler Caoimhin Ó Raghallaigh, guitarist Dennis Cahill; and Brooklyn-based pianist and producer Thomas Bartlett, also known as Doveman (The National, Grizzly Bear, and Nico Muhly).
The Gloaming released a self-titled 2014 debut album, The Gloaming . The ensemble’s second recording, 2 is scheduled for release later this month.