World music with a Middle Eastern edge, rock and pop intersect in the new album by American band Brothers of the Baladi. The group is celebrating its 40th anniversary with this new recording featuring rock instrumentation such as electric guitar, bass and drum kit along with a wide-range of world music instruments from the Middle East, South America, and Europe.
While many world fusion ensembles lean towards instrumental music, the Oregon-based Brothers of the Baladi features English-language vocals that bring the songs closer to a pop and rock audience. One of the songs has a Spanish language title, ¿Dónde están ahora? (where are they now?) and the group is known for also using other languages like Arabic, Turkish, Farsi, French, and Armenian.
Gravity of Love is the first album where Brothers of the Baladi has used electronic sounds and programming. The intention this time is to appeal to a pop audience, adding pop hooks and rhythms.
The lineup includes Michael Beach on lead vocals, dumbek, zarb, Eddie Kirkjan dumbeg, mizmar, zurna, midjwiz, nay, riq, tar, davul, and percussion; J. Michael Kearsey on vocals, Fender Jazz bass, percussion, and islik sesi; Clark Salisbury on vocals, oud, saz, guitar, dobro, charango, fretless bass, electronics and programming; Charles Pike on vocals, percussion, and drum kit. The guests are: Daniel Eshoo on kanoon (qanun) and Paul Beck on cymbalon.
Gravity of Love contains well-crafted instrumental performances within songs that will appeal to the mainstream.
Smithsonian Folkways Tradiciones/Traditions has released a new album Guillermo Velázquez y Los Leones de la Sierra de Xichú. The title of the recording is Serrano de Corazón (Highlander at Heart).
Huapango arribeño is a distinct regional tradition of Mexican music with colonial roots, long-lasting but sheltered in its mountainous homeland in the central states of Guanajuato, San Luis Potosí, and Querétaro.
Remarkable folk poet Guillermo Velázquez and his Leones de la Sierra de Xichú deliver the songs with their violins, guitarra quinta huapanguera, jarana, and percussive dancing. Serrano de Corazón (Highlander at Heart) evokes the spirit of all-night topadas, competitive duels between poets and their musicians for the delight of all. The album includes a 40-page bilingual booklet with photos.
Israeli electronic folk band A-Wa is set to perform Sunday, September 25, 2016. The group includes sisters Tair, Liron, and Tagel Haim who mix their voices and timeless Yemenite folk songs with modern electronic rhythms.
A-Wa was formed by the Haim sisters who grew up in the small desert village of Shaharut in the southern Israeli Arava Valley. After years of experimenting and recording new musical works in English, Hebrew, and Yemeni-Arabic for YouTube, the Haim sisters recruited Balkan Beat Box producer Tomer Yosef. Wearing signature fashion that combines urban aesthetics and traditional Middle Eastern garb, A-Wa’s 2015 music video for “Habib Galbi” (“Love Of My Heart”) went viral in the Middle East and has since attracted more than four million views on YouTube.
A-Wa’s debut album, A-Wa, is inspired by traditional love and protest songs of Yemenite women. A-Wa’s music also explores commonalities with their Arab neighbors, including language (the band usually sings in Yemeni-Arabic).
Sunday, September 25, 2016, 8:00 p.m.
Tickets available on site, online at skirball.org, or by phone at (877) SCC-4TIX.
Bluegrass band Earls of Leicester has released a new music video featuring Release “The Train That Carried My Girl from Town”, one of the singles from its new album Rattle & Roar.
The lineup includes Jerry Douglas on dobro, Shawn Camp on lead vocals and guitar; multi-instrumentalist Jeff White on high harmony and mandolin; Charlie Cushman on banjo and guitars; Johnny Warren on fiddle; and Barry Bales on vocals and bass.
To capture the atmosphere of a live show, Rattle & Roar was recorded in one room, with all of the band members around microphones, with no separation between them.
Foday Musa Suso is an internationally recognized musician and a Manding griot from the West African nation of Gambia. Griots are the oral historians and musicians of the Manding people, who live in several West African nations.
Griots are a living library for the community, providing history, entertainment, and wisdom while playing and singing their songs. The history of empires and kingdoms, tribal conflicts, cultural heroes, and family lineage are all part of a griot’s traditional repertoire.
Foday is a direct descendant of Jali Madi Wlen Suso, the griot who invented the kora over four centuries ago. In 1977, he moved to Chicago and became the first kora player to establish himself in the United States. He formed The Mandingo Griot Society with 3 American musicians, playing a fusion of traditional and jazz that is now known as “world music”. Since 1977, he has performed as a soloist and with other musicians throughout Africa, Asia, Europe, North and South America.
Interested in both traditional and cutting-edge music, he has also written many original compositions, toured and recorded with many prominent musicians. Foday Musa Suso’s collaboration with Herbie Hancock began in 1984, when Bill Laswell introduced them and they co-wrote a composition for the Los Angeles Olympics entitled ‘Junku’ (‘Let’s Do It’). This song was included on the official Olympic album and on Herbie’s ‘Sound System‘ album. Herbie then invited Foday to join his band for a tour of the United States and Japan, where they co-wrote and recorded a duet album entitled ‘Village Life’.
In 1987, both Herbie’s and Foday’s bands joined forces to record ‘Jazz Africa’, a live concert which was released as a CD and video.
Foday also has a long history of collaboration and performance with renowned composer Philip Glass. In 1985 they co-wrote the soundtrack for the movie ‘Powaqqatsi’, and in 1990 co-wrote the music for a revival of the Jean Genet play ‘The Screens’.
In 2004 they collaborated on the music for ‘Orion’, a concert work commissioned by the Cultural Oympiad which premiered in Athens Greece preceding the Olympic Games. Since the early 1990’s, Foday and Philip have performed in concerts together at venues all over the world, including Carnegie Hall, and Metropolitan Museum of Art in New York, the Barbican Center in London, and the Melbourne Arts Centre.
In addition, Foday has worked closely with the Kronos Quartet, an ensemble who commissioned him to compose five works. ‘Tillyboyo’ (Sunset) was released on their 1992 CD ‘Pieces of Africa‘. Foday and Kronos have performed together at venues such as Lincoln Center in New York, Staatsoper Opera House in Vienna, and the Royal Festival Hall in London.
In 2008, Paul Simon invited Foday to perform with him in ‘American Songs’, a weeklong musical retrospective at the Brooklyn Academy of Music. Also in 2008, Foday composed music for the acclaimed Susan Cohn Rockefeller documentary about Dr. Rick Hodes work in Ethiopia, titled ‘Making the Crooked Straight’, due to be released on HBO in 2010.
Kora Music from Gambia (Folkways, 1970)
Mandingo Griot Society (Flying Fish, 1979)
Mighty Rhythm (Flying Fish, 1982)
Hand Power (Flying Fish, 1984)
Mandingo Featuring Foday Musa Suso – Watto Sitta (Celluloid, 1984)
Sound-System, with Herbie Hancock (Columbia, 1984)
Village Life, with Herbie Hancock (Columbia, 1985)
Mansa Bendung (Flying Fish, 1986)
The Dreamtime (CMP, 1988)
Jazz Africa, with Herbie Hancock (Verve, 1985) Music from “The Screens”, with Philip Glass (Point Music, 1992)
Off World One, with Possession & African Dub (Sub Meta, 1995) Jali Kunda: Griots of West Africa & Beyond (Ellipsis Arts, 1996) Music from the Hearts of the Masters, with Jack DeJohnette (Golden Beams, 2005)
Hybrids, with Jack DeJohnette’s The Ripple Effect (Golden Beams, 2005) The Two Worlds (Orange Mountain Music, 2008)
Koralations: Heart to Heart, with Gretchen Rowe (2012)
Seleshe Damessae (also known as Sileshi Demissie and Gashe Abera Molla) is an extraordinary singer and musician from Ethiopia. He uses a complex vocal styling, sung in Amharic, his native language. He accompanies himself on the krar, a 6-string lyre which dates back to the ancient civilizations of the Nile.
Born in Addis Ababa, Ethiopia, Seleshe Damessae began studying the krar at an early age with his father, and later attended the Yared School of Music. He spent nearly four years studying traditional Ethiopian culture in northern rural areas, and today is highly respected for his knowledge of the vocal and instrumental music of his native land.
Seleshe is also a skilled instrument maker who builds and plays a variety of folk instruments such as krars, fiddles, harps and drums. He has performed throughout the United States, Europe and Africa.
Seleshe Damessae founded the Gashe Abera Molla Association, upon returning to Addis Ababa after 20 years as a successful singer in the United States and decided to address the social and environmental problems that plagued his home city. He set up the new organization and named it after a character in his songs – Gashe Abera, the old man who takes care of his local community.
Tesfaye: a future hope (Music of the World MOW 107, 1987)
Songs from Ethiopia today (Wergo/Haus der Kulturen der Welt SM1516-2, 1993)
Sorene: Children’s Songs from Ethiopia (1999)
Yamiral Hagere (2013)
WOMEX 2016 organizers confirmed the offWOMEX showcase program which will bring artists from Canada, Mexico, Chad, Puerto Rico, Brazil, Japan and Portugal. WOMEX 2016 will take place in Santiago de Compostela, Spain during October 19 – 23.
List of offWOMEX artists at WOMEX 16:
Anelis Assumpção (Brazil)
Latin Quebecois rapper, writer, producer.
band of brothers merging global influences into Chadian roots.
iLe (Puerto Rico)
Calle 13’s little sister vintage Latin styles with post-nostalgic sheen.
Les Tireux d’Roches (Canada)
Maltese Rock (Japan)
Avant-garde activists furthering positive social change with gypsy-punk-rock-enka-tinged Okinawan minyo.
Nomade Orquestra (Brazil)
Sao Paolo big-band’s widescreen mergings of Afro-beat, Ethio-jazz, reggae, hip-hop and psychedelic funk.
Quique Escamilla (Mexico/Canada)
Toronto-based Mexican singer who blends huapango and ranchera with country-and-reggae.
Reyfado Lisboa (Portugal)
Ensemble of young fado artists.
Mor Karbasi has one of the most beautiful voices in the world music scene. Her latest album is Ojos De Novia (Eyes of the Bride) where she continues her fascinating explorations of Andalusian, Sephardic and North African Berber music.
From her current base in Sevilla (Spain), Mor Karbasi is able to experience the legacy of ancient traditions left by Jewish, Moorish and Christian communities in Spain.
Mor Karbasi’s superb band complements her extraordinary voice. Led by her partner, multi-instrumentalist Joe Taylor, the musicians enable Mor Karbasi to cross musical boundaries, ranging from Berber, Sephardic and Medieval songs to flamenco, plus the added spice of modern music elements.
The lineup on Ojos De Novia includes Mor Karbasi on vocals; Joe Taylor on guitar, trumpet, saz and toy piano; Shimon Ifrah (leader of the Jerusalem Andalus Orchestra) on vocals; Cameroonian bass maestro Richard Bona; Kai Eckhardt on bass; and masterful flamenco guitarist Jose Israel Torres.
Ojos De Novia is beautifully crafted and captures the passionate heartfelt vocals of Mor Karbasi and her talented multinational world music band.
Louisiana accordionist Jeffery Broussard is considered one of the most influential accordionists in modern Zydeco music. He has innovated Zydeco, developing the new Zydeco sound in Zydeco Force. Jeffery currently plays more traditional Zydeco with his own band, Jeffery Broussard and The Creole Cowboys. Zydeco music was developed among Black Creoles in Southwest Louisiana in the 1940s. Zydeco mixed traditional Creole music, the Francophone fiddle and accordion traditions, blues and R&B.
Jeffery Broussard was born in Lafayette, Louisiana on March 10, 1967 to Ethel and Delton Broussard. He is the youngest of 11 children, having 5 brothers and 5 sisters. The family lived in Frilot Cove, Louisiana, a rural community northwest of Opelousas, in southern Louisiana, on a farm where his father was a sharecropper.
Jeffery grew up fishing in the bayous (marshlands), riding horses across the fields with his friends. His music career started very early in life. At the age of 8 he started playing drums in his father’s band, the acclaimed Delton Broussard & The Lawtell Playboys. After seventh grade, Jeffery left school to farm full time to help his parents. Jeffery spent long days digging and sorting potatoes.
Whenever he could, Jeffery would sneak in to the house and played his father’s accordion, teaching himself how to play.
During his teen years, Jeffery played drums in his oldest brother Clinton’s band, Clinton Broussard & The Zydeco Machines. It was in this band that Jeffery played the accordion in public for the first time. His brother would let him play a few songs from time to time. It wasn’t until Jeffery joined the band Zydeco Force that he began to sing.
Jeffery Broussard and The Creole Cowboys are set to perform at the National Folk Festival in Greensboro, North Carolina. Concerts dates include Friday, September 9 at 6:00 pm at Wrangler Stage; Saturday, September 10 at 2:45 pm at Dance Pavilion; Saturday, September 10 at 9:30 pm at Wrangler Stage; Sunday, September 11 at 12:00 pm at Dance Pavilion; and The Big Squeeze: Accordion Traditions on Sunday, September 11 at 3:15 pm at Lawn Stage.
World Music Central talks to Jeffery Broussard and band manager Millie Broussard about the upcoming concert.
Angel Romero – Can you tell us about the band you will be taking to the National Folk Festival 2016 in Greensboro?
Millie Brossard – I’ll first start off by saying Jeffery Broussard and The Creole Cowboys are excited about performing at the National Folk Festival in Greensboro, North Carolina.
Jeffery Broussard and The Creole Cowboys as you may know plays the traditional Creole Zydeco. He is commonly referred to as pound for pound the best accordion player around, although he is not limited to just the accordion. Jeffery plays every instrument. He is an awesome fiddler which he also uses in his performance… and there is a point in his performance where he does the old “switch-a-roo” with Djalma Garnier III who is the bass player, and in the midst of a song Djalma will take over fiddle and Jeffery will play bass, the crowd goes wild.
The rubboard player, which is the youngest member of the band but also the largest, we have given him the nickname “Big Truck,” is Jeffery’s youngest son, Jeffery Broussard Jr.
The guitarist Daniel Sanda is an awesome guitarist. “Daniel Boone.” as we refer to him. He has a way to make that guitar sing with his soulful notes.
The drummer, Paul Lavan Jr is not only talented on drums but accordion as well. He is the comedian of the group and never misses a beat.
Together these guys make up Jeffery Broussard and The Creole Cowboys. We are not just a band. We are family. We laugh. We cry. We love.
When and why did Jeffery start playing?
Millie Broussard – Jeffery first started playing professionally at the tender age of 8 in his father’s band as a drummer when the original drummer could not make it to gig. Jeffery’s father (Delton Broussard of The Lawtell Playboys) told Jeffery “get dressed boy, you are playing drums tonight.”
So as many Zydeco musicians today, the accordion was not Jeffery’s first instrument. It wasn’t until his teenage years that he picked up the passion for the accordion and has then mastered it.
When did the band come together?
Jeffery Broussard – The Creole Cowboys has been in existence for approximately 9 years and going strong. Thanks to God and my fans.
Tell us about Jeffery’ first recordings and musical evolution.
Millie Broussard – Jeffery’s first recording was in the 1980s when he was accordionist/vocalist for the ever so popular band Zydeco Force. Still today many of the younger Zydeco musicians try to mimic Jeffery with old tunes from Zydeco Force. However, as the sayings goes, “often imitated but never duplicated” (laughs out loud).
How’s the current Creole music scene in Louisiana?
Jeffery Broussard – The Creole music scene in Louisiana is still going. However, with the new generation of music and younger musicians adding their own zest to the music, I’m afraid it will lose its authenticity as the younger artist are adding more hip-hop and less accordion, so my goal is to keep the tradition and culture going, not by preserving the music but by performing and promoting it!
Which are your favorite musical festivals, and what makes them so special?
Jeffery Broussard – I really can’t say I have a favorite festival or place of performance as each festival or place has its own uniqueness…and I love spreading my love for the music and culture everywhere. I can say this, no matter where we perform no matter the size of the crowd, we give it our best. It doesn’t matter if it’s 10 or 10,000 in audience, the performance will still be the same.
What are some unusual reactions you have got during your live performances?
Jeffery Broussard – I can’t recall any unusual activities at any of my performances because I myself and band members are of high energy and we cut up and act silly interacting with audience, so anything unusual I wouldn’t notice. It’s all about fun. Zydeco is a happy music.
If you could gather any musicians or musical groups to collaborate with who would that be?
Jeffery Broussard – If I could collaborate a group of musicians my choices would be as follows: Buckwheat Zydeco; Nathan Williams and The Zydeco Cha-Chas; CJ Chenier; Terrance Semien; Steve Riley and The Mamou Playboys; Geno Delafonse and The French Rocking Boogie Band; and I have to add as he is not a Zydeco musician but he is an awesome awesome accordionist, Joaquin Diaz. He lives in Montreal by way of Dominican Republic.
What music are you currently listening to?
Jeffery Broussard – As I love Zydeco, playing and listening to Zydeco. I listen to Gospel a lot more, because it is God that blessed me with this talent.
Do you have any upcoming projects to share with our readers?
Jeffery Broussard – Not only will I have new Zydeco CD but a Gospel CD as well, and, yes, I will be playing all the instrumental parts myself so be on the lookout for more of Jeffery Broussard and The Creole Cowboys.
Acclaimed world, folk and roots music festival Celtic Connections 2017 has announced some of the acts scheduled to perform in 2017. Although the full program will be revealed in October, tickets for Billy Bragg and Joe Henry’s concert at Celtic Connections 2017 are now on sale. Celtic Connections 2017 will take place from Thursday. January 19 to Sunday, February 5.
Billy Bragg and Joe Henry will be performing songs included on their album Shine A Light, that was recorded on a four day railroad trip across the United States, along with favorites from their own back catalogs on January 26 at the Old Fruitmarket.
In March 2016 Billy Bragg and Joe Henry, accompanied by their guitars, boarded a Los Angeles-bound train at Chicago’s Union Station seeking to reconnect with the culture of railroad travel and the music it inspired. Wandering along 2,728 miles of track over four days, the two musicians recorded classic railway songs in waiting rooms and at trackside while the train stopped to pick up passengers.
The UK’s number one star in the blues rock world Joanne Shaw Taylor, will be playing at the O2 ABC on January 20.
The following night The Felice Brothers will bring their classic American folk-rock and country-rock music to the O2 ABC, playing songs from their well-received album, Life in the Dark.
Australian guitarist Tommy Emmanuel will appear at Glasgow Royal Concert Hall on January 23.