American slide guitarist Cindy Cashdollar was born May 25, 1956. She specializes in steel guitar and dobro.
Cindy Cashdollar grew up in Woodstock, New York. She improved her skills playing with bluegrass musician John Herald; blues icon Paul Butterfield; and roots rock musicians Levon Helm and Rick Danko of The Band; and many other artists who lived in the small mountain town in the Catskills.
For eight years she performed with one of the leading western swing bands, Asleep at the Wheel. This opportunity opened the door to collaborations with country music artists such as Willie Nelson, Merle Haggard, Dolly Parton and The Dixie Chicks.
Her debut album Slide Show includes an impressive lineup of American roots artists such as Sonny Landreth, Marcia Ball, Mike Auldridge, Redd Volkaert, Herb Remington, Jorma Kaukonen and Steve James.
Cindy was inducted into the Texas Steel Guitar Hall of Fame in 2011 (the first woman to be instated) and The Texas Music Hall of Fame in 2012.
In 2017 she appeared in Mamadou Kelly’s album Politiki (Clermont Music CLE 016CD, 2017)
World music festival ¡Globalquerque! has announced the first set of acts set to perform this year. The festival is scheduled for September 22 & 23, 2017 at the National Hispanic Cultural Center in Albuquerque, New Mexico.
Bideew Bou Bess (Senegal)
Debashish Bhattacharya & Derek Gripper (India / South Africa)
Xabier Diaz & Adufeiras de Salitre (Spain)
Iberi Choir (Georgia)
Hong Sung Hyun’s Chobeolbi (Korea)
Pascuala Ilabaca (Chile)
Betsayda Machado & La Parranda El Clavo (Venezuela)
Puerto Candelaria (Colombia)
Trio da Kali (Mali)
Music festival Africa Oyé has announced that roots reggae legend Max Romeo will be performing at its 25th Anniversary festival. Africa Oyé 2017 takes place Saturday, June 17-18 at Sefton Park, Liverpool. Admission is free.
Max Romeo has had top 10 hits throughout Europe and has been sampled by artists like Jay Z and The Prodigy. Max Romeo’s career started when he signed a contract with Bunny Lee, one of the biggest producers of his time in Jamaica in the 1960s. Hits such as ‘Chase The Devil’ lead to international success and to performances across the world.
After working with producer Lee ‘Scratch’ Perry, Romeo’s style evolved from a typically Jamaican ska towards to pop reggae.
Other artists scheduled to perform include Mokoomba (Zimbabwe), Jupiter & Okwess International (DR Congo), Dobet Ghanore (Ivory Coast).
Chris Thile was born in Santa Mónica (California) on February 2, 1981. He’s a renowned mandolin virtuoso who has performed since a very young age with some of the biggest names in contemporary bluegrass. Chris was a founding member of The Grass is Greener with Richard Greene and David Grier and also a member of Nickel Creek together with Sara Watkins and Sean Watkins.
Thile began playing the mandolin at the age of 5 and started performing at California bluegrass festivals. At the age of 12 he won the prestigious national mandolin championship at the Walnut Valley Festival in Winfield, Kansas in 1993. That same year Thile began recording his first solo album with mostly self-penned songs.
His third solo album Not All Who Wander Are Lost featured guest appearances by Dolly Parton, The Dixie Chicks and Edgar Meyer. Later, Thile teamed with mandolin master Mike Marshall for an album of duets called Into the Cauldron that included jazz, world music and the music of Bach.
“When you grow up with something you can become so familiar with it that you start to take it for granted ” Chris Thile said about his 2006 album How to Grow a Woman from the Ground. “And especially when you grow up playing it at a time when quite frankly you have nothing to express it’s easy to ignore as a more mature musician the expressive possibilities of that particular musical aesthetic—and they are great they are many. So I came to see that bluegrass was something that I was unfairly dismissing about my musicianship.
“Part of it was getting divorced and realizing that I was singing bluegrass heartbreak songs. That’s what would really resonate with me; those were the songs I was singing—’Bury Me Beneath The Willow ‘ ‘More Pretty Girls Than One.’ And another part of it was living in New York because for me at least New York demands that you find what it is about you that’s unique. There are so many talented people—exceptional people—that to stand out you either have to be completely average or really really different. And having been trained in the ways of bluegrass as a kid I realized how much that meant to me. I felt you can’t fight yourself—any time you’re fighting yourself you might not lose but you just can’t win. And I realized I do that well because that’s what I grew up with. So it signifies a return of sorts; I’m realizing what a meaningful part of my life that music is.”
How to Grow a Woman from the Ground included young musicians with a great reputation in bluegrass music, including fiddler Gabe Witcher whom Thile had met at the Follows Camp festival; banjo virtuoso Noam Pikelny; guitarist and singer Chris “Critter” Eldridge; and bassist Greg Garrison.
In the following years, Chris Thile collaborated with cellist Yo-Yo Ma, bassist Edgar Meyer, guitarist Michael Daves, Stuart Duncan and many other musicians. He also started a new band called The Punch Brothers.
In late 2016, Chris Thile became the new host of A Prairie Home Companion, a popular radio theater show featuring music, humor and storytelling that is broadcast by public radio stations across the United States.
The Flamenco Viene Del Sur 2017 will present winners of the influential Festival de las Minas de la Unión flamenco contest. The artists are set to perform on Tuesday, May 23, 2017 at Teatro Central in Seville.
Alfonso Aroca (piano)
Although Alfonso Aroca has led soul, funk and music projects around the world, he’s a remarkable flamenco pianist as a soloist and accompanist to flamenco singers and dancers.
Antonia Contreras (vocals)
Antonia Contreras started singing flamenco at a very young age. Although she temporarily abandoned her artistic career, she resumed it by convincing himself that cante (flamenco singing) gave meaning to her life.
Alba Heredia (dance)
Alba Heredia belongs to one of the most important dynasties of the flamenco world, Los Maya. She’s the nice of Manolete, Mario Maya and Juan Maya Marote. Alba has danced since her childhood in La Rocío, her grandmother’s famous cave. In 2015 she won El Desplante Award.
Mari Ormberg and singer Kari Røyinlid-Song – Den Store Stuten
Fiddler Mari Ormberg and singer Kari Røyinlid have released an album of folk tunes from The Åseral area of Norway. The album, titled Den Store Stuten (Etnisk Musikklubb EM 120) includes a booklet with liner notes that describe the lyrics, the music and the artists.
The Åseral area is where some of the oldest and most authentic techniques, compositions and original tonal types of Norway are found. The earliest melodies can be dated back to the Middle Ages.
Kari Røynlid was born and raised in Åseral. She grew up learning folk music by being a part of the musical environment in the hamlet. She was predominantly taught by Ingebjørg Liestøl, Jens Røynlid and Kari Røynlid (The older).
Mari Ormberg plays hardanger fiddle. She has a bachelor’s degree in (utøvende) folk music. Since she moved to Åseral in 2010, she has been studying the region’s “slåttespel”, the traditional Norwegian fiddle music.
Shetland fiddler Chris Stout is one of the finest fiddlers of his generation in the UK. Stout was best known as a frontline member of Fiddlers’ Bid. His debut solo release First O’ the Darkenin’ however focused attention on his formidable individual talents at the helm of his own five-piece band winning him a nomination for Best Traditional Track at 2005’s Radio 2 Folk Awards.
Stout was born in Lerwick and grew up in Fair Isle until he was 7 years old “…where I caught my first glimpse of the fiddle when I was only 3! It was being played by my friend Ewan Thomson who was 7 years old at the time but has subsequently made the art of violin making his career. I now play two of his instruments a fiddle and viola.”
He played classical music at school and traditional music at home with his father who plays the accordion. “He took me to play at the Accordion and Fiddle clubs which was my introduction to traveling round the halls in Shetland and gave me my first performance experience.”
1990 was an important year for Stout. “I moved schools and became friendly with other young musicians who were mainly fiddle players. This group of youngsters were given the name ‘Fiddlers’ Bid’. They enjoyed frequent afternoon sessions possibly in place of classes such as Math or English with their teacher Willie Hunter. Countless concert experiences at coffee evenings and such like came rolling in.”
In the same year he won Shetland’s ‘Young Fiddler of the Year’ competition for his traditional fiddling. “I became Shetland’s ‘Young Musician of the Year’ for performing a classical repertoire. Having studied for a year with fiddle player Arthur Scott Robertson it was the advice of my classical tutor Teresa Mooreland that I should continue my studies on the mainland.”
In 1991 Stout gained a place at the music school of Douglas Academy in Glasgow where he studied for two additional years before gaining a place at the Royal Scottish Academy of Music and Drama (RSAMD). “During this time I played most weekends with the popular singing group ‘The Clydesiders’. This gave me a real appreciation and understanding of using the fiddle in an accompanying role to the voices. In retrospect it was probably my first opportunity to use the fiddle in an improvisatory style.”
Throughout his studies at the RSAMD he became more fascinated and excited by contemporary classical music. “As part of my degree I spent time working in an electro acoustic music studio. I completed my degree in classical violin and went on to do Masters in electro acoustic composition studying with the leading composer Alastair MacDonald. I was lucky enough to have one of my pieces released on a compilation CD of electro acoustic music featuring some of Britain’s top composers in this field.”
In 2000 Stout took part in a UK tour called ‘Fiddles on Fire’ with fiddlers Dezi Donnelly (Manchester) Eliza Carthy (England) and Susanne Lundeng (Norway). “This gave me my first independent break as a solo fiddle player on a national level.”
Stout has put this eclectic musical experience to good use. “I work with jazz musicians including London based trombonist Annie Whitehead drummer John Rae with his ‘Celtic Feet’ band saxophonist Phil Bancroft and ‘Orquestra Scotland Brasil’ 2003 collaboration.”
“I am in demand as an electro acoustic composer. I composed a piece for Phil Bancroft in 2002 which was performed as part of the UK tour ‘Double Helix’. This was one of 3 professional commissions since leaving music college.”
Chris Stout’s quintet features Fraser Fifield (soprano saxophone) Catriona Mackay (harp piano) Malcolm Stitt (guitar) and Neil Harland (bass). The Quintet’s sound draws on the full breadth of Chris’ diverse skills and interests centered on his beloved Shetland traditions but weaving in a rich array of jazz and world-music influences.
In 2007 Stout released his solo album Devil’s Advocate.