Sabah Fakhri is one of the foremost master vocalists of the Arab world. He was born in Aleppo, Syria in 1933. His talent was recognized early: he was barely ten when he began performing at event concerts with leading professionals of the time.
Fakhri’s teachers at the Damascus Conservatory were well-known composers Shaykh Ali al-Darwish and Shaykh Umar al-Batsh who worked within the musical tradition of the Mevlevi Sufi order in Syria.
In 1950, Sabah Fakhri was invited to sing with the National Syrian Radio Orchestra where he quickly received critical acclaim for his superb vocal technique and unique silver tonal quality.
Fascinated with the history of Arabic music Fakhri researched diligently into the earliest recording of the major Arab artists. As a result, he has amassed a tremendous repertoire of classical songs. His firm grounding in Arabic poetry and literature has enabled him to document traditional Arabic music in a multi-part audiovisual series titled “Nagham al-Ams” (Tunes of the Past) consisting of numerous vocal compositions in traditional genres.
Known for his superb interpretations of the Andalus-based repertoire so popular in Aleppo. Fakhri’s name has been especially linked to the classical muwashshah. He also performs traditional vocal genres such as qasida, dawr, qadd and the improvisational mawwal. He has performed on hundreds of recordings and has toured North and South America, Western Europe, Russia and Australia. He has received numerous honors and medals in recognition of his artistry and achievements.
Muhammad Qadri Dalal was born in Aleppo in 1946. He is a first-class master of the Arabic lute (ud) and is very well-known in his own country. He carries on the traditional Aleppian style for his instrument, a style emanating from the Turkish school aiming at a smooth rounded sound. He has an encyclopedic knowledge of the traditional repertory.
Blue Maqams brings together Anouar Brahem, one of the great masters of the oud, and three of the finest jazz musicians. The music on Blue Maqams is an exquisite mix of Arabic modal music known as maqam, and jazz, classical, flamenco and Brazilian influences. Although there is jazz improvisation, all the pieces, composed by Brahem, have a clearly defined structure.
Anouar Brahem’s oud delights with impeccable performances and interplay with the bass, drums and piano. Dave Holland is one of the most open minded jazz bassists, who has collaborated with flamenco, Latin American and American roots music artists.
The lineup includes Anouar Brahem on oud; Dave Holland on double bass; Jack DeJohnette on drums; and Django Bates on piano.
Blue Maqams is an exceptionally expressive album by oud maestro Anouar Brahem and three dazzling improvisers.
This 5-track digital-only EP features several variations of Ipiros. This song was originally made for Syriana’s Road To Damascus album that came out in 2007. However, it never made it to the album and was only previously released as a remix on the vinyl A Life in Film.
All the profits from sales from The Ipiros Remixes will be donated to International Rescue: Greece, a charity that provides aid to Syrian refigees who arrived in Greece. All the musicians are giving their work free of charge.
The musicians behind the Syriana project are British musician Nick ‘Dubulah’ Page (Transglobal Underground and Temple of Sound) and Irish bassist Bernard O’Neill.
The cinematic Kithara Remix features Arabic violin, mesmerizing ambient sounds, Middle Eastern percussion and great guitar work.
Somo Arco Iris Remix highlights the Middle Eastern nay and has vocals in Portuguese by the talented Maria Joao Branco.
The Jazz Remix showcases a saxophone performance.
Liverpool live Remix brings together Middle Eastern and Greek influences, featuring superb Greek vocalist and nay player Kalia Lyraki.
On the S40 Remix the qanun gets the attention it deserves.
Two ancient traditions meet on Letters from Iraq: Oud and String Quintet, western classical music and Arabic music. Oud (Arabic lute also known as ud) maestro Rahim Alhaj has been living in the United States for over a decade and return to Iraq in 2014 to learn about the current situation there.
Letters from Iraq is Alhaj’s expression of the emotions related with war-ravaged Iraq, stories of love, sadness and suffering. It’s a beautiful bittersweet album where the oud provides exquisite interaction with western classical music string instruments.
The lineup includes Rahim Alhaj on oud, David Felberg on violin; Ruxandra Marquardt on violin; Shanti Randall on viola; James Holland on cello; Jean-Luc Matton on bass viol; and Issa Maluff on percussion.
The CD physical version includes a 40-page booklet with photos, illustrations, and liner notes in English and Arabic.
Acclaimed Palestinian brothers Samir, Wissam, and Adnan Joubran are set to perform at Saturday, July 29 at Gerald W. Lynch Theater at John Jay College. The three ud players fuse Arabic music with jazz, rock, and flamenco.
Haytham Safia, born in 1980, is an Arab-Israeli from Jerusalem. His passion for the Ud started at an early stage.
In 2001 he made his debut as a performer in The Netherlands where he acquired a firm position in the musical ensemble accompanying the Galili Dance Group; they toured throughout Europe.
In 2002 he graduated with distinction at the Academy of Music and Dance in Jerusalem. With Joshua Samson and Tony Overwater he performed at the Cultura Nova Festival in Heerlen September 2003. In February 24 he played as a soloist with the Holland Symphonia in the Concertgebouw in Amsterdam.
In November 2004 he participated in a workshop in the Rasa (Utrecht) for the Lute festival with another eight musicians from different nationalities.
Haytham Safia is in essence a classical Arabic musician but his compositions and music are influenced by other musical styles such as Persian, Balkan and jazz music.
He established his own group The Haytham Safia Quartet which consists of four musicians from different backgrounds: a Dutch, German and an African. The group performs Haytham’s original compositions that encompass both his performance experience and academic training while still true to his Arab roots.
Badavi Zubayr, who sings and plays the ud, represents the urban tradition of the Hadramawt Valley (Yemen). Badavi composes his own melodies as much as he draws inspiration from the rich traditions of the Valley. He is influenced both by the old town’s culture as well as by the surrounding desert that his family comes from. Badavi is especially influenced by the tribal and Beduin tradition of Hadramawt. The tribesmen of the side valleys, like Dawcan, perform the dahifa, where two people dance in a circle, accompanied by mizmar, a double-reed clarinet or qasaba, a straight flute. The Beduin perform the miraikuz dance with hand-clapping and wooden castanets called maraqis.
Zubayr lives in the historical town of Shibam founded during the 9th century. It is also known as the “Manhattan of the desert”. The architecture of this town symbolizes the mixture between the pre-Islamic and Islamic cultures of Yemen
Mina Rad, a Paris-based journalist traveled all the way to Yemen to interview Zubayr. This is an account of her experience: “At the old port of Shibam, we asked a taxi driver about Badavi who proudly brought us to his beautiful house with two floors. There we found Badavi and his musicians. Badavi, a fifty year old man, with a brown face and a deep look, was surprised by the arrival of a journalist who came all the way from the West to find him, welcomed us very warmly. It was the afternoon, the time that the people of the desert get together to chew the qat (the special herb that has a relaxing effect). We were lucky, because Badavi was rehearsing with his musicians. He welcomed us in his big guesthouse, called in Yemenite Mafradj. A beautiful hall was surrounded by the small traditional wooden windows made by the hands of the artist himself. In such a warm atmosphere, Badavi and his group performed an unforgettable concert for us. Accompanied by a rhythmic sound of the waterpipe, while the musicians were chewing their qat, we discovered Badavi. Through his peaceful sound of ud and his deep voice, we entered to the magic world of the desert.”
Ahmed Yaslam Khames Zubier, whose nickname is Badavi, which means the son of the desert, is one of the most popular singers in the valley of Hadramawt, in the South of Yemen. In his hometown, Shibam, with 4 inhabitants, he is considered as the king of the wedding ceremonies.
He was brought up in a family of musicians and carpenters. Since his childhood, he learned the family’s crafts and music from his father. The first instrument that he played was a mizmar (a kind of clarinet). Inspired by his sensibility for poetry, he started to compose poems. “I wanted so much to sing and play music, that is why I gave up the mizmar and learned ud”, with enthusiasm he explained “My life is summed up in my poetry and my music. I let my poetry be rhymed by the sound of my ud”.
At the age of twenty he formed his own group and made his first recording on cassette in 1973, when he was 23. His cassettes became very popular in the region. Since then he has produced dozens of them. Every driver in the desert, has one in his car. As said one of the drivers of a trolley, “the long roads of the desert become more joyful thanks to the melodies of the son of the desert.” The people of Hadramawt like not only his music but also his poetry that describes the everyday life of the Beduins, love and the feeling of being away from hometown.
Badavi is not only a musician but he also makes his own instruments. The originality of his music is based on the mixture between the happy melodies of the coast and the nostalgic ones of the desert. Even though the musical tendencies of the region are to modernize the music with western instruments, he remains faithful to the old tradition of Hadramawt. That’s why the Hadramawt people who emigrated to the Arabic gulf countries, very often invite him to the Gulf countries to sing for them at their weddings and bring them the melodies of the hometown.
Hassan al-Ajami is one of the last players of qanbus, a small lute with 4 strings. He represents the elegant tradition of Sana. He is the third generation of the qanbus player and singer. His peaceful melodies relate the sound of his ancestors from Iran to Yemen.
Mohamed Adlen Fergani was born on the 29th of April 1993 in the city of Constantine, Algeria. He belongs to the Fergani family where Maluf music is a part of the heart and soul of all family members. This family atmosphere has pushed his learning of the use of many musical instruments: percussion at the age of 8, mandolin at 13, then violin and oud (Arabic lute).
Beside his musical career, Adlen is studying Aeronautics at Constantine University. He is part of the 4th Generation of the Fergani family that includes his great grandfather Hamou Fergani, grandfather Hadj Mohamed Taher Fergani, his father Nasserdine Fergani and his uncle Salim Fergani.
Carrying over the mission to preserve the musical patrimonial heritage of Constantine, already developed by the predecessors, he is distinguished by his beautiful voice appreciated by his fans and Maluf followers. His musical products are inspired by the heart, spirit and allows the listeners to travel through the ancient Arab Andalusian world thanks to the selected words and refined music. The success has been proven in many festivals, wedding ceremonies, Ramadan parties or religious events.
The title of his first album is “Ana el mamhoun bel ghoram”, supervised by his grandfather, maestro Mohamed Hadj Fergani and featuring the participation of other artists as well. A second album is in the works.
Adlen Fergani has performed on TV, radio and at numerous festivals throughout Algeria.
His awards and trophies include Trophy & Expression of Gratitude for the conservation of Constantine Patrimonies, 8th Edition of « Cultural National Festival of Andalusian Music and Maluf (2014) and Trophy & Expression of Gratitude for the participation in “Knowledge days University of Constantine 2012.
Rahim AlHaj, virtuoso ud musician and composer, was born in Baghdad, Iraq and began playing the ud at age nine. Early on, it was clear that he had a remarkable talent for playing the ud. Alhaj studied under the renowned Munir Bashir, considered by many to be the greatest ud player ever, and Salim Abdul Kareem, at the Institute of Music in Baghdad, Iraq.
AlHaj won various awards at the Conservatory and graduated in 1990 with a diploma in composition. He holds a degree in Arabic Literature from Mustunsariya University in Baghdad. In 1991, after the first Gulf War, Mr. AlHaj was forced to leave Iraq due to his activism against the Saddam Hussein regime and began his life in Jordan and Syria. He moved to the United States of America in 2000 as a political refugee and has resided in Albuquerque, New Mexico ever since. Rahim became a U.S. citizen on August 15, 2008.
Rahim AlHaj has performed around the world and is considered one of the finest oud players in the world. He has won many honors and awards including two Grammy nominations. Rahim has recorded and performed with other master musicians of varied backgrounds and styles including multi-faceted American guitarist Bill Frisell, modern accordion innovator Guy Klucevsek, Indian sarod maestro Amjad Ali Khan and indie-rock pioneers REM.
He has composed pieces for solo ud, string quartet, symphony and beyond. Rahim’s music delicately combines traditional Iraqi maqams with contemporary styling and influence. His compositions evoke the experience of exile from his homeland and of new beginnings in his adopted country. His pieces establish new concepts without altering the foundation of the traditional “Iraqi School of oud”.
His discography includes earlier works such as The Second Baghdad (2002), the live CD Iraqi Music in a Time of War (2003), and Friendship: Oud and Sadaqa String Quartet (2005), a unique East and West musical collaboration; Home Again (UR Music, 2008) features original compositions portraying his trip to Iraq after 13 years in exile. His March 2009 release, Ancient Sounds (UR Music), a duet recording with Amjad Ali Khan, was nominated for a 2010 Grammy in the Best Traditional World Music Recording category.
When the Soul is Settled: Music of Iraq released by Smithsonian Folkways Recordings was also nominated for a Grammy in 2008.
In November of 2009 he released a special recording Under The Rose with Ottmar Liebert, Jon Gagan and Barrett Martin, with all net proceeds benefiting Direct Aid Iraq.
Rahim is featured in the 2009 documentary film on Smithsonian Folkways Records. Capping off an artistically fruitful 2009, Rahim was awarded the prestigious U.S. Artist Ford Fellowship Grant on December 14th.
Little Earth: Voices For Peace was released in 2010. The project features Rahim’s original compositions in collaboration with Bill Frisell, Klucevsek, REM, Maria De Barros, Liu Fang, Robert Mirabal, Hossein Omoumi, The Santa Fe Guitar Quartet and many more.