Fanfara Station, a band formed by musicians from Tunisia, Italy and the USA won the 12th Andrea Parodi Prize, the only contest in Italy dedicated to world music. The group performed the song “Rahil” in Tunisian. Additionally, Fanfare Station also won the critic’s award and the best arrangement as well. The contest took place October 10-12, 2019 at the Conservatory “Giovanni Pierluigi da Palestrina” in Cagliari, Sardinia, Italy. The winners were chosen by three different juries.
The prize for the best lyrics went to Federico Marras Perantoni’s song “Canzona di mari n.2 – Fóggu e fiàra”, in Sardinian language.
The best music award was given to Elliott Morris (United Kingdom) for “The End of The World Blues”, in English.
The best performance prize went to “Suspiro” by Suonno D’Ajere, from Campania, sung in the Neapolitan language.
The award for the best performance of a piece by Andrea Parodi was won by Setak, from Abruzzo.
Togolese band Arsene Duevi’s song “Agamà”, in Ewe language, won the upcoming artist award.
The Andrea Parodi Foundation decided to assign a special mention to Krzikopa (Poland) who performed “Hasiorki” in the Silesian language.
The competition this year featured a large presence of foreign artists, including Acoustic Tarab Alchemy (from Tunisia and Lazio) with the song “Fattouma”, in Arabic; Saly Diarra (Senegal) with “Musow” in the Bambara language; Maribop (Spain) with “Un munnu dintra un munnu” in Sicilian and Basque languages.
The Albo d’oro (Golden) Award went to Daniela Zedda, photographer and photojournalist of international importance.
All the prizes are made by Maria Conte, a Sardinian goldsmith artist renowned throughout the world.
The event also hosted important guests such as Moni Ovadia and AdoRiza (Friday), Simone Cristicchi, Tosca and La Maschera, the winner of last year’s competition (Saturday). On Saturday there was also an extract from the show “Lingua Madre, Pasolini’s songbook”, with Duo Bottasso, Elsa Martin, Davide Ambrogio. This is an original production of the Premio Città di Loano, the Mare e Miniere festival and the Andrea Parodi Prize, an idea by Enrico de Angelis.
Moreover, various artistic lineups from the Cagliari Conservatory performed in all the three evenings, led by artist director Elena Ledda and conducted by Gianmaurizio Foderaro and Ottavio Nieddu.
The festival was created to honor and enhance the art of the talented singer and musician Andrea Parodi, who evolved from making pop with Tazenda to a highly valuable solo career where he recreated traditional roots music, thanks to which he became an international reference for Italian world music.
UK-based organization Julie’s Bicycle is the recipient of the WOMEX 2019 Professional Excellence Award. In a press release, Piranha Arts, the organizers of the World Music Expo, WOMEX, stated: “For their forward-thinking strategies to speed up the attainment of environmental sustainability in every facet of our industry and professional lives, for their rallying of artists and arts professionals from all over the world to speak and act in one powerful group, and for their status as a figurehead in the global arts movement in the face of climate change and ecological disaster.”
Julie’s Bicycle works in three primary ways: working with businesses individually to improve their environmental impact management; researching and developing resources for the use of all; and introducing, promoting and performing outreach for new ideas and sustainable business models.
On confirming their attendance to receive the 2019 WOMEX Professional Excellence Award, Director Alison Tickell on behalf of Julie’s Bicycle said: “Climate change and our environment are global challenges which necessitate a global response. Many of the most extreme impacts are being felt by the most vulnerable communities, often in the global south: justice, fairness and equity are at the heart of environmental action. This award is not just for Julie’s Bicycle team, but for all those music pioneers who are raising awareness, bringing together our kindred communities, regenerating music practice and protecting all beings that share our earth. Thank you WOMEX.”
The WOMEX Professional Excellence Award honors exceptional achievements of an individual, group or an organization in music. Musical excellence, cultural significance, advocacy and activism, lifetime achievement and commercial success without compromise are all elements that may determine the Award Recipient.
The Unsigned Only Music Competition announced the 2019 winners. The 2019 Grand Prize is awarded to a South African artist, Anna Wolf, for the song “Believer.” The winner of the World Music award is OYME (Moscow, Russia) with the song “Vaya,” which is based on an Erzya folk song.
OYME performs traditional and contemporary world music based on the music of Mordovia, a region in Russia. It is characterized by polyphonic vocal styles, traditional instruments electronics.
Born in Pretoria, South Africa, Anna Wolf beat out almost 6,000 entries from more than 100 countries to be named the Grand Prize winner. The press release indicated that “Wolf is a singer with hauntingly beautiful vocals, and a songwriter with depth and vulnerability. The winning song, “Believer,” is a powerful track, inspired by Wolf’s desire to break the silence about domestic violence and serves as a personal refusal to become the victim of her circumstance.”
“I feel such gratitude for this honor,” said Anna Wolf. “The message of ‘Believer” is burnt into every fiber of my being: to let go of expectations, to face my own vulnerabilities and to always keep faith that tomorrow will be the day I get to share my music with the world.”
In addition to winning $20,000 in cash (US) and $40,000 (US) in merchandise and services, Wolf also receives one-on-one mentoring from a group of upper-echelon music industry executives, including: Pete Ganbarg (President of A&R, Atlantic Records); Nick Haussling (Senior VP of A&R, Warner Records); Liz Cohen (A&R, RCA Records); Kim Stephens (President, Forward Entertainment / A&R, Lava Records); David Silbaugh (Talent Buyer, Summerfest); Brinson Strickland (President, Collective Artist Management); and Kristyn Ciani (Talent Buyer, C3 Presents).
Unsigned Only is now accepting entries for the 2020 competition. More information can be found at: www.unsignedonly.com.
Unsigned Only is open to all artists who are unsigned to a major record label and gives artists exposure, recognition, and validation for their artistry.
A total of $150,000 in cash and prizes is awarded to 38 winners, including an overall Grand Prize winner and a First and Second Place winner in each category. An additional group of Honorable Mentions were also selected. Over the years Unsigned Only has become an important source for discovering new talent. Since its inception in 2012, five Grand Prize winners have been signed to record labels.
The complete list of 2019 Unsigned Only winners:
Anna Wolf (Pretoria, South Africa) – “Believer”
AAA (Adult Album Alternative)
Adrian Chalifour (Victoria, BC, Canada) – “Head Down Heart Up”
Whitefield (Werrington County, NSW, Australia) – “Ivy”
Adult Contemporary (AC)
Madison Olds (Kamloops, BC, Canada) – “Thank You”
CAEZAR (Gloucester, GLR, England) – “Hold On”
Kenny Foster (Joplin, MO, USA) – “Wood & Steel”
Roger Street Friedman (New York, NY, USA) – “Everyday”
Layla Zoe (Victoria, BC, Canada) – “The Deeper They Bury Me”
Teresa James And The Rhythm Tramps (Canyon Country, CA, USA) – “Forgetting You”
Avery Blank (Sedgwick, KS, USA) – “Not Over”
Francesca Ani (Tampa, FL, USA) – “Heart On Fire”
Tyler Dial (Phoenix, AZ, USA) – “Damn, Denver”
Kaylee Bell (Waimate, CT, New Zealand) – “Keith”
Krane (Los Angeles, CA, USA) – “Movin”
Friendzone (Salt Lake City, UT, USA) – “Neighbors”
Tom Freund (Venice, CA, USA) – “Freezer Burn”
Clinton Clegg (Pittsburgh, PA, USA) – “Spain”
Roman Smirnov (Toronto, ON, Canada) – “Kuwaka”
Symphonex Orchestra (Charlestown, RI, USA) – “Dreams In Bloom – The Encounter”
Chico Pinheiro (Sao Paulo, Brazil) – “Flor de Fogo”
Chris Parker (Port Jervis, NY, USA) – “The Chimney”
Gio Cadario (Santa Cruz, Bolivia) – “Devuelveme”
Teff (Caracas, Venezuela) – “Te Equivocaste”
Cray (Norway) – “Monkey Wants Banana”
Tia P (Inglewood, CA, USA) – “Come Together”
Alexander Lewis (Los Angeles, CA, USA) – “Pearl Magnolia”
Coco Jones (Lebanon, TN, USA) – “Just My Luck”
Fink Tree (Poznan, Poland) – “Love Somebody”
Dogtooth (Glasgow, Scotland) – “Trying To Save You”
Bryan Elijah Smith (Dayton, VA, USA) – “In Through The Dark”
Big Little Lions (Royston, BC, Canada) – “Find Your Tribe”
Carolyn Hao (Toronto, ON, Canada) – “Losing Count”
Camryn Quinlan (Sayville, NY, USA) – “Monsters”
Rhia (Melbourne, VIC, Australia) – “Crystalline”
Pedro Barbosa (Maputo, Mozambique) – “Crazy Love Is”
OYME (Moscow, Russia) – “Vaya”
Kidum Kibido And Boda Boda (Bujumbura, Burundi) – “Nipe Nguvu”
Fandemonium Winner (winner selected by online public vote)
Corvyx (Staten Island, NY, USA) – “Alive”
Grand Slam Promotion Winners
Week 1 – Get Exposed Online With Digital Distribution and Promotion
Sara (Belgrade, Serbia) – “Player Of Mine”
Week 2 – Get Licensed With Your Music
Charlie Grant (Totnes, DVN, England) – “Black Lines”
Week 3 – Get Published With Your Songs
Goodnight, Sunrise (Toronto, ON, Canada) – “WVV”
Week 4 – Get Paid For Your Music
Dylan Holton (Ottawa, ON, Canada) – “I Used To”
Win Some Love Promotion Winners
First Place: Kat Beck (North Vancouver, BC, Canada) – “Hooked On Your Love”
Second Place: Maham Suhail (Lahore, Pakistan) – “Pauna”
Third Place: Angus Brill Reed (Adelaide, SA, Australia) – “Be You”
Video Only Promotion Winners
Professional Video Winner
Tia P (Inglewood, CA, USA) – “Come Together”
Homemade Video Winner
Matt Ellis (Sydney, NSW, Australia) – “Some People”
Áššu’s album Áššu has won The German Record Critics’ Award (Preis der deutschen Schallplattenkritik), Longlist 3/2019, Weltmusik (world music).
Áššu includes Ulla Pirttijarvi (Finland) on vocals, joiks; Harald Skullerud (Norway) on percussion, calimba, calabas, harmonium; and Olav Torget (Norway) on baritone guitar, konting, oilcan guitar.
On behalf of the jury, Johannes Kneihs stated “Rough and with electrifying energy, singer Ulla Pirttijärvi from the Finnish part of Lapland “joiks” about people and others bring West African elements into the game – which fits surprisingly well and clearly convincing better than other pop-joik adaptations from Finland or Norway in past years. A rousing debut album, it makes you curious and wants more.”
Áššu recently performed at Etno-Espa in Helsinki 9th of August, 2019.
The World Music Expo (WOMEX) announced today that Iranian kamancheh virtuoso Kayhan Kalhor (Iran/USA) is the winner of the WOMEX Artist Award 2019.
Kalhor is set to receive the prominent award at the 25th anniversary
edition of WOMEX in Tampere, Finland, on Sunday, October 27, 2019. Kayhan
Kalhor will perform as a duo together with Erdal Erzincan on bağlama in what
will be the final concert of WOMEX 2019.
Kayhan Kalhor stated: “Receiving the WOMEX Artist Award means so much to me. The award is recognition of the rich culture of my homeland Iran and an ageless Persian art that thrives and is beloved throughout the world. As forces arise across the globe and push for divisiveness, borders and intolerance, music brings us together and reminds us of our common humanity. As a citizen of the world, I am humbled by this recognition and stand with artists whose music fosters unity.”
The WOMEX 2019 closing ceremony will also include the Award for Professional Excellence and the annual Label Award, both of which are yet to be announced.
Malian world music star Salif Keita is the winner of La Mar de Musicas Award. La Mar de Musicas is a highly respected world music festival held in Spain.
The festival gave the award to Salif Keita for “having overcome all kinds of prejudices inside and outside Africa in his defense of the population with albinism and those who sing without belonging to the griot caste, and for the inspiration of his powerful voice, having managed to mix the deep tradition of his region with global sounds.”
Keita will receive his award tomorrow, Monday, July 22, 2019.
Talento Flamenco (Flamenco talent) closed its third edition at the 2019 Cordoba Guitar Festival. In a crowded courtyard at the Posada del Potro, the Fosforito Flamenco Center hosted on July 12th the hard-fought final of the Flamenco Guitar Accompaniment Contest 2019, organized by the Cristina Heeren Foundation. The award went to Cordoba-born Juan José León. The first prize is endowed with 1,400 euros and a trophy.
The second prize, worth 900 euros, went to Pablo Fernández (Barcelona), to whom the jury also awarded the Acciona Scholarship, worth 5,000 euros, which will allow him to study the next academic year at the Cristina Heeren flamenco school in Seville.
The third prize, 600 euros, went to Luis González from Badajoz.
In total, in its three editions, Talento Flamenco has given awards to more than fifty young singers, guitarists and dancers, aged 16 to 30 years, mostly Andalusians, but also from other points of the Spanish geography and countries such as Brazil and France.
The Flamenco Guitar Accompaniment Talent Contest 2019 is sponsored by the Cristina Heeren Foundation with the aim of “giving young people the boost they need to, with knowledge and practice, shining on their talent“, according to Pepa Sánchez, Academic Director of the school.
Odda Áigodat (Bafe’s Factory, 2018) by Solju is the winner of the The Indigenous Music Awards (IMA) – the Best International Indigenous Release 2019. The award was given by Manito Ahbee Festival May 17th, 2019.
Solju includes Ulla Pirttijärvi and Hildá Länsman, who were the first Sámi artists nominated for the awards.
The Manito Ahbee Festival celebrates Indigenous arts, culture, and music in Winnipeg, Manitoba, Canada. The 14th annual festival will be held May 15-19, 2019 and feature the Indigenous Music Awards, Manito Ahbee Pow Wow, Indigenous Music Conference, Indigenous Marketplace and Trade Show, Getting Jiggy With It, Art Challenge, and Youth Education Day.
The International Songwriting Competition (ISC) has announced its 2018 winners. The winners in the world music category are:
B Prasanna, Subu
ISC received almost 19,000 entries this year from almost 140 countries. Prizes include more than $175,000 in cash and merchandise.
Dubai-born Komal Rizvi is a Pakistani actress, singer-songwriter, and a TV host. She is well-known for her songs in Coke Studio (Pakistan). Her recordings include Komal Rizvi and Komal.
B Prasanna, is a Chennai-based multi-instrumentalist, producer and composer. His musical influences include world music, pop, jazz fusion and rock. His colleague Subu is a lyricist.
Harouna Samake is Mali’s leading kamale n’goni player. He has performed ands recorded with Salif Keita, Blick Bassy, Bella Flick, Etienne Mbappé, and Bassekou Kouyate. He has a solo album titled Kamale Blues (One World, 2018) .
For the first time in the competition’s 18-year history, the Grand Prize is awarded to an R&B song – as well as to artist/songwriters from Nashville, Tennessee. The ISC bestowed its highest honor to R&B artist Reginald Lamar Williams Jr., (aka R.LUM.R) and artist/producer Josh Hawkins (aka Super Duper) for their co-written song “Frustrated.” The Grand Prize includes $25,000 (USD) cash and over $30,000 in merchandise and services.
“With R&B being such a dominant force in today’s music landscape, it is exciting that an R&B song is the Grand Prize winner for the first time in ISC. We are thrilled to acknowledge R.LUM.R and Super Duper, two artists who exemplify the present and the future of songwriting in this genre,” says ISC Founder and Director, Candace Avery.
ISC is sponsored by: Art & Lutherie By Godin Guitars; Berklee College of Music; Celebrity Access; Eventric; Gig Salad; Lurssen Mastering; Merch Cat; Musician Wellness; Musicians Institute; oneRPM; PreSonus; Pro Tour Nutrition; Shubb Capos; SongU; Sweetwater; The Tracking Room; Tunedly; Vocal Eze; and Westone.
Haitian-Canadian artist Wesli is the winner of the 2019 Juno Award (Canada’s top music award) in the World Music Album of the Year category, for his impressive 21-song album Rapadou Kreyol. The album focal point is keeping the Haitian traditional music and instrumentation alive and well.
“I have two hearts,” said Wesli. “One is in Haiti, and the other is here in Canada, my chosen second homeland. Every time I do a new project, I have to approach it in two ways, one specifically dedicated to Haiti and our roots and culture, and another one dedicated to the welcome society that I am living in and that I’m grateful to.”
Upon receiving the award, an overjoyed Wesli said, “I really didn’t think I’d win, because everyone in the category [some of whom he’d worked with before over the years like Boogat and Cuban artist Telmary] are all so great, but I’m so thankful and grateful that I can represent Haitian artists in this way.” He’d been nominated once before, in 2007, as album Producer for Senaya, his band at the time, but this is his first win for his own music.
Named for rapadou, the tasty bamboo-wrapped fermented sugarcane often added to coffee, “This album is designed to revive our beautiful rhythms like Petro, Congo, Rada, Nago, Rara, the troubadour and voodoo rhythms, and our music in Yoruba language. These styles have almost no support from the mainstream media to keep them alive in the commercial society that we are living in,” Wesli notes. “Haitian music is the African Bible of the Caribbean. Our traditional percussionists know all the old ways and keep them. We can’t afford to lose them now. I have decided to do this roots revival album to remind us of who we are, where we are coming from, and what unites us.”
Sung entirely in Kreyol, Rapadou Kreyol features his own respectful take on the Haitian rituals of Lakou Dahomé and Lakou Congo, fusing rolling rara beats, bursts of brass, and just the precise electronic elements.
Each of the tracks is a different Haitian genre, like Congo and Daomé to represent joy, Nago and Djouba to represent contemplation and sadness. Each Haitian roots rhythm reflects different situations and requires different drums and instruments. Wesli adds, “One unique thing we do in all these genres is dance! We dance to everything in Haiti.“