New Mexico’s annual celebration of World Music & Culture has announced new artists added to the 2019 program. The three new names include Dave Alvin & Jimmie Dale Gilmore (USA), Natu Camara (Guinea) and Sahba Motallebi (Iran). The festival will take place September 20 and 21, 2019 at the National Hispanic Cultural Center in Albuquerque, New Mexico.
The current lineup features:
47Soul (Palestine/Jordan) Dave Alvin & Jimmie Dale Gilmore (Downey, California / Lubbock, Texas) Natu Camara (Guinea) La Cuneta Son Machín (Nicaragua) Dat García (Argentina) Garifuna Collective (Belize) Lucibela (Cabo Verde) Carlos Medina (Las Vegas, New Mexico) Mdou Moctar (Niger) Sahba Motallebi (Iran) Pamyua (Inuit/Yup’ik) Le Vent du Nord (Quebec, Canada) Yandong Grand Singers (China)
Additional artists will be announced in the next weeks.
Tuareg musician Mdou Moctar was born in 1986 in Niger. Mdou Moctar comes from a small village in central Niger in a remote region.
Growing up in an area where secular music was nearly banned, he taught himself to play on a homemade guitar made out of wood parts. Many years later he found a real guitar and taught himself to play in secret. He immediately became a star among the village youth. In a surprising change, his songs began to win over local religious leaders with their lyrics of respect, honor, and tradition.
In 2008 he traveled to Nigeria to record his first album “Anar.” A psychedelic remake of the Tuareg sound, the electronic tracks featured innovative pitch bending synthesizers, drum machines, and autotune.
In 2010, he collaborated with the label and collective Sahel Sounds, releasing his first international album, “Afelan.”
In 2015, he co-wrote and starred in the first ever Tuareg-language film, “Rain the Color Blue with a Little Red In It,” a Saharan remake of Prince’s “Purple Rain.”
In 2017, he changed his sound once more with “Sousoume Tamachek,” a recording evoking the calm desert soundscape, tackling religion, spirituality, and love.
His album Ilana is an ambitious recording pushing Tuareg guitar into an ever louder, rock-oriented direction.
Nicaraguan group La Cuneta Son Machin was formed in 2009. The band
combines the traditional music of Nicaragua and Latin America with rock, ska,
hip hop and funk.
The third album, Mondongo, was produced by American musician and
producer Greg Landau.
Their 2017 album, Cañambuco, recorded at Jingle Town studios in
Oakland, also produced by Greg Landau and mixed by Carlos Álvarez, represents a
continuation of the deep experimental work with traditional Nicaraguan music
started with Mondongo.
Band members include Carlos Luis Mejía, Omar Suazo, Carlos Guillén Mejía, Ernesto López y
47Soul is an Electro Arabic Dabke (Shamstep) band formed in Amman, Jordan, in 2013. The members families come from the Levant area (Bilad Al-Sham), including Amman, the Galilee, Ramallah and the rest of the Palestinian Diaspora.
The group takes ancient Arabic rhythms and mix them with analog synthesizers, mesmerizing guitar lines, and verses from the four singers. Every show concludes with relentless dance and trance from all individuals involved.
47Soul’s lyrics mix Arabic and English. The songs call for celebration and freedom in the struggle for equality, inside Bilad Al Sham and throughout the world.
The 2016 lineup included Z the People on vocals & synthesizers; El Far3i on darbuka, MC/Vocals; Walaa Sbeit on percussion, MC/vocals; and El Jehaz on guitar & vocals.
The Unthanks, from Tyneside, are one of the biggest names to come out of the English folk scene in the last years. The group was formed in 2004. Their stunning arrangements, haunting vocals and absolute dedication to sourcing, arranging and telling the stories of these isles is second to none.
The Unthanks is a family act for sisters Rachel and Becky Unthank. Rachel married pianist, producer, arranger and composer, Adrian McNally. Even though McNally has scored symphony scale arrangements for The Unthanks, all three are musically untrained, and put their collective musical vocabulary down to the music they grew up listening to, rather than playing, for which both McNally and the Unthank sisters have parents to thank for.
Using the traditional and folk music of the North East of England as a starting point, the influence of Steve Reich, Miles Davis, Sufjan Stevens, Robert Wyatt, Antony & The Johnsons, King Crimson and Tom Waits can be heard in the band’s albums.
In 2012, The Unthanks released 3 project albums in 12 months, under the banner ‘Diversions’ – a reimagining of the work of Robert Wyatt and Antony Hegarty, an orchestral scale adventure with National Champions Brighouse and Rastrick Brass Band, and a live soundtrack to a film about the shipbuilding industry.
The Unthnaks released four volumes of the Diverions series during 2011-2017.
In 2018, The Unthanks released a trilogy of albums with a poetic theme titled Lines.
Singer-songwriter and valiha musician Mama Sana was born in 1900 in Madagascar. She was a charismatic artist, dressed in traditional clothing with coins braided into her hair. Sana earned national and international popularity throughout her career, thanks to her innovative valiha style and her mix of distinguished by her mix of traditional Tandroy and Sakalava musical styles.
Mama Sana recorded various solo albums before her death in 1997. Her music was sampled by French electronic band Deep Forest for their third album, Comparsa. After her death, Sana’s house was turned into a museum and a cultural association was founded in her honor to promote traditional music of the Sakalava and Tandroy people.
Ndifor Achu, better known as Achu Normad, was born on April 10, 1988 in Cameroon. He grew up in the village of Mankon in Bamenda, Cameroon, Achu Normad, always felt his heartbeat synchronizing with the drumbeats played by the village dance groups around him.
The son of a guitarist, Achu soon picked up the guitar and started playing to these African rhythms. Soon after, jazz music caught his attention and the harmonic minor swing feel captivated him. He started experimenting by combining the African rhythm guitar playing style with Latin American influences and a dash of jazz. All these, coupled with his soulful voice, have enabled him to be able to tell his story to the world.
In the fall of 2014, he emigrated to the United States, where he was finally able to put into motion what he had been grooming. He created a band in Lexington, Kentucky where he worked on mixing the West African rhythms of Makossa and Bikutsi with Cuban jazz and soulful vocals. Two years after, he released his debut album Alieh, released under the record label Akumba Music.
Achu Normad currently resides in Kentucky, United States and tours the United States and Europe.
Nusrat Fateh Ali Khan Shahen-Shah-e-Qawwali (The Brightest Star in Qawwali) is a title reserved for the leading voice and spirit of qawwali, the devotional music of Sufi Islam. No other term better describes the late Qawwali master.
Born on October 13, 1948 in Lyallpur in the Punjab province of Pakistan, Nusrat Fateh Ali Khan made his first recording in 1973, beginning an astonishing recording career spanning over 20 years and 50 albums. As one of the Indian subcontinent’s brightest talents, he incorporated elements of traditional classical khyal repertoire in his performance, producing his own unique style – and broadening the appeal of qawwali to listeners of all faiths.
Nusrat Fateh Ali Khan’s father was also one of the great qawwals of his time. With the best of intentions, the father attempted to persuade his son to become a doctor instead of following the family’s 500-year tradition of qawwali performance. But, even his father’s wishes could not keep the young Nusrat from the exquisite art formas a child, he eavesdropped on his father’s music classes to learn the fundamentals. It was only after his father’s death, when Nusrat was 17, that he began to perform in public, joining his uncle’s group and before long becoming one of the most popular qawwali singers in Pakistan.
Mesmerized by one of Nusrat’s live performances, Peter Gabriel invited him to perform at WOMAD during the 1980s, bringing the beauty and hypnotic intensity of the qawwali master’s gift to Western audiences for the first time. The response was overwhelming and resulted in a longstanding alliance between Nusrat and Peter Gabriel’s Real World label.
ShahenN-Shah, his first recording for Real World, marked the beginning of Nusrat’s growing influence and celebrity outside Pakistan. In attempts to make qawwali more accessible to Western ears, he recorded Mustt Mustt in collaboration with Canada’s atmospheric composer/guitarist Michael Brook, replacing traditional songs with classical vocal exercises backed by Western rhythms. A-later remix of Mustt Mustt by Massive Attack led to a surprising club hit through Great Britain and the United States.
Over the next few years, Nusrat Fateh Ali Khan became an awe-inspiring and globally powerful world music force. His music has inspired some of this century’s greatest filmmakers, including Martin Scorsese and Oliver Stone, and has been incorporated into soundtracks for such films as Dead Man Walking and The Last Temptation of Christ. Khan performed with music icons from all genres — including Peter Gabriel and Joan Osborne At the time of his death in 1997, he was due to record with Bjork and Luciano Pavarotti.
From archives in Nusrat’s hometown of Lahore, Pakistan, Real World discovered studio recordings that were released for the very first time. The first of two high-quality archival releases came out with the title Dust to Gold. It presents the great innovator and bearer of tradition at the height of his powers.
The title Dust to Gold reflects Nusrat Fateh Ali Khan’s philosophy of life, as he considered himself a pinch of dust from a holy place.
In 2002, Real World released Body and Soul, a recording made in Nusrat Fateh Ali Khan’s hometown of Lahore shortly before his untimely death. The recording was retrieved from his family archive and much work was required to recreate the power of the original performance. Mixing engineer Stuart Bruce worked on the original master tapes for many weeks at Real World Studios. The recorded masters were very inconsistent and it was difficult to assess the strenth of the material due to the random technical nature of the recordings. It was necessary to re-balance the voice and instruments and correct the anomalies and distortion. The whole album was then remixed and remastered. Through this work, Real World was able to restore the energy of the original performance to enable the listener to get as close as possible to the full effect of Nusrat’s singing.
Nusrat Fateh Ali Khan & Mujahid Mubarak Ali Khan (EMI Pakistan Ltd., 1978) Mehfil-E-Qawwali (Polydor, 1980) Nit Khair Mangan (Star Cassette, 1981) En Concert À Paris (Ocora, 1986) Best Of Qawwal And Party Volume One (WOMAD Records, 1986) The Ecstatic Qawwali (JVC, 1987) En Concert À Paris Vol. 2 (Ocora, 1985) Greatest Hits Vol 2 (Serengeti Sirocco, 1988) Greatest Hits Vol 3 (Serengeti Sirocco, 1988) En Concert À Paris – 4 (Ocora 558685, 1988) ShahenN-Sha h (Real World Records, 1989) Mustt Mustt (Real World Records, 1990) Qawwali: The Vocal Art Of The Sufis II (JVC, 1990) Vol 4 Punjabi (Star Records, 1990) The Day, The Night, The Dawn, The Dusk (Shanachie, 1991) House Of Shah (Oriental Star Agencies, 1991) Magic Touch (Star Records, 1991) Dam Dam Ali Ali Vol 9 (Oriental Star Agencies, 1991) Live At Islamabad (Rhythms of The East, 1992) Mae Ni Mae (Oriental Star Agencies, 1992) Sham Savere (Oriental Star Agencies, 1992) Naat (Oriental Star Agencies, 1992) Traditional Sufi Qawwalis Vol I (Navras, 1993) Traditional Sufi Qawwalis – Live In London Vol II (Navras, 1993) Sanam – Live In Concert (Star Compact Disc, 1993 Kali Kali Zulfon (Oriental Star Agencies, 1993) Allah Hoo Live In Concert Vol 25 (Oriental Star Agencies, 1993) Akhian Udeek Diyan – Live In Concert Vol.75 (Star Cassette, 1993) Bandit Queen (Milan, 1994) Traditional Sufi Qawwalis – Live In London Vol IV (Navras, 1994) Sanson Ki Mala (Jaro Medien, 1994) Live In London III (Navras, 1994) Yadan (Star Compact Disc, 1994) Vol.47 House Of Shah 3 (Oriental Star Agencies, 1994) Live In Concert – Washington University USA (Star Compact Disc, 1994) Revelation (Interra Records, 1995) Dum Mast Mast – The Best Of Nusrat Fateh Ali Khan (T-Series, 1995) Sangam Sonic Enterprises, 1996 Night Song (Real World Records, 1996) Mast Nazron Se (Super Cassettes Industries, 1996) ISHQ (Star Cassette, 1996) Unki Gali Mein Aana Jana (T-Series, 1996) Loay Loay Aaja Mahi Vol-56 (Star Records, 1996) Ali Ka Girveedah (Magnasound, 1996) Nusrat Fateh Ali Khan & Michael Brook: Remixed – Star Rise (Real World Records, 1997) Allah Hoo Allah Hoo (T-Series, 1997) …Aur Pyar Ho Gaya His Master’s Voice, 1997 Pakistan – En Concert A Paris – 5CD (Ocora, 1997) Only One (Anarkali Records, 1997) Sweet Pain: Pride Of Pakistan Volume 4 (Sonic Enterprises, 1997 Ecstacy (Terrascape TRCD 4110-2, 1997 Novum Gaudium, Nusrat Fateh Ali Khan – Oriente/Occidente (Materiali Sonori, 1997 The Prophet Speaks (M.I.L. Multimedia, 1997) Jewel (Terrascape, 1997) Michael Brook & Nusrat Fateh Ali Khan – Night Songs Remix (Sonic Enterprises, 1997) Live – Greatest Hits Ever (RPG Music, 1997) Jani Door Gaye Volume 7 (Sonic Enterprises, 1997) Live In New York City (M.I.L. Multimedia, 1997) Salaam (RPG Music, 1998) Kachche Dhaage (Tips, 1998) Swan Song (EMI, 1998) Pride Of Pakistan Volume 26: Ustad Qawwal – Last Recording 1997 (Sonic Enterprises, 1998) Best Of Nusrat Fateh Ali Khan Remix (T-Series, 1998) Imprint (Hi Horse Records, 1998) Allah And The Prophet (Exworks Records, 1998) Live At The Royal Albert Hall (EMI Music Arabia, 1998) Missives from Allah (MPG, 1999) Visions Of Allah (ExWorks Records, 1999) Passion (NYC Music, 1999) Opus (Vanstory, 2000) The Final Studio Recordings (American Recordings, 2001) Jaag Uthe Hain Dard Purane Album 33 (Timeline Records 2001) The Final Moment (Birdman Records, 2001) Les Plus Grands Concerts (EMI, 2001) Sufi Qawwalis (ARC Music, 2002) Tun Khayaal Ton Wi Sohni (Nupur Audio, 2002) The Master Of Qawwali (Latisphere, 2002) Poetry Of Bulle Shah In The Voice Of Ustad Nusrat Fateh Ali Khan (Nupur, 2002) Parchaiyan (Saregama, 2003) Ustad Nusrat Fateh Ali Khan Qawwali Vol: 43 (Sonic Enterprises, 2003) A Sufi Supreme (Manteca, 2003) Qawwal Volume 42 (Sonic Enterprises, 2003) Mele Ne Vichhar Jana Volume 91 (Oriental Star Agencies, 2004) Yusaf Zulaikha Vol. 98 (Star Compact Disc, 2004) Sufi Soul (Saregama, 2005) Nusrat Fateh Ali Khan (Deluxe, 2006) Dub Qawwali (Six Degrees Records, 2007) Dub Qawwali Remixes (Six Degrees Records, 2008) Mast Qalandar (Navras, 2010) Shahen-Shah (Real World Records, 2012) Best Of Nusrat Fateh Ali Khan, Vol. I (Sony Music, 2012)
Danças Ocultas is an ensemble comprising four accordionists from Agueda near Porto, in Portugal. The quartet is among the most innovative and most exciting representatives of contemporary Portuguese music. Their concept is based on tranquil, lyrical, almost traditional music, performed with only four diatonic accordions.
The quartet’s name, Hidden Dances, has nothing to do with mysterious domains but instead means that Dancas Ocultas play music for dances that have yet to be invented. Portuguese fado plays a minor role in the ensemble’s sound; the band’s inspiration comes instead from traditional village music, Tango Nuevo and the chamber music exemplified by the Russian Terem Quartet.
Dancas Ocultas neither engage in virtuosity competitions, nor do they play pure folk music. “Impressionist Folk” is perhaps the best definition for this timeless art music: minimalist, thoughtful sound designs full of unanticipated turns and gracious melancholy.
One of the first supporters of Danças Ocultas was Gabriel Gomes, the accordionist of Portugal’s most famous world music band Madredeus. He encouraged them to explore their own sound worlds.
Dancas Ocultas’ collaboration with choreographer Paul Ribeiro and the Gulbenkian Ballet, regular appearances at international festivals and a highly acclaimed showcase at the World Music Expo (WOMEX) in 2010 have resulted in wide international recognition.
The line-up includes Artur Fernandes on diatonic accordion; Francisco Miguel on diatonic accordion; Filipe Cal on diatonic accordion; and Filipe Ricardo on diatonic accordion.
Danças Ocultas (EMI VC, 1996) (EMI VC, 1998) Travessa da Espera (L’Empreinte Digitale, 2002) Pulsar (Magic Music, 2004) Tarab (Numerica, 2009) Alento (iplay / Galileo MC, 2011) Arco, EP (Uguru, 2014) Amplitude (Uguru/Galileo Music, 2016) Dentro desse mar (Galileo Music, 2018)
Rhiannon Giddens was born February 21, 1977 in Greensboro, North Carolina. She is a renowned multi-instrumentalist, composer, singer-songwriter and researcher, best known as one of the founders of the country, blues and old-time music band Carolina Chocolate Drops, where she was the lead singer, violinist, and banjo player.
The Carolina Chocolate Drops’ album Genuine Negro Jig won the Grammy Award for Best Traditional Folk Album at the 53rd Annual Grammy Awards.
One of the essential part of Giddens’ work is her research of folk instruments and traditions of the African-American diaspora.
A MacArthur “Genius” Grant recipient, Rhiannon has performed for the Obama’s at the White House and acted in two seasons of the hit television series Nashville.
In addition to her solo recordings and her albums with the Carolina Chocolate Drops, Rhiannon recorded Out On the Ocean: Music of the British Isles (2004) and Northern Lights (2005) with Gaelwynd; Lost on the River: The New Basement Tapes (2014) as The New Basement Tapes; and Songs of Our Native Daughters (Smithsonian Folkways), a collaborative album that tells the stories of historic black womanhood and survival. Rhiannon has European American, African American and Native American background.
In 2016, Rhiannon received the Steve Martin Prize for Excellence in Banjo and Bluegrass.
in 2019 she collaborated with Italian multi-instrumentalist Francesco Turrisi. they released an album titled