Paulo Tato Marinho was born in Lisbon, Portugal, in 1964. He
is dedicated to bagpipes as an instrumentalist, teacher, researcher, composer
He began playing the bagpipes in 1982. His taste for the instrument
was born in Alto Minho where he spent his vacations in the village of his
paternal family, São Pedro da Torre – Valença. In this area, bordering Galicia
(Spain), he saw and heard Galician pipers who led to an early fascination for
In 1983 he joined iconic Portuguese band Sétima Legião and
the following year he joined the dance and song group “Anaquiños da Terra” based
out of the Galician Center of Lisbon. In 1992 he was one of the founders of another
seminal band, Gaiteiros de Lisboa.
In 1999 he was one of the founders of “APEDGF – Portuguese Association for the Study and Dissemination of Bagpipes”. He has participated and collaborated in shows and recordings with various musical projects.
Becky Buller grew up in Minnesota. She played fiddle with her parents and Gordy and Roxy Shultz in the group Prairie Grass. She studied classical violin with both Patti Tryhus and Charles Gray and participated in the Mankato Area Youth Symphony and the Minnesota All-State Orchestra while in high school. Becky won the junior division of the 1996 Minnesota State Old Time Fiddle Championship in Cotton, Minnesota.
She graduated in 2001 with a public relations degree from East Tennessee State University (ETSU), where she took part in the prestigious Bluegrass, Old-Time and Country Music program. That same year, Becky’s songwriting won first-place in the bluegrass category of the prestigious Chris Austin Songwriting Contest at MerleFest in Wilksboro, North Carolina.
Her journey as a professional musician included ten-years with Valerie Smith & Liberty Pike. She is featured on several of that group’s recordings, wrote for the group and toured internationally with them as well. She also produced several of Val’s records.
Becky was also a significant part of three albums with the award-winning Daughters of Bluegrass: Pickin’ Like A Girl (2013), Bluegrass Bouquet (2008), and Back To The Well (2006), which won the 2006 IBMA Recorded Event Of The Year award.
In 2018, Becky performed with the all-female bluegrass super-group, The First Ladies Of Bluegrass, which includes all the first women to win in their respective categories at the IBMA awards: Alison Brown (banjo, 1991); Becky (fiddle, 2016); Sierra Hull (mandolin, 2016); Missy Raines (bass, 1998); Molly Tuttle (guitar, 2017). This configuration took home the 2018 IBMA Recorded Event Of The Year award for their work on “Swept Away”, written by Laurie Lewis and recorded by the First Ladies on Missy Raines’ solo album, Royal Traveller.
Crêpe Paper Heart, Becky’s fourth solo album and second release for the Dark Shadow Recording label, came out on Valentine’s Day 2018. The album featured Becky’s renowned road band: Ned Luberecki (banjo); Professor Dan Boner (mandolin/guitar/vocals); Brandon Bostic (guitar); Daniel “Hulk” Hardin (bass/vocals); and Nate Lee (fiddle); along with award-winning guests Rhonda Vincent, The Fairfield Four, Sam Bush, Frank Solivan, Claire Lynch, Rob Ickes, Stephen and Jana Mougin, and Erin Youngberg (FY5).
In 2018, Becky Buller released a music video featuring special guest artist, Sam Bush. “The Rebel And The Rose,” co-written by Buller, appeared on her Crepe Paper Heart album. “This song is special to me on so many levels, from writing it with my dear friend, Tony Rackley, to recording it with my hero, Sam Bush,” Becky said. “The message of hope in this song is timeless; not one of us is so broken that love can’t mend us.”
Becky is very active in the bluegrass music business community, serving on the IBMA Foundation board. She was on the IBMA Board of Directors from 2013-17 and did a three-year term as chair of the IBMA Songwriter Committee from 2013-16.
Omiri is the project of Portuguese multi-instrumentalist and composer Vasco Ribeiro Casais. Omiri combines Portuguese traditional folk music with electronics and stunning live visuals.
In 2019, Omiri released Alentejo Vol.I: Évora. Invited by the Évora City Council, Omiri collected the traditions, arts, cante (traditional singing from Alentejo), crafts and rituals of the local people with the goal of creating a unique show and an album. The project features the cowbell craftsmen, weavers, sculptors, singers, washerwomen, the Cante Alentejano, typographers, barbers, carpenters, cobblers, the campaniça guitar and everything else that is alive in Évora.
Vasco Ribeiro Casais says about the project: “The collections for this work were carried out between January and June of 2019, a temporary window that made me leave out many traditions that I would like to have included, like the picking of cork, the wine making process from harvesting to bottling, the harvesting of the olive, among many others. The Municipality of Évora has a lot to offer, much more than what I could capture and include in this work, but, as its title says, a first volume is just the beginning of something and who knows what the future will bring?”
Domingos Morais from the Institute for Literature and Tradition Studies at the School of Social and Human Sciences of the New University of Lisbon says: “The reinvention of traditional music is one of the sources that Vasco uses, for his knowledge of the records made by ethnomusicologists and disseminators of the songs of the peoples (all those who sensitize him). He is a poly-instrumentalist by choice, when he looks for each one of the instruments searching for its tone and potential sound as well as their unique performative potentialities.”
Alentejo Vol.I: Évora features guest appearances by Afonso Branco, Cantares de Évora, Vozes do Imaginário, Teresa Branquinho and Gigabombos do Imaginário.
Composer, producer, researcher and ethnomusicologist Pekko Käppi was born in 1976. He is a jouhikko player from Tampere and a part-time instructor at the Sibelius Academy.
He has a band called K:H:H:L.
Pekko Käppi’s style combines folk, rock and blues.
Kalastajia ja kaivostyöläisiä, EP (Amerikan Peikko Records, Kuusi Pientä Kustantajaa, 2001) Бубнить Себе под нос, EP (267 lattajjaa, 2003) Minun päiväkunnissani, EP (Imvated, 2004) Jos ken pahoin uneksii (Peippo, 2007) Vuonna ’86 (Singing Knives, 2010) Rammat Jumalat (Helmi Levyt, 2013) Sanguis Meus, Mama! (GAEA Records, 2015) Matilda (Svart Records, 2017) Väärä Laulu (Svart Records, 2019)
Finnish band Pauanne explores the pagan traditions of Finnish folk music. The trio has uncovered and collected long-lost folk music that includes stories of spells and curses, the dreams of a shepherd, 17th century witch hunts and magical iron fences that repel invaders.
The trio includes Kukka Lehto on violin; Tero Pennanen on Hammond organ and other keyboards; and Janne Haavisto on drums.
Band leader Kukka Lehto searched through Helsinki’s music archives and discovered exciting material from the early 20th century. Pauanne’s material includes traditional folk songs and new compositions as well.
Vocalist and ukulele virtuoso Taimane Gardner was born on February 13, 1989 in Honolulu, Hawaii.
Taimane – which means “diamond” in Samoan – began playing the ukulele at age 5. At 13, while playing on the beach with local musicians, she was discovered by Hawaiian music icon Don Ho and invited to be part of his Waikiki variety show. There, she quickly became a weekly regular, attracting audiences with a mix of rock, flamenco, pop, classical and traditional Hawaiian melodies.
Under the guidance of modern ukulele master Jake Shimabukuro, Taimane further focused her style and began composing music.
In 2019, she won the “2019 Favorite Entertainer of the Year Award” from Nā Hōkū Hanohano.
Tanemotion is a Korean genre-crossover band featuring a mix traditional Korean musical instruments and modern instruments. The band’s name “Tanemotion” is a composite, meaning Tan+emotion. “Tan” is a Korean word similar to “play”, especially used in playing traditional strings.
Tanemotion’s sound features jazz, pansori and Korean roots. Since 2010, they have played at rock, jazz and world music festivals.
Lineup: Yonrimog on keyboards; Sojin Kim on vocals and guitar; Seulji Kim on ajeng; So yeop Kim on piri, saenghwang (mouth organ) and taepyeongso (shawm); Hoduhk Suh on drums; and HyunSoo Kim on bass.
Asmaa Hamzaoui is the leading female performer of Gnawa music. Together with her band Bnat Timbouktou, she performs Gnawa music that goes back in time when this community was held as slaves and the music revolved around storytelling about their suffering.
Asmaa Hamzaoui and Bnat Timbouktou sing in the native Gnawan language. They advocate for equal rights and for the preservation of traditions and spiritual practices in modern-day Morocco and throughout the world.
In the fall of 2019, Asmaa released her first album Oulad Lghaba, focused on Gnawa spirituality.
The lineup in 2019 included Asmaa Hamzaoui on guembri and vocals; Aicha Hamzaoui on karkabas and vocals; Soukaina Elmeliji on karkabas and vocals; and Lamgammah Hind on karkabas and vocals.
Composer, multi-instrumentalist and singer Katarína Máliková
was born in 1990 in Polomka, Slovakia. Her music combines traditional Slovak folk
songs, art-pop, classical and world music.
She grew up in Polomka in the Horehronie region, among
mountains and traditional songs. The mystical character of her home region left
a strong impression in her music.
“In my childhood I was touched by folklore and 90s’ pop culture, which hardly found its way to Horehronie,”says Katarína Máliková. “Later, the dreams about the big city came, together with jazz – that was my remedy during my teenage years. My studies of classical music were also a big influence on me. Returning to my birth place Horehronie with the music of Telgárt, Šumiac, or Pusté pole will always be spots that I pass with feeling of something forgotten, mysterious and haunting.”
In 2017 Katarína Máliková and her band performed at major world
music festivals and venues in Slovakia and abroad, such as Pohoda Festival
(Slovakia), Colours of Ostrava (Czech Republic), EtnoKraków/Crossroads Festival
in Krakow (Poland), World Music Festival Bratislava (Slovakia) and Budapest
The lineup in 2017 included Andrej Turčin on first violin; Janko Tomek on acoustic and electric bass; Katarína Máliková on lead vocals, piano, keyboards, tambourine, and wind instruments; Katarína Turčinová on flute and fujara; Klaudia Kosmeľová on piano; Ondrej Druga on accordion and vocals; Tomáš Hríbik on drums and percussions; and Žaneta Mariňáková on second violin and tambourine.
Katarína Máliková’s music combines Slovak folk, global sounds, electronic and classical music.
Her atmospheric debut album, titled Pustvopol (barren field) included new arrangements of folk songs from Zvolen and quickly attracted the attention of the media and the public, and soon became one of the top albums in Slovakia.