Category Archives: Artist Profiles

Artist Profiles: Nachyn Choreve

Nachyn Choreve

Nachyn Choreve was born in Tuva, a part of the Russian Federation. He is a soloist in the Tuvan State Philharmonic and founding member of Tuvan rock band Hartyga.

Nachyn stated touring as a professional musician at the age of 16.

Nachyn and his colleagues Salchak Orlan, Ondar Angyr-ool, Sergek Sandyk and Naiys Dulush enrolled in the Chyrgal-Ool Art College in Kyzyl in 2002. In the evenings and after their more traditional lessons, they got together and combined rock and jazz with Tuvan traditional music.

The group was initially called Iom, but later changed its name to Hartyga. As a member of Hartyga, Nachyn has collaborated with musicians throughout the world.

In 2020 he toured the United States as part of the Sounds of Siberia project together with Yakut khomus (jaw harp) master and throat singer Yuliyana Krivoshapkina.

Nachyn Choreve is a throat singer and also plays igil and doshpuluur.


Agitator (Sketis Music, 2018)


Artist Profiles: Yuliyana Krivoshapkina

Yuliyana Krivoshapkina

Yuliyana Krivoshapkina was born in Yakutia, also known as the Sakha Republic in northeastern Siberia, part of the Russian Federation.

Yuliyana is one of the finest performers of the khomus, which is the national instrument of the Yakut people. The khomus is a type of jaw harp that is traditionally used by shamans in Yakutia as a healing instrument. Yuliyana’s proficiency allows her to play around three octaves. The khomus is positioned in the musician’s mouth and plucked with the fingers to generate a sound that has a magnificently wide range and volume.

At the age of 7, Yuliyana obtained her grandmother’s khomus and her mother showed it how to play it. In 1991, the breakup of the Soviet Union, traditional customs s came back.

Yuliana went to college to learn music. She returned to the khomus whe she met her teacher, Albina Degtyarova. Albina is an eminent teacher and advocate of khomus music. She directed Yiliyana’s musical education and ecouraged her to become a member of Ayarkhaan, an award-winning Yakut vocal and khomus trio.

Albina also introduced Yuliyana to the throat-singing made 2400 kilometers (1,500 miles) south in the Republic of Tuva, also part of the Russian Federation.

Yuliyana won in the Ethnic Sound category at the Discovery International Music Pop Festival in Varna, Bulgaria. She has performed throughout Asia, Europe and the United States of America.

In 2019, Yuliyana joined celebrated Tuvan throat singers Chirgilchin on her first US tour. The involvement in this tour lead to the birth of a new project, Sounds of Siberia that brings together the traditional music of Sakha and Tuva.

Sounds of Siberia features Yuliyana on khomus and throat singing and Tuvan musician Nachyn Choreve (a member of Hartyga) on throat singing and string instruments.


Artist Profiles: Fairport Convention

Fairport Convention in 2019

Fairport Convention is an influential English folk rock and electric folk band. The group was created in 1967 and is widely regarded as the most important act in the English folk rock movement.

The group was started by bassist Ashley Hutchings and guitarist Simon Nicol who played in the Ethnic Shuffle Orchestra. They started Fairport Convention along with Richard Thompson on guitar and Shaun Frater on drums. Frater was soon replaced by Martin Lamble. Judy Dyble became their lead singer.

Early lineup of Fairport Convention

Folk singer Sandy Denny, who had recorded with Strawbs, replaced Judy in 1968. She recorded three albums with Fairport Convention; What We Did on Our Holidays (1969), Unhalfbricking (1969), and Liege & Lief (1969). Sandy left the band in late 1969 although she returned in 1974 for another two years.

The essential Fairport Convention album Liege & Lief is considered to have launched the electric folk or English folk rock movement which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general.

The large number of musicians and singer-songwriters who have been part of the band are among the most highly regarded and influential musicians of their era and have gone on to participate in a large number of important bands or enjoyed important solo careers.

Since 1979 Fairport Convention has hosted the Cropredy Festival which is the largest such annual event in England.

Individually and collectively the members of Fairport Convention have received numerous awards recognizing their contribution to music and culture.

The group is still active and continues to record and tour.

The lineup in 2019 included Simon Nicol on guitar and vocals; Dave Pegg on bass; Chris Leslie on fiddle, mandolin and vocals; Ric Sanders on violin; and Gerry Conway on drums and percussion.


Fairport Convention (1968)
What We Did on Our Holidays (1969)
Unhalfbricking (1969)
Liege & Lief f (1969)
Full House (197)
Angel Delight (1971)
Babbacombe Lee (1971)
Rosie (1973)
Nine (1973)
Rising for the Moon (1975)
Gottle OGeer (1976)
The Bonny Bunch of Roses (1977)
Tipplers Tales (1978)
Gladys Leap (1985)
Expletive Delighted! (1986)
Red & Gold (1989)
The Five Seasons (1990)
Jewel in the Crown (1995)
Old New Borrowed Blue (1996)
Who Knows Where the Time Goes? (1997)
The Wood and the Wire (1999)
XXXV (2002)
Over the Next Hill (2004)
Sense of Occasion (2007)
Festival Bell (2011)
By Popular Request (2012)
Myths and Heroes (Matty Grooves, 2015)


Artist Profiles: Elba Ramalho

Elba Ramalho

Elba Ramalho was born on August 17, 1951 in Conceição, in the state of Paraíba, Brazil. Elba began to get involved with performing arts influenced by her father, a musician. Growing up in northeastern Brazil, she soon learned rhythms such as baião, maracatu, xote, frevo, pastoril, caboclinhos and forró, all very popular and traditional in that region.

Elba Ramalho began her musical career playing drums in the all-female ensemble “As Brasas.”

Elba is one of the greatest artists of Brazil. Her shows cover all audiences in large theaters, arenas, jazz festivals, forró festivals, carnivals, and rock festivals.

She has won various Latin Grammys and Awards of Brazilian Music.


Ave de prata (Epic, 1979)
Capim do vale (Epic, 1980)
Elba (Epic, 1981)
Alegria (Ariola, 1982)
Coração brasileiro (Ariola, 1983)
Fogo na mistura (Ariola, 1984)
Do jeito que a gente gosta (Ariola, 1985)
Remexer (Ariola, 1986)
Elba (Ariola, 1987)
Fruto (Ariola, 1988)
Popular brasileira (Ariola, 1989)
Ao vivo (Ariola, 1990)
Felicidade urgente (Ariola, 1991)
Encanto (Ariola, 1992)
Devora-me (Ariola, 1993)
Paisagem (BMG, 1995)
Leão do Norte (BMG, 1996)
Grande encontro (BMG, 1996)
Grande encontro 2 (BMG, 1997)
Baioque, RCA, 1997)
Flor da Paraíba (BMG, 1998)
Solar (BMG , 1999)
O grande encontro 3 (BMG, 2000)
Cirandeira (BMG, 2001)
Elba canta Luiz (BMG, 2002)
Elba ao vivo (BMG, 2003)
Elba e Dominguinhos ao vivo (BMG, 2005)
Qual o Assunto Que Mais Lhe Interessa? (Ramax, 2007)
Balaio de Amor (Biscoito Fino, 2009)
Marco Zero Ao Vivo (Biscoito Fino, 2010)
Vambora Lá Dançar ‎(Sala De Som Records, 2013)
Do Meu Olhar Pra Fora ‎(Coqueiro Verde, 2015)
Cordas, Gonzaga E Afins ‎(Coqueiro Verde, 2015)
O Grande Encontro 20 Anos (Sony Music, 2016)
O Ouro Do Pó Da Estrada (Deck, 2019)


Artist Profiles: AfroCubism

Eliades Ochoa with Afrocubism in Raleigh, 2012 – photo by Angel Romero

AfroCubism was an ensemble of up to 14 master musicians from West Africa and Cuba brought together by the producer of Buena Vista Social Club.

The group included Eliades Ochoa (Cuba), guitarist and Buena Vista Social Club star; kora maestro Toumani Diabaté (Msali); legendary guitarist Djelimady Tounkara (Mali); balafon wizard Fode Lassana Diabaté (Guinea); ngoni virtuoso Bassekou Kouyate (Mali); José Ángel Martínez on acoustic bass (Cuba); Jorge Maturell (Cuba) on congas, bongos, cowbell; Onsel Odit (Cuba) on backing vocals and rhythm guitar; and Eglis Ochoa (Cuba) on maracas, güiro, backing vocals.


The ensemble released the album AfroCubism in 2010 on World Circuit Records.


Artist Profiles: Verd E Blu

Verd E Blu

Verd E Blu is a traditional Occitan from Gascony, France, formed in 1987. The group plays three hole whistle and string tambourine (ton-ton), bagpipes from the Landes (boha), diatonic accordions, brama-topin friction drum, tricanetas castanets and vocals.

For over twenty years they collected, learned, produced and spread the traditional music and dance of the Gascon province of France, in all its wealth and diversity.

Much of their time is spent training dancers and musicians.

Most of their repertoire is traditional but a third of the pieces are original. This mix corresponds to a choice: to intertwine tradition and modernism.

Band members include Joan-Francés Tisner on vocals, diatonic accordions, percussion; Crestian Josuèr on three hole whistle and string tambourine, diatonic accordions; and Marc Castanet on bagpipes and diatonic accordions.


Musicas de Gasconha (Menestrèrs Gascons, 1991)
Musicas a dançar (Menestrèrs Gascons, 1993)
Ompra o só? (Menestrèrs Gascons, 1996)
Musicas a dançar: dus (Menestrèrs Gascons, 2001)
Baladas e danças (Menestrèrs Gascons, 2005)
Jòcs de Dança (Menestrèrs Gascons, 2010)


Artist Profiles: Catrin Finch

Catrin Finch – Photo by Rhys Frampton

Welsh harpist and composer Catrin Ana Finch was born in Llanon, Ceredigion, UK in 1960. She started learning the harp at six. By nine, she had passed her Grade VIII harp exam. She was a member of the National Youth Orchestra of Great Britain at the age of ten and became the youngest of its members to play at The Proms, a summer season classical music series in London.

Catrin studied harp with Elinor Bennett and later attended the Purcell School, an academic institution for children in Hertfordshire. She continued her music studies at the Royal Academy of Music in London where she studied harp with Skaila Kanga.

During the 1990s, Finch won several competitions for young harp players, including the Nansi Richards Prize and the Blue Riband at the National Eisteddfod of Wales.

She has performed with many of the world’s top orchestras. She has collaborated with numerous classical and world music acts, including Colombian group Cimarrón and Senegalese kora player Seckou Keita.

Catrin Finch and Seckou Keita

Catrin is devoted to promoting the harp and classical music in general to a new and broader audience, through her annual Academi Catrin Finch Academy Summer Harp School, an Annual Harp Fun Day and her ‘Classical Café’ evenings.


Carnaval de Venise (Sain, 2001)
From Coast to Coast (Kissan Productions, 2002)
Crossing the Stone (Sony Music, 2003)
The Harpist (Sony Classical, 2004)
Barddoniaeth Daear / Poetry Of Earth, with Jeremy Huw Williams (Sain, 2005)
Live – Byw (Kissan Productions, 2006)
Unexpected Songs, with cellist Julian Lloyd Webber (2006)
String Theory (Kissan Productions, 2007)
Little Angels (Kissan Productions, 2007)
Bach: Goldberg Variations (Deutsche Grammophon, 2009)
Annwn ‎(Kissan Productions, 2011)
Blessing, with John Rutter (Deutsche Grammophon, 2012)
Clychau Dibon, with Seckou Keita (Astar Artes Recordings, 2013)
Lullabies (Deutsche Grammophon, 2013)
Tides (Kissan Productions, 2015)
Soar, with Seckou Keita (Bendigedig, 2018)


Artist Profiles: Marta Heredia

Marta Heredia

Gypsy singer Marta Heredia Bermúdez, better known as Marta Heredia, was born in Madrid. She grew up in a family of well known flamenco performers. Her father is Josele and her brother is the late Ray Heredia, a celebrated nuevo flamenco pioneer.

She began her artistic career at Manolo Caracol’s famous Los Canasteros flamenco nightclub in Madrid.

Marta and her two sisters formed a group called Vuelo Blanco that released two LPs.

She performed at the Shanghai Expo in 2010 in the Spanish Pavillion for two months.

Marta was the lead singer for guitarist Enrique de Melchor’s shows.

She has worked in numerous countries accompanying great flamenco artists. Her 2020 show, Flamenco Essences is a geographical tour of traditional and current flamenco, focusing on soleá, tangos, bulerías, alegrías, fandangos de Huelva and tientos.

Marta has appeared in numerous albums, including Enrique De Melchor’s La Noche y El Dia ‎(Fonomusic, 1991), Carlos Cano’s De La Luna y El Sol (Movieplay, 1980), Vuelo Blanco’s Era Una Rosa Fragante ‎(Movieplay, 1980), Carlos Cano’s El Gallo De Morón (Movieplay, 1981), the album Ven y Sígueme with Manolo Sanlucar, Rocio Jurado and Juan Peña “El Lebrijano” ‎(RCA Victor, 1982), Vicente Soto Sordera’s El Ritmo de la Sangre ‎(Flamencos Accidentales, 1988), Chiquetete’s Tú y Yo (Zafiro, 1981), Los Del Rio’s Calentito ‎(Ariola, 1995), María Jiménez’s Eres Como Eres (Divucsa, 1995) and Con Dos Camas Vacías Various – …Entre Todas Las Mujeres ‎(BMG Spain, 2003).


Artist Profiles: Lucky Losada

Lucky Losada

Luis Fernández Salazar (better known as Lucky Losada) is the son of flamenco guitarist Tito Losada, the artist who has contributed the most to Lucky’s musical career. Tito gave Lucky guitar lessons starting at the age of 11. However, Lucky chose percussion from a young age, identifying himself very soon with the flamenco cajón.

Lucky has accompanied important flamenco artists such as Antonio Canales, Merche Esmeralda, Duquende, Guadiana, Pepe Luis Carmona and Diego ‘El Cigala’. He has been Tomatito’s percussionist for several years. In addition, he regally participates in his father’s shows.

He produced the albums “Sembrando inquietudes” by Ramón Jiménez and “Misa flamenca” by Tito Losada. respectively.

Lucky also participated in recordings by renowned flamenco artists, including Niña Pastori’s “No hay quinto malo”, Parrita’s “Parrita con el Alma”, Tomatito’s “Aguadulce”, Diego El Cigala’s “Undebel” and “Picasso en mis ojos”, and Guadiana’s “Cuando el río suena.”


Artist Profiles: Antonio Losada

Antonio Losada

Antonio Losada is the youngest son of flamenco guitarist Tito Losada. Since childhood, he collaborated as a dancer in numerous shows (at only 4 years old he recorded a CD with his group Adali).

Years later, Antonio quit singing and chose the flamenco cajón instead. He is a skilled percussionist and regularly performs with his bother Lucky Losada.

He has toured with various artists such as Antonio Canales, Lola Greco and Cecilia Gómez. He also performs frequently with his father.