Opium Moon – Opium Moon (Be Why, 2018)
Descriptors like enchanting, elegant and hypnotic just don’t seem to do justice to Be Why Music’s recent self-titled release of Opium Moon. It is indeed enchanting, elegant and hypnotic, but it’s more. Surely, this is the music drunk bees must hear lolling inside a flower, captives to the warm summer sun and soothing breeze surrounded and infused by drugging fragrance. Finding your inner drunk bee is no further than a listen to this extraordinary CD.
The musician masterminds of Opium Moon are Iranian santoor master Hamid Saeidi, Israeli bassist Itai Disraeli, American percussionist MB Gordy and the Canadian-American violinist Lili Haydn. Delving deep into a sound that draws on trance and sacred musical traditions of both East and West, Opium Moon is sultry and meditative. Produced by Ms. Haydn and Opium Moon, this is musician’s recording in the best of all possible ways where composing and execution is collaborative, where each thread of music is more than its parts or participants.
Ms. Haydn remarks, “In this era of ‘fake news,’ I began to feel that words no longer seemed to matter. I lost my faith in my protest songs and threw myself into creating an album without words, one which was imply an embodiment of the peace and inclusiveness I wanted to see in the the world. In these polarized and frightening times, simply making beauty – and loving across boundaries – is a revolutionary act.”
Mr. Disraeli insists that the music, “is not about opium! It’s about mindfulness, clarity of vision and heart. This world is so filled with hate and division; this is peace music, about connection and deep humanity. For each of us, there is some of our best work on this record – because it was born out of love, humility and respect for each other’s rich cultural legacies.”
I feel it prudent to mention to listeners to settle in because where you are going on this musical landscape isn’t a wild ride but a slow, sensual surrender. The opening notes of the lush “Gravity = Love” sets up another worldly space where the music seems to have traveled through space and time by way of steady drum beat, thrumming bass and the exoticism of santoor with violin lines rising like threads of smoke.
Each track of Opium Moon is as good as the last on this recording with tracks like the elegantly airy dip and soar on “Drunk With the Great Starry Void,” it title borrowed from Pablo Neruda, the deeply hypnotic “How Can I Pray When the Beloved Is All I See?” and the moving play of violin over santoor, frame drum and bass on “When I see You Naked I Smell the Earth.”
Closing out with the equally delicious “Caravan,” marked by some truly plumy bass lines, Opium Moon proves potent in its languid grace in gently propelling listeners to a place that is as old as time and still right around the corner.
Buy Opium Moon