Fiddlers 4 was a collaboration featuring some of the finest fiddlers in the United States. Michael Doucet is well loved for his work as the leader of Cajun supergroup BeauSoleil; Darol Anger, a veteran of the David Grisman Quintet and founding member of the Turtle Island String Quartet, is the leading exponent of jazz-infused newgrass; and Bruce Molsky is internationally acclaimed old time fiddler. Together with cellist Rushad Eggleston, the quartet offered a cross-cultural fiddling fest, rooted in the musics of Louisiana, the Appalachian mountains and the Marin, California foothills.
Violinist, composer, producer and educator Darol Anger is at home in a number of musical genres some of which he helped to invent. With the jazz-oriented Turtle Island String Quartet Anger developed and popularized new techniques for playing contemporary music styles on string instruments. The masterful Chambergrass groups Psychograss and Newgrange and the plugged-in Anger-Marshall Band feature his compositions and arrangements. His acclaimed folk-jazz group Montreux was the original musical model for the New Adult Contemporary radio format. The David Grisman Quintet forged a new genre of acoustic string band music with Darol’s creative use of the violin.
Working with some of the world’s great improvising string musicians, among them Stephane Grappelli, Mark O’Connor, Bela Fleck, David Grisman and Vassar Clements, has contributed to the development of Anger’s signature voice both as player and composer. His published works include jazz originals and arrangements a fiddle tune collection and of course recordings. Anger has produced dozens of critically praised recordings since 1977 which have featured his compositions and performances. Highlights include the Heritage Folk Music project that brings together some of the most important voices in the traditional contemporary folk and bluegrass music scene; the Anger-Marshall Band’s JAM and Brand New Can which set new standards for the Newgrass/jazz genre; and his release Diary Of A Fiddler which sets Anger in duet with the most prominent and innovative fiddlers of our time.
Anger holds the String Chair of the International Association of Jazz Educators. He has led seminars at the Stanford Oberlin and Amherst Jazz Worshops regularly teaches at the Berklee School of Music and the Mark O’Connor Fiddle Camp and at workshops and clinics from Campo Do Jordao Brazil to the Music Conservatory at Bremen Germany. He is a Contributing Editor for Strings magazine and is on the ASTA Editorial Board.
The recipient of a 1995 California Arts Council Composer Fellowship, Anger was nominated in 1997 for the CalArts Alpert Award in the Arts. He has been a featured soloist on a number of motion picture soundtracks and he wrote and performed the score for the Sundance Award-winning film Best Offer. He was the winner of the Frets Magazine Readers’ Poll for Best Jazz Violinist for four years running.
Anger’s work has expanded not only the acoustic violin’s boundaries but has contributed to the development of violin synthesizer repertoire and technology. His writings on these subjects and string education issues appear regularly in prominent music periodicals and on the Web. His current projects include Darol Anger and His Jazz Guys is a working group featuring fellow S.F. Bay Area residents a duet recording with pianist Phillip Aaberg and Fiddlers 4 with Michael Doucet, Bruce Molsky and Rushad Eggleston in 2002; and a collaboration with Swedish group Vasen.
The July and August free Sunset Concerts scheduled at Skirball Cultural Center include Issa Bagayogo; Mike Marshall, Darol Anger, and Väsen; Gadji-Gadjo; The Wild Magnolias; and Omar Faruk Tekbilek Ensemble.
On Thursdays in July and August at 8 pm, the series presents global masters of musical enchantment and cultural fusion at the Los Angeles museum and performing arts venue, often in their United States or Los Angeles debuts, all in a uniquely inspiring, intimate atmosphere.
But the Skirball does more than put on a fine show. It opens its galleries, currently featuring two exhibitions on the enduring art of comic books, for special evening hours. It offers a buffet dinner at the Skirball’s Zeidler’s Café, often serving cuisine from the region of that night’s performers. It even provides inexpensive and ample parking in the facility’s newly expanded parking lots.
The Skirball goes to these lengths for a reason that may surprise those who consider the Skirball as dedicated solely to Jewish culture. “It is essential to our mission as a Jewish institution to present global artists,” explains Jordan Peimer, Skirball Director of Programs. “At the heart of all of our programming is the core Jewish value of welcoming the stranger. It’s built into everything that we do.”
Along with openhanded hospitality, this welcoming spirit is reflected in the Skirball’s goal of promoting cross-cultural exchange. “Our mission is about inclusion,” continues Peimer. “World music celebrates people’s cultural heritage, the history and ideas they bring with them when they encounter new communities, the universal values that transcend time and place. The music we present is about the generational gifting of culture. We want people of all backgrounds to have an investment in their ethnic and cultural identities and to celebrate them within a society in which all of us can feel at home.”
To the Skirball, this is a gift that musicians share with each other, as well as with an audience: to create a forum for sharing stories and celebrating ancient legacies. Adds Skirball Music Director Yatrika Shah-Rais, “When artists collaborate with sincerity and true respect, what often emerges is an amazing fusion that stands out as its own unique music. That is what always comes across at our Sunset Concerts.”
In this summer’s 2009 season, Sunset Concerts will showcase innovative fusion, thanks to the electronica-fired Malian grooves of Issa Bagayogo (Thursday, July 16); the trans-Atlantic, bluegrass-meets-Swedish folk encounter of Mike Marshall, Darol Anger, and Väsen (Thursday, July 23; L.A. premiere); the Roma and klezmer-inflected jams of Montreal’s Gadji-Gadjo (Thursday, July 30; Los Angeles premiere); the serious funk of New Orleans beloved Mardi Gras Indian ensemble The Wild Magnolias (Thursday, August 6); and the Sufi-inspired virtuosity of Turkish multi-instrumentalist Omar Faruk Tekbilek Ensemble (Thursday, August 13).
The young Issa Bagayogo, now known in his native Mali as “Techno Issa,” seemed destined for a career as a blacksmith, not as a global dance-floor sensation. Despite remarkable talent on the three-stringed n’goni lute, a long-lost relative of the banjo, Bagayogo was down and out in Bamako working as a bus driver when he ran into French electronica producer Yves Wernert. They teamed up to create a sound that showcases Bagayogo’s sixth sense for honoring treasured traditions while grooving to edgy beats.
Bluegrass innovators Mike Marshall on mandolin and Darol Anger on fiddle dreamed of jamming with the guys from Swedish instrumental trio Väsen after learning a few of their tunes from recordings. When they wound up on stage together one night, the five musicians realized how perfectly Appalachia’s fiddle tunes could intertwine with Swedish dances on the nyckelharpa. Transforming the sounds of their musical forefathers in the increasingly global spirit of folk, Marshall , Anger, and Väsen have discovered that for passionate musicians, the Atlantic is a bridge easily crossed. (Los Angeles premiere)
Gadji-Gadjo take their passion for the zesty sounds of Roma and klezmer-along with jazz and other beloved genres-and infuse it into soaring, elegant improvisations and songs with true joie-de-vivre. Based in Montreal and wryly referring to their non-Gypsy status in their name, the sextet moves effortlessly and irrepressibly through lightning-fast dances and playful choruses, paying merry homage to the myriad cultures that forged Eastern European Jewish and Gypsy music. (Los Angeles premiere)
[image2_right]The Wild Magnolias sound like the best down-and-dirty funk band you’ve ever heard. But they carry an entire history in their booty-shaking music and unforgettably flamboyant costumes. As Mardi Gras Indians, the Wild Magnolias represent the defiant demand for pride their African-American ancestors made when faced with the rising tide of racism in 19th-century New Orleans, as well as their gratitude to the Choctaws and other Native Americans who aided escaping slaves, effectively welcoming the stranger.
The night before the Wild Magnolias take the stage, the Skirball will screen Tootie’s Last Suit, an insightful documentary about late legendary Mardi Gras Indian Allison “Tootie” Montana, revered for turning Mardi Gras Indian life away from gang-style violence towards artistic accomplishment
Omar Faruk Tekbilek intuited the connection between prayer and music one afternoon while playing the flute as a child in Turkey. That connection has guided the masterful multi-instrumentalist ever since, as he evolved from sought-after young musician in Istanbul to immigrant blue-collar worker in the U.S. to world-recognized peacemaker and virtuoso. Tekbilek weaves melodies and songs from across the Eastern Mediterranean into stunning compositions reflecting the Sufi belief that all is one.
Savannah (Georgia), USA – The Savannah Music Festival (SMF) announces its most artistically diverse lineup to date for the upcoming 2009 festival, including several commissioned works and a wealth of original productions showcasing a wide variety of American and international musical traditions.
Committed to enhancing the cultural landscape of Savannah, SMF programs combine elegance and soul in a way that mirrors the history and culture of the remarkable city. The unique musical arts event is one of the highlights of springtime on the southeastern U.S. coast and a distinctive destination for cultural travelers.
The 2009 festival takes place between March 19 and April 5 in historic downtown Savannah and features more than 100 musical performances in intimate settings.
Original Productions & Other Highlights
• Long Time Travelin’, a celebration of American folksong traditions: Rayna Gellert of Uncle Earl with Patrick Sauber, old-time balladeer Tim Eriksen, National Heritage Fellow Doyle Lawson & Quicksilver, the Tatnall River Shapenote Singers, and host Jim Lauderdale, an acclaimed Nashville singer-songwriter
• Jazz Now and Forever, a series of jazz greats including Dianne Reeves, Chick Corea & John McLaughlin’s Five Peace Band featuring Christian McBride, Kenny Garrett and Brian Blade, and The Clayton Brothers
• The Gershwin Songbook, jazz pianist Marcus Roberts and classical pianist Sebastian Knauer performing the greatest compositions of this masterful American composer
• The Blues was Born Here, an authentic southern blues review showcasing Piedmont blues masters Cephas & Wiggins on a one-time only bill with Georgia’s own Beverly “Guitar” Watkins
• Resplendent Recitals, a series highlighting the world’s finest recitalists including tenor Ian Bostridge, guitarist Manuel Barrueco, and pianists Garrick Ohlsson, Marc-Andre Hamelin and Sebastian Knauer
• Big World of Music, leading international artists such as fado star Mariza, Mike Marshall & Darol Anger with Väsen, Bela Fleck’s Africa Project featuring virtuosos Toumani Diabate, Vusi Mahlasela, and D’Gary, and Indian maestros Zakir Hussain & Shiv Kumar Sharma.
• The 16th annual American Traditions Competition, some of the nation’s most talented aspiring vocalists competing for more than $30,000 in prize monies
• The three-night Savannah Jazz Party featuring Bucky Pizzarelli, Howard Alden, Howard Paul and Ken Peplowski; the Ellis Marsalis Quartet; and the 2009 Piano Showdown with solos and duos by pianists Eddie Palmieri, Henry Butler, Aaron Goldberg and Bob Seeley
• The Complete Brandenburg Concertos performed by the Academy of Ancient Music with Richard Egarr
• Organ Stops, a six-concert series featuring such internationally acclaimed organists as Janette Fishell
• Everybody Dance Now, a three-concert series of dance parties featuring Eddie Palmieri & La Perfecta II, Zydeco great Cedric Watson, and the rising young Cajun ensemble, Feufollet
• Georgia On My Mind, a four-concert series including Savannah’s own Bobby Lee Rodgers & Friends in a one-time only event, as well as the Marcus Printup Quartet, Caroline Herring, and Sacred Harp Singing with Tim Eriksen
• Swing Central, a three-day high school jazz band and competition capped off by Battle Royale, the closing night finale concert featuring a cutting contest with trumpeters, saxophonists, trombonists and rhythm sections. Featured performers: Marcus Roberts Trio, The Clayton Brothers, Wycliffe Gordon, Terrell Stafford, Scotty Barnhart and others
• Roots & Twang, a varied series featuring Neko Case with Crooked Fingers, Punch Brothers featuring Chris Thile, The Infamous Stringdusters and The Lovell Sisters, and The Blues was Born Here
• Tap master Savion Glover, combining two different projects on a Savannah stage
Darol Anger & Mike Marshall – Woodshop (Adventure Music AMA1037 2, 2007)
Longtime acoustic music collaborators, Darol Anger (violin) and Mike Marshall (mandolin) have recorded together again on Woodshop. “We have one of those rare and wonderful relationshipsthat combines a very cool blend of two kids just playing in a sand box and two adults who truly respect each other’s creativity and are willing to help the other see their vision manifest itself,” says Mike Marshall about Darol Anger.
The album includes other musician friends who were also part of the Windham Hill family: Phil Aaberg on piano and Michael Manring on bass. Other guests include Todd Sickafoose on bass and Aaron Johnston on percussion.
Stylistically, Woodshop takes the listener in the audacious new acoustic realm. It’s a combination of virtuoso improvised acoustic music spiced with elements of bluegrass, jazz, classical and American folk. There is one pierce that breaks the mold. the musicians call it a West Coast Americana folkestra, emulating the large Turkish orchestras where all the musicians play the melody in unison.