Artist Profiles: Camané

Camané – Photo by Felipe Ferreira

Carlos Manuel Moutinho Paiva dos Santos Duarte, better-known as Camané, was born on December 20, 1966 in Oeiras, Portugal.

He started getting appreciation in Portugal in 1979 after winning the ‘Grande Noite do Fado’ (Great Fado Night) contest. He became one of the leading male singers and achieved commercial success with six certified gold albums: Uma Noite de Fados (1995), Na Linha da Vida (1998),  Esta Coisa da Alma (2000), Pelo Dia Dentro (2001), the live recording Como sempre… Como dantes (2003), and Sempre De Mim (2008).

Infinito Presente (2015), the product of an extended collaboration with the writer José Maria Branco, includes lyrics and arrangements that are deceptively simple. The songs express the mysterious emotion that the Portuguese claim as uniquely and exclusively theirs: saudade, which is at once the happiness that brings sadness, and the sadness that brings happiness.

On Camané’s 2017 album, Canta Marceneiro , he revisits the repertory of Alfredo Marceneiro, an early 20th century fado singer who, though only moderately competent as a technician, completely changed fado’s possibilities for artistic expression through unrestrained inventiveness and wit. Camané’s Canta Marceneiro is filled with mischievous stories that reveal the common cares and fears in all of us through the lives of astute waitresses, drunken painters, and kings’ courtiers.

Discography:

A Alma Jovem Do Fado ‎(Riso E Ritmo Discos, 1982)
Uma Noite de Fados ( EMI-Valentim de Carvalho, 1995)
Na Linha da Vida ( EMI-Valentim de Carvalho, 1998)
Esta Coisa da Alma ( EMI-Valentim de Carvalho, 2000)
Pelo Dia Dentro (EMI Portugal, 2001)
Como sempre… Como dantes (EMI Portugal, 2003)
Ao vivo no São Luíz (2006)
Sempre de Mim (EMI Portugal, 2008)
Do Amor e dos Dias (EMI Portugal, 2010)
O Melhor 1995–2013 (Warner Music Portugal, 2013)
Infinito Presente ( Warner Music Portugal, 2015)
Canta Marceneiro ( Warner Music Portugal, 2017)

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Nickel Creek and Punch Brothers to Perform Special Concert at Carnegie Hall

Nickel Creek – Photo by Josh Goleman

Chris Thile will conclude his season-long Debs Composer’s Chair residency at Carnegie Hall on Wednesday, May 8, 2019. The special one-night-only performance at Stern Auditorium / Perelman Stage, includes his celebrated acoustic groups Nickel Creek and Punch Brothers on the same bill for the first time.

Punch Brothers – Photo by Josh Goleman

Nickel Creek
Chris Thile, mandolin
Sara Watkins, fiddle
Sean Watkins, guitar

Punch Brothers
Chris Eldridge, guitar
Paul Kowert, bass
Noam Pikelny, banjo
Chris Thile, mandolin

Wednesday May 8 at 8:00 PM
Stern Auditorium / Perelman Stage at Carnegie Hall
57th Street and Seventh Avenue, New York

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Masterful and Reverent Vietnamese Zither

Tri Nguyen – The Art of the Vietnamese Zither

Tri Nguyen – The Art of the Vietnamese Zither (ARC Music, 2019)

Okay, I know what you’re thinking. You see the title The Art of the Vietnamese Zither and I can hear the huff of your sighs and feel you rolling your eyes from here. Perhaps you are imagining a rather spare, academic exploration of the zither and a dense intellectual tour through Vietnamese music with an impossible array of terms to learn and understand in order to grasp the Vietnamese zither. Well, nothing could possibly be further from the truth. Achingly elegant and intricately engaging, The Art of the Vietnamese Zither will have listeners perched on the edge of their seats, anticipating note after note capable of musically expressing a summer afternoon, the rainy season and a young man’s ride on a horse to seek his bride all by way of the Vietnamese zither.

Armed with a musical education that includes the Music Conservatory of Saigon and the Ecole Normale de Musique de Paris, as well as previous recording credits Beyond Borders and A Journey Between Worlds, Vietnamese composer, pianist and zither player Tri Nguyen has turned out a stunning recording with The Art of the Vietnamese Zither. There’s nothing spare or clinical about this music. It comes across as sweepingly cinematic and deeply personal to Mr. Nguyen whether it is a grand, bold piece like “Strategist Khong on the Fortress” or a delicately intimate song like “Autumn Moon Lullaby.”

Composing and arranging most of the tracks, Mr. Nguyen has gathered up a group of musicians to join his vision and own zither playing on the Art of the Vietnamese Zither like Buynta Goryaeva on violin, Iryna Topolnitska on violin, Carolin Berry on viola, Dima Tsypkin on cello, Son Mach on violin, Thanh Trung on guitar, Trung Tran on monocord, Nguyen Quyet on Vietnamese bamboo flute, Thien Lam on Vietnamese lute, Tran Hien on Vietnamese drums and for an unlikely addition on several tracks Qais Saadi on percussion and oud.

From the very opening track “Exchange of Love” through to the last note of closing track “Black Riding Horse,” The Art of the Vietnamese Zither is masterful in its balance. It’s easy to pick out the reverence to ancient musical traditions of Vietnam and where Mr. Nguyen marries that with Western traditions as on the elegant “Song of the Blackbird.”

The bright delicacy and careful bend of notes allow tracks like “Twilight Mist,” “Sadness of the South” and “Move on Water, Walk on Clouds” to simply flow like fluttering silk in the breeze. Stepping away from the delicate into the bold “Melancholy” and “Strategist Khong on the Fortress” prove that there’s plenty of drama in Vietnamese music. And, if that weren’t enough, Mr. Nguyen dazzles with a kind of hybrid track on “Child Where Are You?” with Mr. Saadi providing percussion and interestingly enough sinuous oud lines, and again on the track “Golden Skies.” Closing with the traditional Vietnamese folk song “Black Riding Horse,” Mr. Nguyen fleshes this track out with traditional Vietnamese bamboo flute, lute and drums to dazzle listeners with this wild musical ride on a black horse.

The Art of Vietnamese Zither is a gorgeously sumptuous listen and well worth the journey across southern Vietnam’s musical landscape.

Purchase The Art of the Vietnamese Zither

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World Music Inspired by Buddhist Philosophy

Sakya Tashi Ling Buddhist Monks – My Spirit Flies to You

The Buddhist Monks Sakya Tashi Ling – My Spirit Flies to You (Fundacion Prevain, 2006)

This is an ambitious world music album inspired by the Buddhist philosophy and musical chanting of Sakya Tashi Ling, a monastery belonging to one of four Buddhist schools from Tibet, the Sakyapa tradition. They later set up the first Buddhist monastery in Spain.

The orientation is mostly toward Western listeners, with the Buddhist chanting adding an exotic ‘Eastern’ appeal over the 14 smooth jazz and lounge tracks.

Our picks include the pleasant piece Emotions and the soaring I Wanna Fly. The music is generally a mix of pop and New Age music, architected by Sergio Medrano and Miguel González.

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Alluring Musical Journey to the Middle East

Various Artists – Journey to the Middle East

Various Artists – Journey to the Middle East (ARC Music, 2019)

Everyone knows that the tin with an assortment of cookies is just so much better than the tins with just a single kind of cookie. It’s just so much better to sample one’s way through dark chocolate covered cookies, white chocolate wafers, shortbread squares, bites of buttery Madeleine cookies or milk chocolate covered cookies with tiny pictures pressed into the chocolate than a beaten up bag of plain old snicker-doodles. That’s just fact.

Interestingly enough it can be the same way with music and our friends at ARC Music know this and have put a wonderful collection for listeners to nibble their way through on Journey to the Middle East. This compilation works its way through the music of Syria, Egypt, Persia, Israel, Cyprus, Lebanon and Turkey. This glorious collection would delight the most seasoned listener or the newbie listener dipping an ear into the musical mysteries of the Middle East.

Listener get a dose of the dramatic right up front with the traditional song and dance from Cyprus titled “Cifdetelli” by the folk ensemble Yeksad. Journey to the Middle East turns hip with Hossam Ramzy and Phil Thornton’s “Planet Egypt” replete with hypnotic percussion and call-and-response interplay between mizmar, argul and kawala from the ARC release Planet Egypt.

Up next is “Aziz Jun” by Zohreh Jooya, originally from the ARC release Persian Nights. Fans will simply not want to miss “Midnight Sun” by Dastan Trio. This track is just simply impressive as Dastan musicians Pejman Hadadi, Hossein Behroozi-Nia, and Hamid Motebassem weave a web of improvisational mastery on barbat, setar and tombak that includes some spectacular percussion.

If that weren’t enough to lure listeners to Journey to the Middle East, there’s the sly and sassy “Iraqi Jazz” by Ahmed Mukhtar, the sweetly soulful “Mi Yitneni Of” by The Burning Bush, originally from the ARC release Folksongs from Israel. There’s also “Amaken” by Andre Hajj & Ensemble, the sultry vocals on the Syrian song “Hayyamatni” by Zein Al-Jundi and Armenian dance song “Karoun, Karoun/Nooneh” by Alan Shavarsh Bardezbanian.

The Iranian percussionists of Zarbang have on offer “Cycling Feast” and it is a powerful Sufi trance, ancient Iranian call to the wild and percussion extravaganza all rolled into one. Journey to the Middle East keeps up the wild ride all the way to the end with a final track from Ensemble Huseyin Turkmenler called “Rumeli Karsilamisi.”

Journey to the Middle East is a whole assortment treats and everyone knows that’s the best.

Purchase Journey to the Middle East

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Elegant and Graceful Piano Tango


Hakon Skogstad – Two Hands To Tango

Hakon Skogstad – Two Hands To Tango (Avantango Records, 2018)

Norwegian musician Hakon Skogstad delivers an exquisite interpretation of tango through the prism of the piano, combining tango, jazz and classical music elements.

Skogstad extracts the passion, romance and longing feelings of tango with ease. The material includes eight tango classics, as well as two original pieces including a tribute to Astor Piazzolla.

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Ravi Shankar’s Vision of Peace


Pandit Ravi Shankar – Vision of Peace

Pandit Ravi Shankar – Vision of Peace (Deutsche Grammophon/Universal, 2000)

This double CD showcases some of Pandit Ravi Shankar’s international prowess. The first CD has Japanese-Indian collaborative tracks featuring Pandit Ravi Shankar on sitar and Ustad Alla Rakha on tabla, accompanied by Japanese musicians Susumu Miyashita and Hozan Yamamoto on flute and string instruments. Our pick on this CD is the energetic track, Rokudan.

The second CD is more traditional, with Raaga Jogeshwari and Raaga Hameer. In sum, a fine listen for an afternoon of relaxation.

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Refugees for Refugees, Pooling Global Musical Talent

Refugees for Refugees – Amina (Muziekpublique, 2019)

It’s become fairly standard to sum up a person’s life in a single moment. We catch a glimpse of the face as some person crosses a border, disembarks from a ship or jockeys for space in a refugee camp and we sum up that life.

There are some who would chalk up the refugee story by making it part and parcel to tragedy, war or desperate circumstances, while the less sympathetic would see an unwanted burden. But that’s never the whole story. We don’t see bread bakers, engineers, nurses or store owners where the family’s store has successfully existed and operated for and by generation after generation of the same family. We certainly don’t see the keepers of traditional craft work like carving or needlework or artists or musicians. We dismiss the back story of the refugee, that life before being uprooted, and perhaps the most precious of that life. It is with some sadness that I think we might be truly missing out.

It’s somewhere in here that Muziekpubique, a non-profit organization in Belgium, has seen this missed opportunity. Running a program promoting folk and world music by way of concerts, music lessons and a record label. This clever organization and label has teamed up musicians from Pakistan, Tibet, Syria, Afghanistan, Iraq and Belgium to create Refugees for Refugees, resulting in a second release of the recording called Amina, in support of Muziekpublique and Cinemaximiliaan, a kind of cross cultural crossroads for refugees in a Brussels park where refugees can get information, find friends and even watch a movie or find a creative project.

Refugees for Refugees – Amina

While the good deeds of Refugees for Refugees might be incentive enough to support this project, the better bet is to support this wonderful music. Amina is full of delightful surprises and lush pleasures. Composing and arranging most of the music on Amina by members of Refugees for Refugees, this collaboration where one musical tradition is seamlessly enfolded in another, sometimes in improbable combinations, comes across as wholly organic.

Pooling the talents of Pakistan’s Asad Qizilbash on sarod, Tibet’s Dolma Renqingi on vocals, Syria’s Fakher Madallal on vocals and percussion, Tibet’s Kelsang Hula on dramyen and vocals, Afghanistan’s Mohammad Aman Yusufi on dambura and vocals, Belgium’s Simon Leleux on oriental percussion, Iraq’s Souhad Najem on qanun, Syria’s Tamman Al Ramadan on ney, Syria’s Tareq Alsayed Yahua on ud and Belgium’s Tristan Driessens on ud Amina flows free in that otherworldly space where musicians, regardless of their country or tradition, meet and commune, that place where all the good things in music happen.

Hooking listeners from the opening strains of “Perahan,” Amina dazzles with a heady mix of vocals, ud and ney. And, the tracks just get better with “Semki Molem” with its rich combination of deep male chorus against the soaring vocals of Aren Dolma. The ud laced “Qad Hijaz” is just as powerfully stunning as “Kesaro Sarko.”

Other goodies include the sarod and quanun rich “Punarjanm,” “Tonshak” with its scratchy throat singing against Tibetan vocals by Ms. Dolma and musical combination of sarod, dramyen, ud, ney and bendir and all the glorious quanum riches of “Shuq.” “Tales of the Mountain” will raise the hairs on the back of your neck it’s that good, just as simple pleasures of sarod and dholla will delight on “After the Dust.” And still the goodies just keep coming with “Rose Gate,” “Wasla Qudud Bayati” “Lhasa” and closing track “Chaman Chaman.”

With Amina, supporting a good cause never sounded so good.

Buy Amina

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Sheila Chandra Out on Her Own

Sheila Chandra – Out on my own

Sheila Chandra – Out on my own (Indipop, 1984, reissued by Narada//EMI in 2000)

This is a slender album by today’s standards, with 10 tracks just stretching over 40 minutes. But it is an important milestone in the musical path of Sheila Chandra, leading UK-based Indian-origin fusion artist from the 1980s.

As the liner notes explain, this was Sheila Chandra’s declaration of independence from pressure from her first label, after scoring a U.K. hit with the group Monsoon and the song, “Ever So Lonely.”


Sheila Chandra – Out on my Own, Narada reissue

Tablas, keyboards, guitar and sitars provide the backing for her strong experimental vocals. Our picks include the title track and the ambient ‘Prema;’ also check out the dreamy ‘From a Whisper.’

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Shubbak Festival to present special tribute concert to the late Rim Banna

Tania Saleh

Shubbak Festival will return to London’s Barbican Hall on Tuesday, July 9, 2019 with a special tribute concert to the late Palestinian singer, songwriter and composer Rim Banna. The show will include musicians who knew her best as well as close peers in the Palestinian music scene.

The performers include Lebanese visual artist and singer-songwriter Tania Saleh, Palestinian composer and pianist Faraj Suleiman and Syrian producer/MC Bu Kolthoum who will be performing newly re-orchestrated versions of Rim Banna’s material, accompanied by a specially assembled band.

The event is called “The Trace of the Butterfly,” which is the name of one of Banna’s songs as well as a poem by Mahmoud Darwish.

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