Voy is the third album by the multifaceted Eme Alfonso. She is one of the most extraordinary young artists in Cuba. She’s a singer-songwriter and composer that grew up in one of the most influential music families in Cuba. Her parents founded Síntesis, a highly innovative band that started as progressive rock band that brought together classic English progressive rock and Cuban music. Síntesis evolved into a formidable group that mixed Afro-Cuban music and jazz-rock and Eme grew up listening to this band and later joined it as a very young singer and keyboardist.
Eme has been involved in the celebration of the Cuban melting
pot, a cultural diversity project called “Para Mestizar, where she celebrates
Cuba’s African and Spanish roots and other influences.
Voy was recorded in Havana (Cuba) and Sao Paulo (Brazil). The
recording includes some of the finest musicians in the Cuban music scene and a superb
Masterfully-crafted and elegant, Voy showcases the talent of
a groundbreaking artist that incorporates roots music which is not nostalgic, and
looks forward, creating an edgy sound that injects captivating Afro-Cuban and
Afro-Brazilian percussion, rock, soul, jazz and European music elements.
Eme Alfonso writes beautiful, charming poetic songs that
hook you in. Her exceptionally
expressive vocals are primarily in Spanish although she also adds Yoruba
chants with choruses provided by her parents, who are regarded are the best
chorus singers in Cuba.
Personnel: Eme Alfonso on vocals; Jorge Aragón on piano and
keyboard; Harold López-Nussa on piano; Roberto Luis Gómez on electric and acoustic guitar
and banjo; Alain Ladrón de Guevara on
drums; Julio César González on electric bass; Yaroldi Abreu on Cuban percussion;
Luizhino Do Jeje on Brazilian percussion; Ruy Adrián López-Nussa on drums;
Yandi Martinez on acoustic bass; Carlos Alfonso, Ele Valdés and Carlos Angel
Valdés on choruses; Arístides Porto on clarinet; Aylin Pino on violin; Benda
Chávez Aguiar on violin; Maria Angélica Pérez on viola; and Claudia Carrillo on
Havana World Music Festival, the most important open-air music festival in Cuba, has announced dates and first set of confirmed artists for its 2019 edition. The event will take place March 21-23, 2019 at the Metropolitan Park (Parque Almendares) in the heart of Havana.
Curated by Cuban singer and composer Eme Alfonso, with the support of Cuban cultural institutions, Havana World Music (HWM) festival began back in 2014. Since then, it has established itself as a musical and cultural reference on the island, persistently true to roots music, energetic performances, authenticity and new Cuban music, in one of the world’s most significant cradles of music.
“In this new edition, we will continue to work and focus on what we believe is our trademark. There may be other music festivals, but only at Havana World Music one can enjoy such a diversity of styles, languages, cultures… and meet the creative impulse of the new Cuban generation “, said Eme Alfonso. “This is why we really believe this is a unique festival”, she added.
First confirmed artists:
HWM has announced some of the Cuban artists that will be performing next March. Other national and international artists (from Canada, India and Brazil) will be added to the line-up soon.
As part of the most folkloric part of the program, HWM will be hosting the performance of Los Muñequitos de Matanzas. Founded in 1952, this is one the most legendary groups of Cuban rumba, one of the national rhythms born from Afro-Cuban roots.
Moreover, the festival will present the folkloric group Nengón Kiribá from Baracoa (Guantánamo), at the very Eastern part of the Island. The ensemble is one of the few that maintains the rhythm and dance of the predecessors of the Cuban son alive, worldwide known thanks to projects such as Buena Vista Social Club.
Meet the new
generation of Cuban artists
As an example of how Cuban young artists draw on this cultural heritage and mix it with other more contemporary forms of music, artists such as Cimafunk, the musical phenomenon of the year in Cuba; R.O.I, giving a Cuban twist to R&B; and Eme Alfonso, heir of a long tradition of Afro-Cuban fusion, will all be performing at HWM next March.
The promotion of new Cuban talent is at the heart of the festival. Cimafunk won last year’s HWM Contest for young Cuban musicians (Concurso HWM-Primera Base). R.O.I also made his point under last year’s contest, and the festival took note.
Next year’s winners will as customary take the next step in their careers on the stage of HWM.
Throughout September and October, the Spanish-speaking nations and Hispanic residents in the United States celebrate Hispanic Heritage Month (Sept. 15-Oct. 15) in the United States. Other countries celebrate the Dia de la Hispanidad (Hispanic Heritage Day).
During the monthlong Hispanic Heritage Month celebration, the United States honors the culture and traditions of U.S. residents who trace their roots to Spain, Mexico and the Spanish-speaking nations of Central America, South America and the Caribbean. World Music Central has put together a list of recent recordings that showcase the diversity of Hispanic music.
Old-School Revolution is an irresistible album by the Hip Spanic Allstars, a new supergroup that brings together members of iconic bands Santana, Tower of Power, Spearhead, and Los Mocosos.
The multinational band celebrates and updates the exciting music made in the 1970s where Spanish Caribbean salsa and Latin jazz met rock and African American soul and funk.
One of the most exciting artists out of Cuba is Eme Alfonso, a talented artist that grew up in a family of groundbreaking musicians, Grupo Sintesis. Her album discography includes Eme (Colibrí) and Voy. Eme has been releasing a series of mesmerizing videos with her latest songs, including:
Cuba is also a land of extraordinary pianists. This is year there has been a wave of albums by some of Cuba’s finest, who combine jazz and Cuban roots music: Alfredo Rodríguez – The Little Dream (Mack Avenue MAC1130, 2018), Dayramir González – The Grand Concourse (Machat Records, 2018), and Un Día Cualquiera by Harold López-Nussa (Mack Avenue).
Cuban pianist and composer Omar Sosa has a new album with fellow Cuban vocalist and violinist Yilian Cañizares titled Aguas, scheduled for release on OTA Records on October 5, 2018. Afro-Cuban roots meet Western classical music, and jazz.
The legendary Cuban guitarist, vocalist and songwriter Eliades Ochoa (of Buena Vista Social Club fame) has released a delightful instrumental album with Cuban guitarist Alejandro Almenares – Dos Gigantes de Música Cubana (Tumi Music, 2018).
One of the iconic Cuban albums of the 1990s, A toda Cuba le gusta (World Circuit) by Afro-Cuban All Stars has been remastered and reissued on vinyl.
Canada-based Cuban musicians Okan (Elizabeth Rodriguez and Magdelys Savigne) have a debut EP titled Laberinto, scheduled for release October 19, 2018. Okan mixes fusion jazz, traditional Cuban music, Mexican influences and jazz swing.
With 127 million residents, Mexico is the largest Spanish-speaking country. The Mexican diaspora has brought mariachi music, norteño and son jarocho to the United States. Mariachi Herencia de México, formed by students from Chicago’s Mexican-American neighborhoods has a new album titled Herencia de la Tierra Mía (Heritage of My Land).
The charming self-released album features iconic Mexican American world music artist Lila Downs, Mexican mariachi star Aida Cuevas and Mexican harp virtuoso Ivan Velasco Herencia de la Tierra Mía includes sones, passionate boleros and a delightful jarocho medley. It was produced by acclaimed Spanish producer Javier Limón, director of the Mediterranean Music Institute at the Berklee College of Music in Boston.
Mexican vocalist Magos Herrera (currently based in New York) celebrates Ibero-American (the music of Spanish and Portuguese countries) culture on her new album Dreamers (Sony Music Masterworks). Magos Herrera collaborates with the string quartet Brooklyn Rider. This is not a chamber jazz album, but rather a cross-genre recording where Magos Herrera and Brooklyn Rider invited guest percussionists on flamenco and global percussion, and flamenco star Miguel Poveda.
Magos Hererera performs songs with lyrics by renowned songwriters and poets and writers, including Octavio Paz, Rubén Darío, and Federico García Lorca. It’s a fascinating production with exquisite arrangements.
Son jarocho, with its captivating guitars and poetic lyrics combines the basic roots of Veracruz’s Mexican musical culture: Spanish guitars and poetry, indigenous rhythms and Afro-Caribbean influence. New York-based Radio Jarocho and acclaimed Veracruz musician Zenen Zeferino have released Rios de Norte y Sur.
A different take on son jarocho is the remarkable Fingertip Carnival, a collaboration between Chinese pipa (lute) maestra Wu Man and son jarocho ensemble Son de San Diego.
Smithsonian Folkways Recordings has released the self-titled album Mariachi Reyna de Los Angeles. This groundbreaking all-female ensemble has served as a role model for Hispanic women in music. This is classic spirited mariachi at its best. The album includes a 44-page booklet with notes in English and Spanish.
The highly romantic boleros are very popular across the Spanish-speaking nations. A form of rootsy guitar-based bolero has developed in Mexico’s Costa Chica region bordering the Pacific Ocean.
Gary Nuñez & Plena Libre have been touring extensively with their explosive mix of Puerto Rican plen and bomba, salsa and jazz. Amores en el Camino (Love’s Journey) is their 2018 album. The album was originally scheduled for release in 2017, but it was moved to February 2018 due to Hurricane Maria and the subsequent disaster in Puerto Rico.
Puerto Rican saxophonist and composer Miguel Zenón has released Yo soy la Tradición, his eleventh album. Yo soy la Tradición was commissioned by the David and Reva Logan Center for the Arts and the Hyde Park Jazz Festival. It is a set of 8 chamber compositions for alto saxophone and string quartet that include Zenón and the Chicago-based Spektral Quartet.
Puerto Rican-Peruvian act Zemog El Gallo Bueno (Abraham Gómez-Delgado) has combined three of his releases on YoYouMeTú Volume 3. Zemog El Gallo Bueno makes an eclectic cocktail of sounds that includes cha cha ch, salsa, guaracha, rock, funk and electronics. The album will be available November 9, 2018.
Peruvian band Dengue Dengue Dengue has a new mini-LP titled Semillero released September 2018 by On The Corner Records. The 6-track recording includes a mix of electronic music with Afro-Peruvian coastal rhythms and healing chants from the Huni Kuin people of the Amazon River.
Galicia in northwestern Spain is a land of pipers, traditionally male. The trailblazing Susana Seivane is one of the finest bagpipe players of her generation. She has just released her fifth album titled Fa.
Also from Galicia is the grand folk orchestra called SondeSeu, an orchestra featuring folk music instruments such as zanfonas (hurdy gurdies), bagpipes, flutes, drums, fiddles and vocalists. The new album Beiralua features special guests on vocals and bagpipes.
Galician experimentalist and multi-instrumentalist Mercedes Peón reconstructs tradition with a mix of electronics, rock, traditional acoustic instruments, sampled sounds, and fascinating vocal experimentation on her new album titled Deixaas.
Argentine pianist Juan Carlos Cambas has been living in Galicia since 2002. He has released “Almas en el viento / Música Argentina de raíz“. Juan Carlos Csambos has been exploring the music of countries where large numbers of Galicians emigrated to: Argentina, Cuba, Venezuela, Brazil and Uruguay.
Argentine tango and Portuguese fado come together on Tango Fado Duo (Sorel Classics). The album features Portuguese guitar virtuoso, Pedro H. da Silva and bandoneon maestro Daniel Binelli. Together, they delve into two of the most passionate musical genres in the Hispanic and Lusophone world.
American keyboardist Stu Mindeman collaborates with Chilean musicians on the exquisite Woven Threads, mixing jazz, Chilean music and global rhythms.
Folk music band Aljibe, from Central Spain, explores the music of the Rio Tajo (Tagus River) basin on Agua. The band presents reconstructed traditional music from Castile and other regions. The CD is housed in a beautifully-packaged hard cover 144-page book with vintage photos and lots of details about the songs selected.
Chano Dominguez started as a progressive rock keyboardist with Andalusian rock band Cai and has become one of the leading flamenco jazz pianists. His most recent album is a collaboration with Spanish jazz bassist Javier Colina: Chano & Colina (Sunnyside, 2018)
Colombian singer-songwriter Marta Gómez released La alegría y el canto (Aluna Music), an album featuring well-known musicians from South America, Cuba and Spain.
Brazilian music is the focus of Colombian singer-songwriter Chabuco’s 2018 album Encuentro. It’s a nicely-crafted encounter between the tropical music of Colombia and Brazilian music, featuring Brazilian musicians.
One of the hottest musical styles in New York’s Hispanic community was bugalú (boogaloo), a hybridization of Latin Caribbean music and African American influences. New York City-based band Spanglish Fly has renovated boogaloo and released Ay Que Boogaloo! (Chaco World Music) earlier this year. This time Spanglish Fly ventured beyond boogaloo, adding bolero, New Orleans funk, swing jazz, Arabic chants, and other innovations.
Los Texmaniacs plays the border music of Tejas (Texas), Tejano music. Their latest album Cruzando Borders (Smithsonian Folkways Recordings, 2018) brings together Spanish, Mexican and American country music roots. Guest includes Lyle Lovett and country singer Rick Treviño.
Orquesta Akokán – Featuring José “Pepito” Gómez (Daptone Records) is an encounter between a big band collective of Havana’s finest musicians and musicians from New York’s Latin music scene with mouthwatering mambo as the common language.
Various string instrument masters appeared live at a festival in the Czech Republic and recorded Strunk Nad Oslavou – Strings over the Oslava River 2016 (Indies Scope, 2017). The lineup included Germán López, one of the finest timple (a small Spanish guitar from the Canary Islands) players in the Canary Islands, Spain; along with Italian guitarist Antonio Forcione; Senegalese kora master Seckou Keita; and Czech mandolin virtuoso Martin Krajíček.
Makrú, a band from the Mission District in San Francisco combines skillfully Colombian and Caribbean music, flamenco, rock, Middle Eastern flavors and much more on – Tu Mission (Makru Music, 2018)
Canadian flute virtuoso Ron Korb celebrates the music of Latin America and Spain on World Café, featuring Cuban and Canadian musicians with a mix of melodic jazz, tango, rumba flamenco and other influences.
Paraguayan harp player Carlos Reyes collaborates with Brazilian guitarist and vocalist Badi Assad and American blues guitarist on Blues & Latin, a combination of blues, smooth jazz and South American sounds.
Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark (University of Illinois Press, 2018) is an depth look at the leading Spanish guitar family in the United States, the Romeros. The family tradition was started by Spaniard Celedonio Romero who emigrated to the United States in the 1950s.
Eme Alfonso, one of Cuba’s most captivating young artists, has a new music video titled “Oroko”.
Oroko is a song dedicated to Oshún, the goddess of the Yoruba pantheon. Eme moves forward the family tradition. Her parents were the founders of one of cuba’s greatest bands, Síntesis. Eme combines Afro-Cuban music with other genres.
The track includes an arrangement performed by Harold López-Nussa and vocals by Sintesis.
Eme Alfonso (also known as M) is a Cuban singer-songwriter that fuses Afro-Cuban roots music with electronic sounds, world percussion and rock and Afro-Cuban legends. M was born in 1986 in Havana Playa, Cuba.
Eme grew up in an environment surrounded by musicians. Her parents founded Sintesis, a seminal band that started as a progressive rock group and evolved into the finest Afro-cuban fusion band in Cuba. Eme’s mother, Ele Valdés is a vocalist and plays keyboards; her father Carlos Alfonso is also a vocalist, guitarist and bass player; and her brother X Alfonso is a multi-instrumentalist.
At 7, Eme started her piano and voice studies at Alejandro García-Caturla Conservatory. She made her professional debut at 14, playing with Síntesis.
Eme won the Cubadisco Award (Cuban Music Awards) with her two albums “Señales” and “Eme”. Her third album was produced by the Brazilian producer Alê Siqueira, recorded in Cuba and Brazil. This album was released in fall 2018. Voy incorporated Afro-Cuban, jazz-rock, Brazilian and European music influences.
Eme has been part of important projects to promote the cultural diversity of Cuba like “Para Mestizar” sponsored by UNESCO. She is the Artistic Director of Havana World Music international festival, supported by the Cuban Ministry of Culture.