Artist Profiles: Asian Dub Foundation


Asian Dub Foundation

Asian Dub Foundation was founded in 1993 with the intention of the fusion of musical styles. Ever since the release of their first album Facts and Fiction in 1996, the collective – a label that fits them more snugly than group- has been constantly evolving towards ever more ambitious projects, from giving rabble-rousing performances and drawing attention to sensitive issues, to adding new layers to its alloy of sounds.

Although Asian Dub Foundation’s early output failed to grab their public’s imagination, the midi warriors, as they call themselves, later generated widespread enthusiasm.

With the inaugural sound system line-up including bassist and teacher Dr Das, DJ and civil rights activist, Pandit G, and Deedar Zaman, a brilliant MC from a London music school, Asian Dub Foundation established the building blocks of its cross-cultural identity in 1993. Soon joined by guitarist Chandrasonic and programming prodigy Sun J, the group moved from playing at anti-racist gigs to becoming major challengers on a British music scene still gripped by Britpop fever.

ADF’s members were all born in England to immigrant parents and share an open-minded approach to musical culture, from the latest electronic vibes and traditional Eastern sounds, to rebellious rhythms of punk rock and hip hop that express their everyday struggle for respect and tolerance.

Their charisma and social conscience have won praise from a whole host of major names in the music industry: ADF toured with Primal Scream after the release of their second album R.A.F.I. (1997), before being invited to provide the warm-up act at a David Bowie concert. The campaign for the release of Satpal Ram, an immigrant worker convicted of murder after defending himself from a racist attack, thrust them into the spotlight.

ADF was asked to perform at the Fuki Rock Festival in Japan, where the group has always enjoyed an enthusiastic reception, before hitting the road with the Beastie Boys. After the release of their third album, Community Music (1999), the group was joined by drummer Rocky Singh and Pritpal Rajput (who plays the Dohl, a traditional Panjabi drum), securing their reputation for high energy live stage performances.

Struck by the social message of La Haine, Mathieu Kassovitz’s film about the lives of three teenagers in the Paris suburbs (Ghotika), ADF re-wrote the soundtrack, which they performed live at screenings of the film. Their most moving performance was on 31 March 2001 at the Barbican in London when Satpal Ram, released just the day before, joined the band on stage.

When Deedar decided to call it a day, ADF invited two MCs (Aktar and Spex), graduates of the same music school as them, to join them on their latest adventure: the recording of their fourth album Enemy of the Enemy (2003). Heavily influenced by world events – the opening of Europe’s borders and September 11 ? the album also portrays the production skills of one of the pioneers of British dub, Adrian Sherwood, boss of the On-U Sound label. The album also featured an unexpected guest artist, Sinead O’Connor, who tackles the issue of domestic violence on the track 1,000 Mirrors. Radiohead guitarist Ed O?Brien cut in on the sessions and the two groups teamed up for a landmark European tour. ADF also joined French activist Jose Bove at an anti-globalization rally in the Larzac region of southern France, in August 2003. Keep Bangin’ on the Walls, their highly-charged live performance, was released in the heat of the moment as a CD and a DVD.

Reluctant to stick to the distinctive sound that had made their name, ADF chose to reinvent itself by inviting a number of new members to join the team. Ghetto Priest, an artist on the On-U Sound label, was the first to arrive on the scene, infusing the tracks on Tank with a whole new flavor. Priest’s steady flow recalls the great Jamaican vocalist Horace Andy, a stark contrast with the more hip-hop inclined Spex. By hooking up with Ben Watkins (composer of the soundtracks for the Matrix trilogy and member of Juno Reactor) and Adam Wren (Leftfield?s sound engineer), ADF has steered a more electronic course as revealed by the irresistible dance rhythm of the first track, Fly Over. It sums up ADF?s calling to make music that gets the mind and body moving by raising awareness on the dance floor.

As the title suggests, Tank is an album created in a world at war. Oil makes a stark reference to the economic interests at stake for the countries involved, Take Back the Power is an attack on the abuse of power by dictators, Warring Dohl focuses on the situation in Pakistan and Bangladesh, while The Round Up sounds a particularly grim warning: “When you hear the marching drum/You know your time soon come”. As in their previous albums, the lyrics are shot through with meaning, while the album’s enormous energy prevents it from sliding into dogma. ADF remains first and foremost a musical laboratory overflowing with ideas, drawing on sophisticated programming, deep bass sounds and searing riffs to create its one-of-a-kind kick.

The collective reveals once more that it is open to new sounds: Mad Mike from the Detroit Underground Resistance (founded with Jeff Mills), another great name in the realm of integrity, collaborated on Powerlines while Tomorrow Begins Today takes an original reggae stance. Melody 7, the album?s closing instrumental piece, recalls the group?s work on the soundtrack for La Haine, which they have taken up again with La Bataille d’Alger, a film banned in France on its release in 1965 because of its political stance. And it’s still hot stuff: the Pentagon viewed the film in 2003 as part of its fight against rebel groups in Iraq.

After a number of performances in England and just finishing the recording of Tank, ADF plunged head first into a new project. The English National Theatre commissioned the collective to compose and perform an opera on the life of Libyan leader Colonel Gadaffi. The project posed a new challenge for which this inventive and ambitious group are particularly well suited.

Discography:

Facts and Fictions (Rough Trade, 1995)
Rafi’s Revenge (1998)
Community Music (2000)
Enemy of the Enemy (2003)
Tank (Virgin, 2005)
Punkara (Beat Records, 2008)
A History of Now (Beat Records, 2011)
More Signal More Noise (ADF, 2015)

Share

The Colors of Africa


Pierre Akendengue – La Couleur de l’Afrique

Pierre Akendengue – La Couleur de l’Afrique (Lusafrica, 2018)

Pierre Akendengue, one of the most iconic singer-songwriters of Gabon, released La Couleur de l’Afrique last year. This 4-track EP presents his view of life in different parts of Africa.

Akendengue, who is in his seventies, has a warm voice, backed by a female chorus, intricate guitar and percussion with a charming mix of Afropop and traditional rhythms.

The lyrics are in French and his native language, and express Akendengue’s sentiments about Pan-Africanism and love for Africa. There is also anger at politicians who cause civil discord, including a song titled Letter to Laurent Gbagbo, referring to the former Ivorian president who refused to step down after elections.

Share

Artist Profiles: Alasdair Fraser

Alasdair Fraser at the Carrboro ArtsCenter – Photo by Angel Romero

Alasdair Fraser was born on may 14 May, 1955 in Clackmannan, Scotland. He is widely acclaimed as a top performer, recording artist and teacher of the rich fiddling tradition of his native Scotland.

His vast repertoire spans several centuries of Scottish music and also includes his own compositions, blending a profound understanding of the Scottish tradition. Fraser is justly renowned for his ability to communicate with his audience through his personal warmth and wit as well as through music. His richly expressive playing transports listeners across a broad spectrum ranging from haunting laments drawn from the Gaelic tradition to classically-styled airs and raucous dance tunes.

In addition to releasing critically acclaimed solo albums, Alasdair’s compositions and performances have also been included on top selling Celtic and New Age compilation albums (Celtic Twilight on the Hearts of Space label, and Wilderness Collection and Celtic Odyssey on Narada). His solo violin can be heard on the soundtracks of several major films, including The Last of the Mohicans and Titanic.

Alasdair Fraser with Skyedance Band

In May 1996, Alasdair’s album Dawn Dance received the prestigious NAIRD (now AFIM) Indie Award for best Celtic album of the Year. This is the first album by Alasdair to feature entirely his own compositions. The music brings together the best of Scottish, Baroque, Rock and Medieval/Ancient ideas and features some of the best musicians in these respective fields. Shortly after the release of Dawn Dance, Alasdair and the other musicians decided to name their band Skyedance.

Fraser has founded five summer fiddling programs in the USA, Spain and Australia.

Alasdair Fraser and Natalie Haas at the Carrboro ArtsCenter – Photo by Angel Romero

In recent years, he has been touring and recording with American cellist Natalie Haas.

Fraser lives in northern California, in the United States.

Discography

Portrait of a Scottish Fiddler (Brownrigg Productions, 1982)
Skyedance, with Paul Machlis (Culburnie Records, 1985)
The Road North, with Paul Machlis (Sona Gaia/Narada, 1987)
The Driven Bow, with Jody Stecher (1989)
Dawn Dance (Culburnie Records, 1996)
Way Out to Hope Street, with Skyedance Band (1997)
Return to Kintail, with Tony McManus (Culburnie Records, 1999)
Labyrinth, with Skyedance Band (2000)
Legacy of the Scottish Fiddle, Vol 1, with Paul Machlis (Piano) and Natalie Haas (Cello) – released 2002
Live in Spain, with Skyedance Band – released 2002
Legacy of the Scottish Fiddle, Vol 2, with Muriel Johnstone and Natalie Haas (Culburnie Records, 2004)
Fire and Grace, with Natalie Haas (Greentrax Records, 2004)
In the Moment, with Natalie Haas (Culburnie Records, 2007)
Highlander’s Farewell, with Natalie Haas (Culburnie Records, 2011)
Abundance, with Natalie Haas (Culburnie Records, 2014)
Ports of Call, with Natalie Haas ( Culburnie Records, 2017)

Share

Artist Profiles: Aly Bain

Aly Bain

Aly Bain was born on May 15 1946 in Lerwick, Shetland, Scotland. Lerwick is a small, enchanting town on the Shetland Islands. Aly began learning fiddle at the age of eleven. Tom Anderson, his teacher, is acknowledged as one of the true masters of Shetland music. Aly developed a highly dramatic style of playing, matching his great tone and technical ability with genuine emotion. Alert to the musical potential of the dynamic interaction between Irish and Scottish traditions, he helped establish the Boys of the Lough. The group is now recognized as one of the best in the tradition.

Simultaneously, Aly pursued his solo career. Since 1986, he has been working with Pelicula Films on various television series dealing with folk music. The first series, “Down Home,” traces fiddle music from its roots in Scotland across the Atlantic to the United States and Canada. The second, entitled “The Transatlantic Sessions” (1995), featured many prominent artists, such as Emmylou Harris, Iris DeMent, Kathy Mattea, Kate and Anna McGarrigle, Mary Black, Karen Matheson, Mairead Ni Mhaonaigh, Donal Lunny, Dick Gaughan, and Phil Cunningham.

Aly Bain (left) &Phil Cunningham (right)

Aly Bain and accordionist Phil Cunningham are two of the most celebrated musicians on the Scottish traditional scene. The duo first worked together on a television series in 1988, and embarked on their first tour shortly after. They were so well received that they have been touring Scotland annually ever since, in addition to frequent performances in Europe and North America.

In 1993, his autobiography, Fiddler on the Loose, was published, co-written by journalist and editor Alasdair Clark. He continues to tour extensively with the Boys of the Lough in addition to his collaborations with Phil and many other musicians.

Aly Bain also tours with Swedish multi-instrumentalist Ale Möller and with American fiddler, singer, guitarist and banjo player Bruce Molsky.

Discography:

Aly Bain ( Whirlie Records, 1984)
Aly Bain & Friends (Greentrax Records, 1989)
Lonely Bird (Green Linnet, 1992)
The Best of Aly Bain:Volume One:A Fiddler’s Tale (2008)

With Phil Cunningham:

The Pearl (Green Linnet, 1995)
The Ruby (Whirlie Records, 1997)
Another Gem (Whirlie Records, 2000)
Spring the Summer Long (Whirlie Records, 2003)
Best of Aly and Phil, Volume One (2004)
Roads Not Travelled (Whirlie Records, 2006)
Portrait (2010)
Five and Twenty (Whirlie Records, 2012)
Best of Aly and Phil, Volume Two (2013)

With Ale Möller

Fully Rigged (Whirlie Records/Northside, 1999)
Beyond the Stacks (Whirlie Records/Northside, 2007)
Meeting Point, with Ale Möller and Bruce Molsky (2013)

Share

Artist Profiles: Anna Wendy Stevenson

Anna Wendy Stevenson

Raised in Edinburgh, and surrounded by music from a family steeped in the arts, violinist, composer and producer Anna Wendy Stevenson has made her name as a highly respected performer and teacher of traditional fiddle. She studied music with her grandfather, composer Ronald Stevenson, and won a scholarship to study in the USA when she was only 19.

A founding member of highly successful trio Fine Friday, Anna Wendy has recorded and toured extensively throughout Europe, Canada and Australia performing at many of the top festivals (The National Festival, Celtic Colours International Festival, Celtic Connections, Port Fairy). She is also a member of all female quartet Calluna and was a member of globe trotting band Anam. Anna-Wendy also performed with the Bella MacNab Dance Band, the ceilidh band of choice for the Edinburgh’s Hogmanay Revels at the Assembly Rooms.

A holder of the London College of Music LLCM, ALCM (diplomas in teaching and performance) and renowned for her innovative approach to teaching, Anna-Wendy is a principle teacher at Lochgoilhead Fiddle Workshop and is involved with the Feis and other teaching organizations. Her excellent communication skills have led to extensive work with Yehudi Menuhin’s Live Music Now Organization bringing music to people with special needs.

Anna-Wendy released the CD Gowd and Silver with her grandfather Ronald Stevenson featuring a selection of Ronald’s arrangements of Scottish melodies as well as some of his original compositions.

Discography:

Dance Tunes, Airs and Songs from Scotland, with Calluna (Scottish Mill Records, 2000)
Gone Dancing, with Fine Friday (Foot Stompin’ Records, 2002)
Mowing the Machair, Fine Friday (Foot Stompin’ Records, 2005)
Gowd & Silver (Eclectic Records, 2005)
Anna-Wendy Stevenson (2006)
My Edinburgh (Anna-Wendy Music, 2010)

Share

Artist Profiles: Annie Grace

Annie Grace

Annie Grace grew up in the Scottish Highlands. Music played a large part in her formative years, and she began learning to play the bagpipes at the tender age of ten. Music festivals and close harmonies with her four siblings gave her a solid grounding in singing and her wasted youth was spent marching up and down Fort William High Street with the Lochaber Junior Pipe band.

During her four years at Glasgow School of Art, she performed with The Gunsmoke Trio and Pedro, and The Mighty Peelly Wally Ceilidh Band before being invited to join a new band subsequently named Iron Horse. Iron Horse became one of the acclaimed new wave folk bands of the nineties. The group was in huge demand. Constantly touring and recording, they visited all corners of the world and headlined at major festivals. Annie?s voice became a feature of the band, as well as her ability to entertain audiences with her stories and infectious humor.

Musical projects with Iron Horse included the award-winning Voice of the Land (1995) commissioned by the BBC, Stri (1997) a collaborative fusion piece with the RSNO and tours with British Council projects in Central Asia. In 2002, Iron Horse collaborated with Sogdiana, the national orchestra of Uzbekistan, touring parts of the country, and producing a CD of the project.

Annie started to expand her musical horizons by guesting on other albums with backing vocals or instrumentation. In 1998, she found herself surrounded by thirteen world music divas in the fantastic Female Factory show. Based in Amsterdam, this show toured Russia, Spain and Holland with a ten-piece band. Other projects included Scottish Women (2001-2002), commissioned by Celtic Connections. Annie is also a member of the Scottish big band The Unusual Suspects, who were formed at Celtic Connections 2003.

In February 2004, Annie released her debut solo album Take Me Out Drinking Tonight to an overwhelming response, including a 5 star review in the Sunday Herald. The album, a sparkling collection of contemporary and traditional material, shows Annie at her mature and confident best, living up to her reputation as a superb singer and exponent of the whistle.

Discography:

Take Me Out Drinking Tonight ‎(Greentrax Records, 2004)
The Accidental Death of An Accordionist, with The Tour-a-Rural Ceilidh Band (2008)
The Bell (Gracie Records, 2011)

With The Iron Horse:

The Iron Horse (Lochshore, 1992)
Thro’ Water, Earth and Stone (Lochshore, 1993)
Five Hands High (Lochshore, 1994)
Voice Of the Land (Lochshore, 1995)
Demons and Lovers (Lochshore, 1997)
The Wind Shall Blow For Ever More (Lochshore, 2004)

Share

Artist Profiles: Arthur Cormack

Arthur_Cormack – Photo by Cailean Maclean

Arthur Cormack was born in 1965. He is one of the finest Gaelic singers of his generation. Since winning the Mod Gold Medal in 1992, he has sung world-wide with fellow Skye musician and former Cliar member Blair Douglas and with the highly-acclaimed MacTalla.

He runs the Macmeanmna record label and is known as the busiest man in Skye, also running the youth tuition festivals organization, Feisean nan Gaidheal and The Aros Experience, a tourist center, theater and restaurant in Portree. He has also made two CDs with Cliar in addition to his own releases Ruith Na Gaoith and Nuair Bha Mi Og.

Discography:

Nuair a Bha mi Òg (Temple Records, 1984)
Ruith na Gaoithe (1989)
Seinn O Ho Ro Seinn!, with Fiona Mackenzie ‎(Mairi Mhòr, 2003)
Buanas (Macmeanmna, 2017)

Share

Artist Profiles: Back of the Moon

Back of the Moon

Back of the Moon was Scottish group that formed in 2000. Back of the Moon rapidly gained a reputation for their dynamic live performances. Gillian Frame, Ali Hutton, Findlay Napier and Hamish Napier made up the band.

The giant acoustic sound came from their tightly woven frontline of Scottish pipes and fiddle, the intimate pairing of low whistle and flute, the distinctive rhythmic force of their guitar and piano rhythm combo, and the three-part vocal harmonies in their Scottish songs – in which each unique singer took the lead.

Back of the Moon released three albums, and were named Best Folk Band at the 2005 Scottish Trad Music Awards.

Discography:

Gillian Frame and Back of the Moon (2001)
Fortune’s Road (Foot Stompin’ Records, 2003)
Luminosity (Foot Stompin’ Records, 2005)

Share

Artist Profiles: Alyth McCormack

Alyth McCormack

Alyth is one of today’s most exciting new talents in the world of Gaelic song. Born in 1970 and raised on the Isle of Lewis (Outer Hebrides, Scotland), Alyth was immersed in the music, poetry and drama of her native Scottish Western Isles from a very early age.

Although aware of the long tradition in all things Gaelic, McCormack understands that within the tradition there is and must be a constant transition for the Gaelic language, culture and heritage to survive. With this in mind, she recorded her debut album An Iomall (The Edge). “This recording began a long time ago in my mind. I come from the Island of Lewis and loved being raised there. Lewis is exposed and weather torn and this is evident in its culture, but it is also beautiful and compelling. In this album I wanted to express these extremes which are also inherent in Gaelic song and Gaelic culture. The songs stand alone, so to work with them I chose a careful approach. Changing musical styles from arrangements but don’t always remain true to the spirit or beauty of the original. I have listened to the stories of these songs, and with these musicians, have interpreted them. The response is honest: the songs remain timeless.”

In 2009, Alyth released her second solo album, People Like Me that included members of the Scottish band Lau.

Discography:

An Iomall – The Edge (Vertical Records, 2000)
People Like Me (Navigator Records, 2009)
Red & Gold, with Triona Marshall ‎(ANE Records, 2011)
Homelands ‎(ANE, 2015)

Share

Artist Profiles: Andrew Cronshaw

Andrew Cronshaw

Andrew Cronshaw was born April 18, 1949 in Lancashire, United Kingdom. He is known for both his music and his writing. His writing appears frequently in British publication FRoots and other magazines. And he is also the author of the chapters devoted to Finland, Norway, Sweden, Denmark, The Faroes, Iceland, the Baltic States and Portugal in the most recent version of the Rough Guide to World Music.

Musically, Andrew’s voyage began as a child with a piano and a tin whistle. His primary instrument is now the zither, which lives at the heart of a collection of instruments that have come into his life through his travels, research and enormous musical curiosity. These include: a fujara, which Andrew describes as “a five-foot long Slovakian shepherd’s flute that yields shivering breathy harmonics;” aba-wu from China’s Yunan province, which is his “seductive-toned” brass-reed instrument, and many other string and percussion instruments.

In the early 1990s, Andrew chose to tour most often as a solo performer. With his instruments and a small PA, he played more than 100 performances in ancient English village churches. Solo, in his case, meant he would book the concert, meet the audience at the door, perform, pack up and move on.

Although a U.K. native, over the past twelve years more and more of his time has been spent in Finland. He is fascinated by and increasingly involved in new Finnish music rooted in its folk traditions. Andrew says he is drawn also by the sense of community, especially in Kaustinen, a music center and home to one of the world’s finest music festivals. It was at the Kaustinen Festival he initiated Hauenleuka: a large performance project that involved the floating of a giant seven-meter, five-string kantele down the river Perho accompanied by four hundred local musicians and dancers.

His album On The Shoulders Of The Great Bear, is based on a dozen traditional tunes from Finland, one from Siberia, and three from the Scottish Gaelic-speaking tradition.

Andrew founded an ensemble called SANS, a collaboration with Finnish musicians.

Andrew’s approach to music includes the belief that instruments “find a particular tune they like.”

Discography:

A Is For Andrew, Z Is For Zither ‎(XTRA, 1974)
Times And Traditions For Dulcimer ‎(Trailer, 1976)
Earthed In Cloud Valley (Trailer, 1977)
Wade In The Flood (Transatlantic Records, 1978)
The Great Dark Water (Waterfront Records, 1982)
Till The Beasts’ Returning ‎(Topic Records, 1988)
The Andrew Cronshaw CD ‎(Topic Records, 1989)
The Language Of Snakes (Special Delivery, 1993)
On The Shoulders Of The Great Bear ‎(Cloud Valley Music, 2000)
Ochre ‎(Cloud Valley Music, 2004)
The Unbroken Surface Of Snow ‎(Cloud Valley Music, 2011)
Live, with SANS (Cloud Valley CV2014, 2014)
Kulku, with SANS (Cloud Valley Music, 2018)

Share

Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion