Norwegian act Adjagas is a yoik group formed in 2004 by Sara Marielle Gaup and Lawra Somby, both from a long line of Sami ancestry. A yoiker is a singer or a chanter with a Sami origin, and it represents a very historically important part of the musical history of Northern Europe.
Sara Marielle Gaup, born in 1984, is from Guovdageaidnu/Kautokeino, whose musical heritage was passed down to her from her parents and generations before that. She began singing at a very early age, and it was through continued musical education at SMG she developed her unique sense of performance and perfected her singing voice.
Lawra Somby, born in 1981, was taught the great gift of yoiking from his father, Ande Somby. Lawra started performing on a variety of stages in 1997, and he has performed his music both solo as well as with his father Ande, making him a an experienced singer with a strong stage presence.
Yoik is not about making stories about people, animals, situations or landscapes. Yoik is the young woman, the eagle, the grass field by the river they are recreations of a moment, a sense, a memory how the wings of a bird slowly touches your chin, the smell of a fireplace and and how it evokes memories. The yoik is about bringing memories into the light of day, making them available and inviting new people into this special world
Samiland, also known as Lapland, is the territory at the very northernmost parts of Norway, Sweden and Finland, spreading into Russia.
I find that most of the Norwegian music that gets to World Music Central’s hands is of extraordinary quality and this sampler distributed last year at WOMEX 2008 is no exception. Norway World and Traditional, 2nd edition, released by Music Export Norway to promote Norwegian music productions, begins with what is one of the best tracks on the album. The duo Adjagas puts a different twist on traditional Sami [wiki:joik], by adding blues and electronic elements. The group is formed by Lawra Somby (male vocals) and Sara Marielle Gaup (vocals). “Joik is a rich tradition, and the repertoire of traditional joik is almost inexhaustible,” says Lawra Somby in an interview with Christian Lysvåg. “Still, we wanted to create new joiks, not just present traditional ones in a novel musical context. And I was actually surprised at how different the joiks we made turned out. It is important to stress that the joik itself, and certainly my version of it, is a matter of receiving an expression, and mediating the inner voice that a human experience has in itself. A strange fact is that sometimes the joik comes first, and then you realize to what feeling or experience the joik pertains afterwards. These things are hard to explain, but it is the way our music comes to life, and it was the way I conceived the material I contributed to our album.” The album’s title is Adjagas. A new album is in the works.
Aw-Ofsdal-Sereba brings together Becaye Aw, Kouame Sereba and Steinar Ofsdal, a world music group that brings together musicians from Mauritania, Norway and the Ivory Coast. Their style is melodic and mesmerizing. Fulani musician Becaye plays and tunes the guitar in the West African style. Kouame plays dodo, an ancient mouth bow. Steinar uses the xun, a Chinese terracotta wind instrument, used in China for more than 6300 years.
Diom de Kossa is an Ivorian master drummer, dancer and vocalist based in Oslo. His fiery style combines West African drums , call and response vocals and electric guitar. Touba is de Kossa’s CD, available in North America.
Tango’s tentacles have spread far. I knew Finland has a thriving tango scene, but I was not as familiar with Norwegian tango. Electrocutango is not your usual tango, as the name implies. Ity is the project of multi-instrumentalist Sverre Indris from Oslo, who creates a thrilling mix of chill out sounds with bandoneon tango melodies. The cut on this compilation is from the CD Felino.
The sampler turns traditional with the soft a cappella style of Ingvill Marit Buen Garnås and male vocalist Jon Anders Halvorsen, who sing in the Telemark tradition of Norway. Ingvill Marit Buen Garnås has two recordings available, På Grønalihei” (Nyrenning, 2003) and Gåtesong (Etnisk Musikklubb, 2005).
Sound experimentalist, composer and reputable tenor saxophonist Karl Seglem provides a blend of groundbreaking folk-rooted jazz and electronics, using sax, goat horn, percussion and electronics. His CDs include New North, Urbs and Reik.
Norwegian Kirsten Bråten Berg (vocals, jew’s harp), Sweden’s Lena Willemark (vocals, violin, viola), and Danish percussionist Marilyn Mazur join forces on “Varulven” in a mesmerizing exercise of vocals and percussion. their CD is titled Stemmenes Skygge (Heilo).
Chameleonic guitarist Knut Reiersrud is one of the finest electric blues guitarists in northern Europe. On “Is My Living in Vain”, he blends and R&B with echoes of Jeff Beck, Frank Zappa and Prince.
Kvarts is one of the most innovative folk bands in Norway. In addition to Norwegian folk traditions, the band incorporates Celtic and bluegrass influences. Kvarts includfes guests vocalists Berit Opheim and Sondre Bratland.
Majorstuen represent some of the new blood in the rich tradition of Norwegian fiddling. The line-up of this young fiddle ensemble includes fiddles, viola and cello. Recording include Juledrøm (MFC, 2006), Jorun Jogga (MFC, 2004), Majorstuen (2L, 2002).
The fiddle fest continues with Møldestad, Mjølsnes and Høgemo. All three musicians play the fabulous [wiki:hardanger] fiddle.
For a more traditional apperoach, Jon Faukstad and Per Sæmund Bjørkum present fiddle and accordion dance music.
Spindel is led by two fiddlers Sigrid Moldestad on Hardanger fiddle, fiddle and vocals and Liv Merete Kroken on Hardanger fiddle and fiddle. In their lkiove concerts and recordings they are joined by additional musicians, including Olav Tveitane: cister, guitar, double bass and vocals; Dagfinn Andersen: harmonium, piano and vocals;and Ivar Kolve: percussion and marimba. Discography: Aminje (Grappa 2005) and Spindel (Grappa 2001).
The String Sisters is a supergroup of female fiddlers from various parts of the world. Shetland’s “fiddle queen” Catriona MacDonald got a special commission from the Celtic Connections Festival in Glasgow. She assemble some of the world’s leading female fiddlers. The Norwegian connection is Annbjørg Lien. The other sisters are: Catriona MacDonald from Shetland, Liz Carroll and Liz Knowles from the United States of America, Mairead ni Mhaonaigh (from the acclaimed Irish folk-band Altan) and Emma Härdelin from Sweden. Härdelin took the place of original member Natalie MacMaster from Canada.
Fiddler Susanne Lundeng combines Norwegian folk, jazz and contemporary instrumental elements.
Terje Isungset, a renowned jazz and folk percussionist, multi-instrumentalist and composer from Norway, provides a minimalist piece titled “Morning.”
One of the most fascinating voices in Norway’s current scene is the hauntingly beautiful Unni Lodlid, who practices a style that I would call dark folk, which has connections with ambient music and even Gregorian chant. Her recordings include Rite and Vita
Klezmer music has expanded from central and eastern Europe to other parts of the continent and now reaches Scandinavia. Urban Tunells Klezmerband presents a Norwegian vision of klezmer music. The group includes Sondre Meisfjord, Morten Michelsen, Tor Petter Aanes, Jovan Pavlovic and Stig Rennestraum.
Unni Løvlid creates a dreamy sound that comes from the lands of the north that combines folk and chamber music, minimalism and ambience, generating a hauntingly beautiful sound. Norwegian singer Unni Løvlid, who is also a member of the trio Rusk, uses her voice in several different ways, mixing traditional style vocals with processed vocal sounds, creating fascinating effects.
On Rite, Lovlid presents a new set of ethereal musical poems in which she is accompanied by accordion, synthesizers and samples, percussion, various wind instruments, hardanger fiddle, and the Norwegian National Opera Children’s Choir.
Rite is Unni Løvlid’s first album in three years. Her previous release, Vita (2005), was recorded in the Emanuel Vigeland mausoleum.