Mihály Sipos was born in 1948 in Budapest, Hungary. His ancestors on his father’s side were shepherds. His grandmother knew their old traditional songs and dances. His maternal grandfather was a great singer and lover of classical music. He gave Sipos his first violin at a young age. Sipos’s mother learned piano at the Liszt Music Academy, so he grew up in a musical surrounding.
Sipos became a student at one of the famous music schools established by Zoltán Kodály where he started to play the violin at seven.
He studied the classical violin for 11 years. Sipos became involved with traditional music in 1972. In 1973 he founded the group Muzsikas along with his two friends, Daniel Hamar and Sándor Csoóri. He became the musical director of the band.
Aside from the violin, he plays the citera in Muzsikas. Sipos is the artistic director of most of the concerts and ensemble recordings and is also the coordinator between Muzsikas and the guest classical musicians.
Dániel Hamar was born in 1951 in Budapest, Hungary. He started to play the piano when he was seven and took up the classical double bass at fifteen.
He became a member of the Symphony Orchestra of St. Stephan Grammar School, and although this orchestra was considered to be amateur, the best Hungarian soloists and conductors performed with them, and many of its young musicians became professionals.
Hamar started to play traditional Hungarian music when he was 22. As was the case with almost all classically-trained musicians, Hamar knew little about traditional Hungarian music until he began to play it.
He visited remote Hungarian villages to learn the old techniques of playing, and established the group Muzsikas with his friends Sándor Csoóri and Mihaly Sipos in 1973.
Hamar plays double-bass and percussion instruments in the band. He is the spokesman for Muzsikas and the official leader of the band.
Dániel Hamar graduated as a geophysicist from the Eötvös University in 1974 and earned a Ph.D in 1994. He is a senior research fellow of the Space Research Group of Eötvös University, Budapest. Dániel Hamar is married and has four sons.
Living Hungarian Folk Music I. Muzsikás (Hungaroton Gong)
Hungarian label Fonó has released the final album of the music from Szászcsávás/Ceuaș (Romania). The album titled 6 contains recordings performed by Gypsy ensemble Szászcsávás Band between 1996 and 2007 made by Szánthó Zoltán and Bartha Ágoston in the town’s preschool.
Szászcsávás is a small village in Transylvania’s Maros/Mureș County (located in Romania) inhabited by Hungarians and Gypsies. It holds a special place in Hungarian music history. Although monophonic singing is characteristic of Hungarian folk music, this is perhaps the only settlement where polyphonic singing is part of the tradition.
The Ökrös Ensemble, the leading folk revival band in Hungary, is a special treat for music lovers. They have the marvelous ability to present the soul of their music, performing on authentic instruments. Csaba Ökrös, the leader of the Ensemble, is one of the most respected revival violinists in Hungary. Before he started the ensemble, Csaba Ökrös had performed with the Uistilus Ensemble, the Hungarian State Folk Ensemble, the Kodaly Folk Dance Theater, and Muzsikas.
Csaba Ökrös teams up with other excellent musicians to present authentic and unique Hungarian folk music, elevating it to a high level of artistry. Members include Miklós Molnár, László Mester, László Kelemen and Robert Doór who are considered the best folk musicians in Hungary with impressive global recording and performance backgrounds. Members of the Ensemble are also Rounder Records recording artists.
Ökrös Ensemble has collaborated with violinist Sandor Fodor “Neti” and the renowned singer Marta Sebestyen.
There is a special relationship between Gypsy fiddler Aladár Csízsár and the Ökrös Ensemble. A CD was recorded which examines an documents the versatile and exciting music of Székelyföld, allowing centuries old traditions to survive. Live, the whole group performs virtuosic renditions of Hungarian and Transylvanian music with full accompaniment of the rarely heard cimbalom and female vocal.
Miklos Balogh ‘the Eared’ grew up with music. Amongst Hungarian musicians he is called ‘the Eared’ because of his sharp hearing and exceptional musical sensitivity. Many gypsy and folk groups invite him to collaborate as guest artist on their concerts and CDs. He started playing the keyboard when he was ten years old.
His real world is Romanian gypsy music, he plays the Romanian tunes and rhythms with special taste and style. Since 2005 he is a member of Etnorom ensemble.
Muzsikás delves deep into the roots of central European history by combining Jewish, Ottoman, Hapsburg, and Gypsy influences to bring the world a rich, complex and mysterious Transylvanian tradition. As part of the folk revival that swept Hungary two decades ago, in response to the straitjacketed approach of Russian state-sponsored folklore, Muzsikás played tanchez when it was dangerous to do so.
Now an even broader audience has discovered the talents of their stellar vocalist, Marta Sebestyén through her work on the soundtrack to the Oscar-winning film, The English Patient and the Grammy winning Boheme by Deep Forest. Exhilarating audiences with their outstanding musicianship and their devotion to seeking out obscure and interesting music, Muzsikás has become one of the world’s top performing ensembles.
László Major decided to become a violinist when he was five years old. After studying classical music he specialized in the music of the Balkans and became an internationally acknowledged virtuoso of the styles of the region. He played in Hungary’s famous folk groups such as Zalka Dance Ensemble (1976-1978) and the Hungarian National Folk Ensemble (1986-1988).
Since 1997 he has been working with Joel Rubin Jewish Music Ensemble. He joined Etnorom in 2005.
The voice that wraps around the audience during the initial credits of the movie The English Patient have become well known to worldwide audiences. Behind that voice is Martá Sebestyén, who began to perform traditional Hungarian songs in Budapest when she was a little girl.
Born in Budapest, Hungary, in 1961, Marta grew up surrounded by music. Her mother, a music teacher, studied with Zoltan Kodaly, a famous composer and a great scholar specialized in his country’s traditional music.
Martá learned how to sing before even she knew how to speak. At a very young age, she took part in festivals, concerts, TV and radio shows and countless recordings. At 12 years of age, she already knew that her life would be bound to music.
At the same time that she attended school, Marta began to sing at the Houses of Dance. Around that time, the movement of the Houses of Dance was at its peak and was used as a form of protest against the cultural uniformity proposed by the Communist government. Students and scholars, musicians and dancers, began the exploration of the musical roots of their country and of Hungarian culture, mainly of the agricultural region of Transylvania, which had become part of Romania after World War II.
The dances and traditional songs became familiar to a whole generation of students and intellectuals of Budapest, and Martá was the center of that movement from its very tender childhood.
In 1975 she joined the group Sabö and Halmos, and from 1980 she leads Muzsikás. In addition, she has collaborated with a good number of Hungarian bands like Vujicsics. In the decade of the 1980s, Muzsikás, with Martá Sebestyén, toured throughout Europe, as well as Australia.
In 1984 she took part in the musical dedicated King Stephan, a popular Hungarian legend. Thanks to this work she was given an award as Best Female Singer of the Year in Hungary. In 1991 she became the first Hungarian singer to receive the noted Liszt Prize.
After the birth of her two children, at the beginning of the 1990s, she gave worldwide tours with the group Muzsikás. She has recorded with Peter Gabriel and Deep Forest. Her collaboration with the latter, “Martá’s Song,” on the Bohéme CD, became an international hit. In the 90s the group’s audience was expanded to Japan and the United States.
Béla Bartók said once that it would be impossible sing in the purest Hungarian style unless one had been raised in a village. Martá is the exception to this rule. She has developed an immense repertoire of traditional Hungarian and Transylvanian songs to which she contributes technical purity and tone color, managing in this way to capture a large audience beyond the borders of the Hungarian villages. With her gifts as a singer, musician and musicologist, she adapts and arranges a repertoire rarely heard outside of Transylvania.
Although the world audiences have opened up to the sounds of other cultures, very few singers have been able to overcome the barrier of curiosity by communicating with urban music fans. Today Martá is recognized as a skilled performer of a beautiful tradition.
Upon hearing Martá use any of the seven languages that she speaks fluently, one is aware that she has finer hearing than most of the polyglots in order to capture words and sounds. She jokes and laughs at this presumption in many languages and she sings in many more.
Gabriel Yared and Anthony Minghella, composer and director of The English Patient, respectively, were followers of Martá, and many of those who worked in the production of the movie in Berkeley went to her concert when she played there with Muzsikás. Her voice and the link that she had with the mysterious Count Almasy seemed perfect for the soundtrack. It is a beautiful and exotic voice that intrigues most of who listen to it.
The English Patient, produced by Saul Zaentz, meant the definitive international recognition of Martá.
In 1996, Martá collaborated as artistic director of the Euromusica Festival that takes place in Székesfehérvár (Hungary).
On June 1st, 2010, Sebestyén was given the UNESCO Artist for Peace title
Karácsonyi Magyar Népdalok (Bravo, 1984)
Szerelmeslemez (Favorit, 1985)
Márta Sebestyén Sings (Hungaroton, 1987)
Hungarian And Romanian Folk Music From Transylvania (Hungaroton, 1988)
Kivándorlás / Emigration (Hungaroton, 1989) Apocrypha (Hannibal Records, 1992)
EastWind, with Andy Irvine and Davy Spillane (Tara, 1992) Transylvanian Portraits – Hungarian Village Music From Transylvania (Koch World, 1992) Kismet (Hannibal Records, 1996) Morning Star, with Muzsikás (Hannibal Records, 1997)
Bartók Album, with Muzsikás and Alexander Balanescu (Muzsikás, 1998)
Szárnyakon Fekszem (Gramy Records, 1999)
Altatódalok (Hungaroton Classic, 2000)
Meeting Point, with Róbert Erdész (Solaris Music Productions, 2000)
Inspirations (Periferic Records, 2001)
A Zeneakadémián, with Muzsikás (Muzsikás, 2003)
Angyalok És Pásztorok – Christmas Songs (Gryllus, 2006) I Can See The Gates Of Heaven… (World Village, 2008)
Halld Meg Szavaimat Isten! (Gryllus, 2010)
Kerekes Band was formed in 1995 in Hungary, and they became a well-known group in dance-houses. Their aim is to perform folk music from Moldova (a special mixture of Hungarian, Romanian, Serbian and Turkish folk music) and their own arrangements are based on these authentic tunes with a high standard.
The band started to play authentic folk music from Gyimes and Moldova. They became Young Masters of Folk Art in 1998, Award of the Ministry of National Cultural Heritage. After that period they discovered and accepted the influences of other music genres. In this way Kerekes created a brand new, free-style performance of this basically lively folk music. Although the group could be considered a world music act, the musicians prefer the term ethno-funk. There are influences from the freedom of jazz, the explosive rhythm of funk, the melodiousness of Balkan music and the pure beauty of folk in it.
Their original concerts appeal to a wide audience. The performances of Kerekes at The Academy of Music, in the Budapest Arena, at the Milleneris Park, and other venues are all very popular. They are frequently invited to foreign countries like Sweden, Belgium, Germany, Switzerland, Poland or Russia.
Musicians: Fehér Zsombor on furulya (shepherd’s flute), kaval; Námor Csaba on koboz; Csarnó Ákos on brácsa (viola) and jew’s harp; Fehér Viktor on drums; and Kónya Csaba on bass.
Hungarian Folk Music From Gyimes and Moldva (Periferic Records, 2001)
Fütyül a Masina (Periferic Records, 2003) Pimasz (Kerekes Band, 2006) Fel a Kalappal! (Kerekes Band, 2008) What the folk? (Kerekes Band, 2011)
Folklore Man (Kerekes Band, 2013)
Live at A38 (Kerekes Band, 2014)
Argo 2 Soundtrack Album (2015) Back to Følk (Music from Følkland) (2016)
Dűvő Együttes (Dűvő Ensemble) was formed in 1976 by a few folk music and dance enthusiasts in Salgotarjan, a northern Hungarian city known for its rich Palic folk tradition, which is carried on even today. The Palic people are a group of Hungarians with a peculiar dialect and a strong attachment to traditional values. The original members of Duvo initially wanted to preserve their own local folk music traditions. However, as they established themselves as excellent musicians, they began to learn and collect folk music from all areas where Hungarian folk music could be found. They befriended and learned music from the best Hungarian folk musicians from Hungary, Slovakia and Transylvania. They treasure these friendships, which have brought them their most important and pleasurable musical experiences.
A Duvo performance is versatile and colorful. The band’s members each play on several folk instruments including violin, 3 stringed viola (bracsa), bass, cimbalom, duda (the Hungarian bagpipe), koboz (a type of lute), and furulya, a Hungarian folk flute.
Duvo has toured many European and Scandinavian countries and is the regular band of one of the longest running and excellent folklore camps in Seattle. In 1983 they received the Hungarian national Excellent Ensemble rating. In 1993, the Young Master of Folk Art award was bestowed upon them.
The band: Dénes Hrúz on violin, bagpipe; Szabolcs Hrúz on bracsa, koboz; István Nagy on bass, furulya; Gergely Toth on violin, bracsa; and Ferenc Andrássy on cimbalom.
Dűvő 1 – Hungarian Folk Music (Periferic Records) Dűvő 2 – Hungarian Folk Music (Periferic Records) Dűvő 3 – Hungarian Folk Music (Periferic Records) Duvo 4 – Hungarian Folk Music (Periferic Records)
Dűvő 5 – Hungarian Folk Music (2003)
Dűvő 6 – 25 Év Legnépszerubb Dallamai / The Best Of Dűvő – The First 25 Years (2004)
Dűvő 7 (2005)
Rimóci Énekek És Táncok – Songs and Dances from Rimos, with Istvánné Holecz, Margit Kanyó (2006)
Somogyi Táncok (2007)
Magyarszováti Tánczene (2007)
Hungarian Village Music (2008)
Elore, Csak Elore (2009)
Live in Holland (2010)
Határtalan Muzsika (2010)
Van Még Benne! (2012)
Duvölet – Pillanatképek / Snapshots (2014)
Magam Járom, with Kubinyi Júlia (2015)
Hátra Van Még A Java – Hungarian Village Music (2017)
Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion