The idea of Flook was first conceived in Manchester, November 1995, when Michael McGoldrick (flutes), Brian Finnegan (flutes) and Sarah Allen (flutes, whistles, accordion) got together for one tour titled Three Nations Flutes. The unusual line-up included three flute players. Guitarist Ed Boyd was drafted in at the end of the tour and they changed their name to Fluke!, later to Flook.
In 1997, the band released Flook! Live!, which captured the three talented flutists at their best during the Sidmouth Folk Festival. Michael McGoldrick and was part of the Manchester Irish scene from a young age. Brian Finnegan was raised in Armagh in Ireland while Sarah Allen was originally from London. Ed Boyd spent his childhood in Bath before he moved to Manchester and formed Red Ciel prior to Flook!
When Mike left to pursue solo projects in 1998, John Joe Kelly (bodhran), who was also a veteran of the Manchester Irish scene, was brought in full time, having previously appeared as an occasional guest.
Flook’s unique combination of flutes, underpinned by fluid guitar and hugely impressive bodhram playing made them one of the most popular groups on the live music circuit in the UK.
Flook won Best Band at BBC Folk Awards in 2006.
The group disbanded in 2008 and reformed in 2013. A new album titled Ancora was announced in 2019.
Flook! Live! (Small CD 945 1997) Flatfish (Flatfish 2CD 1999) Rubai (Flatfish4CD 2003) Haven (World Village, 2006)
Andrew Cronshaw was born April 18, 1949 in Lancashire, United Kingdom. He is known for both his music and his writing. His writing appears frequently in British publication FRoots and other magazines. And he is also the author of the chapters devoted to Finland, Norway, Sweden, Denmark, The Faroes, Iceland, the Baltic States and Portugal in the most recent version of the Rough Guide to World Music.
Musically, Andrew’s voyage began as a child with a piano and a tin whistle. His primary instrument is now the zither, which lives at the heart of a collection of instruments that have come into his life through his travels, research and enormous musical curiosity. These include: a fujara, which Andrew describes as “a five-foot long Slovakian shepherd’s flute that yields shivering breathy harmonics;” aba-wu from China’s Yunan province, which is his “seductive-toned” brass-reed instrument, and many other string and percussion instruments.
In the early 1990s, Andrew chose to tour most often as a solo performer. With his instruments and a small PA, he played more than 100 performances in ancient English village churches. Solo, in his case, meant he would book the concert, meet the audience at the door, perform, pack up and move on.
Although a U.K. native, over the past twelve years more and more of his time has been spent in Finland. He is fascinated by and increasingly involved in new Finnish music rooted in its folk traditions. Andrew says he is drawn also by the sense of community, especially in Kaustinen, a music center and home to one of the world’s finest music festivals. It was at the Kaustinen Festival he initiated Hauenleuka: a large performance project that involved the floating of a giant seven-meter, five-string kantele down the river Perho accompanied by four hundred local musicians and dancers.
His album On The Shoulders Of The Great Bear, is based on a dozen traditional tunes from Finland, one from Siberia, and three from the Scottish Gaelic-speaking tradition.
Andrew founded an ensemble called SANS, a collaboration with Finnish musicians.
Andrew’s approach to music includes the belief that instruments “find a particular tune they like.”
A Is For Andrew, Z Is For Zither (XTRA, 1974) Times And Traditions For Dulcimer (Trailer, 1976) Earthed In Cloud Valley (Trailer, 1977) Wade In The Flood (Transatlantic Records, 1978) The Great Dark Water (Waterfront Records, 1982) Till The Beasts’ Returning (Topic Records, 1988) The Andrew Cronshaw CD (Topic Records, 1989) The Language Of Snakes (Special Delivery, 1993) On The Shoulders Of The Great Bear (Cloud Valley Music, 2000) Ochre (Cloud Valley Music, 2004) The Unbroken Surface Of Snow (Cloud Valley Music, 2011) Live, with SANS (Cloud Valley CV2014, 2014) Kulku, with SANS (Cloud Valley Music, 2018)
Gregor Borland has had the good fortune of being the only current performing fiddler to have been taught by both Hector MacAndrew of Cults, (whose grandfather was a pupil of James MacIntosh of Dunkeld, the last pupil of the famous Neil Gow) and Donald Riddell of Clunes, who was the leader of the Highland Strathspey and Reel Society, also a prolific teacher in the Inverness area. Both these fiddlers are now legendary in Scottish traditional fiddle
Gregor has also had much success in competitions, winning the Daily record Junior Golden Fiddle Award in 1978 and then going on to win as many as eight Scottish Championships throughout Scotland over the next five years, including the “Henry Williams Trophy” at the Scottish Championship Contest, held in Inverness.
He has recorded and toured with many bands and artistes, including the Kathryn Tickell Band, Burach, Caledon, (With Davie Steele) and also Jim Malcolm to name but a few.
Gregor currently is living in Spain with his family where he has started a Traditional Scottish Fiddle School, in the beautiful town of Biar, north of Alicante. He is also a fully qualified piano tuner. Gregor has also recently started making fiddles, he now faithfully plays one of them on tour.
The CD Bowstroke demonstrates Gregor’s versatility. He is a traditional fiddler, but also has a contemporary side, as he has played with some of the best British folk groups, Kathryn Tickell Band and Burach to name a couple and this contemporary element comes out on the new cd. He is accompanied by Julian Sutton on melodeon & Ian Stevenson on guitar and harmonium.
For the traditional portion, Greg has three pianists, James Gray, Morag MacAskill, and last but not least Bob Turner. They all add a different flavor with their wonderful playing and it all adds up to a very enjoyable mix of old and new.
Since the group’s formation in the late 1990s, Calasaig secured an admirable reputation in the world of traditional music through their numerous performances and recordings. Their albums, Until Then, Making For The Shore and Near & Far have brought the band critical acclaim and have ensured their continued inclusion in the top ten of several traditional music album charts in Europe and the US, as well as on radio play lists around the world.
Their 4th album, Merchants’ City, was recorded in Phase One studios in Toronto and at The Foundry in Glasgow. It was released in North America on REL Records in August of 2003 and was released in the UK and Europe by Lazy Mist Records in February of 2004.
The band: Keith Johnston – cittern, guitar, vocals; Celine Donoghue – fiddle, tenor banjo, mandola, vocals; Andy Webster – guitar, bouzouki, vocals; Keith Easdale – Highland pipes, small pipes, mandocello, whistle, flute, mouth organ, vocals; Kirsten Easdale – vocals, viola, bodhran
Dàimh offer a fresh, up to date approach to Scottish traditional music, with a rich sound that moves from driving, fiery reels to slow sets of lyrical beauty.
Based in the West Highlands, with musicians from Cape Breton Island, Ireland, the West Highlands of Scotland and the ever-innovative Irish/American scene, the band effortlessly blends music from their native traditions with a few more tunes picked up en-route, producing a breathtakingly fluid and exciting sound.
Their music is a very high energy, fast-flowing mixture of tunes and songs from the traditions of their countries represented. Fusing together their individual styles on bagpipes, fiddle, banjo, guitar, bodhran and mandola to create a unique and compelling sound, their music knows no boundaries.
Its members are Angus MacKenzie (whistle, highland and border pipes), Gabe McVarish (fiddle), Ellen MacDonald (voice/bagpipes), Murdo Cameron (mandolin/accordion) and Ross Martin (guitar).
Dele Sosimi is a British-Nigerian musician born February 22, 1963 in London, England.
Dele Sosimi stands out as one of the most active musicians currently on the Afrobeat scene worldwide. Dele’s career began when he joined Fela’s Anikulapo-Kuti’s Egypt 80 (1979-1986) and then subsequently with Fela’s son Femi Anikulapo-Kuti’s Positive Force (1986-1994). In both bands he was musical director and keyboard player.
Since Fela created Afrobeat, Dele’s Afrobeat pedigreee is therefore impeccable. The music is a blend of complex but highly danceable funk grooves, Nigerian traditional music (including hi-life), African percussion, underpinning the jazz horns and solos from other instruments, as well as rhythmical singing.
Dele toured extensively around the world with Fela and Femi, re-orchestrating and arranging music and also handling the recruiting and training of new musicians. His keyboard work can be heard on Fela’s Power Show, Original Sufferhead, MOP 1 (Movement of the People), Authority Stealing, Army Arrangeement, ITT (International Thief Thief), and Teacher Don’t Teach Me Nonsense, and on Femi’s albums No Cause for Alarm and Mind Your Own Business.
Dele has also performed often with Tony Allen, the king of Afrobeat drumming. Following his first solo album “Turbulent Times” (Eko Star 2002), he was invited to select the tracks for the 3-CD compilation titled “Essential Afrobeat” (Universals Family Recordings, 2004).
He was producer and co-writer of “Calabash Volume 1: Afrobeat Poems” by Ikwunga, the Afrobeat Poet (2004). He is a central member of the Wahala Project, whose single Wahala appears on Puma’s 2006 Soccer World Cup Compilation CD. He has also featured on British rapper TY’s recent album Closer (on the track Sweating for your Salary), and his Turbulent Times is featured on The Afrobeat Sudan Aid Project (2006).
Currently based in London, Dele is an educator and instructor in Afrobeat (via his Dele Sosimi Afrobeat Foundation, and as a Visiting Lecturer in Music and Media, London Metropolitan University). Sosimi is abetted by a group of musicians, most of whom have either played with him on previous records or have gigged with him on the live circuit.
The Breath is a Manchester-based innovative folk band inspired by Celtic music, rock, ambient electronic, and other influences. The group is led by vocalist, lyricist and flute player Ríoghnach Connolly and guitarist and composer Stuart McCallum. They met through MySpace in 2010 when McCallum was looking for a singer.
Ríoghnach Connolly was born in Armagh (Northern Ireland) and is currently based in Manchester. She is known for her work with Afro Celt Sound System and Honeyfeet. Ríoghnach has an extraordinary voice.
Stuart McCallum was born in Manchester. He is an exploratory guitarist, known for his masterful loops and effects. He worked with Cinematic Orchestra and released various solo albums.
The other two members of the original The Breath are drummer Luke Flowers and pianist John Ellis.
The group attracted a lot of attention in 2016 with its debut album Carry Your Kin on Real World Records, recorded in Manchester and at Real World Studios, mixed by Tchad Blake.
Carry Your Kin (Real World Records, 2016)
Let The Cards Fall (Real World Records, 2018)
Maya Sona Jobarteh was born in London in 1983. She is the first professional female kora player. Sona is part of the Jobarteh/Diabaté family of jelis (griots), one of the five major kora-playing jeli families from West Africa.
She is the granddaughter of the master jeli musician Amadu Bansang Jobarteh, who migrated from Mali to the Gambia. Her cousin is the well-known, celebrated Kora player Toumani Diabaté. Her mother is English.
A virtuoso kora player, Sona Jobarteh is a modern day pioneer in an ancient, male-dominated hereditary tradition that has been exclusively handed down from father to son for the past seven centuries. The British-Gambian artist has modernized the presentation of kora music and brings a rhythmic approach to her compositions that fits with her remarkable voice.
British producer and multi-instrumentalist Dubulah (a.k.a. Transglobal Underground founding member Nick Page), collaborated with outstanding Ethiopian musicians in Addis Ababa and the result is Dub Colossus.
Influenced by the Ethiopian music golden era, Dub Colossus explored traditional Azmari styles, 60s Ethiopian pop, Ethiojazz and 1970s Jamaican Dub Reggae. A Town Called Addis, their critically acclaimed debut album was released in October 2008.
Echoes of such diverse acts as The Abyssinians, Sun Ra, Tlahoun Gesese, Pablo Gadd, Hirut Beqele, Dick Dale and King Tubby can be heard amongst the ever-changing musical backdrop that is the album.
For several decades, UB40 have been popularizing reggae around the globe. UB40’s fortune changed at the beginning of 1980. They had spent many years performing live and developing a name for themselves when they were asked to joining ‘The Pretenders’ as their support act on a national tour. The group’s first album was released in September 1980. The album cover was a reproduction of the unemployment benefit card with the title Signing Off rubber stamped in red. It referred to ‘signing off’ the dole i.e. getting a job. It was an acknowledgement of the launch of the band as well as a celebration of their new status.
The first single with Graduate, their initial label was a double-A coupling of Food for Thought about third world poverty and ‘King’ an expression of grief for Dr. Martin Luther King Jr. ‘King’ had seemed to be the favorite with live audiences but it was ‘Food for Thought’ that got the airplay and became the first hit. The single was released during the tour without the benefit of major label marketing or promotion and headed straight for the top five.
The group released their fourth album Labour of Love in 1983. It was their first direct tribute to the musicians who had inspired them. ‘Red Red Wine’ was the first single to be released from Labour of Love and it went straight to number one in the UK charts upon its release. The phenomenally popular single was in the British charts for two years. It gave UB40 their first worldwide hit and first American number one.
Success continues throughout the Nineties with the release of Promises and Lies which becomes the group’s biggest selling album worldwide selling in excess of 9 million copies worldwide and contained the hit single ‘Can’t Help Falling In Love ‘ giving the band their third UK number one.
Fathers of Reggae, a project which took three years to complete featured a series of legendary reggae artists such as Toots Hibbert, Gregory Isaacs and John Holt was released in 2002.
In 2003, UB40 received an Ivor Novello Award for International Achievement and secure a Top Ten album with the ‘Platinum Collection Labour of Love I II & III a triple box set comprising the whole ‘Labour of Love’ series. Their 22nd album, Homegrown includes ‘Swing Low,’ the official anthem for the England rugby team’s triumphant 2003 World Cup campaign in Australia. The song became the group’s 49th UK chart single.
In April 2005, UB40 united with Roger Daltrey Eric Clapton and John Mayer to play their first ever show at the Royal Albert Hall in aid of the Teenage Cancer Trust. The band was then invited to perform at the Live8 event in London’s Hyde Park, alongside U2, Pink Floyd, Coldplay, Madonna, Robbie Williams and The Who. A successful sell-out tour in the UK, Ireland and Europe completeds the year.
UB40 continued to tour throughout 2006 visiting Mozambique Australia New Zealand the Pacific Islands (i.e. New Caledonia Tahiti Tonga Fiji) Hawaii and continuing on to the US and Canada.
Signing Off (1980)
Present Arms (1981)
UB44 (1982) Labour of Love (1983)
Geffery Morgan (1984)
Baggariddim (1985) Rat in the Kitchen (1986) UB40 (1988)
Labour of Love II (1989) Promises and Lies (1993)
Guns in the Ghetto (1997)
Labour of Love III (1998)
Cover Up (2001)
Who You Fighting For? (2005)
Labour of Love IV (2010)
Getting Over the Storm (2013)
Your Connection to traditional and contemporary World Music including folk, roots and various types of global fusion