Legendary rock guitarist Carlos Santana has announced the release of a new album titled Africa Speaks, on Concord Records. The new album includes the song “Los Invisibles” that features acclaimed Spanish singer Buika.
Pata Negra was formed by the Amador brothers, Rafael and Raimundo, two wild Gypsy rockers from Seville. They were Flamenco’s number one rock fans. It could have been this feeling for rock that led Frank Zappa and Jerry Garcia to number themselves among their fans.
During Rafael and Raimundo’s teenage years, servicemen at a nearby US Air Force base in Morón de la Frontera provided an authoritative source for American rhythm and blues albums while their father and the rest of the Montoya family provided the deep schooling in Flamenco traditions.
The Amador brothers are two versatile guitarists who are just as comfortable playing blues with Flamenco guitars or Flamenco with electric guitars.
Pata Negra disbanded in 1991. Raimundo formed Flamenco rock band Arrajatabla in 1992, together with veteran rock guitarist Manglis.
Pata Negra (Mercury, 1981)
Rock gitano (Mercury, 1982)
Guitarras callejeras (Nuevos Medios, 1985)
Blues de la frontera (Nuevos Medios, 1987)
Inspiración y locura (Nuevos Medios, 1990)
El directo (Nuevos Medios, 1994)
Como una vara verde (BMG, 1995)
‘ ‘Spain’ ‘Europe 1’
Carlos Santana was born on July 20, 1947 in Autlán de Navarro, Jalisco, Mexico. His father, José, an accomplished mariachi violinist, introduced Carlos to ‘traditional music’ at the age of five. The family moved to the border boom town of Tijuana in 1955, where Carlos seriously took up guitar, studying and emulating the sounds of B.B. King, John Lee Hooker, T. Bone Walker and other blues greats he heard on the radio.
As much as he was inspired by the early training he received from his father in traditional musical form and theory, Carlos soon realized his dream was to break free and play rock and roll. He began performing with local bands like The T.J.s, adding his own personal flair to the popular songs of the 1950s.
As he continued playing with different bands up and down the bustling ‘Tijuana Strip,’ Carlos Santana began to hone his considerable skills and invent his inimitable sound. In 1961, he moved to San Francisco, in the United States, joining his family, who had relocated there the previous year.
Destiny had most certainly brought Carlos to the right place at the right time, planting him right in the middle of the burgeoning and hugely influential San Francisco Bay Area music scene. The Bay Area in the 1960s was a melting pot of cultural, political and artistic change. In this climate, Carlos continued to evolve his unique, genre-bending style, and in 1966, he took his music to the people with the debut performance of the Santana Blues Band.
For the next two years, the group was swept up in a whirlwind of acclaim and popularity that carried them from Bill Graham’s historic Fillmore West venue to the main stage at the Woodstock ‘Peace, Love, Music’ Festival. There, on August 16, 1969, the Santana band’s Latin-flavored rock was delivered to the masses.
The world embraced Carlos Santana with passion, captivated by music that was always changing, heralded by a guitar prowess that today remains among the most distinctive. Each new release – including several platinum and gold albums – emerged as a reflection of Carlos’s personal growth and artistic evolution.
Fans also reveled in his humanitarian messages and spiritual affirmations – subtle urgings towards peace, joy, acceptance, compassion and understanding – that have been consistently communicated in a gentle, heartfelt manner at live performances around the globe.
The Santana Band achieved double-platinum status their first time out with the 1969 Columbia debut album, Santana, featuring the hit single ‘Evil Ways,’ and quadruple-platinum with Abraxas, the classic 1970 follow-up which boasted among its tracks ‘Black Magic Woman’ and the incomparable Tito Puente composition “Oye Como Va.”
A period of experimentation with fusion jazz and non-Latin world sounds began with the supern Middle Eastern flavored fusion album Caravensarai in 1972. Santana also collaborated with John McLaughlin, leader of the Mahavishnu Orchestra, one of the top jazz-rock fusion bands at the time.
A musical family reunion took place in 1994 with the album Brothers, which featured collaborations with Carlos’s sibling Jorge and nephew Carlos Hernández.
In 1995, the comprehensive Legacy boxed-set retrospective came out. This was followed in 1997 by a 2-CD collection, Live At The Fillmore, featuring performances from Santana’s historic 1968 shows.
Significant filmed repertoire include the 1988 video retrospective Viva Santana, the 1993 South American concert video Sacred Fire, and 1997’s CD-ROM A History of Santana: The River Of Color And Sound. Fox Television aired the gala special A Supernatural Evening with Santana, a celebration of the record-setting album featuring performances with Rob Thomas, Lauryn Hill, Dave Matthews and Sara McLachlan, among others. This passion also paved the way for ventures into the new musical and geographic territories, including the scoring of the feature film La Bamba, participating in 1987’s Rock ‘n Roll Summit, the first-ever joint US-Soviet rock concert and embarking on a 1988 tour with great jazz saxophonist Wayne Shorter.
Carlos Santana has also contributed his talents tot he benefit of numerous charitable causes, among them Blues for Salvador, San Francisco Earthquake Relief, Tijuana Orphans, Rights of Indigenous Peoples, and education for Latin youth in association with the Hispanic Media &Education Group. He’s received numerous civic and humanitarian commendations over the years. In 1998, Carlos Santana and his wife Deborah started the Milagro Foundation.Its mission is to help underprivileged youths.
On Thursday, June 5, 2003, Carlos Santana pledged the profits of his 2003 Shaman tour to fight AIDS. The 23-show Shaman tour was estimated to bring in between 2.5 and 3 million dollars to the cause.
Solo albums and collaborations:
Carlos Santana & Buddy Miles! Live! (Columbia, 1972)
Love Devotion Surrender, with Mahavishnu John McLaughlin (Columbia, 1973)
Illuminations, with Turiya Alice Coltrane (Columbia, 1974)
Oneness (Silver Dreams-Golden Reality) (Columbia, 1979)
The Swing Of Delight (Columbia, 1980)
Havana Moon (Columbia, 1983)
Blues For Salvador (Columbia, 1987)
Divine Light (Columbia, 2001)
Live At The 1988 Montreux Jazz Festival, with Wayne Shorter Band (Liberation Entertainment, 2005)
The Essential Santana (Sony Records, 2009)
Illumination Live At Montreux 2011, with John McLaughlin (Eagle Records, 2013)
Santana (Columbia Records, 1969)
Abraxas (Columbia Records, 1970)
Santana III (Columbia Records, 1971
Caravanserai (Columbia Records, 1972)
Welcome (Columbia Records, 1973)
Lotus (Columbia Records, 1974)
Borboletta (Columbia Records, 1974)
Amigos (Columbia Records, 1976)
Festival (Columbia Records, 1976)
Moonflower, (Columbia Records, 1977)
Inner Secrets (Columbia Records, 1978)
Marathon (Columbia Records, 1979)
Zebop! (Columbia Records, 1981)
Shangó (Columbia Records, 1982)
Beyond Appearances(Columbia records, 1985)
Freedom (Columbia Records, 1987)
Spirits Dancing In The Flesh (CBS, 1990)
Milagro (PolyGram, 1992)
Sacred Fire: Santana Live In South America (Polydor, 1993)
Live At The Fillmore 1968 (Columbia Records, 1997)
Supernatural (Arista, 1999)
Shaman (Arista, 2002)
All That I Am (Arista, 2005)
The Woodstock Experience (Sony BMG, 2009)
Guitar Heaven: The Greatest Guitar Classics Of All Time (Arista, 2010)
Shape Shifter (Sony Music, 2012)
Corazón: Live From México – Live It To Believe It (Sony Music Latin, 2014)
Corazón (Sony BMG, 2014)
Santana IV (Santana IV Records, 2016)
Santana IV Live At The House Of Blues Las Vegas (Eagle Rock, 2016)
Power Of Peace, with The Isley Brothers (Legacy, 2017)
Supernatural Live – An Evening with Carlos Santana and Friends (2002)
Santana – Live by Request (Arista, 2005)
Jam with Carlos Santana with CD with CD (Audio). Publisher: Warner Brothers Publications (2000). ISBN: 1843285371
Santana Easy Guitar Anthology. Publisher: Alfred Publishing Company (2001). ISBN: 0757902200
In Session with Carlos Santana. Warner Bros Pubns; Book & CD edition (1999). ISBN: 1859096220
Carlos Santana: Back on Top by Marc Shapiro. Publisher: St. Martin’s Griffin (2002).ISBN: 0312288522
Soul Sacrifice by Simon Leng. Publisher: Firefly Publishing (2000). ISBN: 0946719292
Patricia Vonne – Top of the Mountain (Bandolera Records, 2018)
Patricia Vonne is an actress, filmmaker, activist, bandleader, musician, singer and songwriter. So, it comes as no surprise she’s conjured up a rocking powerhouse recording, easily apparent by the snarly guitar licks and fierce vocals found on tracks like “City is Alive” and “Lil Lobo” on her seventh full-length album Top of the Mountain, set for release on May 25th on the Bandolera Records label. With recordings like Viva Bandolera, Worth It, Rattle My Cage and Firebird to credit, Ms. Vonne continues sharpen her vocals and song writing skill to claw deep and captures listeners with her own brand of tejano folk/rock sound on Top of the Mountain.
Ripe with sultry vocals, jangling guitar riffs and pounding rhythms, Top of the Mountain opens with the edgy “Citadel” before giving way to the speeding down the open road sound of “City Is Alive” with the aid of Robert LaRoche on electric guitar, Scott Garber on bass and Héctor Muñoz on drums.
Top of the Mountain proves versatile as listeners get the goods with Spanish lyric laced “Iluminaria,” the growly guitar of “Lil Lobo” and the catchy Latin flavored “Madre De Perla.” The Southwest sound prevails on title track “Top of the Mountain” edged with Ms. Vonne’s vocals and acoustic guitar, Mr. LaRoche on acoustic and electric guitar, Mr. Garber on bass, Dony Wynn on drums and David Perales on violin.
Equally delicious are tracks like sultry “Tidal Wave,” the lonely landscape sound of instrumental “Western Blood” and sweetly worked “Cancion de la Boda.” Ms. Vonne and company wrap things with the kicking rocking “Lekker Ding” with the help of guitarist Joe Reyes, upright bassist Harmen De Bresser and drummer Jan Pohl and the vocal and piano duet “God’s Hands” with Ms. Vonne’s soaring vocals against piano by Carl Thiel.
“I am very proud of this new work,” Ms Vonne says of this recording. “Top of the Mountain celebrates the defiant human spirit in the midst of adversity and the Higher Power that lights our path.”
Top of the Mountain is a rocking, wind-in-the-hair, open road in a speeding convertible ride of a recording. Enjoy the ride.
War is an American band that mixes funk, jazz, R&B and rock. The group has sold more than 5 million albums worldwide and been honored with 17 gold platinum and multi-platinum awards.
In 1969 Eric Burdon and War recorded and released their first album entitled “Eric Burdon Declares War” featuring the number one single “Spill The Wine.” Following its release Eric Burdon and War went on an extensive tour of Europe and the UK.
On September 16 1970 Jimi Hendrix joined Eric Burdon and War for a jam session at London’s Famous Ronny Scotts Jazz Club. Regrettably, this would be Jimi’s last jam session as he died later that night. Shocked and overwhelmed by the death of his friend Jimi Hendrix Eric Burdon made the decision to leave the band and return to Los Angeles.
War continued their European tour without their former front man before returning to the states. Following Burdon’s departure War’s career rose dramatically. In the early 1970s the release of Slippin’ into Darkness and Me and Baby Brother represented their thrilling sound and spoke to millions of Americans about the troubled times of Vietnam, Watergate and the ethnic tension that centered around inner cities. Then in 1972 War released The World Is a Ghetto. Its second single, The Cisco Kid, reached gold status and the album made the number one spot as Billboard magazine’s Album of the Year.
Lonnie Jordan, the original lead singer and outstanding keyboardist is the musical director.
Eric Burdon Declares War (MGM Records, 1970)
The Black-Man’s Burdon (MGM Records, 1970)
All Day Music (United Artists Records, 1971)
War (United Artists Records, 1971)
The World Is A Ghetto (United Artists Records, 1972)
Deliver The Word (United Artists Records, 1973)
War Live (United Artists Records, 1973)
Why Can’t We Be Friends? (United Artists Records, 1975)
Love Is All Around (ABC Records, 19760
Galaxy (MCA Records, 1977)
Platinum Jazz (Island Records, 1976)
Youngblood, soundtrack (United Artists Records, 1978)
The Music Band (MCA Records, 1979)
The Music Band 2 (MCA Records, 1979)
The Music Band Live (MCA Records, 1980 )
Outlaw (RCA, 1982)
Life (Is So Strange) (RCA Victor, 1983)
The Music Band Jazz (MCA Records, 1983)
Where There’s Smoke (Coco Plum, 1985)
Peace Sign (Avenue Records, 1994)
War Is Coming! – The Best Of War (ARG Records, 1996)
Evolutionary (UMe, 2014)
Vassar Clements was one the United States’ most versatile fiddle players. His career began at a very early age. His phenomenal ability to virtually play any kind of music (bluegrass, country, pop, rock, jazz and swing) garnered him various awards including five Grammy nominations and a track record that involves multitudes of recording performances.
Vassar was a prolific composer of instrumentals and played seven instruments: violin, viola, cello, bass, mandolin, guitar and tenor banjo.
Vassar’s career spanned over fifty years. His association with Bill Monroe began when he was only 14 years old and still in school. He started with Bill as a regular Bluegrass Boy in 1949 and was with him through 1956. From 1957 to 1961 he performed with bluegrass artists Jim & Jesse McReynolds. In 1962 he took leave from his music to pursue other interests but returned to full time music when he decided to make Nashville his home in January 1967.
Vassar did recording sessions and played tenor banjo in Nashville’s Dixieland Landing club until October 1969. He then started touring with Faron Young and doing occasional solo dates when time permitted. In February 1971 he joined John Hartford and his Dobrolic Plectral Society, initiating a professional association and personal friendship that has grew stronger through the years. After ten months and earning an enormous amount of recognition and popularity, the group decided to disband. Vassar then found himself with the legendary Earl Scruggs and the Earl Scruggs Revue.
During that time, one of the most important milestones in his career was his participation on the Nitty Gritty Dirt Band’s 1972 Landmark album Will The Circle Be Unbroken. This historical event was produced by William McEuen and featured an extravaganza of bluegrass, country and folk’s greatest artists. It was the turning point that re-kindled Vassar’s career and at the same time introduced him to a much younger non-country audience.
Within a few short months Vassar was recording and/or performing with Dicky Betts, Jerry Garcia, The Grateful Dead, The Allman Brothers, Linda Ronstadt, The Nitty Gritty Dirt Band, David Grisman, Paul McCartney, etc. In May 1973, The classic Old & In The Way album was recorded in San Francisco during a live performance. The Sales from this project have exceeded other albums of like kind and has formed staunch cults that still exist after twenty three years.
Since 1973 when Vassar signed his first major label deal with Mercury/Polygram records his personal discography ranged from country, waltzes, swing to jazz. Ironically, in 1992 he recorded his only straight bluegrass recording for Rounder Records titled Grass Routes.
His early experience growing with jazz and swing music left an indelible mark on his style. Vassar said: “bands like Glen Miller, Les Brown, Tommy Dorsey, Harry James and Artie Shaw were very popular when I was a kid. I always loved rhythm so I guess in the back of my mind the swing and jazz subconsciously comes out when I play because when I was learning I was always trying to emulate the big band sounds I heard on my fiddle.” Understandably the form of jazz music created by Clements was a mix of the diverse influences that touched him throughout his career but particularly his affinity for the jazz and swing music of his youth.
Therefore it is no surprise that even though early in his career, as he learned and developed bluegrass and country styles, he also gained respect as a jazz player. Hence classic number two: Once In A While which resulted from a jam session with Miles Davis’s ex-band members Dave Holland, John Abercrombie and Jimmy Cobb. Classic number three: Together At Last. with Stephane Grappelli was produced by Tim Yaquinto and recorded in Vassar’s former studio.
Back Porch Swing was Vassar’s first album to feature the Little Big Band. Recorded between September 1997 and September 1998 at the Historic RCA Studio B in Nashville Back Porch Swing was performed almost entirely live with the exception of vocal and string overdubs.
Vassar Clements participated in Dead Grass (2000) a bluegrass twist on some Grateful Dead favorites.
Full Circle (OMS Records) released in 2001 had Vassar returning to his bluegrass roots with an all star cast that included Sam Bush, Bela Fleck, Bryan Sutton, Peter Rowan, John Cowan, Josh Graves, Jeff Hanna, Jimmie Fadden, J. D. Crowe, Billy Troy, Alan O’Bryant, Ricky Skaggs, Jim & Jesse and Jake Landers.
In May of 2004 Runaway Fiddle (OMS Records) came out. This project was a labor of love of two of the greatest American fiddle players of modern times Vassar Clements and Buddy Spicher. Buddy Spicher is one of Nashville’s most recorded session artists and arrangers. On Runaway Fiddle these two legends teamed up to record tunes they grew up loving playing and internalizing but for the most part never recording. Selections include 192’s show tunes Western Swing Dixieland. Several songs are interpretations of songs popularized by country music icon Bob Wills who created the new art form called Western Swing.
His CD Livin’ With The Blues (Acoustic Disc) was released in August of 2004. It was his first blues album. While Vassar Clements has often been considered the ?bluesiest? of the bluegrass fiddlers it wasn?t until producer Grisman asked him what kind of record he wanted to make that the soft spoken septuagenarian replied “I’ve always wanted to make a blues record.”
Livin? With The Blues includes Skip James? swampy “Cypress Grove ” with Vassar’s lonesome fiddle accompanied by Bob Brozman’s slide guitar. Elvin Bishop cleans house with his own “Dirty Drawers” and “That?s My Thing ” while Maria Muldaursings with Vassar on “Honey Babe Blues” and Bessie Smith?s “I Ain?t Gonna Play No Second Fiddle.” Other tracks include Roy Rogers desolate take on Robert Johnson?s “Phonograph Blues ” “Mambo Boogie” featuring Dave Mathews and the Booker T. Jones classic “Green Onions ” given a new twist by Charlie Musselwhite and Vassar. “Rube’s Blues” featured blues guitar whiz David Jacob-Strain (who was 19 at the time) helping Vassar reinvent a bluegrass standard and Norton Buffalo with his unique soul treatment of his own “Don’t Stand Behind A Mule.”
In November of 2004 Vassar Clements joined bluegrass quartet The Biscuit Burners onstage at the Ryman Auditorium in Nashville. Vassar played on two of the band’s original songs “Come On Darlin'” and “Red Mountain Wine”. The surprise appearance was part of the historic Ryman Auditorium’s $1 on the 1th Mystery Artist Series celebrating the 1 year anniversary of the legendary theater’s renovation.
On March 11, 2005 Vassar was diagnosed with lung cancer. He died at his home August 16th, 2005 at 8:25 am. He was 77.
[Biography adapted from Vassar Clement’s official biography].
Vassar (Mercury Records)
Superbow (Mercury Records)
Southern Waltzes (Rhythm Records)
Vassar Clements John Hartford & Dave Holland (Rounder Records)
Crossing The Catskills (Rounder Records 1972)
Vassar Clements (MCA Records)
The Bluegrass Session (Flying Records 1977)
Grass Routes (Rounder Records)
Saturday Night Shuffle – A Celebration of Merle Travis (Shanachie Records)
Hillbilly Jazz (Flying Records 1978)
Hillbilly Jazz Rides Again (Flying Records)
New Hillbilly Jazz (Shikata Records)
Together At Last with Stephane Grappelli (Flying Records 1987)
Nashville Jam (Flying Records)
Westport Drive (Mind Dust Records)
The Man The Legend (Vassillie Productions)
Country Classics (Vassillie Productions)
Vassar Clements Reunion With Dixie Gentlemen (Old Homestead)
Once In A While, Jam with Miles Davis’ ex-band members (Flying Fish Records 1992)
Live in Telluride 1979 (Vassillie Productions 1979)
Music City USA (Vassillie Productions)
Old And In The Way – Volume 1 (BMG Music)
Old and In The Way – That High Lonesome Sound – Volume 2 (Acoustic Disc)
Old and In The Way – Breakdown – Volume 3 (Acoustic Disc)
An Americana Christmas with Norman Blake (Winter Harvest)
The Bottom Line Encore Collection (Bottom line 1999)
Vassar’s Jazz – Golden Anniversary (Winter Harvest)
Back Porch Swing (Chrome Records 2000)
Dead Grass (Cedar Glen Music Group)
20 Fiddle Tunes & Waltz Favorites
Full Circle (OMS Records 2001)
Will The Circle Be Unbroken – Volume II – 3th Anniversary Edition (Capitol Records)
Will The Circle Be Unbroken (United Artists)
Will The Circle Be Unbroken – Volume III (Capitol Records)
Old & In The Gray (Acoustic Disc)
Runaway Fiddle with Buddy Spicher (OMS Records)
Livin’ With The Blues (Acoustic Disc 2004)
The Fiddle According to Vassar (Homespun Tapes). Taught By Vassar Clements. 9-minute DVD or VHS Includes music book
Vassar Clements In Concert – Vassar Swings (Shikata Records)
Vassar Clements In Concert – Ramblin’ 81 (Shanachie Records)
Robert Anthony Plant was born August 2, 1948 in West Bromwich, West Midlands, England. He is a rock singer most famous for being the lead singer of one of the most influential rock bands of all time. Led Zeppelin. Robert is known for his powerful style, with a wide vocal range that embodies folk and blues passion at its finest. The British musician has a great appreciation for world music, especially African music.
In 1966 Plant became a professionalmusician. By 1967 he hformed the Band of Joy with John Bonham and created two fundamental working partnerships. The first such partnership was with Terry Reid – the two became friends playing on the progressive music circuit of the mid-1960s; the second was with bandleader Alexis Korner with whom Plant worked as harmonica player and co-vocalist in various Korner ventures many of which featured pianist Steve Miller and were featured as the opening act for the band Free.
In early 1968, Plant’s psychedelic dream ended. Bonham left the Band of Joy to tour with Tim Rose while Plant continued to work with Korner. Plant’s friend, Terry Reid recommended Plant to Jimmy Page for a revised Yardbirds line-up, declining the gig himself to pursue what looked to be a promising solo career. Plant in turn recommended Bonham and with Page’s fellow session musician John Paul Jones on bass, what began life as ‘The New Yardbirds” became the creative force known as Led Zeppelin.
Plant was influenced by J.R.R. Tolkien, which inspired some lyrics on early Led Zeppelin albums. The passion for diverse musical experiences drove Plant and Page to explore the African continent, specifically Morocco which they both revisited during their reunion album No Quarter in 1994. From blues to folk to African tribal music, Plant enjoyed diverse influences.
Led Zeppelin’s greatest success came with “Stairway to Heaven,” an epic fantasy song that draws influence from folk, blues, Celtic, traditional music and hard rock among other genres. While never released as a single, the song has topped charts as one of the greatest songs of all time on various polls around the world.
Plant enjoyed great success with the band throughout the 1970s but it ended abruptly when Plant and his wife Maureen were seriously injured in a car crash in Rhodes, Greece on August 4, 1975. This halted production of Led Zeppelin’s album Presence for a few months while he recovered. Things also took a turn for the worse in 1977, when his oldest son Karac died of a stomach infection. Karac’s death later inspired him to write the Led Zeppelin song “All My Love” in tribute.
Bonham’s unfortunate death in 1980 brought the Led Zeppelin era to a close. Following the band’s breakup”, Plant pursued a successful solo career. Plant formed a short-lived all-star group, The Honeydrippers, that had a Top Ten hit with a remake of “Sea Of Love”.
Plant and Jimmy Page renewed their long-time partnership in 1995 for four years in the No Quarter project, a mix of North African, Egyptian, and folk roots sounds.
Plant’s wide-ranging enthusiasm for non-Western musics, including the music of Morocco, met with his lifelong fascination with American West Coast psychedelic rock to form a new fusion of styles and colors known as Strange Sensation. Their first album Dreamland received great critical acclaim and two Grammy nominations in January 2003.
Plant recorded with Afro Celt Sound System and along with Skin and Justin Adams traveled to north of Timbuktu in Mali to participate in the 2nd Festival of the Desert, a gathering of African, Saharan and assorted musicians that included Oumou Sangare, Ali Farka Toure, Tinariwen and Tartit. This project ultimately became a CD compilation Festival in the Desert on the Harmonia Mundi label.
In 2003, Plant released the retrospective Sixty Six to Timbuktu that included a selection of Plant’s solo work from his first recording date to his appearance in Mali.
In October of 2004, Plant revived his long-dormant Es Paranza label for its first release in many years. May of 2005 saw the release of Plant and the Strange Sensation’s album Mighty Rearranger that featured twelve new original songs. A major year-long tour followed. At the close of 2005, the critically acclaimed Mighty Rearranger received two Grammy nominations in vocal categories.
In 2006, Robert and the band embark on a new adventure with a series of dates across Europe and beyond. A stopover in Sweden in late May saw Robert, along with the other members of Led Zeppelin receive the prestigious Polar Music Prize. King Carl XVI Gustaf of Sweden presented the award to Led Zeppelin in the presence of other dignitaries with the following words: ‘The 2006 Polar Music Prize is awarded to the British group Led Zeppelin, one of the great pioneers of rock. Their playful and experimental music combined with highly eclectic elements has two essential themes: mysticism and primal energy.”
In October of 2006 Rounder/Zoe Vision released Plant and the Strange Sensation DVD, a ten-camera High Definition shoot for USA Soundstage productions. This was the first commercial DVD in Robert’s career. This continued the critical recognition of the work of Plant and the Strange Sensation.
2006 closed with the worldwide release of Nine Lives (Rhino), a beautifully designed boxed set containing all of Plant’s solo work since 1980, accompanied by outtakes live cuts and a DVD with contributions from Tori Amos, Phil Collins, Roger Daltrey, Bobby Gillespie and Lenny Kravitz among others.
In 2007, Robert worked on album number three with Strange Sensation.
Raising Sand, a project and partnership with Grammy Award winning bluegrass artist Alison Krauss was released in October 2007 on Rounder Records. Produced by T-Bone Burnett, Raising Sand includes blues, country and folk-rock.
Pictures at Eleven (Swan Song Records, 1982)
The Principle of Moments (Es Paranza Records, 1983)
Shaken ‘n’ Stirred (Es Paranza Records, 1985)
Now and Zen (Es Paranza Records, 1988)
Manic Nirvana (Es Paranza Records, 1990)
Fate of Nations (Es Paranza Records, 1993)
Dreamland (Mercury Records, 2002)
Mighty ReArranger (Sanctuary Records, 2005)
Raising Sand, with Alison Krauss (Rounder Records, 2007)
Band of Joy (Rounder Records, 2010)
Lullaby and… The Ceaseless Roar (Nonesuch Records, 2014)
Carry Fire (Nonesuch Records, 2017)
Brownout – Over The Covers (2017)
Brownout, the Tejano kings of funk rock have a new EP released this month titled Over The Covers. The new recording features 4 superb tracks inspired by funk beats and guitars, soul, psychedelic rock, 1970s West Coast Chicano rock, Afrobeat brass, Latin American beats, and a final instrumental that has a delicious psychedelic prog rock flavor.
The band features a new lead singer and songwriter named Alex Marrero, who fits perfectly well.
Over The Covers leaves you wanting to listen more of this excellent multi-faceted band from Austin.
Buy the digital download version of Over The Covers
Hoven Droven’s music is a unique and powerful blend of traditional folk and fierce hard rock where violin and electric guitar duel for the audience’s attention. This combination is complemented by a diverse background created by sax, Hammond organ, drums, percussion and bass.
The band’s name is a slang phrase which means uh “whatever” (at least in the province of Jämtland in northern Sweden). In their case it could just as well mean “things will take care of themselves.” Despite sometimes chaotic organizational methods none of them are able to explain how they have managed to perform on almost every major Swedish television and radio program and in North America. Looking at their individual schedules it’s a wonder that the band can get together to play at all.
Their first Swedish album “Hia Hia” was released in 1995 recorded at Peak Studios with engineer/producer Erik Benholm. Early in 1996 they got together again to record “Grov.” Selections from both of these releases are included on NorthSide’s 70+ minute compilation titled Groove — their first North American record release and one of NorthSide’s first releases.
Summer 1999 saw the band at the Winnipeg Folk Festival where they had 8 people on their feet hands raised high above their heads doing an ancient Swedish mosquito-killing dance. On their return home to Östersund they began recording their newest album.
More Happy Moments with Hoven Droven marks a number of departures for the band. Trumpet player Gustav Hylén left the band to spend more time with his family and set up Home Studios in Revsund where the disc was made. (You can see a “home movie” from the recording sessions on the NorthSide enhanced CD). New member Janne Strömstedt’s organ work now underpins the band’s sound making it heavier and more elegant all at the same time. For this release also the band decided to work with vocalists. On three tracks they are joined by the lovely female voices of Ulrika Bodén and Sofia Sandén (from Ranarim and Rosenberg 7.) Swedish music legend Stefan Sundström can be heard with the band on two of the five extra MP3 tracks which are included on the enhanced CD.
The English translation of the band’s name -helter skelter or, whatever – also happens to describe the band’s relationship to their Swedish roots.
Hoven Droven are:
Björn Höglund (drums and percussion) has toured with Swedish funk-rocker Paulo Mendonca and worships Peter Criss.
Guitarist Bo Lindberg claims he is a star in Japan with his former avant-rock band Myrbein. If the truth be known he’s a music teacher who’s been in almost every band to come out of Östersund in the past 1 years.
Saxophonist Jens Comén is often seen in rock-pop-jazz-big band-punk bands around town displaying his natural gifts (with his instrument).
Pedro Blom is the band’s bassist and plays in other roots music groups. Otherwise he’s a big fan of AC/DC and Mötorhead.
Hoven Droven’s violin-playing front man is Kjell-Erik Eriksson. His original interest in Swedish folk music has taken on a stronger bite and higher volume with Hoven Droven. He also plays traditional acoustic music in the band Triakel.
Janne Strömstedt (Hammond Organ) likes to play everything from salsa to country. In April 2000 Janne made the difficult decision to leave the band: “For a long time I’ve found it difficult to find a good way of combining the particular conditions under which HD is touring with the rest of my life. Unlike most of the others in the band I have a busy everyday life with another job apart from the music. I´m also touring quite a lot with Triakel.”
Hia-Hia (Xource/MNW XOUCD 110, 1994)
Grov (Xource/MNW XOUCD 114, 1996)
Groove, compilation (NorthSide NSD 6002, 1997)
More Happy Moments with Hoven Droven (Home 013 / NorthSide NSD 6043, 1999)
Hippa (Home 020 / NorthSide NSD 6062, 2001)
Turbo (Home 032, 2004)
Jumping at the Cedar, 2-CD live compilation (Home 044 / NorthSide NSD 6090, 2006)
Rost (Westpark PGM-87217, 2011)