Uilleann piper flutist and whistler Jerry O’Sullivan has been at the very heart of the traditional Irish music scene in New York for many years and is always the first to help when a member of the community needs it. A gifted performer he has worked with many groups in the area as well enjoying an enviable career as a solo artist.
He has amassed a substantial discography with appearances on over sixty albums. He has been a music teacher for many years at The Tara Circle and many Irish arts weekends and has always been happy to share his time and talent.
The Invasion (Green Linnet 1997)
The Gift (Shanachie 1998)
O’Sullivan Meets O’Farrell (2005)
O’Sullivan Meets O’Farrell: Volume II (2010)
Gordon Duncan began piping at the age of 8. Taught by his father, he was a prolific Junior Winner at various competitions and stopped competing by the age of 17. He was one of Scotland’s most innovative, skillful and exciting pipers. For two years he was a MacCallan winner at the prestigious Celtic festival in Lorient, France.
He was featured as a member of many bands includingCeolbeg Wolfstone Tannahill Weavers, and Dougie Maclean Band. He has also been a member of The Vale of Atholl Pipe Band, Scottish Power Pipe Band, and most recently Drambuie Kirkliston pipe band.
Duncan composed many pipe band tunes, which have been recorded by many folk and pipe bands across the world.
Gordon Duncan died in December of 2005. He was 41.
Ged (pronounced “Jed”) was born in County Durham in the North East of England. Ged is a superb guitarist, a singer of distinction with a spare, unornamented style and a player of both the fiddle and the Northumbrian smallpipes.
A one-time member of Scotland’s The Battlefield Band and a founding member of The House Band, Ged also worked in a duo with the excellent English singer/songwriter Jez Lowe. He replaced originalPatrick Street member Arty McGlynn in 1996, and joined the Celtic Fiddle Festival after an initial tour with the band in 2001. He lives in the USA.
Fred Morrison is widely regarded as one of the greatest Scottish pipers alive today. His performances on the Highland, bellows blown and uilleann pipes and on the low whistle have taken the world music scene by storm. His approach is firmly rooted in the musical tradition of the Hebridean islands of Scotland but he constantly pushes the boundaries, creating a fresh new sound that is forever evolving. Fred began taking lessons from his father at the age of nine. His father, a noted piper, was from the small remote island of South Uist – which is to be found off the north-west coast of Scotland – a wild, beautiful place with a particularly rich tradition in piping.
He taught using cainntearachd, a unique singing style where notes and rhythms are given particular sounds. Before long, Fred had won most of the top international prizes of the piping world. The immense technical expertise required to compete in such events was to provide the foundation to allow him to experiment musically and he began to develop his own sound
Fred was soon playing support, solo, to Capercaillie and Runrig – two of Scotland?s best known bands. Before long, he was touring Celtic Europe – especially Spain and Brittany – where he earned the name The King of the Pipes. He went on to play with Clan Alba and spent 3 years touring and recording with Capercaillie. He also appeared in and was involved in arranging music for the Hollywood blockbuster, Rob Roy.
At this time, Morrison began to play the bellows-blown Border pipes. He has since performed on the Border pipes on the major stages across the world and can be credited with popularizing this instrument which is played by so many contemporary pipers.
He joined forces with master of the bouzouki, Jamie McMenemy (Battlefield Band, Kornog). The duo released an album, Up South, that received exceptional reviews, as did their live performances. Most of the pieces played by the duo were composed by Morrison.
Fred was voted by the public as Instrumentalist of the Year at the 2004 Scottish Traditional Music Awards.
Fraser Shaw learned the bagpipes from the renowned piper Fred Morrison of South Uist, and latterly from the Tiree piper Kenny MacDonald. At the age of 16, Fraser moved to Skye to study at Sabhal Mor Ostaig and became immersed in the trad music scene. He co-founded four-piece band Cluanas with whom he has toured extensively. He has recorded with Farquar McDonald and Aidan MacEoins and appeared on Radio Scotland’s Pipeline.
Eric Rigler is a well known piper who has performed for numerous Hollywood films and pop stars. He has been described as the most recorded piper of all time. Rigler is constantly in demand in studios, providing the sonorities of the uilleann pipes, the Great Highland bagpipe and the low whistle to film, television and recording audiences around the world.
Rigler is the son of a Scottish father and an Irish mother” although he was adopted by a California family. At age seven Rigler began to play the Highland bagpipe. In his early teens he won the California state amateur championship. He later moved to Scotland in 1984 to broaden his knowledge and lived there until 1986. He won the reputable Dunvegan Gold Medal on the Isle of Skye and the first Young Piper of the Year award from The Famous Grouse Whisky. While in Scotland Rigler studied the Irish uilleann pipes.
Eric Rigler is one of the founders of Bad Haggis. It is a band that plays a fusion of the most cutting-edge Celtic with influences of Alternative Rock African World Beat vocal and groove-based stylings.
Eric Riglers sounds can be hard on familiar movies such as Troy, Master and Commander: The Far Side of the World, The Road to Perdition, Titanic, Braveheart, and Austin Powers: The Spy Who Shagged Me. He has also recorded for CDs by Josh Groban, Phil Collins, Rod Stewart, Ruben Blades, Barbra Streisand, and Tracy Chapman.
Dråm is a Swedish folk music group specialized in the sackpipa, the Swedish bagpipe. Dram means “drone” in a Swedish dialect.
Dram’s members, Erik Ask-Upmark and Anna Rynefors have both received the prestigious Zorn award and the title of Riksspelman (official master musician) for their playing and exposure of the Swedish bagpipes.
Aside from the Swedish pipes, Dram’s other instruments include different Swedish folk whistles and the nyckelharpa keyed fiddle.
Virtuoso bagpipe player Eric Rigler and his Celtic-infused, world music fusion band Bad Haggis combine the traditional sounds of Scottish and Irish bagpipes and tin whistles with Latin American music, Jazz, rock, and African influences. Based in Los Angeles, the band was formed in formed in 1998 and has toured the United States, Scotland and Spain.
Rigler fell in love with the sound of bagpipes at age two. He learned the traditional forms of bagpipe music, but as he got older he was interested in other genres and decided to combine them.
Rigler ‘s bagpipes and whistles are heard on several movie soundtracks, from Hollywood hits Braveheart and Titanic to the 2005 Oscar winner Million Dollar Baby. Eric Rigler also is heard on Troy, Master and Commander – The Far Side of the World, Ladder 49, Road to Perdition, Death to Smoochy, Austin Powers – The Spy Who Shagged Me, Bobby Jones, Stroke of Genius and many others.
Bad Haggis is led by Rigler on Scottish and Irish bagpipes and various whistles. The lineup has varied throughout the years.
Rigler has recorded with various artists such as Phil Collins, Rod Stewart, Whitney Houston and Mariah Carey, Rod Stewart, Barbra Streisand, Josh Groban and Tracy Chapman.
He’s also heard and sometimes seen on A&E television’s Crossing Jordan as well as other TV series like JAG, The Ellen DeGeneres Show, The Tonight Show with Jay Leno and others. Rigler was the piper who led former President Ronald Reagan’s burial, televised worldwide.
Marzoug combines Arab and African cultures. The musical family settled in the El Alia district of Biskra, in southern Algeria. Marzoug is led by the distinguished bagpipe master, Soudani Djelloul, who carries on the traditions of the music of his area. The music of Marzoug must be seen against the background of the Sahara Desert – the large region that includes most of North Africa up to the Mediterranean Sea that separates and at the same time joins North Africa and Southern Mediterranean Europe. The band’s music invites the listener into the immensity of the desert through their integrated program of music, song and dance.
The group has a great rapport with the public that owes a lot to their integration of traditional instruments such as the chekwa bagpipe, the karkabas (iron castanet) and the North African tabla (darbuka).
One of the great inovations of the Marzoug family is that they made the bagpipe a solo instrument of its own in the Magreb, and not only an instrument used to accompany the singer, as can be found in other areas.
The Soudani-Marzoug family has been composed of noteworthy musicians for generations, some players of chekwa (bagpipe), of tabla and karkabas, along with the Arab African chants of a singer. The songs of this band can be of profane or religious (medh or praise) inspiration. However it is undoubtedly the profane and love repertoire that remains the most outstanding. It is on various occasions or for celebrations (wedding, baptism, circumcision etc.), in various boroughs, towns or villages that the Marzoug band is invited to play on a regular basis.
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