Tamikrest – Kidal (Glitterbeat Records, 2017)
Sitting back and listening to the latest recording Kidal by Mali’s desert blues/rock group Tamikrest, I wondered if I would have even heard about the continuing struggles of the Tuareg and other desert peoples if it weren’t for the lush music spilling out of the Sahara by way of groups like Tamikrest and other musician groups like Terakaft, Tinariwen and Etran Finatawa or the powerful Sahrawi singer and musician Mariem Hassan. Sadly, I think few would even know that people live and travel these remote parts of the Sahara much less know about the struggle to maintain their nomadic identity if it weren’t for the music.
Fortunately for us Glitterbeat Records has got all the little music junkies out there covered with Tamikrest and their latest Kidal set for release on March 17th. Following up on previous recordings Adagh, Toumastin, Chatma and Taksera, Tamikrest again wraps up listeners in the familiar sleek guitars, rolling rhythms and meaty vocals on Kidal.
Recorded in Bamako, Mali, Kidal gets some extra special treatment with producer Mark Mulholland from Afro-Haitian Experimental Orchestra and mixer David Odlum who earned a Grammy for his work with the group Tinariwen. Two years in the making, Kidal is worth every single track.
Tamikrest leader Ousmane Ag Mossa says of the recording, “Kidal talks about dignity. We consider the desert as an area of freedom to live in. But many people consider it as just a market to sell multinational companies, and for me, that is a major threat to the survival of our nomadic people.”
Opening with those familiar desert blues riffs on “Mawarniha Tartit,” Tamikrest lays down a sound that’s hypnotic and driven. Packed with guitar, percussion and drums, Kidal kicks some serious rock riffs. Tracks like “Manhouy Inerizhan,” “War Toyed” and “War Tila Eridaran” are brilliantly fiery, but its tracks like slower and bluesy “Atwitas” that blow the listener away with its sleek, edgy guitar, laced in kora lines and roughed over vocals.
Kidal is chocked full of goodies like the acoustic guitar led “Tanakra,” the fabulously trippy and immensely satisfying “Ehad Wad Nadorhan” and the folksy, homey “Erres Hin Atouan” with its call and response vocals. There’s also the rocking “Adoutat Salilagh” and the sweetly worked closing track “Adad Osan Itibat” to satisfy all your desert blues/rock needs.
Kidal is power to the people through music and it doesn’t get any better than that.
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