Tag Archives: Scotland

Artist Profiles: Anna Wendy Stevenson

Anna Wendy Stevenson

Raised in Edinburgh, and surrounded by music from a family steeped in the arts, violinist, composer and producer Anna Wendy Stevenson has made her name as a highly respected performer and teacher of traditional fiddle. She studied music with her grandfather, composer Ronald Stevenson, and won a scholarship to study in the USA when she was only 19.

A founding member of highly successful trio Fine Friday, Anna Wendy has recorded and toured extensively throughout Europe, Canada and Australia performing at many of the top festivals (The National Festival, Celtic Colours International Festival, Celtic Connections, Port Fairy). She is also a member of all female quartet Calluna and was a member of globe trotting band Anam. Anna-Wendy also performed with the Bella MacNab Dance Band, the ceilidh band of choice for the Edinburgh’s Hogmanay Revels at the Assembly Rooms.

A holder of the London College of Music LLCM, ALCM (diplomas in teaching and performance) and renowned for her innovative approach to teaching, Anna-Wendy is a principle teacher at Lochgoilhead Fiddle Workshop and is involved with the Feis and other teaching organizations. Her excellent communication skills have led to extensive work with Yehudi Menuhin’s Live Music Now Organization bringing music to people with special needs.

Anna-Wendy released the CD Gowd and Silver with her grandfather Ronald Stevenson featuring a selection of Ronald’s arrangements of Scottish melodies as well as some of his original compositions.

Discography:

Dance Tunes, Airs and Songs from Scotland, with Calluna (Scottish Mill Records, 2000)
Gone Dancing, with Fine Friday (Foot Stompin’ Records, 2002)
Mowing the Machair, Fine Friday (Foot Stompin’ Records, 2005)
Gowd & Silver (Eclectic Records, 2005)
Anna-Wendy Stevenson (2006)
My Edinburgh (Anna-Wendy Music, 2010)

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Artist Profiles: Annie Grace

Annie Grace

Annie Grace grew up in the Scottish Highlands. Music played a large part in her formative years, and she began learning to play the bagpipes at the tender age of ten. Music festivals and close harmonies with her four siblings gave her a solid grounding in singing and her wasted youth was spent marching up and down Fort William High Street with the Lochaber Junior Pipe band.

During her four years at Glasgow School of Art, she performed with The Gunsmoke Trio and Pedro, and The Mighty Peelly Wally Ceilidh Band before being invited to join a new band subsequently named Iron Horse. Iron Horse became one of the acclaimed new wave folk bands of the nineties. The group was in huge demand. Constantly touring and recording, they visited all corners of the world and headlined at major festivals. Annie?s voice became a feature of the band, as well as her ability to entertain audiences with her stories and infectious humor.

Musical projects with Iron Horse included the award-winning Voice of the Land (1995) commissioned by the BBC, Stri (1997) a collaborative fusion piece with the RSNO and tours with British Council projects in Central Asia. In 2002, Iron Horse collaborated with Sogdiana, the national orchestra of Uzbekistan, touring parts of the country, and producing a CD of the project.

Annie started to expand her musical horizons by guesting on other albums with backing vocals or instrumentation. In 1998, she found herself surrounded by thirteen world music divas in the fantastic Female Factory show. Based in Amsterdam, this show toured Russia, Spain and Holland with a ten-piece band. Other projects included Scottish Women (2001-2002), commissioned by Celtic Connections. Annie is also a member of the Scottish big band The Unusual Suspects, who were formed at Celtic Connections 2003.

In February 2004, Annie released her debut solo album Take Me Out Drinking Tonight to an overwhelming response, including a 5 star review in the Sunday Herald. The album, a sparkling collection of contemporary and traditional material, shows Annie at her mature and confident best, living up to her reputation as a superb singer and exponent of the whistle.

Discography:

Take Me Out Drinking Tonight ‎(Greentrax Records, 2004)
The Accidental Death of An Accordionist, with The Tour-a-Rural Ceilidh Band (2008)
The Bell (Gracie Records, 2011)

With The Iron Horse:

The Iron Horse (Lochshore, 1992)
Thro’ Water, Earth and Stone (Lochshore, 1993)
Five Hands High (Lochshore, 1994)
Voice Of the Land (Lochshore, 1995)
Demons and Lovers (Lochshore, 1997)
The Wind Shall Blow For Ever More (Lochshore, 2004)

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Artist Profiles: Arthur Cormack

Arthur_Cormack – Photo by Cailean Maclean

Arthur Cormack was born in 1965. He is one of the finest Gaelic singers of his generation. Since winning the Mod Gold Medal in 1992, he has sung world-wide with fellow Skye musician and former Cliar member Blair Douglas and with the highly-acclaimed MacTalla.

He runs the Macmeanmna record label and is known as the busiest man in Skye, also running the youth tuition festivals organization, Feisean nan Gaidheal and The Aros Experience, a tourist center, theater and restaurant in Portree. He has also made two CDs with Cliar in addition to his own releases Ruith Na Gaoith and Nuair Bha Mi Og.

Discography:

Nuair a Bha mi Òg (Temple Records, 1984)
Ruith na Gaoithe (1989)
Seinn O Ho Ro Seinn!, with Fiona Mackenzie ‎(Mairi Mhòr, 2003)
Buanas (Macmeanmna, 2017)

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Artist Profiles: Back of the Moon

Back of the Moon

Back of the Moon was Scottish group that formed in 2000. Back of the Moon rapidly gained a reputation for their dynamic live performances. Gillian Frame, Ali Hutton, Findlay Napier and Hamish Napier made up the band.

The giant acoustic sound came from their tightly woven frontline of Scottish pipes and fiddle, the intimate pairing of low whistle and flute, the distinctive rhythmic force of their guitar and piano rhythm combo, and the three-part vocal harmonies in their Scottish songs – in which each unique singer took the lead.

Back of the Moon released three albums, and were named Best Folk Band at the 2005 Scottish Trad Music Awards.

Discography:

Gillian Frame and Back of the Moon (2001)
Fortune’s Road (Foot Stompin’ Records, 2003)
Luminosity (Foot Stompin’ Records, 2005)

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Artist Profiles: Alyth McCormack

Alyth McCormack

Alyth is one of today’s most exciting new talents in the world of Gaelic song. Born in 1970 and raised on the Isle of Lewis (Outer Hebrides, Scotland), Alyth was immersed in the music, poetry and drama of her native Scottish Western Isles from a very early age.

Although aware of the long tradition in all things Gaelic, McCormack understands that within the tradition there is and must be a constant transition for the Gaelic language, culture and heritage to survive. With this in mind, she recorded her debut album An Iomall (The Edge). “This recording began a long time ago in my mind. I come from the Island of Lewis and loved being raised there. Lewis is exposed and weather torn and this is evident in its culture, but it is also beautiful and compelling. In this album I wanted to express these extremes which are also inherent in Gaelic song and Gaelic culture. The songs stand alone, so to work with them I chose a careful approach. Changing musical styles from arrangements but don’t always remain true to the spirit or beauty of the original. I have listened to the stories of these songs, and with these musicians, have interpreted them. The response is honest: the songs remain timeless.”

In 2009, Alyth released her second solo album, People Like Me that included members of the Scottish band Lau.

Discography:

An Iomall – The Edge (Vertical Records, 2000)
People Like Me (Navigator Records, 2009)
Red & Gold, with Triona Marshall ‎(ANE Records, 2011)
Homelands ‎(ANE, 2015)

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Artist Profiles: Anna Murray

Anna Murray

Anna Mhoireach (Anna Murray) is from the Isle of Lewis in the Outer Hebrides. She is an exceptionally talented piper and arranger. She plays lively Scottish folk tunes played on the Highland pipes and the beautiful Scottish small pipes, accompanied by modern instruments.

Anna learned from a young age to sing in her native language of Gaelic and started to play the Highland pipes at ten.

The release of her third recording Tri Nithean (Three Things) coincided with her performance at Celtic Connections 2000 in Glasgow.

Discography:

Out Of The Blue (Lochshore, 1994)
Into Indigo ‎(KRL, 1996)
Tri Nithean: Three Things ‎(Lochshore, 1999)

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Artist Profiles: Gregor Borland

Gregor Borland

Gregor Borland has had the good fortune of being the only current performing fiddler to have been taught by both Hector MacAndrew of Cults, (whose grandfather was a pupil of James MacIntosh of Dunkeld, the last pupil of the famous Neil Gow) and Donald Riddell of Clunes, who was the leader of the Highland Strathspey and Reel Society, also a prolific teacher in the Inverness area. Both these fiddlers are now legendary in Scottish traditional fiddle
music.

Gregor has also had much success in competitions, winning the Daily record Junior Golden Fiddle Award in 1978 and then going on to win as many as eight Scottish Championships throughout Scotland over the next five years, including the “Henry Williams Trophy” at the Scottish Championship Contest, held in Inverness.

He has recorded and toured with many bands and artistes, including the Kathryn Tickell Band, Burach, Caledon, (With Davie Steele) and also Jim Malcolm to name but a few.

Gregor currently is living in Spain with his family where he has started a Traditional Scottish Fiddle School, in the beautiful town of Biar, north of Alicante. He is also a fully qualified piano tuner. Gregor has also recently started making fiddles, he now faithfully plays one of them on tour.

The CD Bowstroke demonstrates Gregor’s versatility. He is a traditional fiddler, but also has a contemporary side, as he has played with some of the best British folk groups, Kathryn Tickell Band and Burach to name a couple and this contemporary element comes out on the new cd. He is accompanied by Julian Sutton on melodeon & Ian Stevenson on guitar and harmonium.

For the traditional portion, Greg has three pianists, James Gray, Morag MacAskill, and last but not least Bob Turner. They all add a different flavor with their wonderful playing and it all adds up to a very enjoyable mix of old and new.

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Artist Profiles: Daimh

Dàimh

Dàimh offer a fresh, up to date approach to Scottish traditional music, with a rich sound that moves from driving, fiery reels to slow sets of lyrical beauty.

Based in the West Highlands, with musicians from Cape Breton Island, Ireland, the West Highlands of Scotland and the ever-innovative Irish/American scene, the band effortlessly blends music from their native traditions with a few more tunes picked up en-route, producing a breathtakingly fluid and exciting sound.

Their music is a very high energy, fast-flowing mixture of tunes and songs from the traditions of their countries represented. Fusing together their individual styles on bagpipes, fiddle, banjo, guitar, bodhran and mandola to create a unique and compelling sound, their music knows no boundaries.

Its members are Angus MacKenzie (whistle, highland and border pipes), Gabe McVarish (fiddle), Ellen MacDonald (voice/bagpipes), Murdo Cameron (mandolin/accordion) and Ross Martin (guitar).

Discography:

Moidart to Mabou (2000)
Pirates of Puirt (2004)
Crossing Point ( Greentrax , 2007)
Diversions (2010)
Tuneship (2014)
The Hebridean Sessions (2015)

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Artist Profiles: Calum MacCrimmon

Calum MacCrimmon – Photo by Lindsay Addison

Calum MacCrimmon is a Scottish multi-instrumentalist born in Canada. He plays bagpipes, whistles, and bouzouki.

Calum MacCrimmon began learning the bagpipes at the age of 9 under a local piper and family friend in Edmonton, Canada. In 1991 Calum and his family moved over to a small town in the East of Scotland where he furthered his piping in and around many junior competitions with much success in the North and Southeast. Some of Calum’s tutors include Anne Spalding, Lindsay Ellis, Norman Gillies, John D. Burgess and Alan MacDonald of Glenuig.

In 2000 Calum was accepted in the traditional music course at the RSAMD in Glasgow. During his time in Glasgow, Calum has pursued the whistle, guitar, smallpipes, and Gaelic song. He has also taken a great interest in teaching classes in the National Piping Centre, Glasgow over the last two years.

Calum became involved with the Scottish Feisean movement as a tutor of pipes and whistle, he is also a member of the 52nd Lowland Regiment Pipe Band in Glasgow and Hamish Moore’s Na Tri Seudan, based in Edinburgh. Calum assisted the musical production of the National Youth Pipe Band of Scotland as a pipe teacher and accompanying musician alongside Paul Warren (director) and Brian McNeil (producer).

He has participated in various bands, including Breabach, Mans Ruin, The Unusual Suspects, Seudan, RTK9000, Knobsquad, and Saxon Pop.

In 2007 Calum MacCrimmon won the Dewar Award.

Discography:

The Big Spree, with Breabach (Vertical Records, 2007)
Man’s Ruin (Box of Chocolates Records, 2009)
The Desperate Battle of the Birds, with Breabach (Breabach Records, 2010)
Big Like This, with The Unusual Suspects (Big Bash Records, 2010)
String Theory, with Mike Vass (2010)
Seudan (Greentrax, 2011)
Bann, with Breabach (Breabach Records, 2012)

Seudan, with Seudan

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Artist Profiles: Wolfstone

Wolfstone

Fiddler Duncan Chisholm and guitarist Stuart Eaglesham first met in the late 1980s at a pub session in Inverness, Scotland and formed a band for ceilidhs (Scottish dances). In 1989 they performed at the Highland Traditional Music Festival in Dingwall fusing drums and bass with keyboards, pipes, guitar and fiddle. The combination was a hit. They were soon offered local gigs that expanded into tours up and down the length and breadth of the Highlands and the Islands.

Within two years Wolfstone recorded its first album Unleashed, produced by Silly Wizard accordion virtuoso Phil Cunningham. During this time the band was offered a support slot for the popular Scottish crossover group Runrig at Loch Lomond, near Glasgow. The exposure and experience playing for such a large audience catapulted them into a new circuit. They began playing larger venues and festivals not only in the UK, but also increasingly in Europe, the United States and Canada.

The follow-up album, The Chase, built upon their success and brought new members to their line-up. In 1992 drummer Mop Youngson, from Aberdeen and bassist Wayne Mackenzie, from Inverness joined the pack. The thrill of the Highland bagpipes was added with piper Alan Wilson, later succeeded by the talented Stevie Saint from Pitlochry. In the meantime Unleashed and The Chase went silver and gold respectively in Scotland.

In 1993 Wolfstone signed with Green Linnet Records and released Year of the Dog marking their third collaboration with Phil Cunningham. They began a hectic touring schedule on both sides of the Atlantic thrilling crowds at festivals and concert halls with their high-energy performances. Highlights included appearances at major American festivals like Telluride, Strawberry, the Philadelphia Folk Festival and the Milwaukee Irish Festival and in Europe at Tonder (Denmark) L’orient (France) and Cambridge (England).

Wolfstone

As their recognition increased so did the demand for their presence until they spent more time on the road than they did at home. After recording The Half Tail in 1995, keyboardist Stuart Eaglesham departed the band for a quieter life and Youngson followed suit. The remaining Wolfstone members took this opportunity to limit their appearances to festivals and take a new direction with their music. In the meantime a best-selling compilation, Pick of Litter was released in 1997.

In early 1998 Green Linnet released This Strange Place, an album featuring the accomplished acoustic guitar work and introspective songs of Ivan Drever. Co-produced by Drever and Wayne Mackenzie, the recording represented a departure from their previous work and offered proof of the band’s versatility.

Since then keyboardist Andy Simmers and drummer Tony Soave have stepped in and Ivan Drever has moved on to pursue other projects. Stuart Eaglesham now leads the pack as vocalist as well as penning four cuts on the group’s Seven. A diverse mix of Celtic pop and folk with a touch of rock, the album marked new territory for the band.

Discography

Unleashed (Iona Records/Green Linnet GLCD388 1991)
The Chase (Iona Records/Green Linnet GLCD393 1992)
Year of the Dog (Green Linnet GLCD1145 1994)
The Half Tail (Green Linnet GLCD1172 1996)
Pick of Litter (Iona Records/Green Linnet GLCD118 1997)
This Strange Place (Green Linnet GLCD1188 1998)
Seven (Green Linnet GLCD1198 1999)
Live – Not Enough Shouting (Once Bitten Records 2000)
Almost an Island (Once Bitten Records 2002)
Terra Firma (Once Bitten Records 2007)

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