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Wednesday, April 08, 2026

World Music Central

Your Connection to traditional and contemporary World Music, including folk, roots, global music, ethno and crosscultural fusions
World Music Central
Your Connection to traditional and contemporary World Music, including folk, roots, global music, ethno and crosscultural fusions
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  • Album reviews

    Lil’ Ed & The Blues Imperials Return With Slideways

    Lil’ Ed & The Blues Imperials – Slideways (Alligator Records, 2026) Slideways, the grand new album from Chicago blues band Lil’ Ed & The Blues…

    Ryan Emmert April 8, 2026 No Comments
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  • Album reviews

    A Soundtrack Fit for a Sultan: Kamperman’s Prince Achmed Shines Beyond the Screen

    Steven Kamperman – Prince Achmed (Zennez Records ZR2025013, 2025) Dutch composer and multi-instrumentalist Steven Kamperman brings new life to Die Abenteuer des Prinzen Achmed (1926),…

    Tyler Bennet April 7, 2026 No Comments
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  • Album reviews

    Ana Crismán Revolutionizes Flamenco with Her Harp

    Ana Crismán Arpa Flamenca — Arpaora (Andalouse Alhambra / InOuïe Distribution, 2026) Spanish harpist Ana Crismán has released her debut album Arpaora internationally in physical…

    Angel Romero April 6, 2026 No Comments
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  • Album reviews

    Jazz, Raga, And Black Holes: Quadrature Plots Debut Black Hole Blues

    Quadrature – Black Hole Blues (Deko Entertainment, 2025) Black Hole Blues is Quadrature’s debut album. The quartet grew out of the long-running Brooklyn Raga Massive…

    Tyler Bennet April 5, 2026 No Comments
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  • Album reviews Interviews

    Ashley Maher’s Music of Hope and Beauty

    In the midst of stressful times, why not take a break, relax, sip some tea, and listen to Tree to Tree.  This is Ashley Maher’s…

    Dorothy Johnson-Laird April 4, 2026 2 Comments
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Featured News

  • A protest-style illustration shows three raised hands against a beige background: a black clenched fist on the left, a red hand in the center pointing upward, and a black open palm on the right with an eye symbol. Along the bottom, blocky lettering reads We Were Made For These Times by The Klezmatics.
    Music videos

    The Klezmatics Face The Music With We Were Made For These Times

    World Music Central News Room April 8, 2026 No Comments
  • Sufian Ararah - Asdaa cover artwork. An interior space with arched columns.
    Music videos

    Oud Maestro Sufian Ararah Revisits Memory on “Asdaa”

    World Music Central News Room April 5, 2026 No Comments
  • Shelton & Williams Shifting Sand cover artwork. An image of a house over sand dunes.
    Music videos

    Bluegrass With Heart: Shelton & Williams Share “Shifting Sand”

    World Music Central News Room April 3, 2026 No Comments
  • Sami Yusuf sitting leaning against a wall. An architecturally ornate building is behind him.
    Music videos

    Sami Yusuf Unveils Transfixing Single “Being”

    World Music Central News Room March 31, 2026 No Comments
  • Ashby Frank Stokes County Buck Dancing Man cover artwork. A photo of the dancer jumping.
    Music videos

    Ashby Frank Salutes a Festival Original, “Stokes County Buck Dancing Man”

    World Music Central News Room March 30, 2026 No Comments
  • Anthony Almonte's cover artwork. Two filtered images of the artist.
    Music videos

    Salsa Artist Anthony Almonte Talks to the Moon

    World Music Central News Room March 29, 2026 No Comments

Tour Announcements

Revised Fania Tour Dates

Angel Romero June 2, 2003

USA – Senegalese singer Fania will be touring the United States in June. Born in Senegal, but now living in France, Fania first sparked interest…

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New CDs and digital releases

fresh sounds from today’s brazil

Angel Romero June 2, 2003

London, England – Manteca Records, in the UK, has released Nu Brazil – Fresh sounds from Today’s Brazil (MANTDCD217). In the 21st century the music…

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Events

In Search of Traditional Rumba Songs

Angel Romero June 1, 2003

(Prensa Latina – Cumbancha) Havana, Cuba – A meeting to recover unpublished rumbas is taking place at Martinez Villena Hall in the National Union of…

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Album reviews

CD Review: Sinikka Langeland

Paul Donnelly June 1, 2003 Sinikka Langeland

Sinikka Langeland – Runoja

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General News

Cranky Crow World Music Celebrates Its First Birthday

Angel Romero May 31, 2003

Seattle, USA – The world music Web site run by one of World Music Central’s main collaborators is celebrating its first birthday. Starting on a…

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Tour Announcements

DAFT-Tour

Angel Romero May 31, 2003

Germany – The German American Song Festival on Tour – 2003 (DAFT-Tour) presents from June 26 – July 7 six song poets from Germany and…

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Concert reviews

32nd Annual NW Folklife Festival

Angel Romero May 31, 2003

32nd Annual Northwest Folklife Festival Seattle Center, Seattle, WashingtonMemorial Day Weekend 2003 It’s been a few years since I have attended the Northwest Folklife Festival…

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Album reviews

Classic Dub Reissues Strip Reggae to the Roots

Tom Orr May 31, 2003

Augustus Pablo – Rockers Meets King Tubbys in a Fire House (Shanachie SH 45055, 2003) Ja-Man All Stars – In the Dub Zone (Blood and…

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General News

Toronto, Harbourfront Centre Summer Festivals – Music Overview

Angel Romero May 30, 2003

Toronto, Canada – The influence of Cuban music styles on popular African World music is revealed with the first Toronto appearances by acclaimed Afro-Cuban Senegalese…

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Album reviews

Reconfigured Burning Sky Should Still Score with Native American Music Fans

Tom Orr May 30, 2003

Burning Sky Spirits in the Wind (Canyon Records CR-7047, 2002) Pared down to the duo of Aaron White and Kelvin Mockingbird (both of whom are…

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Recent Posts

  • The Klezmatics Face The Music With We Were Made For These Times
  • Spanish Harlem Orchestra Joins Dudamel And New York Philharmonic For Anniversary Concerts
  • Lil’ Ed & The Blues Imperials Return With Slideways
  • A Soundtrack Fit for a Sultan: Kamperman’s Prince Achmed Shines Beyond the Screen
  • Flushing Town Hall to Present Global Mashup: Brooklyn World Wide East
  • Ana Crismán Revolutionizes Flamenco with Her Harp
  • Oud Maestro Sufian Ararah Revisits Memory on “Asdaa”

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