Kayhan Kalhor, Rembrandt Frerichs, Tony Overwater and Vinsent Planjer – It’s Still Autumn (Kepera Records/Challenge Records International, 2019)
Somewhere in the throes of baking in the last of the summer heat thoughts of autumn arise. The lure of the pungency of dries leaves, that crystalline light that belongs to those first crisp mornings and the warm glow of that last blast before the dark of winter takes hold might just seem like property of experience or childhood memory, but what if you could capture autumn in music? What would be the soundtrack to autumn? Lucky for you I think I’ve got just the right soundtrack for you autumn listening.
The Challenge Records International release of It’s Still Autumn is the quintessential soundtrack for your autumn lolling and reflection. And, let me caution here that once you open yourself to this glorious collection of tracks it is all about the music so it’s best to sit, listen and take the ride.
Interestingly enough our autumn pleasure soundscape is the result of a collaboration between the Iranian kamanche player Kayhan Kalhor and the Dutch jazz group The Rembrandt Frerichs Trio. Music fans might know musician and composer Mr. Kalhor ‘s work with Yo Yo Ma’s Silk Road Ensemble and recordings such as The Rain with Ghazal, The Wind and Hawniyaz. The equally impressive music pedigree of musician and composer Rembrandt Frerichs has recordings such as Ordem E Progesso Vol. 1 & 2, Levantasy with Yoram Lachish, Tony Overwater and Vinsent Planjer and The Contemporary to his credit. Musician and composer Tony Overwater’s discography includes Changes in Time, Ellington Suites with the Tony Overwater Trio with Calefax and Jungleboldie with the Tony Overwater Trio. Musician and composer Vinsent Planjer has appeared on Levantasy, Continental and A Long Story Short recordings.
With Mr. Kalhor on kamanche, Mr. Frerichs on fortepiano and harmonium, Mr. Overwater on violone and double bass and Mr. Planjer on his own crafted percussion setup called the whisper kit, It’s Still Autumn lays down a soundscape so finely crafted that if you were to close your eyes listening your mind’s eye would catch the swirl of dried leaves or the dawning light catching the dew. It’s Still Autumn is where everything is in its proper place, where curlicues of Iranian kamanche rise on the winds of fortepiano against the thrum of double bass and polished off by the tang of percussion or the tinkling of bells. It is neither wholly jazz or wholly world music – it’s the best combination it is that out-of-time, other-worldly soundscape fueled by its own goodness.
Divided into two sections of Dawn and Dusk, It’s Still Autumn is cleverly crafted where one track simply flows into another, so the opening “Dawn-Introduction” with fortepiano, violone and cascade of wind chime bells sets up the anticipation of the full light with kamanche before flowing neatly into “Dew Drops” which in turn leaps headlong into the spectacular that is the bright and joyful “Kayhan’s Chahar” with some pretty stunning double bass, fortepiano and kamanche goodness. And, that’s only three tracks in. There’s the serene sorrow of the kamanche on “Still” and the elegantly smooth “Offering.”
If the music hasn’t hooked you by this point seek professional help, but first you should check out the second section of It’s Still Autumn entitle Dusk. The eerie musical threads on the opening of Dusk’s “Introduction” snare the listener before the track slowly unfurls into a reflective mood awaiting the gloaming by way of achingly lovely kamanche lines before evolving into the melancholic mood of “Autumn” led by kamanche and laced by double bass and fortepiano. “Autumn Winds” is perhaps the most strongly jazz flavored and boasts some truly delicious double bass, fortepiano and percussion work as the track takes wild flight on the autumn winds. Closing track “Long Story Short” is simply masterful in its musicianship as it reaches out and snatches colored leaves from the wind and conjures up the very edges of light before it slips into the dark.
It’s Still Autumn is the mosaic of leaves under foot, that tang of wood smoke in the air and the golden moments of last warm light before winter. Yeah, it’s that good.