Mar Del Plata Tango Orchestra was created in 1997 by the Mar del Plata city council. Its first official performance held at Colón Theater on July 8th, 1997. From then on its activity has been sustained through periodic concerts hold in the city, in different cities of the Province of Buenos Aires and foreign countries.
Its repertory is ample and traditional. Maestro Julio Davila is the conductor of the orchestra.
Maestro Julio Davila was born in 1943 Buenos Aires. At the age of six he began his piano studies Santa Cecilia´s Conservatory. continued with professor Pedro Sebastian Caballero, who belongs to Argentine National Music And then studied under guidance of Orestes Cufaro whom completed musical formation realizing harmony studies.
In 1957 he formed his first orchestra “Los Jovenes del Tango” with the sponsorship of Mr. Francisco Ducan. Davila’s debut was at the “Radio del Pueblo” and his orchestra also performed at clubs. Two years later, he became a professional musician when he was called by Argentino Ledesma to work as pianist. After that, he was called by many well known artists such as Floreal Ruiz, Alberto Marino, Roberto Rufino, Jorge Duran, Roberto Florio, Alberto Moran, Nestor Fabian, Hugo Marcel, Maria Graña and Nelly Vazquez, among others.
In 1960 Davila created the Mar del Plata orchestra. In 1965 he received an offer to form and conduct a stable orchestra for the Kimberley Club of Mar del Plata and for five years he appeared on TV Channel 8 in a popular show called “Saturday´s of Sea and Mountains”. During that period, he accompanied renowned national singers in various tango shows, accompanying Roberto Goyeneche for a season. From then on, and for twenty-six years Davila accompanied Goyeneche throughout the world.
In 1992 he became director of the musical revue at the Monumental II Theater of Buenos Aires. The following year he was named director of a musical cycle at the Monumental Theater of Buenos Aires denominated “Buenos Aires in time of Tango” with Guillermo Galve and Adriana Varela. In 1994 he became the director of the show “Why do I sing so” at in the National Cervantes Theater. The same year he worked as musical director for the singer Ricardo “Chiqui”. Organized by Luis Aguilé, Maestro Davila shared the spotlight of the “Argentine Week” at the Puerta de Hierro Theater in Madrid, Spain, with Beba Bidart, Mabel Manzoti, Barry Finn, and Oscar Pano.
Since 1997, he is the director of Mar del Plata Tango Orchestra.
Taking the name from one of Astor Piazzolla’s finest recordings, Hora Cero was a group of talented Argentine musicians who performed Astor Piazzolla’s new tango compositions. The repertory covers all of his different musical periods.
Argentine composer Didi Gutman performed as a musician with artists such as Roy Ayers, Luis Alberto Spinetta, David Lebon, and produced the albums for Azul Violeta, Poncho Kingz and El General.
In his hometown of Buenos Aires, Didi Gutman Repetto was involved in bringing back the traditional voice of the tango. His voice could easily be confused with the great voices of tango’s past. He is part of the new generation of artists breathing new life into this genre.
Gutman the musical director for some of Bebel Gilberto’s tours. He also had a group Me And The Other Guy.
Templanza is the latest album by young tango vocalist Mariel Martínez. She is one of the finest performers in the current tango scene. Born in Buenos Aires, she relocated to Madrid in 2002 and established a European base that allows her to easily tour Europe. Her highly expressive and passionate vocals have the perfect companion in the hands of the Fabián Carbone Sextet. Carbone is a leading Argentine bandoneon player and his ensemble is also based in Spain which makes it a perfect fit.
The new recording features classic songs. Mariel and Fabián recovered the original handwritten arrangements of the groundbreaking orchestra of the Golden Decade of the Argentine tango: the ensemble led by acclaimed bandoneonist and composer Anibal “Pichuco” Troilo.
The lineup on Templanza includes Mariel Martínez on vocals; Fabián Carbone on bandoneón; Rocio Terán on piano; David Merlín on violin; Daniel Hurtado on violin; Blanca López Rubal on cello; and José Luis Ferreyra on upright bass.
Templanza is a gracefully elegant album, an impeccable example of exceptional tango craftsmanship.
Tango vocalist Maria Elena Martínez, better known as Mariel Martínez, was born March 28, 1980 in Villa Crespo, Buenos Aires, Argentina.
As a teenager, Mariel studied music and singing at the Escuela Popular de Avellaneda guided by Chocho Ruiz and Aníbal Arias.
She was become one of the leading performers of classic Argentine tango. Mariel moved to Madrid in 2002 and has toured many European countries since then.
In 2005, Martiel formed a duo with electric guitarist Alejandro Picciano. They experimented with jazz-infused tango. Famed Argentine musician and producer Litto Nebbia offered to record an album for his Melopea label in Buenos Aires. De mi barrio, was released in 2008 in Spain by Factoría Autor. The recording featured Carlos Quilici on bandoneon and Tancredo on violin.
In 2010, Mariel traveled back to Argentina for a tour. She recorded an album at Litto Nebbia studios in Villa Urquiza titled Perfume de tango. The lineup included Alejandro Picciano, Litto Nebbia, Carlos Buono, Pablo Agri, Federico Boaglio and Carlos Quilici.
Back in Madrid, Alejandro Picciano put together an ensemble called La Porteña Tango Trío along with Federico Peuvrel on piano and Fernando Giardini on bandoneon. The trio became Mariel’s regular band.
While on tour in Buenos Aires, Mariel recorded an intimate album of old tangos titled “Esos otros Tangos” (“Those other Tangos”) in 2012, accompanied by Alejandro Picciano on guitar. “Esos otros Tangos” was nominated to Best Album by a Female Tango Artist at the Premios Gardel 2014.
In 2017, Mariel released “Templanza” accompanied by the Fabián Carbone Sextet. Bandoneon maestro Fabian Carbone recovered and used the original handwritten arrangements of the legendary Anibal Troilo orchestra.
The Consulate General of Argentina in Chicago, the Consulate General of Uruguay in collaboration and the Instituto Cervantes have teamed up to present “Feeling Piazzolla”, a documentary directed by Pablo Rho that analyses the melancholy in the artistic creations of Astor Piazzolla, one of Argentina’s most internationally acclaimed composers.
The screening will take place on Thursday, December 14 at Instituto Cervantes.
RSVP at email@example.com
Seats are on first come, first served
Reception: 6:00-7:00 p.m .
Documentary: 7:00 – 8:10 p.m.
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