Based in Glasgow (Scotland) since their formation in 2001 Koshka (formerly Kesha) came together as a result of Oleg Ponomarev, Nigel Clark and Lev Atlas’ mutual love of music as diverse as classical folk and hotclub. Although no strangers to the big stage having played to thousands during their respective careers Koshka honed their sound playing intimate shows at Russian Cafe Cossachok and have rapidly become an in demand world music act.
Their first major show was played to a packed Tron Theatre in November 21 and they have since performed around the UK and Ireland with appearances at Oran Mor during West End Festival Glasgow International Jazz Festival and Celtic Connections Festival (where they received the accolade of being the only act to receive two standing ovations at the Old Fruitmarket). They have also guested with Aly Bain during the Edinburgh Festival in 2002 and composed the official song for Holocaust Memorial Day 2002 which they performed at the Glasgow Royal Concert Hall.
Following the critical success of their first album Kesha Koshka have recorded sessions for BBC Radio and a second collection Shara was released in January 2005.
What distinguishes Koshka as world class act is not only the individual members’ virtuosity but also the fact that they play almost entirely original material composed by Oleg Ponomarev.
Russian vocalist Leonsia Erdenko was born in 1972. She is the daughter of the famous Roma singer Nikolay Erdenko. Leonsia has been performing since 1987. She started her musical career with the band Djang that was led by her parents – Nikolay and Rozaliya Erdenko. Leonsia devoted herself to intensive study of music, especially playing the piano, dancing and singing.
In collaboration with the composer George Barkin they recorded in 1997 album The new Gypsy music that contained well-known Romani melodies in a modern concept. Less than 3 years later she and Alexey Bezlepkin gave rise to a new band, Trio Erdenko. Furthermore, she traveled the world with the famous band Loyko, with which she recorded three discs.
Leonsia not only performs concerts throughout the world, but also cooperates with various artists in their recordings (e.g. !DelaDap, Garik Sukachev) and is also active in the film industry (historical movie – One night of love).
For about 4 years Alyona Minulina has been known as Alyona FolkBeat – a beautiful folk singer and beatbox musician from a rising star group FolkBeat. In February 2017 Russian label FireStorm production released their new album “I’m marching on my own” that was recorded and produced by Alyona but at the same time their fans were shocked by news about her leaving the project. Alyona tells us what happened and what’s next.
Q:How did the group FolkBeat get started?
Alyona Minulina: FolkBeat grew up from a student’s ensemble. It was called differently and consisted of a large number of participants. Later I began to study beatbox and electronic music, so I thought it was interesting to combine it with Russian folk songs. So FolkBeat has traditional Slavic polyphony, surrounded by electronic arrangement, which is close to the styles of EDM trap, dubstep, trance and crunk. The compositions are often performed with beatbox – imitation of drum machines and music effects using vocal apparatus and articulation organs.
Q: How would you describe your musical journey so far?
AM: When we started we made music for ourselves and gradually our music started to be interesting to other people. We didn’t think about genres, we were passionate about making music with each other, it was really awesome. When we went on stage the audience felt our special energy.
Q: Did you perform in Europe or only in Russia?
AM: In 2016 Folkbeat took part at EuroRadio Festival and had a concert in Viljandi (Estonia). Besides this we visited Madrid, Munich, Athens and Tallinn with festival of Russian cultural FeelRussia.
Q: As I know – you love collaborating with different music genres and bands: what are the features of Russian folk music that makes it possible for you to collaborate with other musicians?
AM: The most interesting thing for me is the fact that people connect with each other, share cultures, and different genres and traditions mix too. Now I have plans to record some songs together with the master of throat singing Alexei Chichakov from Mountain Altai. This will be the connection of his own Altai traditions and Slavic melodies.
In every collaboration I’m looking for special feeling when the spark runs between musicians (chemistry in our relationship), because then, every performance becomes memorable for listeners. This is the highlight for me. Of course with Folkbeat we often had this feeling. When the head is full with ideas – I always find the way to realize them. But sometimes I get tired and I need to allow some rest for myself. This is the most difficult thing for me.
Q: What music instruments do you use?
AM: Different electronic things (loop station, keyboards), sometimes folk wind instruments like kugikly and kaliuk, khomus.
Q: What can you tell us about the contemporary Russian folk scene?
AM: Despite the fact that the Russian folk scene is a real “folk star” and a budding young musicians, it hasn’t been formed yet. We do not have enough support and solidarity between each other. Although we have more opportunities for advancement than 10 years ago.
Q: How are your albums being received by audiences?
AM: Our first album «Joyful meeting» became favorite Russian-folk album on EBU Folk Festival in 2016. In Russia it was in the top twenty music albums of 2016. This year we released the album «Sama idu» (I’m marching on my own). We collaborated with different electronic musicians and DJs, so it can be classified as pop-folk.
Q: Who would you say are the leading influences in your musical career?
AM: My teachers, who always said something like this: pull yourself and work, work hard, if you really love it.
Q: So what happened to FolkBeat?
AM: With Folkbeat we are friends, but we do not work together anymore. If the world gives us a chance to sing together again, I will take this chance.
Now I work on original songs album with the texts of famous Russian poets from XX century. And together with Jewish, Armenian, Russian musicians and composer from Canada, Ivan Popov, we have created a world music project “Under The Same Sky” which intertwined tunes and melodies of different national cultures. In March we will have a concert of Slavic-Jewish music.
Q: Are Russian audiences, venues, labels and artists open to collaboration?
AM: It depends on various factors, but if you play interesting music, you can always find a way.
Q: Where do you see yourself 10 or 15 years from today?
AM: I see myself chewing pasta in my favorite little pizzeria in Italy, resting in a cozy wooden house on the Solovetsky Islands in Russia, and playing my set at the Burning Man.
Q: Do you also teach workshops for students and musicians?
AM: I opened vocal beatbox and body percussion workshops named “Pulse” in Moscow recently and it’s getting popular. I have a lot of new ideas and projects in my head and I hope my music experience with FolkBeat will help me to create something really unique and internationally interesting.
The Vasilyev Vecher a cappella ensemble specializes in traditional Russian music from Western Siberia. On their album Siberia Land, Russian traditional songs of the Western Siberia (Земля Сибирь – Песни села Богословка) the vocalists deliver a set of songs that is fruit of their extensive research.
The Vasilyev Vecher musicians from Tomsk have studied vocal music and folk dances from elders in Western Siberia and recreate the characteristic style of polyphonic and call and response songs. These traditions were brought to Western Siberia by farmers who arrived there throughout the 15-18 centuries. Additionally, Vasilyev Vecher’s members also research traditional costumes, food, celebrations, and traditional crafts. The artists wear traditional outfits during their performances.
The ensemble’s name Vasilyev Vecher (Васильев вечер) means St. Basil’s Day Eve, which is one of the most popular Russian traditional holidays. Alexander Bespalov is the ensemble’s artistic director. Daniil Krapchunov is the scientific supervisor.
The CD booklet contains lyrics and liner notes in Russian with song title translations in English.
Siberia Land is a fascinating recording of traditional songs from Western Siberia.
Stranniki – Light Moon (Sketis Music SKMR-106, 2014)
On Light Moon (Светлый месяц), Russian band Stranniki (Странники) delivers an excellent set of traditional Slavic songs with new arrangements that incorporate world music elements.
Stranniki’s sound revolves around outstanding solo and polyphonic vocal work, the gusli zither and an amazing collection of wind instruments from Russia and other parts of the globe supported by guitar, bass and drums.
The lineup includes Elena Chudova on vocals, gusli (traditional Russian zither), ocarina; Nailya Kazakova on vocals; Dasha Kirsanova on vocals; Viktor Klimov on vocals, jaleika (cow horn), whistle, bawu, kalyuka (overtone flute), quena (Andean flute), gusli, bansuri (Indian flute), gajde (bagpipe), kaval (flute), and percussion; Dmitriy Shchukin on guitar; Maksim Frolov on bass; and Viktor Kulikov on drums.
Light Moon is a striking Russian roots album with some stellar individual playing.