Bárbaro Alberto Torres Delgado, better known as Barbarito Torres, was born in 1956.
Barbarito Torres is recognized as one of the world’s leading lute players. He was one of the participants in the acclaimed Buena Vista Social Club album.
Torres recorded his first solo album, Havana Cafe in 1999. It became one of the most successful and critically acclaimed Cuban releases of the last decade. His style of music reflects the musical folklore of his native Cuba, the genre known as música guajira or the blues of the Cuban countryside. His album Barbarito Torres, includes songs from all genres of Cuban music, striking a balance between joyful traditionalism and adventurous innovation.
In 2017 he participated in the AmeriCuba collaborative album.
Juan José Robles – “Tiempo de espera” (self-release, 2016)
Juan José Robles is a Spanish composer and multi-instrumentalist who specializes in Spanish string instruments. He hails from Alhama de Murcia, a town in southeastern Spain, in a region called Murcia. While other Spanish regions export a considerable amount of music, there’s relatively little production coming out of Murcia and specifically the Alhama area.
“Tiempo de espera” is Roble’s first solo album and features a mix of original contemporary folk music pieces composed by Juan José Robles and traditional tunes re-arranged by Robles. His main inspiration is the folk music of his region, although he also incorporates elements from flamenco and other traditions.
For guitar and string players interested in less common Spanish string instruments, “Tiempo de espera” will be a great opportunity to “discover” some of them. On “Tiempo de espera”, Robles uses the familiar mandolin and Spanish guitar, but he also uses the less frequent bandurria, a 12-string lute that’s normally used to accompany other instruments although Robles uses it as a solo instrument. Another instrument used by Robles is the guitarro, a small guitar that is normally used to accompany Murcian cuadrillas (traditional folk groups). Robles also elevates this instrument to soloist status. And then there’s also the octavilla, another small guitar with 12 strings that has a great potential as a solo instrument.
Juan José Robles enriches his instrumentals and songs with instruments from other regions and traditions, such as the pandero cuadrado (square frame drum from western Spain), flamenco palmas (handclap percussion), flamenco guitar, flamenco cajón, zanfona (hurdy gurdy), kalimba and electric bass.
The álbum lineup includes Juan José Robles on mandolin, Spanish guitar, laúd (Spanish lute), octavilla, bandurria and guitarro; Óscar Esteban on panderetas (tambourines); Pablo Orenes on acoustic and electric bass; Constantino López on acoustic guitar and mandola; Jero Galián on Spanish guitar; Pepe Ludeña on fiddle; José Antonio Aarnoutse on flamenco guitar; Dani Valera on palmas; Carlos Beceiro on zanfona; Roberto Cubero on mandolin; Carmen María Martínez Salazar and Jaime Lafuente vocals.
Juan José Robles has played with a wide range of traditional groups, contemporary folk music bands and singer-songwriters, including Malvariche, Mujeres con Raíz, Villa de Alhama, Orquesta Camerata Aguilar, Manuel Luna’s cuadrilla Maquilera, La banda del Pepo, and la Ronda de Motilleja.
“Tiempo de espera” was worth the wait. It’s a beautifully-crafted album rooted in Murcian tradition by the talented Juan José Robles.