Tag Archives: bolero

Artist Profiles: Afro Cuban All Stars

Afro-Cuban All Stars
Afro-Cuban All Stars

The Afro-Cuban All Stars were brought together by musical director Juan de Marcos González (leader of the son group Sierra Maestra and mastermind behind the Buena Vista Social Club), as a multi-generational big band to explore a broader scope than the Buena Vista projects, ambitiously paying tribute to the diversity of Cuban music, marrying the past with the present. It is a band for dancing – combining a variety of contrasting styles including classic son montuno, contemporary timba, swinging big band guajira, Afro-Cuban jazz, danzón, the pure tribal rhythms of abakua, bolero and more.

The original list of lead vocalists that have performed with the group is a virtual “who’s who” of the greatest Cuban sonerosthe octogenarian Pío Leyva (Estrellas de Areito) and the septuagenarians Raúl Planas (Rumbavana, Celia Cruz), and Manuel “Puntillita” Licea (Sonora Matancera) were joined by rising stars from a younger generation, Antonio “Maceo” Rodríguez (Sierra Maestra), Félix Valoy (Alberto Alvarez), and Teresita García Caturla (Las D’Aida).

To back these individual talents through a diverse selection of songs González brought together a very special group of musicians. On piano is one of the founding fathers of modern Cuban music, the legendary Rubén González (Arsenio Rodríguez, Enrique Jorrín, Estrellas de Areito). On acoustic bass is Cuba’s finest, Orlando “Cachaíto” López, who learned his trade as part of the extraordinary bass playing López dynasty which includes his father Orestes López and uncle Israel “Cachao” López.

The six piece horn section (three trumpets, two trombones, sax, flute) is made up from the best players of Havana’s celebrated Tropicana Orchestra. Soloists include the great Manuel “Guajiro” Mirabal on trumpet (Orchestra Riverside, Estrellas de Areito) and Afrokan (Irakere) on trombone.

In a country renowned for its percussionists, the All Stars’ six-piece section is matchless and includes the young phenomenon Julienne Oviedo on timbales, and the great Miguel “Angá”on congas.

In December of 2000, Pedro Calvo, the lead singer of Cuba’s top dance band, Los Van Van, was recruited as a vocalist for the Afro-Cuban All Stars. The line-up in 2001 also included Caridad Hierrezuelo.

Discography

A Toda Cuba le Gusta (1997)
Distinto, Diferente (1999)
Baila mi Son (2000)
Bajando Gervasio (2002)
Live in Japan (2005)
Step Forward (2005)
Absolutely Live (2009)
Absolutely Live II (2017)

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Artist Profiles: Addys D’Mercedes

Addys D’Mercedes
Addys D’Mercedes

Cuban singer Addys D’Mercedes grew up in Oriente, the southern, rural part of Cuba. At local parties she heard her father playing sones and guajiras on the guitar, such as El Cuarto De Tula or El Carretero”, which now have become popular worldwide thanks to the success of the Buena Vista Social Club. The radio played songs of the Nueva Trova from Pablo Milanés, Silvio Rodríguez and Sara Gonzáles, Dominican merengues, Mexican rancheras and the latest songs from Madona and Michael Jackson.

As a young girl, Addys sang boleros and Nueva Trova songs at parties. At the age of 16 she became the lead singer of the group Onda Joven, in Moa. One year later she started her professional career as lead singer of several famous Cuban groups Los Neira, Timbre Latino and Spectrum.

In January 1999, Addys started to record with her group ¡Q´ba! in Havana. As a tribute to her Oriente roots, she sung her own new arrangements of the three very famous songs El Carretero, Capullito De Alelí and Como Fue, featuring Coto (Cubanismo) on tres.

In September of 1999 she recorded in Havana a set of nine original compositions with ¡Q´ba! inviting musicians from Afro Cuban All Stars and Jóvenes Clásicos del Son. Unlike what is common in Cuba, the recording had a wide range of Spanish American musical styles, Cuban styles like son, timba, guajira and cha cha cha alternate with salsa, cumbia, bolero and bachata. On the guajira No Me Abandones the 76-year-old singer Raúl Plana (Afro Cuba All Stars, Sonora Matanzera) sings a duo with Addys.

Fascinated by her warm voice, Cándido Fabré recorded with Addys the very popular duo La Fórmula in the summer of 2000.

Discography

Mundo Nuevo (Media Luna, 2001)
Nomad (Media Luna, 2003)
Addys (Media Luna, 2012)

http://www.addys.de

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Cuban Musician Reinaldo Hierrezuelo, Rey Caney, Dies at 89

Cuban vocalist, songwriter and tres player Reinaldo Hierrezuelo, better known as Rey Caney, died on Tuesday, February 23rd in Havana. Rey Caney was a highly influential figure in Cuban music.

Reinaldo Hierrezuelo, was born December 30, 1926 in Santiago de Cuba. In 1930 Rey Caney founded the seminal Cuban band Cuarteto Patria along with his cousin Francisco (Pancho) Cobas, Emilia Gracia and Rigoberto “Maduro” Echevarría. They performed traditional trova, boleros and música guajira (Cuban country music).

In 1952, Rey Caney formed the popular duo Los Compadres together with his brother Lorenzo. They accompanied celebrated singer-songwriter María Teresa Vera and Compay Segundo throughout the world.

He later joined Conjunto Caney, led by Benitico Yánes. Rey later joined other groups like Brisas de Nipe, Melodías del Sur and Orquesta de Lino Borbolla. In 1960 he traveled to New York with Miguelito Cuni and debuted with Arsenio Rodriguez.

During the 1960s, Rey Caney recorded with Sonora Matancera, sharing lead vocals with Celia Cruz and Celio González. He later joined the Sonora as a permanent member.

In 1994, Rey Caney co-founded the Vieja Trova Santiaguera with the intention of recording just one album. But the success of the ensemble was such, thanks to the support of Spanish record label Nubenegra, that they ended up recording more albums. This international success led to a renewed interest in traditional Cuban music and preceded the Buena Vista Social Club phenomenon.

 

 

 

In 1999, Rey Caney recorded a solo album for Virgin Records titled “Enamorado de la vida” (Love of Life).

In 2003, Rey Caney retired after releasing “El balcón del adiós” with Vieja Trova Santiaguera.

 

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