Argentine musician Acho Estol started playing the guitar at eight and the electric guitar at ten, then he took up various instruments during the teenage years – he also plays flute, charango, bass, piano and percussion – but never losing focus on his main one.
He combines his work in film (assistant director and director of shorts, clips and CD-ROMs) with music and has been part of many rock and pop bands being a prolific composer in these styles, with always a touch of tango in his lyrics and melodies. He is one of the founders of tango group La Chicana.
Acho has traveled extensively around the world (United States of America, Canada, Brazil, Chile, England, France, Spain, South Africa, Senegal) playing his music and searching for different styles. In 1996 he studied tango arrangements with Ismael Spitalnik.
Ustad Mohammad Omar, one of Afghanistan’s finest rabab players, became the first Afghan musician to teach in the United States of America when he arrived at the University of Washington in Seattle in 1974.
In 1979, Ustad Mohammad Omar appeared as a guest on the album Embryo’s Reise by German jazz-rock and world music band Embryo.
In 2002, Smithsonian Folkways released an album titled Ustad Mohammad Omar, Virtuoso from Afghanistan. This CD documents his only public performance in the United States of America.
Playing his rabab, a short-necked lute that is plucked with a plectrum called a shahbaz, and accompanied on the tabla by a young Zakir Hussain, Mohammad Omar shared Afghan traditional music with the West in this memorable and important concert. Hussain and Omar had never met before that day, nor did they speak a common language, but their musical voices intertwine magically on this classic recording. The music is steeped in the traditions of Afghanistan and that country’s own relationship to Indian and Pakistani musical influences, but this virtuoso performance stands alone as a triumph of Eastern music.