USA-based Brazilian pianist and vocalist Eliane Elias has become of the most familiar names in the world of Brazilian-rooted jazz. Her new album Dance of Time takes Eliane back to her Brazilian roots in a brilliant manner.
Dance of Time was recorded in Brazil and the result is a truly exquisite recording. There is not a weak track on this album. Elina Elias effortlessly balances her talent as a pianist and singer-songwriter, delivering some of her finest material, injecting spirited samba.
Dance of Time features first class talent from Brazil and the United States, including pianist Amilton Godoy, singer- songwriter and guitarist João Bosco, guitarist and vocalist Toquinho, trumpeter Randy Brecker, vibraphonist Mike Mainieri and the unmistakable remarkable vocals of Mark Kibble (Take 6).
The performances on Dance of Time are remarkable and the recording quality is superb.
Dance of Time is so far one of the best Brazilian-rooted albums of the year.
Born in 1961 to a Norwegian father and a Finnish mother from Karelia, Langeland was given a Finnish name, Sinikka, and felt the influence of two nationalities and cultures from the beginning. She lives in Finnskogen, 120 km north of Oslo, close to the border of Sweden. Finnskogen, the ‘Finnish forest,’ was first populated by Finns in the 17th century.
After an early education in classical music Sinikka started to look at contemporary folk music and the singer-songwriter genre, but this was soon displaced by an interest in older forms, intensifying as her research continued and underlined by a wish to “create an original music rooted in my own area, taking account of local possibilities and looking back into history to find out more.”
She highlights that her specific musical journey has “always been about searching. I love folksong but I’m not exclusively a traditional folk singer. There were always influences coming from other places, too.”
At 20 she changed from guitar to kantele, the Finnish table harp. She plays the 39-string concert kantele, with its five-octave range. “At first it was just an experiment – I thought it would be fun to have a Finnish instrument for one or two songs. But I became completely fascinated by it.” Meanwhile she was expanding her repertoire to include rune songs, incantations, ancient melodies from Finland and Karelia, as well as little known medieval ballads and religious folk songs.
Her work has flowed in several directions simultaneously. She gives, for instance, solo performances with voice and kantele, and she gives duo concerts in churches, together with organist Kare Nordstoga, in which old folk songs and Easter hymns are placed alongside with J.S. Bach’s transformations of the same sources. And, since the early 1990s, she has been working and recording with jazz musicians as part of her ensembles.
Swedish bassist Anders Jormin has been a regular colleague for more than a dozen years, joining her for the first time on the recording ‘Har du lyttet til elvene om natta’ (Grappa, 1995). Sinnika also played regularly with drummer Markku Ounaskari, a backbone of the Finnish jazz scene.
Sinikka’s songs often focus on the relationship between people and nature as it is expressed in traditional and modern poetry. Her CD Starflowers (ECM, 2007) includes her versions of the poems of Hans Borli (1918-89) and is performed with a remarkable ensemble that opens up the songs to improvisation. In its interweaving of folksong, literature, and Nordic jazz it may be considered a typical ECM production, but it is also a consistent extension of the work Sinikka has been developing over the last decades.
* Langt innpå skoga (Grappa Musikkforlag GRCD 4074, 1994)
* Har du lyttet til elvene om natta? (Grappa Musikkforlag GRCD 4107, 1995)
* Det syng, with Anne Marit Jacobsen, Halvor Håkanes, Eli Storbekken and Agnes Buen Garnås (Grappa Musikkforlag GRCD 4123, 1997)
* Strengen var af røde guld (Grappa Musikkforlag GRCD 4136, 1997)
* Lille Rosa (Grappa Musikkforlag HCD 7156, 1999)
* Starflowers (ECM, 2007)
* Maria’s Song (ECM 2127, 2009)
* The Land That Is Not (ECM, 2011)
* The Half-Finished Heaven (ECM Records, 2015)
* The Magical Forest (2016)
Noches Del Botánico (Nights at the Botanical), Madrid’s increasingly popular summer venue, has announced the impressive lineup for the 2017 edition. The series will run from June 22 to July 29 at the Alfonso XIII Royal Botanical Garden in Madrid’s Complutense University.
The lineup includes world music, jazz, progressive rock, classical music, rock and much more. Highlights include Salif Keita, Tony Bennett, Steve Hackett, Rubén Blades, Buika + Chucho Valdés, Roger Hodgson and UB40.
Current Program (more artists to be announced):
Tony Bennett (June 22)
Il Volo (June 24)
Gipsy Kings – Chico Castillo, Mario Reyes & André Reyes (June 28)
Born in the island of Cuba, Paquito D’Rivera began his career as a child prodigy, playing both the clarinet and the saxophone with the Cuban National Symphony Orchestra He eventually went on to premier several works by notable Cuban composers with the same Orchestra.
A restless musical genius, Mr. D’Rivera formed and performed with various musical ensembles as a teenager and became one of the founding members of the Orquesta Cubana de Musica Moderna, which he subsequently conducted for two years and was also founding member and co-director of the innovative musical group Irakere, whose explosive mixture of jazz, rock, classical music and traditional Cuban music had never been heard before. The group toured extensively throughout America and Europe, won several Grammy nominations and a Grammy.
In May of 2003, he received a Doctorate Honoris Causa in Music, from the Berklee School of Music, adding this to his many numerous awards including a Lifetime Achievement Award for his Contribution to Latin Music along with Dizzy Gillespie and Gato Barbieri.
In addition to his awards and recognitions, including six Grammys, Paquito made history for being the first artist to win Latin Grammies in both Classical and Latin Jazz categories, for Stravinsky’s Historia del Soldado and “Brazilian Dreams with New York Voices” in 2003, the other historic recipient is Wynton Marsalis.
In 1996, he received a Grammy for his highly acclaimed recording, Portraits of Cuba. In 2000 for his Tropicana Nights, along with a nomination in the classical category for his Music from Two Worlds, featuring compositions by Schubert, Brahms, Guastavino, Villa Lobos, and by Mr. D’Rivera himself.
In 2001 Grammy for his Quintet’s recording of Live at the Blue Note. He was also nominated in the Classical Crossover category for The Clarinetist, Vol. 1. In 2002, he won again as a guest artist on the recording of the Bebo Valdes Trio.
While Paquito’s discography includes over 30 solo albums in Jazz, Bebop and Latin music, his contributions to classical music are impressive. They include solo performances with the National Symphony Orchestra, and with Brooklyn Philharmonic, the London Royal Symphony, and the Florida Philharmonic Orchestra. He has also performed with the Bronx Arts Ensemble, the St. Luke’s Chamber Orchestra, the Puerto Rico Symphony Orchestra, the Costa Rican National Symphony, and the Sim?n Bolivar Symphony Orchestra, among others.
Paquito also keeps busy by frequently touring around the world with his ensembles: the Chamber Jazz Ensemble, the Paquito D’Rivera Big Band and the Paquito D’Rivera Quintet, and in the 2005 with the guitar duo of Sergio and Odair Assad, in “Dances from the New World”.
In his quest to bring the Latin repertoire into the forefront of the classical arena, Paquito has successfully created, championed and promoted all types of classical compositions!, including three chamber pieces composed by Paquito, recorded by Yo-Yo Ma and Paquito, live at Zankell Hall, Carnegie Hall, September, 2003.
In addition to his extraordinary performing career as an instrumentalist, Paquito has rapidly gained a reputation as an accomplished composer. His works often reveals his versatility and widespread influences, which range from Afro-Cuban to the dance hall, to influences encountered in his many travels, and back to his classical origins.
In 2002, The National Symphony Orchestra and the Rotterdam Philharmonic commissioned Paquito, to write a concerto “Gran Danzon” (The Bel Air Concerto) for the acclaimed flutist Marina Piccinini under the baton of Maestro Leonard Slatkin at the Kennedy Center for the Performing Arts.
A gifted author, Mr. D’Rivera’s book, My Sax Life was published in Spain by the prestigious literary house, Seix Barral and contains a prologue by Guillermo Cabrera Infante. It’s been translated into English, published by Northwestern University Press. You can also listen to it in Mr. D’Rivera’s own voice by Recorded Books in Spanish available in the Internet and in libraries alike. His novel Oh, La Habana is published in Spain by MTeditores, Barcelona.
Jerez Texas is a fascinating trio from Valencia (Spain) that has developed a unique combination of musical genres and instruments. ‘Clar de lluna’ is their new live album, recorded at the ancient Roman Theater ruins in Sagunto, north of Valencia.
Frenchman Matthieu Saglio and Spaniards Ricardo Esteve and Jesús Gimeno are three virtuoso musicians who clearly demonstrate the genuine chemistry in their live performances. Jerez Texas’ alluring sound brings together passionate flamenco guitar, graceful classical music cello, and drums rooted in jazz and flamenco, along with additional world music influences.
Clar de lluna features fiery chamber flamenco performed by three remarkable musicians. Jerez Texas has released several music videos from this live concert that showcase their talent.
Although most of the material on this album are original compositions by members of Jerez Texas, Clar de lluna contains a great version of Joe Zawinul’s jazz fusion classic “Birdland” along with a recreation of Serge Gainsbourg’s Couleur Café retitled in Spanish Color Café.
The lineup includes Ricardo Esteve on flamenco guitar; Matthieu Saglio on cello; and Jesús Gimeno on drums and flamenco cajón.
Born in Paris to Vietnamese parents, the self-taught Nguyên Lê began to play drums at the age of 15, followed by guitar and electric bass. After graduating in Visual Arts, he majored in Philosophy, writing a thesis on Exoticism. Then he devoted to music, creating Ultramarine (1983), a multi-ethnic band whose CD “http://www.amazon.com/gp/product/B000FIHFB4?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000FIHFB4 |Dé” was considered “1989’s best World Music album by Philippe Conrath of Libération. Lê easily slides from rock, jazz, and funk to Vietnamese, Indian, and North African music.
Nguyên Le is a self-taught musician, with a wide scope of interests: rock & funk (Jim Cuomo, Madagascar tour 84), jazz standards & contemporary Jazz (bass player with Marc Ducret, guitar player with Eric Barret), Improvised Music (Yves Robert), singers (Ray Charles), Contemporary Music (André Almuro, Tona Scherchen, Marius Constant, Mauricio Kagel), Ethnic Music: African & Caribbean with Ultramarine, Algerian with Safy Boutella & Cheb Mami, Indian with Kakoli, Turkish with Kudsi Erguner, Vietnamese with his “Dan Bau” (traditional one-stringed instrument) teacher Truong Tang.
In September 1987 he was chosen by director Antoine Hervé to play with the O. N. J. (French National Jazz Orchestra). Within this big band, he played with such musicians as Johnny Griffin, Louis Sclavis, Didier Lockwood, Carla Bley, Steve Swallow, Randy Brecker, Toots Thielemans, Courtney Pine, Steve Lacy, Dee Dee Bridgewater, Gil Evans, Quincy Jones. Nguyên Le’s work also deals with programming synthesizers, effects & computers as well as writing orchestral pieces : “Processor” composed, arranged & recorded on CD O.N.J. 87 & Lunik II” co-arranged with Dominique Borker & performed by the O.N.J. 1989.
In September 1989 he recorded Ultramarine’s 2nd album De &, in May 90, his first album as a leader Miracles, recorded in the U.S.A. with Art Lande, Marc Johnson & Peter Erskine. At the same time he worked with such musicians as Michel Portal, Miroslav Vitous, Trilok Gurtu, J. F. Jenny Clarke, Aldo Romano, Daniel Humair, Dewey Redman, Andy Emler, Jon Christensen, Nana Vasconcelos, Glenn Ferris, Christof Lauer, Paolo Fresu, Kenny Wheeler, and John Taylor.
In May of 1992, after a one month tour with Paul McCandless on winds, Art Lande (piano), Dean Johnson (bass) & Joël Allouche (drums), he recorded his 2nd album Zanzibar, which got the prestigious Télérama « ffff » award. In January 1993 he recorded “INIT”, a trio with André Ceccarelli, François Moutin & guest Bob Berg, while setting up a new band on the music of Jimi Hendrix, with Corin Curschellas (vocals), Steve Argüelles (drums), Richard Bona (bass).
Since January 93 he’s been a frequent guest soloist of Cologne’sd WDR Big band, especially with composer/director Vince Mendoza. Nguyên Lê plays on three of his projects: Jazzpaña, Sketches with Dave Liebman, Charlie Mariano, Peter Erskine, & “Downtown”, with Russell Ferrante.
In April 1994 he was the guest soloist of “The New Yorker”, a suite by Bob Brookmeyer, with Dieter Ilg (bass) & Danny Gottlieb (drums). With these two musicians he set his first trio, and recorded Million Waves in December of 1994.
In the meantime, he was playing in trio with Michel Benita (bass) & Peter Erskine, recording on Michel Portal’s new album with Ralph Towner (guitar), & working with Ornette Coleman on one of his contemporary music pieces, “Freedom Statue”.
In June 95 he was invited by WDR BigBand in “Azure Moon”, with the Yellowjackets & Vince Mendoza. In July 1995, in Stuttgart Festival, he was one of the guest guitar players to celebrate the “Universe of Jimi Hendrix”, besides Trilok Gurtu, Terry Bozzio, Cassandra Wilson, Jack Bruce, Vernon Reid, David Torn, Victor Bailey, Pharoah Sanders.
In April 1996, Nguyên Lê created Tales From Vietnam, a project on Vietnamese music, with a 8-piece band blending jazz & traditional musicians. With stage director P. J. San Bartolomé, he started ” Of the Moon & the Wind “, a complete show where traditional & contemporary Vietnamese dancers are integrated to the “Tales from Viêt-Nam” orchestra. The CD Tales From Vietnam received a great welcoming from international critics : Diapason d’Or, Choc du Monde de la Musique, Choc of Year 1996 Jazzman, 2nd best CD 96 for Jazzthing (Germany), Best CD 96 on radio TRS 2 (CH), “a minor masterpiece” Jazztimes (USA).
On April 1997 Nguyên Lê released his 5th CD, Three Trios, with Marc Johnson/ Peter Erskine; Dieter Ilg/ Danny Gottlieb; & Renaud Garçia Fons/ Mino Cinelu.
He recorded 2 CDs with Paolo Fresu’s quartet: Angel (February 1998) & Metamorfosi (April 1999). On May 1998, the 6th record came out: Maghreb & Friends, an exploration of Maghreb musical traditions & a deep collaboration with Algerian musicians.
Nguyên Lê produced the 1st CD of Huong Thanh, Moon & Wind , entirely done in his home studio. His CD Bakida, based on his regular trio with Renaud Garçia Fons (bass) and Spanish percussionist Tino di Geraldo (percussion, drums) plus guests from all over the world like Kudsi Erguner, Chris Potter, Carlos Benavent.
In September of 2002, the Huong Thanh CD came out, titled Dragonfly. In June of that year he was invited by the Metropole Orchestra (Netherlands) to play his music arranged by Vince Mendoza. Purple: Celebrating Jimi Hendrix, an album celebrating Jimi Hendrix was released in September of 2002. Up to now, it is Lê’s most successful album, with 20,500 CD sales & non stop touring all over the world.
Mangustao, Huong Thanh’s 3rd album, released in January 2004, was awarded as “Choc de la Musique” by French magazine Le Monde de la Musique.
In March of 2005 Walking on the Tiger’s Tail was released. This was a new album with his great friends Art Lande, Paul McCandless & Jamey Haddad.
Several projects were carried out in 2006 : the score writing of “Le Sheitan”, a movie by Kim Chapiron with Vincent Cassel, & Homescape a very electronic, improvised & mystical recording in duo with Paolo Fresu & Dhafer Youssef, all done at home. There was also the score for the Vietnamese movie “Saigon Eclipse” by Othello Khanh; the recording of “Mozart” last Uri Caine’s album; a 13-gig tour in the USA with “Tiger’s Tail” quartet, thanks to a CMA/FACE grant; two “classical” compositions commissioned by the Ahn Trio & the Laguna Beach Fest in Los Angeles. In addition, Nguyên Lê was unanimously awarded the guitar “Django d’Or” 2006.
In 2007, after tours in US & China, he released Fragile Beauty, the 4th album with Huong Thanh.
In 2008 he recorded Othello Syndrome for Uri Caine, Blauklang for Vince Mendoza’s & also Dream Flight, a new ELB (Erskine, Lê and Benita) album, with guest Stéphane Guillaume on sax.
His 2009 project, Saiyuki, borught together Japanese koto and shamisen player Mieko Miyazaki and Indian tabla player Prabhu Edouard. It draws on a renowned Chinese 16th century novel. The story’s epic excursion from China to India becomes a metaphor for the three players’ musical journeys, real or imagined. The CD features Mieko Miyazaki (koto) & Prabhu Edouard (tabla) and special guest Hariprasad Chaurasia (flute).
As a sound engineer he mixed Dhafer’s Youssef album Abu Nawas Rhapsody.
In 2011, Nguyên Lê released Songs of Freedom, an album with cover versions of pop song hits from the 1970s.
“My language is Jazz, but I have chosen to open it & to feed it with other essential cultures that fascinate me & remind me of my origins,” says Lê.
* Programme Jungle, with Ultramarine (Bloomdido BL 001)
* Dé, with Ultramarine (Musidisc, 1989). Reissued in 2005 (Universal 983 883-0}
* Esimala, with Ultramarine (Musidisc , 1991) Reissued in 2005 (Universal 983 883-1)
* Miracles (Musidisc, 1989). Reissued in 2005 (Universal 983 881-9)
* http://www.amazon.com/gp/product/B000FIHFAU?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000FIHFAU | Zanzibar (Musidisc, 1992). Reissued in 2005 (Universal 983 882-0)
* http://www.amazon.com/gp/product/B000024HU8?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000024HU8 | Million Waves (ACT 9221-2, 1995)
* http://www.amazon.com/gp/product/B000001YKE?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000001YKE | Tales From Vietnam (ACT 9225-2, 1996)
* http://www.amazon.com/gp/product/B000001YKJ?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000001YKJ | 3 Trios (ACT 9245-2, 1997)
* http://www.amazon.com/gp/product/B000024CBA?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000024CBA | Maghreb & Friends (ACT 9261-2, 1998)
* http://www.amazon.com/gp/product/B0000089Z0?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B0000089Z0 | Angel, with Paolo Fresu’s quartet (RCA Victor, 1998)
* http://www.amazon.com/gp/product/B000028E6W?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000028E6W | Metamorfosi, with Paolo Fresu’s quartet (BMG, 1999)
* http://www.amazon.com/gp/product/B000042ORG?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000042ORG | Bakida (ACT 9275-2, 2000)
* http://www.amazon.com/gp/product/B00009QG7I?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B00009QG7I | Purple Celebrating Jimi Hendrix (ACT 9410-2, 2002)
* http://www.amazon.com/gp/product/B0007R8E7C?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B0007R8E7C | Walking On the Tiger’s Tail (ACT 9432-2, 2005)
* http://www.amazon.com/gp/product/B000EGCEBS?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B000EGCEBS | Homescape (ACT 9444-2, 2006)
* http://www.amazon.com/gp/product/B002OC9ZYE?ie=UTF8&tag=musidelmund-20&linkCode=xm2&camp=1789&creativeASIN=B002OC9ZYE | Saiyuki (ACT 9483-2, 2009)
* Songs Of Freedom (ACT, 2011)
* Purple (ACT, 2012)
* Celebrating Dark Side Of The Moon (ACT, 2014)
* Hà Nội Duo, with Paolo Fresu (ACT, 2017)
Boomtown will be showcasing some of the finest jazz and world music crossover acts from the UK. The festival takes place August 10th – 13th, 2017 at Matterley Estate – Winchester. Boomtown offers festivalgoers a fully immersive, theatrically-led experience with hundreds of actors who bring the nine uniquely themed musical districts to life.
The Windmill stage, which is part of the Whistlers Green district, will feature on Thursday one of the most prominent British DJ’s, BBC6 Music’s Gilles Peterson. He will showcase his extensive record collection in a set with selections varying from jazz to world music, afrobeat and beyond.
Remarkable loop pedal act Dub FX will be taking live improvisation to new strengths with a beatboxing, horn layering, vocal enhancing journey to entertain the eyes and ears.
Groundbreaking dub poet, writer, social commentator and music maker Benjamin Zephaniah will be serving a unique blend of truth music along with his Revolutionary Minds band.
Portico Quartet, who have released albums on Real World Records and Ninja Tune, return with their own variety of atmospheric music and experimental sounds as a four string ensemble.
Manchester group GoGo Penguin interconnects minimalist jazz piano riffs with breakbeat basslines.
Soweto Kinch’s carefully arranged horns bridge the gap between jazz and hip hop while The Comet Is Coming incorporate psychedelic rock with infectious jazz riffs and electronica.
All female septet Nérija draws influence from South Africa, West Africa, the Caribbean and UK resulting in a sound that reflects the rich cultural backgrounds on London jazz.
Brazilian Nomad Orchestra brings ten of the country’s most daring musicians to share their aspect of Ethio-groove, afrobeat with hip hop infused dub undertones.
Cuban/Iranian quartet Ariwo create a soundscape of hypnotic polyrhythms crisscrossed with live instrumentation capturing traditional Tehran/Cuban sounds in modern jazz.
Jesse Royal’s authentic sounds of Jamaican folk represent the many strands of reggae revival artists through the festival.
Other stages in the Whistlers Green area include Floating Lotus and Sandcastle Stage. Floating Lotus represents the up and coming talent in R&B, soul and funk. This intimate venue gives artists a space to be known. Artist scheduled include Cardiff harmonisers, Baby Queens; acoustic Bristol trip hop triad Elder Island; and the smooth vocals of Anjelo Disons.
On July 11, 2017, the Branford Marsalis Quartet with Kurt Elling will be appearing at Opera Krakowska [the Krakow Opera].
Branford Marsalis has already appeared many times at the Summer Festival in Krakow. The program announced this week by the Cracovia Music Agency combines the famous saxophonist’s quartet with one of the best jazz vocalists on the global music scene today: Kurt Elling. In Krakow, we’re preparing ourselves for revelations, along with top-shelf entertainment.
The Branford Marsalis Quartet consists of experienced musicians with strong personalities, all of whom enjoy undisputed status on the jazz scene, with each adding a distinctive color to the music. Joey Calderazzo, Eric Revis, and Justin Faulkner will grace the Krakow Opera stage.
The appearance of these musicians with Kurt Elling will surely be based on experience drawn from their collaborative disc Upward Spiral, released by Okeh Records in June 2016. Accordingly, we can anticipate full concord on the stage, inspiring musical dialogs, and beautiful free improvisation. On stage, Kurt Elling is not simply one additional voice, but a new space for sounds and phrases which will expand our thinking about and experience of jazz.
On his website, Branford Marsalis reveals his concept of jazz, also expressed on Upward Spiral, writing: “My philosophy of jazz is that it should be about strong melodies and a great beat, and every song here has a melody that you can hold in your mind, that you can sing. This is not jazz as a personal think tank, where people are only concerned with impressing everyone already inside of the tank with deconstruction and reharmonization. This is the kind of music that should expand our base to include people who would like jazz if it were friendlier.”
The concert will take place as part of the 22nd Summer Jazz Festival at Piwnica pod Baranami [Cellar under the Rams]. The Festival was organized for the first time in 1996, and thus is already more than twenty years old. Since 2000, the Festival has been held outdoors so as to reach many more jazz lovers. We invite you to New Orleans Sunday and Noc Jazzu [Night of Jazz], both outdoor events.
The Summer Jazz Festival in Krakow will host the cream of Polish popular music as well as many stars from abroad (including Pat Metheny, Chick Corea, Herbie Hancock, Bobby McFerrin, Jean-Luc Ponty, Branford Marsalis, Joe Lovano, Maria Schneider, Richard Bona, Candy Dulfer, Greg Osby, and Nigel Kennedy).
The best American brass band tradition in the United States comes from New Orleans and one of the finest bands currently is Hot 8 Brass Band. Their irresistible hip-shaking style incorporates traditional New Orleans jazz mixed with funk.
On The Spot gives the listener the feel of an enticing New Orleans band playing in the street during celebrations. “We are privileged to tour and to tell the stories of life in our city, to keep alive the memories of our band members who have passed, as well as all the musicians who have gone before”, says band leader and tuba player Bennie Pete.
Hot 8 Brass Band will embark on an international tour in March. This will be great opportunity to experience the unique sound of New Orleans performed by some of the most talented horn players and percussionists in the current scene.
‘On The Spot’ Tour Dates (with more TBA)
1 March, The Triffid, Brisbane, QLD (AUS)
2 March, Solbar, Sunshine Coast, QLD (AUS)
3 March, Tanks Arts Centre, Cairns, QLD (AUS)
4 March, Girrakool Blues Festival & BBQ, Girrakool, NSW (AUS)
8 March, Oxford Art Factory, Sydney, NSW (AUS)
9 March, Badlands, Perth, WA (AUS)
10 March, WOMADelaide, Adelaide, SA (AUS)
11 March, WOMADelaide, Adelaide, SA (AUS)
15 March, Brunswick Music Festival, Melbourne, VIC (AUS)
17 March, WOMAD New Zealand (NZ)
18 March, WOMAD New Zealand (NZ)
4 April, The Roundhouse, London (UK)
5 April, The Quarterhouse, Folkestone (UK)
6 April, Rescue Rooms, Nottingham (UK)
7 April, Invisible Wind Factory, Liverpool (UK)
8 April, Old Granada Studios, Manchester (UK)
9 April, Guild Hall, Preston (UK)
11 April, Liquid Room, Edinburgh (UK)
12 April, O2 ABC, Glasgow (UK)
13 April, The Wardrobe, Leeds (UK)
14 April, O2 Academy, Birmingham (UK)
16 April, Transatlantik Festival, Hamburg (GER)
19 April, Webster Hall Marlin Room, New York, NY (USA)
20 April, Jammin’ Java, Vienna, VA (USA)
21 April, Milkboy, Philadelphia, PA (USA)
22 April, ONCE Ballroom, Somerville, MA (USA)
29 April, Katowice Jazz Art, Katowice (PL)
1 May, Cheltenham Jazz Festival, Cheltenham (UK)
2 May, O2 Academy Sheffield, Sheffield (UK)
3 May, The Fleece, Bristol (UK)
4 May, Tramshed, Cardiff (UK)
5 May, The Factory, Barnstaple (UK)
8 May, Boiler shop, Newcastle (UK)
9 May, The Welly, Hull (UK)
10 May, Warwick Arts Centre, Warwick (UK)
11 May, Pocklington Arts Centre, Pocklington (UK)
12 May, The Soundcrash Funk & Soul Weekender, Camber Sands (UK)
17 May, New Morning, Paris (FR)
19 May, Open Air, Voiron (FR) [early show]
19 May, Le Fil – Radio Nova Nuit Zébrée, St Etienne (FR) [LATE SHOW]
20 May, Rush, Rouen (FR)
27 May, Denver Day of Rock, Denver, CO (USA)
30 May, The Crocodile, Seattle, WA (USA)
31 May, Wonder Ballroom, Portland, OR (USA)
1 June, The Dip, Redding, CA (USA)
2 June, The Independent, San Francisco, CA (USA)
3 June, Saint Rocke, Hermosa Beach, CA (USA)
4 June, House Of Blues San Diego – Voodoo Room, San Diego, CA (USA)
7 June, Antone’s, Austin, TX (USA)
8 June, Warehouse Live, Houston, TX (USA)
10 June, House of Blues, New Orleans, LA (USA) HOMETOWN RECORD RELEASE PARTY
The Krakow appearance of the Arturo Sandoval Sextet at Centrum Kijów kicked off spring, which, thanks to Letni Festiwal Jazzowy Piwnicy pod Baranami (http://www.cracjazz.com/pl/) [Cellar under the Rams Summer Jazz Festival], arrived unusually early this year. Cuban and afro rhythms warmed us and infected us with dance fever throughout the two-hour performance.
Arturo Sandoval had such a great time onstage with music and rhythm that it would have been a shame for us to enjoy ourselves any less.
The performance also featured several jazz ballads, performed solo by Sandoval, on the piano; reminiscences of Dizzy Gillespie, a great friend and mentor of Sandoval’s who died in 1993.; a short but comical and substantial lecture, “What is bebop?”; and Sandoval’s excellent sense of humor. Thus no element of jazz was lacking.
Sandoval also returned to his classic repertoire, from which he had departed on Eternamente Manzanero, his latest album, recorded with Jorge Calandrelli, which was dominated by romantic ballads and even pop sounds.
Anyone wishing to be reminded of the mood of the Krakow concert would be well advised to dig To a Finland Station (1982) out of his or her vinyl collection.
In Krakow starring:
John Belzaguy – bass
Tiki Pasillas – percussion
Dave Siegel – keyboard
Johny Friday – drums
Kemuel Roig – piano
Your Connection to traditional and contemporary World Music