Tag Archives: Korean music

Jeonju International Sori Festival, a Fascinating Window into Korean Music and Beyond

The 2019 Jeonju International Sori Festival took place October 2-6 in Jeonju, a city located in southwestern South Korea. The festival is held in a exquisitely-designed, comfortable performing arts complex called Sori Arts Center of Jeoballuk-do that includes various indoor theaters and several outdoor stages.

The 2019 edition of the Jeonju International Sori Festival focused on wind instruments. Due to an approaching typhoon (that thankfully weakened), the outdoor events on October 2nd were cancelled. The official program started October 2nd with a grand gala at 7:30 p.m. at the elegant and restful Moak Hall with Wish on the Winds, featuring master Instrumentalists and singers from around the globe.

United Youth Wind orchestra of Jeollabuk-go at Jeonju Sori Festival 2019 – Photo courtesy of Jeonju Sori Festival

The show started with Mazurka on the Wind, a lively performance by the great Polish contemporary folk group Janusz Prusinowski Kompania, joined by wind instrumentalist Manu Sabate from Barcelona, Spain. Next came Sujeon Variations, another highlight, with the United Youth Wind orchestra of Jeollabuk-go. This was a magnificent group of 200 young school students playing a variation of Sujecheon (Korean court music) on wind and percussion instruments.

Sacred music was represented by the gorgeous vocals of Georgia’s Iberi Choir and the Buddhist ritual music of Jeonbuk Yeongsan Jakbeop Preservation Society, joined by organist Miyeon.

The Ethnic Innovation segment showcased two talented Taiwanese artists, suona master Tseng chien-yun and Chung Pei-yun. They were followed by The Songs of the Forest with bamboo flute virtuoso Won Janghyun and his students.

Karen Lugo, Korean traditional dancer Cho Sehoon and Dominika Suchecka – Photo courtesy of Jeonju Sori Festival

The opening show also included spectacular dance, represented by three diverse styles: flamenco from Spain performed by Spain-based Mexican dancer Karen Lugo, Korean traditional artist Cho Sehoon and belly-dancing by Dominika Suchecka.

Wind masters at opening ceremony – Photo courtesy of Jeonju Sori Festival

The show ended with a wind instrument extravaganza conducted by musician and composer Park Jechun, Commissioner of the Jeonju International Sori Festival. The show highlighted various instrumentalists and ended in a freeform improvisation. The lineup included Kang Taehwan on saxophone; Won Janghyeon on bamboo flute; piri master Choi Gyeongman; Tibetan flutist Nawang Kechog; Janusz Pruzinowski; Manu Sabaté; and Anders Harberg.

October 3

On Thursday, October 3rd, I got to see a pansori performance for the first time. Pansori is a captivating traditional Korean art form that brings together poetry, storytelling and music. The format includes one singer/narrator (male or female) and a drummer that keeps a steady beat and engages with the singer with encouragement calls.

Pansori includes only 5 stories and fans known them well. I attended the Sugungga performance, featuring two renowned masters. As you can imagine, now knowing Korean is a barrier to understanding the nuances of the story. However, the festival provided a guidebook in Korean and English that helped follow the story. Additionally, this performance showed the texts in Korean and English projected on several walls.

Lee Nancho, Pansori Five Batangs – Photo by Angel Romero
Pansori drummer, Pansori Five Batangs – Photo by Angel Romero

The Sarungga story is very fun to follow. This performance included two masters. Lee Nancho and Lim Hyeonbin.

Song Sunseop, Pansori Five Batangs – Photo courtesy of Jeonju Sori Festival
Lee Jaram, Pansori Five Batangs – Photo courtesy of Jeonju Sori Festival

Later in the day, the Jeokbyeokga pansori was performed by Song Sunseop and Lee Jaram. The other three pansoris took place October 5th and 6th, featuring JoTongdal, Yu Taepyeongyang, Kim Yeongja, Choi Hyeonju, Kim Myeongsin and Jeong Sanghee.

Kim Yulhee

The pansori tradition is carried forward by a new generation of performers. Five artists appeared in the Young Pansori Five Batangs set: Lee Sung-hyun, Kim Yulhee, Jeong Yunhyeong, Choi Jandi and Gwon Songhee.

Iberi Choir work at Jeonju Sori Festival 2019 – Photo by Angel Romero
Tannemotion concert at Jeonju Sori Festival 2019 – Photo by Angel Romero

There is a lot to see during the afternoon and evening. Some of the highlights on October 3, in addition to pansori, included a workshop/concert by the magnificent Georgian ensemble Iberi Choir; and Korean fusion group Tannemotion, winners of the 2013 KB Sori Award.

CBS Starlight concert – Photo courtesy of Jeonju Sori Festival

The most popular event that night by far in terms of audience was the Starlight K-pop ticketed show at the Open Air Theater. The performance included artists loved by all generations, including Korean rock stars BooHwal and pop singers Jeong Hunhee, Choi Seongsu, Hong Gyeongmin and Park Migyeong.

Janusz Prusinowski Kompania workshop at Jeonju Sori Festival 2019 – Photo by Angel Romero

Later came an entertaining workshop by the Polish group Janusz Prusinowski Kompania followed by a concert by Polish act Masala Soundsystem, who delivered a mix of global sounds, electronics and ragga/rap.

Tamikrest at Jeonju Sori Festival 2019 – Photo by Angel Romero
Tamikrest at Jeonju Sori Festival 2019 – Photo by Angel Romero

One of the best evening concerts was the performance by Tuareg group Tamikrest, an enthralling southern Algeria-based desert blues band formed by Malian musicians and French band members

The final concert on October 3rd was by Tres Bonbon, a Korean Afropop band that fuses Asian melodies and African rhythms. The group includes Korean musicians Giwan Seong; Doyeon Kim; Haneul Kim; and Yunhee Choi; along with Amidou Balani Diabate from Burkina Faso.

October 4

October 4th started with several shows for children, included traditional Korean puppetry. There were also workshops by Swedish wind instrument virtuoso Anders Hagberg; Ensemble Selene, a band featuring members from Korea and Argentina; and various percussion workshops.

Jeong Yunhyeong at the Cypress Forest at Jeonju Sori Festival 2019 – Photo by Angel Romero

In the afternoon there were more percussion workshops and the continuation of the Young Pansori Five Batangs series. This time the setting was the relaxed Cypress Forest stage in the woods. The audience enjoyed the show sitting on benches, lawn chairs and resting on hammocks. Young master Jeong Yunhyeong performed the Jeokbyeokga pansori.

Jeonjeup Nongak at Jeonju Sori Festival 2019 – Photo by Angel Romero

In the late afternoon, there was a spectacular show of nongak, Korean rural folk music performed by the drummers, percussionists and acrobatic dancers of Jeonjeup Nongak. The integrated ensemble includes men and women playing various types of drums and gongs led by a loud horn.

Ogando, another winner of an earlier edition of the Sori Frontier contest, performed at 6:00 p.m. It is an all-female Korean fusion group.

An evening highlight was the first episode of the Sacred Music Series at Yeonji Hall. The concert featured the marvelous Georgian ensemble Iberi Choir and the Korean Jeonbuk Yeongsan Jakbeop Preservation Society. The Iberi Choir delivered a beautiful set of songs from Georgia’s ancient Christian tradition along with ballads, legendary tales and lullabies. The Jeonbuk Yeongsan Jakbeop Preservation Society performed a charismatic traditional Buddhist ceremony to guide the souls of the departed to heaven.

Asia Sori Project 2019 – Photo courtesy of Jeonju Sori Festival

Next came the Asia Sori Project 2019. It is an international artist residency program in Jeonju that brings together Asian musicians. The artists in 2019 included Sosorbaram Enkhtur (Mongolia) on morin khuur and khoomei; Enkhjin Oyuntsetseg (Mongolia) on bishguur; Duy Nguyen Quang (Vietnam) on dan nhi; Tho Nguyen (Vietnam) on dan tam thap luc; Vishwa Bharath (India) on urumi and parai; Zulfikar Rizki Ananda (Indonesia) on talempong and katindik; Eunyoung Jin on pansori(Korea); Jun-Young Noh (Korea) on percussion; Jihoon Kwon (Korea) on percussion. Jae-Hyo Chang: Music Director. Miyeon: Composer.

Song of Masters ‘Ways of Winds – Photo courtesy of Jeonju Sori Festival

The show Song of Masters ‘Ways of Winds’ took place at 8:00 pm in Moak Hall. The program included Kang Taehwan on saxophone; Kang Sungwon on songs; Anders Hagberg on flute; Lee Changseon on large bamboo flute; Nawang Khechog on Tibetan flute; Yeo Mido on improvised dance; and Tseng Chien-yun on suona, saenghwang, zither.

Next came another performance by Janusz Prusinowski Kompania accompanied by Manu Sabaté.

The last show featured Akdan Gwangchil, a group that performs a modernized version of the music of Hwanghae-do (the western provinces of North Korea) combined with electronics.

October 5

The program on October 5th started with Janusz Prusinowski Kompania’s workshop in the Cypress Forest followed by a children’s theater event.

Imperial Kikiristan at Jeonju Sori Festival 2019 – Photo by Angel Romero

In the afternoon, French brass band Imperial Kikiristan entertained the public with a fun mix of Balkan and popular classics and humorous sketches targeting the audience, especially children.

The pansori series continued with Choi Jandi‘s Young Pansori Five Batangs Hyun Joo.

Gaak at The Sori Frontier contest – Photo by Angel Romero

The Sori Frontier contest took place at 3:00 p.m. This contest showcased three innovative young Korean acts that fuse Korean music and other elements. Read the news story about the contest here.

The excellent Sacred Music II series presented a set of western classical music works along with new works by Korean artists performed by renowned cellist Sung-won Yang & TIMF Ensemble. The second half introduced the Araetnyeok Suryukjae Preservation Society with a Buddhist ceremony from the Youngnam region that comforts the dead souls remaining on the land and in the water.

The Jeonbuk Nongak showcased the dazzling farmer’s folk music of Gochang Nongak.

Sanjo Night featured two wind instrument maestros, Choi Gyeongman on flute and Won Janghyeon on large bamboo flute at Moak Hall. They were joined by Yu Jisuk and Jang Munhee on vocals and Kim Gyuhyeong on drum.

The highly polished Modern Maori Quartet crooners presented a set of Maori classics. The group includes James Tito, Matariki Whatarau, Maaka Pohatu and Francis Kora.

Tamikrest at Jeonju Sori Festival 2019 – Photo by Angel Romero

The enthralling Tuareg sounds of Tamikrest returned for an additional live performance in the evening.

Day 6

Sunday events started at 11:00 a.m. with a series of workshops by Jin Yun Kyong. Maori Quartet along with activities for children.

Brass band Imperial Kikiristan amused the outdoor audience one more and was followed by two pansori performances: Young Pansori Five Batangs with Gwon Songhee at the Cypress Forest and Pansori Five Batangs with Kim Myeongsin and Jeong Sanghee at Moak Hall.

Iri Nongak at Jeonju Sori Festival 2019 – Photo by Angel Romero

Iri Nongak provided a dynamic show that included music and choreography.

Korean fusion band The Tune, winner of the 2014 Sori Award, delivered a great performance with a mix of traditional Korean sounds and musical instruments such as haegeum and drums combined with keyboards and vocals.

Next came Janusz Prusinowski Kompania with another set of beautiful contemporary Polish folk music.

Park Jechun (blue t-shirt) at the closing ceremony – Photo courtesy of Jeonju Sori Festival

The festival ended with the animated closing show called Rock and Sinawi, bringing together hard rock and sinawi (traditional Korean music). The stage featured a mix of traditional Korean and rock musicians, conducted by festival commissioner Park Jechun. Park is also drummer and he joined in on a second drum set for a few minutes, delivering one of the most spectacular moments of the show.

bibimbap

In terms of food, there are lots of options in the festival grounds and nearby, as well as in the hotels area, including the bibimbap (rice with sautéed and seasoned vegetable with chili sauce, available with or without meat), kimchi, bulgogi, various types of soups and noodles. The festival area also has several cafes where you can get some fod, coffee, tea and other beverages, and sweets.

Gyeonggijeon Shrine at Hanok Village in Jeonju – Photo by Angel Romero

While in Jeonju, a must see is Hanok Village. There, you will find traditional Korean buildings, gift stores, restaurants and temples.

You can get to Jeonju via high speed train or by bus, directly from the Seoul airport.

Special thanks to the staff at Jeonju Sori Festival, specially Joy, Han Ji-young, Park Je Chun and our interpreters Rachel and Rose Lee.

Recommended links:

Jeonju Sori Festival
Hanok Village
10 reasons to put Jeonju on your bucket list (Lonely Planet)

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Artist Profiles: Tanemotion

Tanemotion

Tanemotion is a Korean genre-crossover band featuring a mix traditional Korean musical instruments and modern instruments. The band’s name “Tanemotion” is a composite, meaning Tan+emotion. “Tan” is a Korean word similar to “play”, especially used in playing traditional strings.

Tanemotion’s sound features jazz, pansori and Korean roots. Since 2010, they have played at rock, jazz and world music festivals.

Tanemotion at the 2019 Jeonju International Sori Festival – Photo by Angel Romero

Lineup: Yonrimog on keyboards; Sojin Kim on vocals and guitar; Seulji Kim on ajeng; So yeop Kim on piri, saenghwang (mouth organ) and taepyeongso (shawm); Hoduhk Suh on drums; and HyunSoo Kim on bass.

Discography:

Tan+Emotion (2014)
휘청 (2016)
Miryade Wave

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Sangjaru: Korean Gypsy Wins Sori Frontier Contest

The Sori Frontier with KB Bank contest took place October 5, 2019 during the annual Jeonju International Sori Festival at the Yeonji Madang stage. The contest has been running for 10 years and seeks to promote new Korean talent in the world music field. The winner of the final competition gets 18 million won. The winner this year was the trio Sangjaru: Korean Gypsy.

Gwon Hyochang – Photo by Angel Romero
Nam Seonghun – Photo by Angel Romero

Sangjaru: Korean Gypsy 이미지 intends to inject new creativity into ‘sangja (box)’, meaning tradition. The three artists combine traditional Korean music with Gypsy swing and improvisation. The band includes Jo Seongyun on guitar; Gwon Hyochang on janggu (drum); and Nam Seonghun on ajaeng (wide zither).

Sangjaru: Korean Gypsy – Photo by Angel Romero

Sangjaru: Korean Gypsy put on a visually fun and lively show. They changed costumes throughout the performance, switching from traditional Korean outfits to enormous white wigs.

Although I enjoyed Sangjaru: Korean Gypsy, my favorite act was Gaak Project 이미지. The group combines fascinating, finely-crafted traditional music from Jeollabuk-do province with subtle keyboards, processed guitars and electronics in an intimate setting.

Gaak Project – Photo by Angel Romero

Gaak Project performs music based on the traditions of Jeollabuk-do province. Band members include Park Hyeonyeong on vocals; ; Lee Dongjun on bamboo flute;  Seo Sujin on ajaeng; Kim Hansaem on percussion; and Park Dongseok on keyboards and guitar.

Gaak Project – Photo by Angel Romero
Gaak Project – Photo by Angel Romero

The last act was Hey String 이미지, a trio of three gayageum players who delivered a set of mesmerizing melodic and avant-garde musical pieces using gayaeums and water-filled glasses. Hey String includes Jihyo Kim on gayageum, glassharp, kalimba; Jihyeon Park on gayageum, glockenspiel, vocals; and Jihyeon Oh on gayageum, percussion, glokenspiel.

Jihyeon Oh , Hey String – Photo by Angel Romero
Jihyeon Park, Hey String – Photo by Angel Romero
Jihyo Kim, Hey String – Photo by Angel Romero

More about the Sori Festival

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Artist Profiles: Kwon Soon Kang

Kwon Soon Kang is a leading vocalist in traditional and contemporary music in Korea. She has dedicated herself to performing and perfecting both Korean traditional court vocal music (jeongga) and contemporary music.

She has performed widely throughout Korea and abroad, working with many composers, dancers and theater companies, ensembles and orchestras, including the National Orchestra, the Seoul Metropolitan Traditional Orchestra, the Kim Duksoo Samulnori Group, and the Nan Kye Traditional Ensemble.

Kwon Soon Kang has also appeared in performances directed by international art directors Ong Keng Sen, Jinhi Kim, and Chen Shi-Zeng, working with traditional and contemporary artists from around the world.

Ms. Kang released her first jeongga album, Sounds of Heaven, in 2004, and recorded with the Kim Duksoo Samulnori Group. She has also received prizes at the Dong-A Competition and the Seoul Traditional Music Festival sponsored by Korean Broadcasting System (KBS).

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Artist Profiles: Yoon Jeong Heo

Yoon Jeong Heo

Yoon Jeong Heo, the leader of Tori Ensemble, is an enthusiastic soloist who cuts across various musical genres, expanding the possibilities of geomungo and Korean music. Heo graduated from the National High School of Korean Traditional Music and received her B.A. and M.A. from Seoul National University.

In 1984, Yoon Jeong Heo initiated her study of geomungo sanjo, with the Living National Treasure Han Gap Duk, obtaining the significant master title “yisuja.”

Heo served as the deputy concertmaster of the Seoul Metropolitan Korean Music Orchestra from 1990 to 1994. She has performed with the German artist Stephan Micus, the San José Chamber Orchestra, and toured Europe, the US, China, and Japan. She was awarded a Ministry of Culture prize in 2008 in the field of Korean traditional music, as well as a fellowship from the Asian Cultural Council.

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Artist Profiles: Baraji

Baraji

Baraji is a Korean band known for its mystical shows featuring folkloric music, singing, dancing and costumes. Baraji presents exceptional improvisation.

In traditional Korean music, Sinawi, the word Baraji is often used to describe improvised singing in harmony. Baraji’s performances derive from a Korean shamanic tradition known as Jindo Ssitgim Gut. This ceremony is used to cleanse the spirit of a deceased person. Since ancient times, there is a Korean belief that when somebody dies, their body cannot enter the world of the dead because of the impurity of their spirit. The Ssitgim Gut washes away this impurity.

In 2018, the lineup included Han Seung-seok, Artistic Director; Kim Byung-keuk, Sound Director; Kang Min-su on percussion; Kim Tae-young on percussion; Cho Soung-jae on ajaeng; Jeong Kwang-yoon on daegeum; Kim Yul-hee on vocals; Oh Young-bin on piri; Kim Min-young on gayageum; and Won Na-kyungdlal ek on haegeum.

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Innovative Korean Ensemble Kim So Ra to Perform at Carrboro ArtsCenter

Kim So Ra – Photo by Park in Gyu

South Korean ensemble Kim So Ra is set to perform A Sign of Rain on Sunday, September 22nd, 2019 at The ArtsCenter in Carrboro, North Carolina.

The janggu (Korean double-headed drum) is a peculiar traditional percussion instrument that attempts to capture the sound of each rain drop by blending the senses of vision, hearing, and touch. With A Sign of Rain, traditional percussionist and composer Kim So Ra and her fellow musicians recapture the lost flow and the meaning of nature through the sound of rain, each drop reminding us of the ordinary that passes each day.

An array of traditional Korean instruments complement the janggu as the group creates a spectrum of emotions to connect with the audience. Each performer will present their distinct intention and vision, as a display of solos merge into a cohesive performance. Kim So Ra and her ensemble will bring A Sign of Rain to The ArtsCenter in Carrboro as part of their debut tour of the United States, which includes dates at the Philadelphia Folk Festival and Lincoln Center.

Kim So Ra: A Sign of Rain features Korean master drummers Kim So Ra and Hyun Seung Hun, joined by Lim Ji Hye on the gayageum (Korean zither), and Lee Hye Joong on the piri (Korean bamboo oboe).

The ArtsCenter
300-G East Main St. Carrboro, NC 27510
(919) 929-2787

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Artist Profiles: Lim Ji Hye

Lim Ji Hye

A key artist of the world music group Duobud, Lim Ji Hye presents rhythmically delicate yet energetic performances on the gayageum, the Korean zither.

Through works such as Duobud’s signature repertory Over the Stars (별빗위로) and Boundary (경계), she has been experimenting with never-before-seen ways of playing the gayageum.

With Korean traditional rhythms as the foundation, she is making music that presents the diverse aspects of her instrument.

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Artist Profiles: Lee Hye Joong

Specializing in Korean double-reed wind instruments including piri, taepyeongso, and jangsaenap, Lee Hye Joong is a promising new performer in the Korean traditional performance arts, orchestral music, and folk music scenes. She endeavors to develop her own performance style through her diverse experiences.

Through the interplay of percussion and wind instruments, she aspires to create yet another approach and to expand her presence in the world music scene.

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Artist Profiles: Hyun Seunghun

Hyun Seunghun is a Korean traditional Percussionist, leader of the Hyun Seunghun Korean Traditional Performance Arts Company, North Jeolla Province Intangible Cultural Asset No. 7-2 Jeongeup Nongak Ambassador, and Samulnori Hanullim Senior Member.

His major works include True Colors of Korean Traditional Performance Arts (연희본색), Homage to Samulnori, Samul the Special, and LIGHT:BEAT (빛:BEAT). Selected every year as essential arts enterprises, his works have been recognized for their artistic value several times.

He continues to improve his craft while reinterpreting Korea’s traditional performance arts in a modern way.

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