Uilleann piper flutist and whistler Jerry O’Sullivan has been at the very heart of the traditional Irish music scene in New York for many years and is always the first to help when a member of the community needs it. A gifted performer he has worked with many groups in the area as well enjoying an enviable career as a solo artist.
He has amassed a substantial discography with appearances on over sixty albums. He has been a music teacher for many years at The Tara Circle and many Irish arts weekends and has always been happy to share his time and talent.
The Invasion (Green Linnet 1997)
The Gift (Shanachie 1998)
O’Sullivan Meets O’Farrell (2005)
O’Sullivan Meets O’Farrell: Volume II (2010)
James Grant’s career began in the early 1980ss when he formed Friends Again with Chris Thompson (The Bathers). Although short-lived their influence was huge helping to define the emerging sound of the Scottish bands that followed them.
It was in Love and Money that James found more widespread recognition; four albums several hit singles a world-wide following and silver discs in the UK helped seal his reputation as one of the best songwriters in the country.
In 1996 he contributed four songs to the solo album of Capercaillie vocalist Karen Matheson, The Dreaming Sea, including the title track The Dreaming Sea. This in turn led to him working with musician and producer Donald Shaw the result being James’ stunning debut album Sawdust in My Veins followed by the equally acclaimed follow-up My Thrawn Glory.
In October 2004 James released Holy Love on Vertical Records featuring Karen Matheson, Monica Queen and Jerry Douglas.
When James Graham won the BBC Radio Scotland Young Traditional Musician of the Year award in 2004 James was not only the first Gaelic singer to win, he was also the first male winner. James who also plays the pipes grew up in a household where music was an essential part of family life. Although his mother an accordionist is the only other family member who plays an instrument James’s father and sister are good singers and were always singing around the house and at weekends, friends and family members regularly gathered for ceilidhs.
James began singing Gaelic at competition level at the age of ten and quickly became a prize-winner at both local and national Mods the Gaelic music and poetry festivals. By the time James moved on to Ullapool High School he was playing the bagpipes under the tutelage of Norman Gillies. He continued piping as a subsidiary study when he went to the Royal Scottish Academy of Music and Drama (RSAMD) in 1999 with singing as his principal study.
Coached and encouraged by his tutor at the RSAMD the well-known singer and immensely knowledgeable Gaelic scholar Kenna Campbell James became increasingly passionate about singing and he credits Kenna Campbell with giving him the confidence to enter the BBC Radio Scotland Young Traditional Musician of the Year competition.
While studying at the RSAMD where he gained his BA (Hons) in Scottish Music James researched the songs of his home area Assynt for his dissertation talking to the few remaining native Gaelic speakers and collecting songs from them. He feels emotionally tied to these songs and is dedicated to keeping them alive. He is also passionate about singing pibroch which he learned from the brilliant piper and folklorist Allan MacDonald.
Ian Melrose was born in Middlesbrough, England. As a youth he moved back to Ayr in Scotland with his Scottish parents and younger brother Ian’s father was/is a member of the Scottish fiddle orchestra so traditional music was always present. His early influences were the famous figures from the “British school of guitar-playing” i.e. Davey Graham, John Renbourn, Bert Jansch, and John Martyn.
After doing a degree in Law and German at Keele University he moved to Berlin in 1981 where he started doing solo work. In 1982 he founded Twilight, an acoustic folk-jazz trio which thanks to the unusual arrangements was winner of the 1985 folk group competition at the Edinburgh folk festival. A record deal with the Scottish company LISMOR followed.
As a founder member of the German folk-pop band Be Mine Or Run and as guitarist and arranger with the Celtic project Norland Wind (featuring Thomas Loefke and Kerstin Blodig) he has made a name for himself on the German acoustic scene. He has done extensive tours of Germany Holland and Norway and has done studio jobs for many well-known artists. A tour through Germany in 1996 with Norland Wind brought the contact to Noel & Padraig Duggan of Clannad, who in turn suggested Ian for the job of lead guitarist with Clannad for the May tour of Ireland, Great Britain and Holland. They were obviously pleased with him and offered him the rest of the “World Tour ’96” which included Australia, New Zealand, and Japan.
You can hear Ian playing on the Clannad album Landmarks. In his solo concerts Ian plays pieces from his critically acclaimed album Wolves and from his album Between the Sighs. His guitar compositions show a strong leaning towards his “Celtic roots” where elements of Irish & Scottish dance tunes and ballads mix easily with South-American rhythms and jazz harmonies.
Ian Carr is a Welsh guitarist known for his work with Kathryn Tickell, The Old Rope String Band, Simon Thoumire, Syncopace and has guested on recordings by John McCusker, Kate Rusby, Gordon Duncan and several others. He is a member of Anglo-Swedish band Swap and Alan Kelly Gang.
Raised on the Oregon Coast, Hanneke Cassel began playing violin at eight years-old, but a local fiddle competition inspired her to take up traditional fiddling. A few years later, at fourteen years old, she entered a Scottish fiddle contest, winning the national title. Years later, after numerous trips to Scotland, and studies with the great fiddlers Alasdair Fraser and Buddy MacMaster, she moved to Boston and enrolled at the Berklee College of Music. Going to Berklee in the early days of their groundbreaking strings program, Hanneke has since been at the forefront of a national fiddling revival, helping define the instrument for a new generation.
As a fiddler, Hanneke’s sound is a blend of Scottish and Cape Breton traditions, as well as some early roots in Texas fiddling. But she also draws heavily on experiences working with street kids in Kenya (many of the songs were commissions for them), her numerous trips to China (she lived and taught in Shanghai for a while), and her friends and relationships built around the scene in Boston.
In 214 she released Dot the Dragon’s Eyes, where she is joined by cellist Rushad Eggleston fiddler/violist Jeremy Kittel, cellist Mike Block (her husband), and New England guitarist Keith Murphy. The album also includes vocals from Aoife O’Donovan.
In addition to her solo act, Hanneke tours regularly with Baroque/Celtic group Ensemble Galilei, and has performed with the Cathie Ryan Band, Cherish the Ladies, Alasdair Fraser, and Matt Glaser and the Wayfaring Strangers. She is an active member of Boston-based band Childsplay (featuring over 2 fiddles made by Bob Childs) and co-founder (with Laura Cortese and Lissa Schneckenburger) of Celtic female band Halali.
She teaches regularly at Alasdair Fraser’s Valley of the Moon and Sierra Fiddle Camps, Boston Harbor Fiddle Camp, and the Club Passim School of Music.
Hanneke’s awards include1992 and 1994 U.S. National Jr. Scottish Champion, 1996 Berklee U.S. Scholarship Tour Award, 1996 Oregon State Texas-style Grand Champion 1997 U.S. National Scottish Fiddle Champion, 1998 Berklee College of Music Strings Award, and 28 USA Songwriting Contest (1st place Instrumental and 3rd place Overall).
The Wee Hours: Future of Scottish Fiddling in America (Gargoyle Records, 1998)
Diary of a Fiddler, with Darol Anger (Compass Records, 1999)
My Joy (Cassel Records, 2001)
Many Happy Returns (Cassel Records, 2003)
Halali, with Halali (Footprint Records, 2003)
Some Melodious Sonnet (Cassel Records, 2004)
The Farthest Wave, with Cathie Ryan (Shanachie, 2005)
Silver (Cassel Records, 2006)
In the Moment, with Alasdair Fraser and Natalie Haas (Culburnie Records, 2007)
From the Edge of the World, with Ensemble Galilei (2007)
Calm the Raging Sea, with Christopher Lewis (Cassel Records, 2007)
Notes From Across The Sea, with Ensemble Galilei (Ann Mayo Muir, 2009)
Waiting for the Dawn, with Childsplay (Childsplay Records, 2009)
For Reasons Unseen (Cassel Records, 2009) Dot the Dragon’s Eyes (Cassel Records, 2013)
Singer and harp player Gwenan Gibbard is a talent musician, part of the Welsh folk scene. Her debut album Y Gwenith Gwynnaf features freshly-wrought arrangements of traditional dance-tunes, airs, ballads and poetry.
Grey Larsen discovered Irish music in the early 1970’s and then embarked on a passionate and devoted journey that continues to this day. In the ensuing decades he has become one of the United States’most highly regarded flute players. His accomplishments in the field and compositions in the tradition are equally respected by musicians in Ireland, the United States, and across the globe. He has written a comprehensive book series on the art of Irish flute and tin whistle playing for Mel Bay Publications exploring both techniques and philosophies of playing and presenting his own new notation system for flute and whistle ornamentation.
Grey was a longtime member of the renowned group Metamora with Malcolm Dalglish and Pete Sutherland, with whom he recorded three albums and toured extensively. His collaboration with French Canadian singer, guitarist and foot percussionist Andre Marchand resulted in their award winning album The Orange Tree.
Grey Larsen offers concert performances, master classes, lecture-demonstrations, seminars, residencies, curtain talks and private lessons. He also demonstrates the hosting of traditional Irish music “sessions”, the social institution that more than any other keeps the Irish musical tradition alive.
Grey is at home on half a dozen instruments and in several musical styles. He currently records, produces, and masters recordings, scores films, and edits music for various books and for Sing Out magazine.
Grey Larsen plays Irish flute, tin whistles, Anglo concertina, harmonium, field organ, and piano.
Banish Misfortune, with Malcolm Dalglish (June Appal Records 1976)
The First of Autumn, with Malcolm Dalglish (June Appal Records, 1978)
Thunderhead, with Malcolm Dalglish (Flying Fish Records, 1983)
Metamora, with Metamora ( Sugar Hill Records, 1985)
The Gathering (Sugar Hill Records, 1986)
The Great Road, with Metamora (Sugar Hill Records, 1987)
Morning Walk, with Metamora (Windham Hill Records, 1988)
Helpless Heart, with Maura O’Connell (Warner Brothers Records, 199)
Gaelic Storm gained international success thanks to its 1997 appearance as the “steerage band” in Titanic. The band landed the part while they were still drinking pints and playing weekly at O’Brien’s, the pub in their adopted home of Santa Mónica, California. After years of playing together, co-founders Murphy (vocals, piano, accordion, spoons, harmonica) and New Yorker Steve Wehmeyer (bodhran, vocals, didjeridu) settled on a permanent line-up on St. Patrick’s Day 1996, including Englishmen Shep Lonsdale (drums and percussion) and Steve Twigger (guitar, mandolin, bouzouki, vocals). Gaelic Storm’s recent addition, Kathleen Keane, a Chicago native born to Irish parents, has been playing since she was five and step dancing since she was seven years old. She plays tin whistle, fiddle, flute and button accordion and singing harmony vocals.
Since then, they’ve splayed at the largest and most prestigious Irish festivals in the United States and played for thousands in concert halls, performing arts centers and universities worldwide.
Though huge crowds initially shocked the band, Gaelic Storm is as accessible as ever, signing autographs after every show and visiting personally with their fans. “At the performing arts centers, we invite the audience out for a beer at the local bar across the street or the best Irish pub,” Murphy says. “It’s another way to meet and greet and get to know them better.”
The reason for their popularity is the band’s combination of Folk, Pop and World music influenced interpretations of Irish classics alongside poignant, well-crafted originals.
It was Gaelic Storm’s first effort with producer Jim Cregan (Rod Stewart). “At our first meeting at O’Brien’s, we were most impressed with his Guinness drinking abilities,” Wehmeyer joked. “Once we ascertained he could drink with the band, we said, ‘You’ve got the job. Now what kind of producer are you? “’
“Then we were playing in Ireland when he was in England. He made a great effort to get to Ireland and see us there. Once he saw us, he got us immediately. In terms of our stage show and performances, he knew our strong points,” Wehmeyer said.
As producer, Cregan guided the band to new levels of excellence in songwriting and musical performance. “We gave him a sense of where we wanted to go in a way we’d already built, both live and recording,” Wehmeyer said. “What’s exciting is that Celtic music has never been a limiting genre. It’s always been adaptive and creative. “[Cregan] played to our strengths and knew untapped potential we were able to bring out.”
Gaelic Storm (Higher Octave Music, 1998)
Herding Cats (Higher Octave Music, 1999)
Tree (Higher Octave Music, 2001)
Special Reserve (Higher Octave Music, 2003)
How Are We Getting Home? (Lost Again Records, 2004)
Bring Yer Wellies (Lost Again Records, 2006)
What’s The Rumpus? (Lost Again Records, 2008)
Cabbage (Lost Again Records, 2010)
Chicken Boxer (Lost Again Records, 2012)
Fraser Shaw learned the bagpipes from the renowned piper Fred Morrison of South Uist, and latterly from the Tiree piper Kenny MacDonald. At the age of 16, Fraser moved to Skye to study at Sabhal Mor Ostaig and became immersed in the trad music scene. He co-founded four-piece band Cluanas with whom he has toured extensively. He has recorded with Farquar McDonald and Aidan MacEoins and appeared on Radio Scotland’s Pipeline.
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