Tag Archives: ud

Artist Profiles: Karim Baggili

Karim Baggili

Born in Belgium in 1976 with Jordanian and Yugoslavian origins, Karim Baggili, is a composer, self-taught guitarist and ud player.

He began playing the electric guitar at the age of 16. At 20, he started working the different techniques of the flamenco guitar and acquired an Arabic lute (ud) during one of his many trips to Jordan.

He participated in several projects: Ereska Trio, Colette, and a play. He worked with “L’Orchestre de Chambre de la Nathen”, and with singers for children like, Christian Merveille, Yvette Berger, Raphy Rapha?l…

In 2000, Karim won the first price of the “Open String Festival” in Osnabruck.

His first CD was released in 2002 and he took part in many CD recordings. He also composed the music of several documentaries and one short film.

Karim performed with groups like Traces and Turdus Philomelos. He also plays with jazz pianist Nathalie Loriers and takes part on stage and in studio with an English singer, Melanie Gabriel. He also performed with Philippe Lafontaine.

He brought together great musicians for his new band: Karim Baggili Quartet where he plays all his compositions inspired by flamenco music, South American rythms and one of his origins: Arabic music.

The Karim Baggili Quartet CD Cuatro con Cuatro was released at the beginning of December 2005 and will be followed by a tour in Belgium. Label: homerecords.

A solo CD, Douar was released in Germany mid-November 2005 by Acoustic Music Records. The release was followed by a tour of nine dates in several towns of Germany. The event was called “The International Guitar Night”.

Karim also performs often in solo or in duets with his percussionist Osvaldo Hernandez Napoles.

Aton Lua, another of his projects, is a mixture of rock and world music where he sings (in French, English, Spanish, Arabic and Serbo-Croatian) and plays the electric guitar, flamenco guitar and lute (ud).

Discography:

Douar (homerecords.be)
Cuatro con Cuatro (homerecords.be)
Lea & Kash (homerecords.be)
Kali City (homerecords.be)
Apollo You Sixteen (Take The Bus)
Apollo You Sixteen, Pt. 2 (Take The Bus)

website: www.karimbaggili.be

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Mehmet Polat Announces Ud Album ‘Ageless Garden’

Mehmet Polat – Ageless Garden

Mehmet Polat has announced the release of a new ud album titled Ageless Garden. “‘Music has been the best language with which to express my inner world for more than 30 years. And for the last 20 years, ud has been the main instrument on this journey. I composed these ten compositions during different phases of my life as a migrant musician. And I play them on this album through the lens of my vision of today.’

Guest musicians on the album include Alper Kekec (Turkey) on darbuka, daf and frame drums; Pasha Karami (Iran) on tombak; Shaho Andalibi (Iran) on ney; Yama Sarshar (Afghanistan) on tabla; and Zoumana Diarra (Mali) on kora.

Mehmet Polat will present the new album on February 21st, 2018 at 20.30 in Podium Mozaiek, Amsterdam.

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Deeply Mesmerizing Ud

Smadj – Solotronic (Whirling Wolf, 2017)

Solotronic is the new solo album by Smadj (Jean-Pierre Smadja), a French-Tunisian artist who has taken the ud (Arabic lute) to new realms. On Solotronic, Smadja delivers solo ud pieces where the lute appears in a calm acoustic form and fiery electric format as well. Smadj enhances the ud via electronic effects, using reverb, loops, and adding cutting edge electronic beats and ambient sounds at times.

Smadj’s Solotronica features a shape-shifting ud that is deeply mesmerizing, forward-looking and satisfying.

Buy the digital version of Solotronic

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Artist Profiles: Omar Sermini

Son of Cheikh Mohammed Sermini, Omar Sermini was born in Aleppo in Syria. He studied under the best of master musicians such as Abderahman Moudallal and Nadim Darwish. Omar worked in the field of invocations and enrolled at the Arab Music Institute where he learned to read music and play the ‘ud.

He has taken part in many Arabian festivals: Carthage and El Medina in Tunisia, the Festival de l’Independence in Algeria the Fes Festival in Morocco, the Maison de la Religion in Lebanon and in the Syrian Song Festival. He has also participated in international festivals notably in the Theatre de la Ville in France and in Sao Paulo Brazil.

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Artist Profiles: Muhammad Qadri Dalal

Muhammad Qadri Dalal

Muhammad Qadri Dalal was born in Aleppo in 1946. He is a first-class master of the Arabic lute (ud) and is very well-known in his own country. He carries on the traditional Aleppian style for his instrument, a style emanating from the Turkish school aiming at a smooth rounded sound. He has an encyclopedic knowledge of the traditional repertory.

He is a member of Al-Kindî Ensemble.

Discography:

Unwonted Maqamat (Naive/Inedit)

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Music to Realize Peace

Rahim Alhaj – Letters from Iraq: Oud and String Quintet

Rahim Alhaj – Letters from Iraq: Oud and String Quintet (Smithsonian Folkways Recordings SFW40577, 2017)

Two ancient traditions meet on Letters from Iraq: Oud and String Quintet, western classical music and Arabic music. Oud (Arabic lute also known as ud) maestro Rahim Alhaj has been living in the United States for over a decade and return to Iraq in 2014 to learn about the current situation there.

Letters from Iraq is Alhaj’s expression of the emotions related with war-ravaged Iraq, stories of love, sadness and suffering. It’s a beautiful bittersweet album where the oud provides exquisite interaction with western classical music string instruments.

The lineup includes Rahim Alhaj on oud, David Felberg on violin; Ruxandra Marquardt on violin; Shanti Randall on viola; James Holland on cello; Jean-Luc Matton on bass viol; and Issa Maluff on percussion.

The CD physical version includes a 40-page booklet with photos, illustrations, and liner notes in English and Arabic.

Buy Letters from Iraq: Oud and String Quintet in the rest of the world

Buy Letters from Iraq: Oud and String Quintet in Europe

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Artist profiles: Haytham Safia

Haytham Safia

Haytham Safia, born in 1980, is an Arab-Israeli from Jerusalem. His passion for the Ud started at an early stage.

In 2001 he made his debut as a performer in The Netherlands where he acquired a firm position in the musical ensemble accompanying the Galili Dance Group; they toured throughout Europe.

In 2002 he graduated with distinction at the Academy of Music and Dance in Jerusalem. With Joshua Samson and Tony Overwater he performed at the Cultura Nova Festival in Heerlen September 2003. In February 24 he played as a soloist with the Holland Symphonia in the Concertgebouw in Amsterdam.

In November 2004 he participated in a workshop in the Rasa (Utrecht) for the Lute festival with another eight musicians from different nationalities.

Haytham Safia is in essence a classical Arabic musician but his compositions and music are influenced by other musical styles such as Persian, Balkan and jazz music.

He established his own group The Haytham Safia Quartet which consists of four musicians from different backgrounds: a Dutch, German and an African. The group performs Haytham’s original compositions that encompass both his performance experience and academic training while still true to his Arab roots.

Discography:

Fresh Moods

Kind of no blues

U’Duet

Hela Hela

No Complication

Lumen

Promises

Ya Dunya

Blossom

Farewell Shalabiye

DU’D

website: haythamsafia.com

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Artist Profiles: Badavi Zubayr

Badavi Zubayr, who sings and plays the ud, represents the urban tradition of the Hadramawt Valley (Yemen). Badavi composes his own melodies as much as he draws inspiration from the rich traditions of the Valley. He is influenced both by the old town’s culture as well as by the surrounding desert that his family comes from. Badavi is especially influenced by the tribal and Beduin tradition of Hadramawt. The tribesmen of the side valleys, like Dawcan, perform the dahifa, where two people dance in a circle, accompanied by mizmar, a double-reed clarinet or qasaba, a straight flute. The Beduin perform the miraikuz dance with hand-clapping and wooden castanets called maraqis.

Zubayr lives in the historical town of Shibam founded during the 9th century. It is also known as the “Manhattan of the desert”. The architecture of this town symbolizes the mixture between the pre-Islamic and Islamic cultures of Yemen

Mina Rad, a Paris-based journalist traveled all the way to Yemen to interview Zubayr. This is an account of her experience: “At the old port of Shibam, we asked a taxi driver about Badavi who proudly brought us to his beautiful house with two floors. There we found Badavi and his musicians. Badavi, a fifty year old man, with a brown face and a deep look, was surprised by the arrival of a journalist who came all the way from the West to find him, welcomed us very warmly. It was the afternoon, the time that the people of the desert get together to chew the qat (the special herb that has a relaxing effect). We were lucky, because Badavi was rehearsing with his musicians. He welcomed us in his big guesthouse, called in Yemenite Mafradj. A beautiful hall was surrounded by the small traditional wooden windows made by the hands of the artist himself. In such a warm atmosphere, Badavi and his group performed an unforgettable concert for us. Accompanied by a rhythmic sound of the waterpipe, while the musicians were chewing their qat, we discovered Badavi. Through his peaceful sound of ud and his deep voice, we entered to the magic world of the desert.

Ahmed Yaslam Khames Zubier, whose nickname is Badavi, which means the son of the desert, is one of the most popular singers in the valley of Hadramawt, in the South of Yemen. In his hometown, Shibam, with 4 inhabitants, he is considered as the king of the wedding ceremonies.

He was brought up in a family of musicians and carpenters. Since his childhood, he learned the family’s crafts and music from his father. The first instrument that he played was a mizmar (a kind of clarinet). Inspired by his sensibility for poetry, he started to compose poems. “I wanted so much to sing and play music, that is why I gave up the mizmar and learned ud”, with enthusiasm he explained “My life is summed up in my poetry and my music. I let my poetry be rhymed by the sound of my ud”.

At the age of twenty he formed his own group and made his first recording on cassette in 1973, when he was 23. His cassettes became very popular in the region. Since then he has produced dozens of them. Every driver in the desert, has one in his car. As said one of the drivers of a trolley, “the long roads of the desert become more joyful thanks to the melodies of the son of the desert.” The people of Hadramawt like not only his music but also his poetry that describes the everyday life of the Beduins, love and the feeling of being away from hometown.

Badavi is not only a musician but he also makes his own instruments. The originality of his music is based on the mixture between the happy melodies of the coast and the nostalgic ones of the desert. Even though the musical tendencies of the region are to modernize the music with western instruments, he remains faithful to the old tradition of Hadramawt. That’s why the Hadramawt people who emigrated to the Arabic gulf countries, very often invite him to the Gulf countries to sing for them at their weddings and bring them the melodies of the hometown.

Hassan al-Ajami is one of the last players of qanbus, a small lute with 4 strings. He represents the elegant tradition of Sana. He is the third generation of the qanbus player and singer. His peaceful melodies relate the sound of his ancestors from Iran to Yemen.

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Artist Profiles: Rahim Alhaj

Rahim AlHaj

Rahim AlHaj, virtuoso ud musician and composer, was born in Baghdad, Iraq and began playing the ud at age nine. Early on, it was clear that he had a remarkable talent for playing the ud. Alhaj studied under the renowned Munir Bashir, considered by many to be the greatest ud player ever, and Salim Abdul Kareem, at the Institute of Music in Baghdad, Iraq.

AlHaj won various awards at the Conservatory and graduated in 1990 with a diploma in composition. He holds a degree in Arabic Literature from Mustunsariya University in Baghdad. In 1991, after the first Gulf War, Mr. AlHaj was forced to leave Iraq due to his activism against the Saddam Hussein regime and began his life in Jordan and Syria. He moved to the United States of America in 2000 as a political refugee and has resided in Albuquerque, New Mexico ever since. Rahim became a U.S. citizen on August 15, 2008.

Rahim AlHaj has performed around the world and is considered one of the finest oud players in the world. He has won many honors and awards including two Grammy nominations. Rahim has recorded and performed with other master musicians of varied backgrounds and styles including multi-faceted American guitarist Bill Frisell, modern accordion innovator Guy Klucevsek, Indian sarod maestro Amjad Ali Khan and indie-rock pioneers REM.

He has composed pieces for solo ud, string quartet, symphony and beyond. Rahim’s music delicately combines traditional Iraqi maqams with contemporary styling and influence. His compositions evoke the experience of exile from his homeland and of new beginnings in his adopted country. His pieces establish new concepts without altering the foundation of the traditional “Iraqi School of oud”.

His discography includes earlier works such as The Second Baghdad (2002), the live CD Iraqi Music in a Time of War (2003), and Friendship: Oud and Sadaqa String Quartet (2005), a unique East and West musical collaboration; Home Again (UR Music, 2008) features original compositions portraying his trip to Iraq after 13 years in exile. His March 2009 release, Ancient Sounds (UR Music), a duet recording with Amjad Ali Khan, was nominated for a 2010 Grammy in the Best Traditional World Music Recording category.

When the Soul is Settled: Music of Iraq released by Smithsonian Folkways Recordings was also nominated for a Grammy in 2008.

The album Ancient Sounds (2009) featured a collaboration between Rahim AlHaj and acclaimed Indian sarod maestro Amjad Ali Khan. It was a set of duets, accompanied by percussion.

In November of 2009 he released a special recording Under The Rose with Ottmar Liebert, Jon Gagan and Barrett Martin, with all net proceeds benefiting Direct Aid Iraq.

Rahim is featured in the 2009 documentary film on Smithsonian Folkways Records. Capping off an artistically fruitful 2009, Rahim was awarded the prestigious U.S. Artist Ford Fellowship Grant on December 14th.

Little Earth: Voices For Peace was released in 2010. The project features Rahim’s original compositions in collaboration with Bill Frisell, Klucevsek, REM, Maria De Barros, Liu Fang, Robert Mirabal, Hossein Omoumi, The Santa Fe Guitar Quartet and many more.

Discography

* The Second Baghdad (2002)
* Iraqi Music in a Time of War (2003)
* Friendship (2005)
* Home Again (UR Music, 2008)
* When the Soul Is Settled: Music of Iraq
* Ancient Sounds (UR Music, 2009)
* Under The Rose (2009)
* Little Earth (Ur Music, 2010)
* Journey (UR Music, 2014)
* Infinite Hope (Ur Music, 2016)
* Letters from Iraq (Smithsonian Folkways, 2017)

website: www.rahimalhaj.com

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Artist Profiles: Le Trio Joubran

Le Trio Joubran

Renowned throughout the Arab world, Le Trio Joubran is led by Palestinian ud virtuoso Samir Joubran. Samir performs in duo or trio lineups with his younger brothers: Wissam Joubran and Adnan Joubran.

Samir and his brothers are the sons of a master luthier, who is the son of a master luthier; a family steeped in the ancient history of the ud, the Arabic lute.

Their mother sang in a Muashahat (a classical Arabic poetry/music form) ensemble and their father is an ud crafter known throughout the Arab world. The brothers were born in the Galilean city of Nazareth in a family with a strong musical tradition.

The three sons perform on uds built by Wissam, who was the first Arabic luthier to graduate from the Stradivarius Institute in Cremona, Italy, where he mastered the construction of violins and uds.

Le Trio Joubran

Le Trio Joubran was born when elder brother Samir listened to the jazz/rock/flamenco guitar trio of Al Di Meola (USA), Paco de Lucia (Spain), and John McLaughlin (UK).

The trio’s first CD together, Randana, was the first meeting of an ud trio. “We wanted to experiment composing for three uds,” says Samir. “It was a challenge and the music was experimental. Through our touring we gained confidence which makes the music on Majaz different. It’s more accessible to a wider public; it’s more clear, transparent, and joyful but with sadness in the background, and yet proud. We introduce percussion in a very subtle way, sensitive and present. Three uds are there with three different personalities, but together.”

Discography

Randana (Randana, 2005)
Majaz (Randana, 2007)
À l’ombre des mots (2008)
AsFar, with Dhafer Youssef (2011)
The First Ten Years (2013)

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