Alumaye (meaning “have you heard?), is the second international album release from kamele n’goni maestro and singer-songwriter Massa Dembele (Burkina Faso). Alumaye combines modern afropop and the traditional sounds of western Burkina Faso.
Alumaye was recorded between Wagadugu, Burkina Faso and Tamale, Ghana. In addition to the kamele n’goni harp, Massa included Burkinabe indigenous percussion, balaphone, flute, bass and guitar.
Mezana Dounia is the first album recorded by jeli (praise singers, social commentators and historians, also known as griots) musician Massa Dembele from Burkina Faso. Dembele is a well-known surname within the jeli community.
Massa Dembele writes songs about embracing diversity within Burkina Faso’s ethnic groups, calls out to put an end to forced marriages of young women, the loss of superficial youth beauty, fear of the modern world, betrayal, the way of the jeli, and Massa’s grandmother Yedini.
Mezana Dounia is an acoustic album that highlights Massa Dembele’s gratifying vocals and the hypnotic kamele ngoni (a West African harp-lute). Massa Dembele recorded the album in Burkina Faso’s capital and played all the instruments, including percussion instruments such as calabash, jembe and bara drums.
Two guests appear on Mezana Dounia, Ali Diara on bala (balaphon) and Mamadou Dao on folikan flute.