Emilio Maya Temple (Andalamusica, 2004) Emilio Maya is probably the finest Flamenco guitarist living in Granada (Spain) right now. Despite his last name, he is…
View More The Finest Flamenco Guitarist from GranadaCategory: Album reviews
Kaushiki Chakrabarty, a Great New Voice in Indian Classical Music
Kaushiki Chakrabarty Pure (Sense World Music 047, 2004) Kaushiki Chakrabarty’s latest recording in Pure, on Sense World Music. The young Indian vocalist is regarded by…
View More Kaushiki Chakrabarty, a Great New Voice in Indian Classical MusicFollowing in the Footsteps of Fela
Akoya – Introducing the Akoya Afrobeat Ensemble (Afrobomb Music [no number], 2004) Afrobeat, the percolating, politicized style constructed from some of the rougher edges of…
View More Following in the Footsteps of FelaRecent and Retro Reggae Roundup
Steel Pulse – African Holocaust (RAS/Sanctuary 06076-89931-2, 2004) Horace Andy Meets Mad Professor – From The Roots (RAS/Sanctuary 06076-89932-2, 2004) Burning Spear – Creation Rebel:…
View More Recent and Retro Reggae RoundupThe Soul of the Apache Flute
Electronic Griots
Frederic Galliano & The African Divas Sacré Live (F Communications F199, 2004) French electronic music wiz and the African divas return with infectious dance grooves…
View More Electronic GriotsCross Cultural Latin Rock
Los Lonely Boys Los Lonely Boys (Or Music OR803052, 2003) The self-titled debut CD, Los Lonely Boys, has garnered this trio from a tiny town…
View More Cross Cultural Latin RockFado and beyond
Cristina Branco Sensus (US: Decca/Universal Classics France, 2004) Cristina Branco is one of the young fado singers charting new directions for this traditionally conservative musical…
View More Fado and beyondExpert Testimony
Samputu Testimony From Rwanda (Multicultural Media MCM 4003, 2004) It’s been a decade since the genocide in Rwanda, a massive tragedy that the United States…
View More Expert TestimonyHit It
Joji Hirota / Pete Lockett – Taiko to Tabla (ARC Music EUCD 1856, 2004) Paoli Mejias – Mi Tambor (Paoli Mejias JMCD/2004-1, 2004) Since percussion…
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