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World Music Central

Your Connection to traditional and contemporary World Music, including folk, roots, global music, ethno and crosscultural fusions
World Music Central
Your Connection to traditional and contemporary World Music, including folk, roots, global music, ethno and crosscultural fusions
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Author: Tom Orr

Tom Orr is a California-based writer whose talent and mental stability are of an equally questionable nature. His hobbies include ignoring trends, striking dramatic poses in front of his ever-tolerant wife and watching helplessly as his kids surpass him in all desirable traits.
The single cover for "Teach the Youths" by Little Guerrier featuring Tarrus Riley presents at the center of the image, both artists stand side by side, saluting with their hands.
Music videos Single reviews

Learn Your Lessons Well

Tom Orr May 16, 2025 No Comments French reggaeLittle GuerrierReggaeTarrus Rileyworld music

With a bit of help from Tarrus Riley, French reggae artist Little Guerrier imparts both wisdom and the need for it with his song “Teach…

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The single cover for So Nice by Latin Faculty (Latínudeildin) features an abstract watercolor painting with earthy browns, muted greens, and splashes of black and gray, resembling organic textures and forms. The bilingual title—Latínudeildin / Latin Faculty—appears boldly at the top, while the track titles (Svo Til • So Nice • So Nice (Instrumental)) are listed at the bottom in a clean sans-serif font, all set against a warm beige background.
Music videos Single reviews

Niceness Rules

Tom Orr May 12, 2025 No Comments Brazilian musicLatin Facultyworld fusionworld music

Hailing unexpectedly from Iceland, a band called Latin Faculty brings a swaying Brazilian vibe to “So Nice,” a song that lives up to a title…

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The album cover for Ganja Man by Linval Thompson features a close-up of the reggae artist smoking a joint, wearing a multicolored knit tam hat. The background blends earthy tones with distressed textures and layered typography, including phrases like “Roots & Culture” and “Foundation.”
Album reviews

Irie Times Are Here To Stay

Tom Orr May 10, 2025 No Comments Irie ItesLinval ThompsonReggaeworld music

Lest anyone be concerned that the re-emergence of roots reggae music hasn’t sufficiently overtaken the previous dominance of dancehall, recent releases from France’s Irie Ites…

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The cover for Feel the Love by Dukes of Roots features a sunset-toned illustration framed in a circular design. At the center, two large hands gently cradle a tree silhouetted against a radiant sun, which is stylized with swirling, leaf-like rays. Mountains, clouds, and distant trees add depth to the landscape. The title and artist name appear at the bottom in bold, art-deco-inspired typog
Music videos Single reviews

How It Feels

Tom Orr May 9, 2025 No Comments Dukes Of RootsReggaeworld music

Anchored by veteran reggae bassist Fully Fullwood, Dukes of Roots urges one and all to “Feel the Love.” It may not be an easy thing…

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ara Klaus - Coco da Cura single artwork. A photo of the artist.
Music videos Single reviews

Sweet Coco

Tom Orr May 7, 2025 No Comments Brazilian musiccocoLara Klausworld music

A traditional rhythm called coco from the Brazilian state of Pernambuco, nimble female voices and a percussion-heavy arrangement all contribute to making “Coco da Cura”…

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Cumali Bulduk sitting next to a Turkish saz (long necked lute)
Music videos Single reviews

Turkish Delight

Tom Orr May 4, 2025 No Comments Cumali BuldukTurkish musicworld music

Cumali Bulduk, a Belgian musician of Turkish heritage, uses a variety of instruments and textures to create “Bulamadın Mı (Moğol),” a lovely blend of Anatolian…

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The single cover features the title Kuja Tuscheze written in bold, neon-yellow graffiti-style text over a glowing triangle. The background is dark and gritty, covered in layered graffiti art. At the bottom, in smaller block letters, is the artist name Hakuna Patata.
Music videos Single reviews

African Connections

Tom Orr April 20, 2025 No Comments Congolese musicHakuna PatataKenyan musicworld fusionworld music

The sonic similarities between Kenyan and Congolese music have long been evident, and Hakuna Patata celebrates as much with a song called “Kuja Tuscheze” and…

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The single cover for Ivan Garzón – Right Time features a cosmic design centered on a radiant pyramid emitting beams of light. Behind it, a celestial mandala or astrological clock glows with vivid purples, oranges, and blues. The artist's name arcs across the top in futuristic, stylized text, while the title Right Time appears boldly at the pyramid’s apex, aligned with the light burst. Framed by mountainous landscapes and a mirrored lake.
Music videos Single reviews

Reggae For All Times

Tom Orr April 17, 2025 No Comments Ivan GarzónReggaeThe Devastatorsworld music

Ivan Garzon, former frontman of renowned Southern California reggae band The Devastators, is out on his own with a track called “Right Time.” It’s got…

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The single cover for Colmeia – The Best Is Yet to Come features a pink landscape with a wide, open field and a distant line of trees silhouetted against a soft, cloud-dappled sky. The title is set in bold cream-colored retro typography, with the artist's name “Colmeia” casting a heavy brown shadow.
Music videos Single reviews

Coming On Strong

Tom Orr April 13, 2025 No Comments ColmeiaCongolese musicsoukousworld fusionworld music

A Swedish band called Colmeia harnesses the charging rhythms and chiming guitars of Congolese soukous with their song “The Best is Yet to Come.” If…

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The album cover for Jam It Is by Jamateurs features a design with abstract, colorful splashes and doodles reminiscent of Joan Miró’s style. The title is prominently centered in large black lettering, while the subtitle reads “Two and a Half Minutes of Improvisational Music.” The band's name, "Jamateurs," appears in a handwritten script above the title.
Music videos Single reviews

Highly Professional

Tom Orr April 8, 2025 No Comments DubJamateursworld fusionworld music

An American collective that goes by the name Jamateurs has a tune called “Jam It Is” that’s hard to classify. What I hear in it…

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