Tag Archives: Júlio Pereira

Cavaquinho and Braguinha Marvels

Júlio Pereira – Praça do Comércio (Tradisom, 2017)

Praça do Comércio is a beautifully-packaged album + book by Portuguese multi-instrumentalist Júlio Pereira. He’s one of the leading performers of the cavaquinho, the small Portuguese guitar which is also the ancestor of the Hawaiian ukulele.

This time, Júlio Pereira has added the braguinha to the collection of instruments he performs on Praça do Comércio. The braguinha is another small guitar, from the island of Madeira, closely related to the cavaquinho.

The 111-page book is a wealth of knowledge, with notes in Portuguese and English. It provides details and photos of the cavaquinho and braguinha, illustrations, as well as music notation.

 

Júlio Pereira – Praça do Comércio

 

In addition to his skill as a musician, Júlio Pereira is a talented composer. His music incorporates traditional Portuguese music as well as sounds from northern Africa, jazz and classical elements, Brazilian and Mozambican rhythms, flamenco and other influences.

The lineup on Praça do Comércio includes Júlio Pereira on cavaquinho, braguinha, bouzouki, synthesizer, viola braguesa, guitar, backing vocals; Miguel Veras on guitar; Sandra Martins on cello; Luciano Vasconvelos on bass; Quiné on percussion; Diego Duque on trumpet; James Hill (ukulele); José Manuel Neto on Portuguese guitar; Pedro Jóia on guitar; Norberto Gonçalves da Cruz on bandolim.

Guest vocalists: António Zambujo (Portugal), Olga Cerpa (Canary Islands, Spain), Chney Wa Gune (Mozambique), Luanda Cozetti (Brazil), Teresa Melo Campos (Portugal), Mariana Abrunheiro (Portugal), Inés Melo Campos (Portugal), and Andreaia Joao Lopes.

Praça do Comércio is an exquisitely-crafted album that highlights the beauty of the small guitars from the eastern Atlantic.

 

 

 

Buy Praça do Comércio (Amazon) or from Tradisom

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The Remarkable Travels of the Cavaquinho

Júlio Pereira Cavaquinho.pt (Tradisom, 2014)

Acclaimed Portuguese multi-instrumentalist Julio Pereira released an album titled Cavaquinho 30 years ago. This was a tribute to the small guitar called cavaquinho. Thirty years later, he revisits the potential of the cavaquinho with a new album titled Cavaquinho.pt featuring new musical pieces composed or arranged by Pereira.

The original ‘Cavaquinho’ album had a significant influence and defined Julio Pereira’s career as a musician. The new recording, Cavaquinho.pt is part of a larger project around the cavaquinho that includes research, inventorying the different variations of the instrument, scores, players, composers and builders around the world. The cavaquinho is related to other small guitars in the Iberian Peninsula and the predecessor of the ukulele. It has traveled around the world over the centuries, leaving descendants in Brazil, Cape Verde, Hawaii and Indonesia.

The music on Cavaquinho.pt incorporate various folk traditions from Minho in Portugal as well as the increasingly popular fado. In addition, it reflects the travels of the cavaquinho, featuring influences that go beyond the various regions of Portugal. For example, Sara Tavares, a singer of Cape Verdean descent appears on one song. There are also traditional songs from Brazil and Galicia (Spain).

The lineup on Cavaquinho.pt includes Julio Pereira on cavaquinho, viola braguesa (Braguese guitar), synthesizers and backing vocals; Miguel Veras on acoustic guitar; Fernando Araujo on bass; Quiné on percussion; Laurent Filipe on trumpet; Guto Lucena on flute; Daniel Pereira on gaita de foles (Portuguese bagpipe); Sara Tavares on vocals; Uxia on vocals; Luanda Cozetti on vocals; Sofia Vitoria on vocals; and Joao Afonso and C.R.A.M.O.L. on backing vocals.

 

 

The physical edition of Cavaquinho.pt is exquisitely packaged in a 112-page hard cover book, with extensive liner notes in Portuguese and English, photos, credits and beautiful illustrations by Pedro Sousa Pereira.

Júlio Pereira - Cavaquinho.pt
Júlio Pereira – Cavaquinho.pt

 

Julio Pereira started as a rock musician, playing electric guitar with progressive rock bands Petrus Castrus and Xarhanga. He later picked up the mandolin, braguesa guitar, Portuguese guitar and bouzouki. Encouraged by Zeca Afonso, the cavaquinho became his main focus.

 

 

Cavaquinho.pt is a remarkable recording dedicated to the cavaquinho recorded by one of the essential musicians in Portugal’s contemporary folk music scene.

Buy the album from www.tradisom.com

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