Tag Archives: Husnu Senlendirici

Multifaceted Ud with an Indian Cultural Foundation

Dhafer Youssef – Sounds of Mirrors (Anteprima, 2018)

Seasoned Vienna-based Tunisian ud (lute) player, composer and vocalist Dhafer Youssef has been working for the past years on a variety of fusions, mixing Arabic ud with jazz and other musical forms. On Sounds of Mirrors, Dhafer Youssef invited famed Indian percussionist Zakir Hussain, fulfilling his dream of working with the acclaimed tabla player. He also recruited another colleague, Turkish clarinetist Hüsnü Şenlendirici.

 The third guest of honor on Sounds of Mirrors is Norwegian jazz guitar virtuoso EivindAarset, who contributes atmospheric electric guitar and electronics.

Sounds of Mirrors is a reflective album of great beauty, showcasing the versatility of the ud in a fascinating dialogue with the rhythms of the tabla and clarinet melodies, enriched with “aerial guitar.” Although Dhafer Youssef is the composer and arranger of the album, he gives plenty of space to HüsnüŞenlendirici.

Even though Sounds of Mirrors was originally meant to be a tribute to ZakirHussain and tabla, the album took a twist. Shafer felt that “working with and from an Indian cultural base, we could approach a more universal speech…”

Dhafer Youssef’s earlier albums include Malak (Enja), Electric Sufi (Enja), Digital Prophecy, Divine Shadows, Glow (Material), Abu Nawas Rhapsody (EmArcy), Birds Requiem (Okeh), and Diwan of Beauty and Odd.

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Artist Profiles: Husnu Senlendirici

Husnu Senlendirici

As one of Turkey’s leading and versatile clarinetists, Husnu Şenlendirici has worked with major stars domestically and also internationally, taking the listener on a musical journey whether he is solo or accompanied. Senlendirici combines the evocative and enticing melodies of his Anatolian heritage-particularly his Aegean homeland’s musical traditions-with the jazz sensibilities of the west.

After forming his present band, Laco Tayfa and collaborating with the famous American ensemble, Brooklyn Funk Essentials, to record their interpretations of traditional melodies and funk/acid jazz for the album, ‘In the Buzzbag’. Following that first release on Doublemoon records, Senlendirici has continued to play his snaking eastern melodies with lavish ornamentation or wild improvisations against complex drummed rhythms to release ‘Bergama Gaydasi’ and ‘Hicaz Dolap’. Working with such Turkish pop icons as Athena and Kibariye and world music master Mercan Dede to the delight of music aficionados everywhere.

His recording ‘The Joy of Clarinet’ focuses in on the instrument itself, which with a sound resembling the human voice, is the medium for expressing musically hopes and yearnings of centuries. Soothing listeners with its fusion of ancient gypsy soul and modern chillout, the album is evocative and enticing, displaying exactly why the clarinet has become a much-loved part of the Turkish musical landscape.

This recognition has afforded him the opportunity to perform internationally at concerts like EXPO-2001 in Germany, supported by the Turkish Ministry of Tourism; New York, Central Park concert within the framework of Mayfest festival 2002; and the concerts he gave, in July 2002, with his 35 member Laco Tayfa Big Band during Istanbul Jazz Festival.

Discography

* In the Buzzbag (Doublemoon 1998)
* Husnu Senlendirici and Laco Tayfa – Bergama Gaydasi (Doublemoon 2000)
* Laco Tayfa – Hicaz Dolap (Doublemoon 2002)
* Hüsn-Ü Klarnet – The Joy of the Clarinet (Doublemoon 2005)
* Sunset Lounge: A Chillout Odyssey from Turkey to Arabia (EMI Arabia, 2006)
* Taksim Trio (Doublemoon 2007)
* Turkish Lounge (EMI Arabia, 2008)
* Ege’nin yanı iki – Both Sides of the Aegean (2010)
* Hüsn-ü Hicaz (2011)
* Husn-u Avare (Sony Music, 2015)

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