Farafina was founded in the early eighties in Burkina Faso. Right from the beginning they were enthusiastically welcomed by their audiences who were fascinated by so much virtuosity.
Their ability to expand their music without denying their traditional instruments has enabled them to experience new forms and record with musicians such as Jon Hassell, the Rolling Stones, Ryuichi Sakamoto, Daniel Lanois, Billy Cobham, and Joji Hirota. They played several times at the Montreux Jazz Festival, and for 72,000 listeners at the famous Nelson Mandela’s birthday concert in the London Wembley Stadium.
Their music interweaves complex and forceful rhythms and is carried by the melodic lines of balafons, flute and koras. The songs are played on traditional instruments while their lyrics deal with present issues of African realities in a critical though hopeful way.
But they stayed faithful to their own track. So while integrating new orchestral forms and melodies, and adding contemporary sounds (guitar and keyboard), the balafons, koras, flute, jembes, tama, and baras still remain the core and hearth of their music. Last but not least, the arrival of a female voice introduces a new color to this up till now male only ensemble.
During their odyssey of 30 years the group naturally faced some changes. Thus, its founder Mahama Konaté left the group in 1991. Others came and went and still others died. New and younger musicians have joined the group. All came in through the so called “Farafina School” which continues the African tradition of having the children, from their youngest ages on, attend the concerts of their elders and trying to repeat the music they hear all day long. In this way an astonishing and remarkable musical continuity is guaranteed.
Farafina creates a subtle music that is sensitive and ardent at the same time. It draws your body and mind into discovering not only the African life but a universal life nourished with rhythms leading all the way to the roots of jazz.
Reinvented by encounters with modernity, Manding influences, the music of Burkina Faso’s neighboring countries, the melodies of the people of Mali, Niger and the legends of Kong and the chants and drums of Ghana and Benin, all contribute to the richness of Farafina’s s work.
* Farafina Live At Montreux Jazz Festival (Artways Productions ART 2929, 1985). Produced by Artways.
* Bolomakote (VeraBRA/Intuition 26, 1989)
* Faso Denou (Realworld CDRW 35, 1993), produced by Billy Cobham & Daniel Lanois
* Nemako (Intuition Music INT 3241-2, 1998), produced by Michel Schaer and Thierry van Roy
* Kanou (Intuition Music/L’Empreinte Digitale ED 13134, 2001), produced by Heinz Dill and Thierry van Roy.
* Flash of the Spirit (Intuition Music & Media INT 3009-2, 1988). Produced by Brian Eno & Daniel Lanois. Recorded in New-York after a series of five concerts in Europe together with Jon Hassel
* Beauty (CDVUS 14, 1989) Collaboration with Ryuichi Sakamoto for the recording of three titles
* Steel Wheels (Rolling Stones Records 4657522, 1989). The Rolling Stones invited Farafina to participate on the recording of the track Continental Drift.
Author: Angel Romero
Angel Romero y Ruiz has been writing about world music music for many years. He founded the websites worldmusiccentral.org and musicasdelmundo.com. Angel produced several TV specials for Metropolis (TVE) and co-produced “Musica NA”, a music show for Televisión Española (TVE) in Spain that featured an eclectic mix of world music, fusion, electronica, new age and contemporary classical music. Angel also produced and remastered world music albums, compilations and boxed sets for Alula Records, Ellipsis Arts, Music of the World.