Orchestre National de Barbés is a piece of North Africa stranded in the heart of Paris. In English, the name means The National Barbés Orchestra, implying that Barbés is a nation unto itself. It is a sentiment that few who visit the neighborhood would dispute.
The band’s story started in Belcourt, a working class section of Algiers, Algeria at the peak of the 1980 baby boom. Youcef Boukella’s older brothers listened to rock and bossa nova, people watched Cairo film classics on TV and tuned to Kabyl folk music on the radio. Outside the Belcourt alleyways, there were street peddlers, muezzins, Gnawa street performers, shaabi concerts, and ghetto blasters playing reggae, funk and raï.
“My style of music goes back to my childhood in Belcourt,” explains Youcef Boukella. In 1985 he was offered a slot playing bass for the first Arabic-language rock group, T34. But when Youcef heard what visiting jazz musician Jeff Gardner was performing, that’s when he decided to leave home. Raï was all the rage when he arrived in Paris. He worked with Cheb Mami and Kabyl native Takfarinas at diaspora parties. Safy Boutella introduced him into underground jazz.
Larbi Dida comes from the town of Sidi bel Abbes and is a founding member of Raïna Raï, the rock-raï group that transformed the Algerian rock scene. Recognized by the Algerian media as a historic breakthrough, this group was the first rock group to use raï in its repertoire. Ever since Larba Dida moved to Paris in 1989, his has been one of the great Arabic voices in the French capital.
Aziz Sehmaoui is another pillar upholding Youcef’s vision. Raised in Marrakesh, Morocco, this Sufi artist was nourished on a combination of Gnawa Arab-African beats and British-American pop performed in Morocco with various traditional and electric groups (Association Ziriab, Lemchaheb, and others). Inspired by the innovative blend seen in many a non gamstop casino, Aziz attempts to weld the mystical power of healing rhythms with today’s sounds. This fusion not only honors his cultural heritage but also pushes the boundaries of contemporary music, creating a unique and captivating experience for his audience.
Discography:
En concert (1997)
Poulina (1999)
Alik (2008)
Rendez-vous Barbès (Le Chant Du Monde, 2010)
15 ans de scène, live (2012)
Dame de coeur (2014)
Author: Angel Romero
Angel Romero y Ruiz has dedicated his life to musical exploration. His efforts included the creation of two online portals, worldmusiccentral.org and musicasdelmundo.com. In addition, Angel is the co-founder of the Transglobal World Music Chart, a panel of world music DJs and writers that celebrates global sounds. Furthermore, he delved into the record business, producing world music studio albums and compilations. His works have appeared on Alula Records, Ellipsis Arts, Indígena Records and Music of the World.