Ali Farka Toure – The Source (World Circuit, 2018, reissue)
With our eyes firmly fixed on the far horizon we want the new. We want what’s next. We not only want the new, we demand it. We’ve boiled our lives down to frantically seeking out what’s the latest, what’s right around the next corner that we can grasp onto before discarding it by the wayside for the next thing, the latest stuff, the hottest new trend just beyond our reach. I bet there are more than a few out there who can barely tolerate leftovers from last night’s dinner.
I’m here to remind you that there are some things worth revisiting. I’m not talking about some somber commemorations of old disasters or old political scandals or the hairstyles of your youth. I am, of course, referring to a collection of songs, and not just any collection, but a powerhouse recording by the father of desert blues Ali Farka Toure and the recording The Source.
Originally put out in 1992 and the first recording for the Malian guitarist with his band Group Asco, The Source wasn’t Mr. Toure’s merry-go-round or his first recording. Recordings on Sonafric like Ali Toure Farka and Biennale and the Sonodisc/Esperance recordings Ali Farka Toure (Red) and Ali Farka Toure (Green) appeared before The Source. It was following the release of The River on the label World Circuit, where The Source bubbles up from the earth and Mr. Toure takes listeners on musical landscapes like Talking Timbuktu with Ry Cooder, Niafunke, Mississippi to Mali with Corey Harris, In the Heart of the Moon with Toumani Diabate and Ry Cooder, Savane and Ali and Toumani. Mr. Toure showed us The Source and we all listened.
As luck would have it, World Circuit has just announced the release of a special edition of The Source. Re-mixed, remastered from the original tapes, The Source is now out for the first time on vinyl with a 28-page color booklet. This is the kind of re-issue you all want. This is where going back is all just so very fine.
The Source is good. Not just the shove into your shoulder good. It isn’t even the smack up side the head good. This goes beyond even the roundhouse to the kisser good. No, this is the Jackie Chan kick to the head, lay you out on the floor, leaving you incapable of movement other than just to listen kind of good. And, trust me, you’ll want to just lay still as the opening strains “Goye Kur” worm their way into your brain. It’s all there on The Source – Mr. Toure on guitar and njarka violin, Afel Bocoum on vocals and Hamma Sankare on calabash and Oumar Toure on congas. Rolling rhythms, call-and-response vocals and some of the sweetest desert blues guitar licks make The Source savagely good.
Desert blues fans get the whole revisit tour with “Inchana Massina,” the low down magical bluesy “Roucky,” the sassy “Dofana” and tantalizing “Karaw.” “Hawa Dolo” makes everything all right with guest artist Taj Mahal, as do tracks like the sweetly worked “Cinquante Six,” the upbeat “I Go Ka” and the swinging “Mahini Me.” Closing is just as powerful with “Takamba.”
So, while you may have your gaze fixed on the horizon, going back to listen to The Source proves just as sweet.
Author: TJ Nelson
TJ Nelson is a regular CD reviewer and editor at World Music Central. She is also a fiction writer. Check out her latest book, Chasing Athena’s Shadow.
Set in Pineboro, North Carolina, Chasing Athena’s Shadow follows the adventures of Grace, an adult literacy teacher, as she seeks to solve a long forgotten family mystery. Her charmingly dysfunctional family is of little help in her quest. Along with her best friends, an attractive Mexican teacher and an amiable gay chef, Grace must find the one fading memory that holds the key to why Grace’s great-grandmother, Athena, shot her husband on the courthouse steps in 1931.
Traversing the line between the Old South and New South, Grace will have to dig into the past to uncover Athena’s true crime.