Tag Archives: Sweden

Artist profiles: Hoven Droven

Hoven Droven in 2001 – Photo by Peder Majiet

Hoven Droven’s music is a unique and powerful blend of traditional folk and fierce hard rock where violin and electric guitar duel for the audience’s attention. This combination is complemented by a diverse background created by sax, Hammond organ, drums, percussion and bass.

The band’s name is a slang phrase which means uh “whatever” (at least in the province of Jämtland in northern Sweden). In their case it could just as well mean “things will take care of themselves.” Despite sometimes chaotic organizational methods none of them are able to explain how they have managed to perform on almost every major Swedish television and radio program and in North America. Looking at their individual schedules it’s a wonder that the band can get together to play at all.

Their first Swedish album “Hia Hia” was released in 1995 recorded at Peak Studios with engineer/producer Erik Benholm. Early in 1996 they got together again to record “Grov.” Selections from both of these releases are included on NorthSide’s 70+ minute compilation titled Groove — their first North American record release and one of NorthSide’s first releases.

Summer 1999 saw the band at the Winnipeg Folk Festival where they had 8 people on their feet hands raised high above their heads doing an ancient Swedish mosquito-killing dance. On their return home to Östersund they began recording their newest album.

More Happy Moments with Hoven Droven marks a number of departures for the band. Trumpet player Gustav Hylén left the band to spend more time with his family and set up Home Studios in Revsund where the disc was made. (You can see a “home movie” from the recording sessions on the NorthSide enhanced CD). New member Janne Strömstedt’s organ work now underpins the band’s sound making it heavier and more elegant all at the same time. For this release also the band decided to work with vocalists. On three tracks they are joined by the lovely female voices of Ulrika Bodén and Sofia Sandén (from Ranarim and Rosenberg 7.) Swedish music legend Stefan Sundström can be heard with the band on two of the five extra MP3 tracks which are included on the enhanced CD.
The English translation of the band’s name -helter skelter or, whatever – also happens to describe the band’s relationship to their Swedish roots.

Hoven Droven are:

Björn Höglund (drums and percussion) has toured with Swedish funk-rocker Paulo Mendonca and worships Peter Criss.

Guitarist Bo Lindberg claims he is a star in Japan with his former avant-rock band Myrbein. If the truth be known he’s a music teacher who’s been in almost every band to come out of Östersund in the past 1 years.

Saxophonist Jens Comén is often seen in rock-pop-jazz-big band-punk bands around town displaying his natural gifts (with his instrument).

Pedro Blom is the band’s bassist and plays in other roots music groups. Otherwise he’s a big fan of AC/DC and Mötorhead.

Hoven Droven’s violin-playing front man is Kjell-Erik Eriksson. His original interest in Swedish folk music has taken on a stronger bite and higher volume with Hoven Droven. He also plays traditional acoustic music in the band Triakel.

Janne Strömstedt (Hammond Organ) likes to play everything from salsa to country. In April 2000 Janne made the difficult decision to leave the band: “For a long time I’ve found it difficult to find a good way of combining the particular conditions under which HD is touring with the rest of my life. Unlike most of the others in the band I have a busy everyday life with another job apart from the music. I´m also touring quite a lot with Triakel.”

Discography

Hia-Hia (Xource/MNW XOUCD 110, 1994)
Grov (Xource/MNW XOUCD 114, 1996)
Groove, compilation (NorthSide NSD 6002, 1997)
More Happy Moments with Hoven Droven (Home 013 / NorthSide NSD 6043, 1999)
Hippa (Home 020 / NorthSide NSD 6062, 2001)
Turbo (Home 032, 2004)
Jumping at the Cedar, 2-CD live compilation (Home 044 / NorthSide NSD 6090, 2006)
Rost (Westpark PGM-87217, 2011)

www.hovendroven.com

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Artist profiles: Hazelius Hedin

Hazelius Hedin – Photo by Rickard Eriksson

Two of Sweden’s most established folk musicians make up the duo Hazelius Hedin. Esbjorn Hazelius and Johan Hedin both grew up in the south of Sweden where the traditional couple dance slangpolska is prevailing.

They search all over Sweden for their repertoire which includes everything from medieval ballads sailor songs love ballads and instrumental dance tunes. Moreover Hazelius and Hedin pass on the tradition through their own compositions. They arrange the music carefully often inspired by Esbjorn’s Irish tradition of music arranging and they constantly look for new instrumental harmonies.

Discography:

Om du ville människa heta (2011)
Sunnan (2014)

website: hazeliushedin.com

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Artist Profiles: Groupa

Groupa in 1999

Groupa plays its own brand of modern Swedish folk music. Since 1980, the band has been in the vanguard of the Nordic roots music scene: deeply rooted in tradition, yet always embracing modern instrumentation and improvisation. In the music of Groupa, you find a composed picture of the traditions of yesterday, the whims of today, and the possibilities of tomorrow.

Groupa’s music emanates from the band’s three personalities’ innermost passions. Groupa draw much of their musical inspiration from ‘hallingar’ (a specialty of the Nordic folk song form that could be called a celebratory holler) as well as waltzes and polskas, both traditional and newly-composed. All these elements contribute to the rhythmic drive that gives their music its own tone and color.

Over the years, many important figures in the Nordic music scene have worked with Groupa, including Ale Moller and Lena Willemark from Frifot and the Nordan Project, Hallbus Totte Mattsson from Hedningarna, and Gustav Hylen from Hoven Droven.

In 1991 they were awarded the top Swedish music award for their album Manskratt. The jury’s verdict read: “For pulling the old woolly feeling off folk music with a curious smile!”

In 1992, the band’s founder, Mats Eden, was appointed the Composer of the Year at the “Musik vid Siljan” festival. The band won its second Swedish award (equivalent to the Grammy in the US) in 1996 for their album Imeland.

In 1998, NorthSide marked the band’s achievements with Fifteen Years, a 7-minute collection of some of their finest moments and their first North American record release.

Their blending of old folk melodies, contemporary improvisational style and creative instrumentation has influenced a whole generation of musicians.

Groupa are: Mats Eden on fiddles and accordion; Jonas Simonson on flutes and bass saxophone; and Terje Isungset on percussion.

Discography:

Av Bara Farten (Amigo Music, 1983)
Vildhonung (Amigo Music, 1985)
Utan Sans (Amigo Music AMCD 721, 1988)
Manskratt, with Lena Willemark (Amigo Music AMCD 725, 1990)
Imeland (Amigo AMCD 73, 1995)
Fifteen Years (NorthSide NSD615, 1997), retrospective compilation
Lavalek (Europe: Xource/ North America: NorthSide NSD63, 1999)
Fjalar (Xource 134, 2002)
Frost (Footprint FRCD4, 2008)

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Artist Profiles: Frifot

Left to right: Lena Willemark, Per Gudmundson, Ale Möller. Photo by Tomas Gidén

Frifot brought together three of the most colorful characters on the Swedish folk music scene, all of them with deep roots in the tradition. The group was formed in 1987 and thanks to their successful tours both in Sweden and abroad, they won a large following beyond just the normal folk circles. Together they created powerfully contemporary music that gave new life to the old traditions without losing touch with the thoughts, feelings and expressions of our own day.

Frifot were:

Per Gudmundson — fiddle and bagpipe.

With his poetic interpretation of traditional tunes, he has made a name for himself as one of Sweden´s best fiddlers. His musical home and source of inspiration is the fiddle tradition of Rättvik which provides the distinctive color in the language and keynote of his music, both on the concert stage and to accompany dancing. He has also made crucial contributions to the revival of the Swedish bagpipe tradition.

Ale Möller — mandola, hammered dulcimer, flutes.

Ale is a master of many instruments who has found his way home to Swedish traditional music by many devious routes. He is one of the major forces in the search for new sounds and expressions of Nordic music. In close collaboration with different fiddlers he has brought new instruments to the old music, at the same time as he has also become an expert on old folk instruments.

Lena Willemark — vocals and fiddle

From her home in Älvdalen in the north of Dalarna she brought with her a treasure chest of extraordinary tunes and songs that she interprets both as a fiddler and, above all, as an extremely distinctive singer. Her meeting with the jazz tradition has taken her music along several paths. With traditional music as her guiding light she has sparked off inspiring work together with some of Sweden’s leading jazz musicians and managed to create new forms.
These three musicians also formed the basis of the Nordan Project, who e released various successful recordings on the ECM label.

Discography:

Frifot (1991)
Jarven (1996)
Summer Song, compilation (NorthSide 1998)
Frifot (ECM, 1999)
Sluring (2003)
Flyt (2007)

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Artist Profiles: Dram

Dråm

Dråm is a Swedish folk music group specialized in the sackpipa, the Swedish bagpipe. Dram means “drone” in a Swedish dialect.

Dram’s members, Erik Ask-Upmark and Anna Rynefors have both received the prestigious Zorn award and the title of Riksspelman (official master musician) for their playing and exposure of the Swedish bagpipes.

Aside from the Swedish pipes, Dram’s other instruments include different Swedish folk whistles and the nyckelharpa keyed fiddle.

www.draam.com

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Artist Profiles: Den Fule

Den Fule

Den Fule (the ugly one) was primarily a collection of veterans from the groundbreaking Swedish folk-rock scene of the 1970s from bands such as Filarfolket and Groupa. They released two albums in Sweden (compiled on Groove) and broke up in 1998.

Stylistically Den Fule combined R&B grooves with rock riffs and jazz phrasing while the melody maintained a loyal reading of a traditional fiddle tune.

Throughout it all the music was always rooted in the folk tradition of Sweden and incredible playing was always at center stage.

The Quake album released in the United states compiled Den Fule’s two Swedish releases “Lugumleik,” winner of a Swedish Award for Best Folk Album of the Year) and “Skalv” which introduced vocalist Henrik Wallgren to the band.

The group re-formed in 2007 and released two additional albums. Contrabande includes kora player and vocalist Solo Cissokho and singer Adama Cissokho.

The band:

Stefan Bergman – bass

Christian Jormin drums and percussion

Sten Källman saxophones percussion

Jonas Simonson flutes bass saxophone

Henrik Wallgren vocals

Discography

Lugumleik (1993)
Skalv (1994)
Quake (Northside 1997) compilation
Quake (1997, CD compilation of first two albums)
Halling i köket (2010)
Contrabande (2013)

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Artist Profiles: Boot

Boot

Boot was a Swedish band eaturing is Björn Tollin and Hållbus Totte Mattsson from Hedningarna plus Ola Bäckström from Swåp and Den Fule along with three whirling dancers.

Their album Virvla is a performance piece that joins the music and the dance, featuring the graceful interplay of whirling garments, limbs, and strings. Pine forest polskas and rustic waltzes gain new dimensions as three master musicians work together with three whirling dancers. The dresses of the two females sweep the floor as they whirl around the lone male dancer.

The group’s CD shows how Nordic dance music has a strong kinship with the fiery flamenco and the passionate tango. “Virvla” (pronounced veer-vla) means “whirl” in Swedish.

The enhanced CD includes two full-length video tracks showing the musicians and dancers performing together.

Discography:

Virvla (Silence Records/Northside, 1999)

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Artist Profiles: Bazar Bla

Bazar Bla – Photo by Carl Hjelte

Bazar Blå is one of the leading bands on the new folk music scene in Sweden. Their original compositions are clearly influenced by Swedish traditions and heritage, but always having a modern touch of rhythms and soundscapes.

Coming from different musical backgrounds, each member brings their individual experiences to the band. This specific blend of personalities’ repertoire and fantastic musicianship is what gives their music its unmistakable character. A distinctly new folk music which the trio calls Transglobal Tripfolk. There is music inspired by traditions from all over the world with the ambition to invite the listener on a journey through time and space.

Jonas Hedin on Nyckelharpa; Bjorn Meyer on bass; and Fredrik Gille on drums, percussion.

Discography:

Nordic City (Xource XOUCD 122, 1998)
Tripfolk (XourceXOUCD 13, 2000)
Live (Bazaarpool CD 1, 2003)
Nysch (Xource XOUCD 14/Bazaarpool CD3, 2004)
Lost (Bazaarpool CD13, 2009)
Twenty (2016)

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Artist Profiles: Harv

Harv

Two of Sweden’s newest and exciting young fiddlers came together to form Harv. With the long-standing folk fiddle duet tradition as their starting point, Magnus Stinnerbom and Daniel Sandén-Warg brought energy attitude and new ideas to the mix.

Magnus and Daniel come from Karlstad, a town in the western Swedish region of Värmland. They met while attending a high school for musicians and have been playing together for years. Their first performance together was in the theater where they scored new music for a rendition of Hamlet in 1996.

Their name Harv means “harrow,” a farm instrument used to level land. In Swedish “harv” also has the connotation of a really intense experience which is the definition that aptly describes Harv’s approach.

Magnus, whose father is a fiddle player (and an early member of iconic contemporary folk band Groupa) is well known in the Nordic roots scene. As a member of the supergroup Hedningarna and a performer with Sanna Kurki-Suonio he is immersed in the tradition but can also play in a modern context.

Daniel quickly became renowned in both Sweden and Norway for his research as well as his accomplished playing of Hardanger fiddle. On their NorthSide release Must such prominent musicians as Roger Tallroth of Vasen and Björn Tollin of Hedningarna join them on selected tunes.

Harv

Harv included Magnus Stinnerbom on viola d’amore (5 playing strings/5 resonating strings – made by Anders Norudde of Hedningarna), viola and willow flute; Daniel Sandén-Warg – viola d’amore (4 playing strings/4 resonating strings), jews harp, moraharpa (the oldest preserved form of the nyckelharpa).

Discography:

Must (NorthSide Records, 1999)

Tost (NorthSide Records, 2002)

Polka Raggioso (NorthSide Records, 2005)

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Artist Profiles: Väsen

Väsen in 2010 – Photo by Angel Romero

Väsen plays Swedish folk music with complex arrangements, with one foot firmly planted in the Swedish fiddle tradition, and the other in new acoustic music. The pieces are equally suitable for dancing, as well as for listening.

The instruments used include the nyckelharpa (a keyed fiddle unique to Sweden), viola, twelve-string guitar, and percussion. Rock, jazz, traditional, and classical influences weave together, making a music that’s beautiful but never too sweet. You always hear the inspiration and improvisation of the moment: “Playing’s got to be fun, and the audience has to have fun, too.”

In 1980, Olov Johansson (nyckelharpa) and Mikael Marin (viola) met as teenagers, and began to play together. Nine years later, Olov and Mikael met Roger Tallroth (guitar) in Roros, Norway. They played all night, and when finishing in the early morning hours, were offered a recording contract by the record label, Drone.

A first CD, Olov Johansson: Väsen, was released in 1990. Väsen was actually the title of the record, but when calls began coming in and promoters inquired after the group called Väsen, the musicians realized the name was already established.

In 1994, a group called Nordman made the Swedish charts, mixing rock and folk music. Väsen went on tour twice with Nordman. On the first tour, they met Andre Ferrari (percussion), who played the drums. They quickly became good friends and Andre performed on occasion with Väsen. Two years later, Andre became a permanent member of the group.

 

Väsen in 2009 – Photo by Maria Camillo

 

Väsen released its fifth CD, Varldens Väsen, in 1997. They toured Norway, Denmark, Finland, Italy, France, and Sweden. They signed a recording contract with NorthSide, and toured the United States of America and Canada.

Varldens Väsen was awarded a Swedish award in the category of Folk music/Ballad, 1998. They toured many parts of Europe and went on tour for the second time in North America.

Väsen’s first 4 discs released in Sweden and Europe are compiled on their American debut Spirit (NorthSide), plus live tracks and unreleased studio sessions.

The Väsen live experience was recorded during their unforgettable performance at the 2000 Nordic Roots Festival on Live at the Nordic Roots Festival. The band was joined by Norwegian fiddler Annbjorg Lien on Roger Tallroth’s Dragos and by the “bad fiddles from Sweden” Harv (Magnus Stinnerbom & Daniel Sand?n-Warg) on Polska After Mats Berglund / Sold or Sale.

In the fall of 2002, Väsen made a brief tour of the U.S. without percussionist Andre Ferrari, just as the original trio that they were from when the band was started in 1989 up until 1996 when Andre joined. Initially the idea of the tour was to play some older, pre-quartet material that they had not played for some time. But as they got together to rehearse, they realized that they all had new material which lent itself quite well to trio arrangements. The result was an entire set of new material, and the audiences loved it.

The tour was such a success that the band decided to do more regular trio tours in the future, as well as continuing with their quartet work. Regular trio performances called for a new trio CD which represented what the band was currently playing. And that’s how the Trio CD was born. The enhanced CD includes two videos of live Trio performance from the 2002 Nordic Roots Festival.

Keyed Up maintains a loose and fresh approach, capturing the band’s unique balance of structure and improvisation by keeping things “live” in the studio.

In January, 2005 the Väsen trio returned to Japan for their second tour, and their 3-night stand in Tokyo was recorded for posterity by their Japanese record company. Those performances, it turns out, were among the strongest in the band’s history, which says quite a bit for a 16-year old ensemble known for its great live show.

Väsen compiled Live in Japan, a selection of 17 tracks which draw heavily from their two recordings Trio and Keyed Up. A bonus “home movie” DVD is included, which contains interviews covering the history of the band, band-shot video clips from over the years, and exclusive live performance clips.

Väsen Musicians: Olov Johansson on nyckelharpa; Mikael Marin on viola; Roger Tallroth on guitar; and Andre Ferrari on percussion.

Discography

* Olov Johansson: Vasen (Drone DROCD001, 1990)
* Vilda (Drone DROCD004, 1992)
* Essence (Auvidis Ethnic B6787, 1994)
* Levande (Drone DROCD009, 1995)
* Spirit, compilation (NorthSide NSD 6004, 1997)
* Whirled (Northside, 1997)
* Varldens (Europe: Xource/MNW XOUCD118 / US: NorthSide NSD 6006, 1997)
* Gront (Europe: Xource/MNW XOUCD126 / USA: NorthSide NSD 6041, 1999)
* Live at the Nordic Roots Festival (NorthSide NSD 6065, 2001)
* Trio (NorthSide NSD 6077, 2003)
* Keyed Up (NorthSide NSD 6080, 2004)
* Live in Japan (2005)
* Linnaeus Väsen (Northside Records, 2007)
* Mike Marshall & Darol Anger with Väsen (Adventure Music, 2007)
* Väsen Street (Northside Records, 2009)
* Brewed (Northside Records, NSD7100, 2017)

Web site www.vasen.se

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