Brazilian star and innovator Carlinhos Brown is set to perform on Saturday, July 15 at 8:00 pm at David Geffen Hall in New York City.
Carlinhos Brown is an acclaimed songwriter, percussionist, and record producer from Salvador, Bahia. He mixes Brazilian and African rhythms with rock, folk music and pop. His shows feature spectacular percussion, a full band that includes electric guitars and brass, colorful costumes, and non-stop dance.
Amazonian Brazilian vocalist Dona Onete is set to perform on Friday, July 14 at at London’s Nell’s Jazz & Blues. She will presenting songs from the Amazon River that appear in her recent album Banzeiro.
Brazilian vocalist Sabrina Malheiros has announced the release of a new album. The recording will come out this summer and will feature her father Alex Malheiros, together with his Azymuth bandmate Kiko Continentino, Brazilian saxophone virtuoso Leo Gandleman, and British producer Daniel Maunick (Dokta Venom).
New York city-based band Forró in the Dark has a new album titled, Sandcastle (Nacional Records), its first release in 8 years. The band was formed in 2002 features Brazilian musicians based in the United States. Forró in the Dark members include Mauro Refosco on zabumba, percussion; Guilherme Monteiro on guitar; and Jorge Continentino on pífanos, flutes, and saxophones.
Forró in the Dark’s music is characterized by the forró rhythm of Brazil that is combined with rock, jazz, country and other genres. Earlier recordings include Bonfires of Sao Joao (2006), Light A Candle (2009) and Plays Zorn (Tzadik, 2015).
We talked to guitarist Guilherme Monteiro about Sandcastle.
This is your first album in 8 years, how has the band evolved musically during this time?
Well, we’ve done a lot of touring after the release of “Light a Candle”, so we had the opportunity of developing that music in big stages around the world, which is pretty different from the process we had before of testing out our new material at Nublu, which is a small club we used to play in New York. Also, we grew a lot individually, playing in different musical situations as side man or with our own projects, so when we get together to play with Forró In The Dark these days it has less of a testosterone driven energy and a much more musical vibe. We play with more dynamics and nuances than we used to.
Are there lineup changes?
Yes, Davi, who was a percussionist in the band, left the band a few years ago, so that was important for us to forge the sound of the new record. Me, Mauro and Jorge have a more similar sense of aesthetics and way of approaching the music.
What languages are you using in your new album Sandcastle?
Portuguese and English.
Eight years is a long time in-between albums. What have you been up to during this time?
We toured quite a lot in Europe and the States. Played some important festivals, like Bonnaroo, did extensive tours with Gogol Bordello. At some point we all had individual projects going for each individual member. Mauro was out playing with David Byrne, Atoms for Peace and the Red Hot Chilli Peppers; Jorge with Bebel Gilberto; and I’ve been touring with Gal Costa, who is a 72 year old singer, a sort of a living legend in Brazil.
Forró is still not a well-known genre outside Brazil. Are you making any inroads in the American market?
We think of ourselves of a band that honors the Forró genre but we don’t feel obliged to make inroads for it. We are primarily a band that makes music for people to dance, feel and think. Forró is a means to achieve that but we don’t consider ourselves “ambassadors” of the genre.
Obnoxious is a cult album that was originally released in 1970 by Brazilian label Quartin. It’s a recording full of musical surprises and lavish unexpected arrangements by composer, guitarist and vocalist José Mauro.
The opening track, “Obnoxious”, sets the tone for the entire album. You’ll find orchestral arrangements, loungy brass, great Brazilian percussion, psychedelia and more. The arrangements sound like a fabulous Brazilian soundtrack to a secret agent movie.
But there is also a melancholic undercurrent and Catholic references in the lyrics that sets it apart from the “happier” forms of Brazilian music that were popular at the time.
The lineup includes José Mauro on vocals and guitar; Maurilio on trumpet; Paulo Mora on alto sax; Altamiro Carrilho on flute; Rildo Hora on gaita; Salvador on keyboards; Geraldo Vespar on guitar; Sebastiao Marinho on bass; Juquinha and Marnao on percussion; Wilson Das Neves on drums; and Roberto Quartin’s string ensemble.
USA-based Brazilian pianist and vocalist Eliane Elias has become of the most familiar names in the world of Brazilian-rooted jazz. Her new album Dance of Time takes Eliane back to her Brazilian roots in a brilliant manner.
Dance of Time was recorded in Brazil and the result is a truly exquisite recording. There is not a weak track on this album. Eliane Elias effortlessly balances her talent as a pianist and singer-songwriter, delivering some of her finest material, injecting spirited samba.
Dance of Time features first class talent from Brazil and the United States, including pianist Amilton Godoy, singer- songwriter and guitarist João Bosco, guitarist and vocalist Toquinho, trumpeter Randy Brecker, vibraphonist Mike Mainieri and the unmistakable remarkable vocals of Mark Kibble (Take 6).
The performances on Dance of Time are remarkable and the recording quality is superb.
Dance of Time is so far one of the best Brazilian-rooted albums of the year.
An album by charismatic Brazilian Amazonian singer Dona Onete. Her songs are about seduction, plants that make your body ‘agitate’ and stories related to the Amazon. The septuagenarian artist is enjoying new popularity in her country and abroad thanks to international releases like Banzeiro.
On Banzeiro, Dona Onete delivers infectious Brazilian rhythms like bangue and a style she developed called carimbó chamegado where she combined two genres called lundum and carimbó. She mixed them with the rhythm of the songs from the slaves. Dona Onete describes carimbó chamegado as slower and sexier than carimbó.
Brazilian vocalist Ive Mendes will perform at ICE Kraków with her band and string quartet on June 25, 2017. Mendes combines elements of smooth jazz and Brazilian bossa nova, resulting in an example of really great music. The critics praise Ive’s voice, whose color and warmth lend expression and romanticism to her music. We expect that during the Summer Festival we will hear all the songs from her new album, Bossa Romantica, which actually appeared first in Poland.
Bossa Romantica was recorded by Kevin Armstrong, known for his collaborations with, among others, David Bowie and Iggy Pop. One of the singles from this album, the song ‘You Make Me Feel Brand New’, was mixed by Miles Walker, the legendary winner of several Grammys, in his studio in Atlanta.
The world music accent in the work of Ive Mendes has its source in the singer’s origins. Ive was born in Ceres, Brazil, in a farming family with mixed roots: Spanish, French, Italian, Portuguese, and Brazilian. She also mentions her Indian heritage.
The music of Ive Mendes is perfect for a warm evening with a glass of wine or a great late dinner—the point being that it complements the sensual pleasures of life. The sensuality, depth, and moodiness of her voice will lead our thoughts along the paths of Spanish vineyards. We’ll hear the sounds of samba, jazz, soul, and chillout, guaranteed to awaken sensual passion and bring out life’s most delicious flavors.
Ive has the ability to move freely between bossa nova and modern influences, smooth jazz and pop, and her originality ensures that she is appreciated by listeners in the Asian and European markets, where she is known as the “Brazilian queen of smooth jazz.” Ive Mendes is one of very few Brazilian singers representing this cosmopolitan and open attitude to music. Her worldwide success is sustained by renowned, highly esteemed, intimate live performances, during which we are guaranteed to discover her charm, charisma, and hypnotic voice.
Ticket sales locations: eventim.pl, ticketpro.pl, biletywkrakowie, Punkt InfoKraków, ul. Św. Jana 2, and the organizers’ office at ul. Karmelicka 52/1, Kraków.
Saudade is a collection of beautiful, poetic songs composed by some of Brazil’s greatest songwriters and performed by the remarkable voice of Renato Braz. The album combines Brazilian melodies and rhythms with Paul Winter’s global jazz sound as well as world music elements from Russia and other cultures.
Renato Braz has been an essential member of the Paul Winter Consort family in recent years. Even though he has made recordings in Brazil, Saudade is first release in the United States.
The lineup is quite impressive. His band includes the Paul Winter Consort, the Dmitri Pokrovsky Ensemble, Dori Caymmi, and Ivan Lins.
Saudade is beautifully packaged, featuring an extensive booklet with photos, lyrics and descriptions of the songs.
A champion of Brazil’s African-rooted traditions who has scoured the vast backlands of his own country and the far corners of the world in search of inspiration for his constantly evolving artistic vision, Gilberto Gil remains one of his land’s most enterprising musicians. His singing and composing career in Bahia, the center of African culture in Brazil, began in the mid sixties as one of the founders of the revolutionary Tropicalismo movement.
Tropicalismo, built on an eclectic mix of native and global influences, turned the conventions of Brazilian popular culture inside out and created its own language. Gil’s quest for new ways to invigorate his personal take on the sounds of Brazil have led to Jamaican reggae, African pop music, R&B and rhythmic and harmonic vignettes that range from Amazonian backwaters to the posh clubs of Tokyo.
Gil has collaborated with reggae singer Jimmy Cliff and The Wailers, Bob Marley’s former band.
In December of 2002, at the age of 60, Gilberto Gil was named Minister of Culture of Brazil by President-elect Luiz Inacio Lula da Silva. Gil was one of the leaders of the Green Party, which shared power with President Lula’s Worker’s Party.
As a musician and as a diplomat, Gil possesses a key role in the constant modernization of Brazilian popular music and culture throughout the world. Gil’s Broadband Band Tour for June and July 2008 followed his unprecedented 2007 solo tour.
Banda Larga (Broad Band), the album and the tour, reaffirmed Gil’s irreversible engagement with the new rules and compasses of the universe of bits and bytes, embracing all of the risks and challenges. This theme that has fascinated him for more than 30 years characterized a previous tour outside of North America, also called Banda Larga, in which Gil made available as much of his work as possible for webcasts, podcasts, cellcasts, etc.
The great novelty of the Broadband Band Summer Tour 2008 was really the set list. Whereas the previous tour was created around the greatest hits, this time Gilberto Gil played a new collection of songs such as Banda Larga Cordel, Nao grude nao and other more recent compositions.
In 2016, Caetano Veloso and Gilberto Gil released a double live album titled Dois Amigos, Um Século de Música: Multishow Live. The set includes 28 tracks from each songwriter and some favorites written by other composers, sung in Portuguese, English, Italian, and Spanish.
* Louvação (1967)
* Gilberto Gil (with Os Mutantes) (1968)
* Tropicalia ou Panis et Circensis (with Caetano Veloso, Gal Costa, Os Mutantes) (1968)
* Gilberto Gil (Cérebro Eletrônico) (1969)
* Gilberto Gil (Nêga) (1971)
* Barra 69: Caetano E Gil Ao Vivo Na Bahia (Philips, (1972)
* Expresso 2222 (1972)
* Temporada De Verao Ao Vivo Na Bahia, with Caetano Veloso and Gal Costa (Philips, (1974)
* Refazenda (1975)
* Os Doces Barbaros, with Maria Bethania, Gal Costa and Caetano Veloso (Philips, 1976)
* Refavela (1977 )
* Gilberto Gil Ao Vivo em Montreux (1978 )
* Refestança (1978)
* Nightingale (1979)
* Realce (1979)
* Brasil, with Joao Gilberto, Caetano Veloso and Maria Bethania (Philips, 1981)
* Luar (A Gente Precisa Ver o Luar) (1981)
* Um Banda Um (1981)
* Extra (1983)
* Quilombo (Trilha Sonora) (1984)
* Raça Humana (1984)
* Dia Dorim Noite Neon (1985)
* Gilberto Gil em Concerto (1987)
* Soy Loco Por Ti America (1987)
* Trem Para As Estrelas (Trilha Sonora) (1987)
* Ao Vivo em Tóquio (1988)
* O Eterno Deus Mu Dança (1989)
* Parabolicamará (1991)
* Tropicalia 2, with Caetano Veloso (Polygram, 1993)
* Acoustic (1994)
* Esoterico Live in USA 1994 (1995)
* Oriente Live in Tokyo (1995)
* Em Concerto (1996)
* Luar (1996)
* Indigo Blue (1997)
* Quanta (1997)
* Ao Vivo em Tóquio (1998)
* Copacabana Mon Amour (1998)
* O Sol de Oslo (Blue Jackel BJAC 5031-2, 1998)
* O Viramundo (Ao Vivo) (1998)
* Quanta Live (1998)
* Me, You, Them (2000)
* Milton and Gil (2001)
* São João Vivo (2001)
* Kaya N’Gan Daya al vivo (Globo Warner, 2002)
* Z, 300 Anos de Zumbi (BJ54534-2, 2002)
* Eletrácustico (2004 )
* Ao Vivo (2005)
* As Canções de Eu Tu Eles (2005)
* Soul of Brazil (2005)
* Gil Luminoso (2006)
* Rhythms of Bahia (2006)
* Banda Larga Cordel (2008)
* Bandadois (Warner Music, 2009)
* Fé Na Festa (2010)
* Gilbertos Samba (2014)
* Dois Amigos, Um Século de * Música: Multishow Live, with Caetano Veloso (Nonesuch, 2016)