The end of winter in Krakow coincides with the beginning of the annual celebration of jazz music. Since 1996, Piwnica pod Baranami (Cellar under the Rams) has hosted the Summer Jazz Festival.
For twenty years, Summer Jazz Festival has hosted outstanding stars of popular music in Krakow: Chick Corea, Herbie Hancock, Bobby McFerrin, Jean-Luc Ponty, Lenny White, Lee Konitz, Stanley Clarke, Branford Marsalis, Joe Lovano, Richard Bona, Eddie Henderson, Nigel Kennedy, Larry Coryell, the Rosenberg Trio, and many other outstanding artists.
From year to year the Festival has expanded its program, presenting, along with daily concerts at Piwnica pod Baranami, concerts at Filharmonia, Opera Krakowska, Radio Kraków, and all of Krakow’s jazz clubs. Today, the Festival is Poland’s biggest jazz festival, and one of the biggest in Europe. Over the past fourteen years all of the elite performers of Polish jazz have appeared many times.
This year the Krakow stage will be graced by the Arturo Sandoval Sextet, Chick Corea Trio, and Ivo Pogorelić.
Arturo Sandoval will be performing in Krakow on February 17. This world-renowned trumpeter and jazz pianist of Cuban origin has won 10 Grammy Awards and is a six-time Billboard Music Award winner; he has also been awarded the Medal of Freedom for his artistic achievements. A student and friend of Dizzy Gillespie, in his youth he was a drummer, later a master of jazz trumpet and flugelhorn, pianist, and composer. Through his Cuban roots and inspirations, Sandoval has ventured into the field of World Music through his work with the group Irakere.
Ivo Pogorelić will be appearing in Krakow on June 9. A native of Belgrade, the artist received his musical education at Moscow Central Music School and the Moscow Conservatory. He is the winner of many prestigious awards, including the Casagrande Competition (Terni, Italy 1978) and the Montreal International Music Competition (1980). He performs with symphony orchestras around the world, including those of Berlin, Vienna, Chicago, Philadelphia, Boston, Los Angeles, New York … His extensive discography includes baroque, classical, romantic, and contemporary works.
Performing on May 8 is world-renowned jazz pianist and composer Chick Corea. For lovers of jazz-inspired fusion, jazz-rock, or bebop, this concert needs no advertising. The work of Chick Corea is known to everyone. His visit to Poland is not only an artistic event but also a media happening.
The first Jewish Culture Festival was held in Poland in 1988, at which time its main goal was to emphasize the very important role of Jews in the creation of the Polish state, cultural identity, and society. After 28 years, the Festival has become Krakow’s best-known cultural event, as well as one of the most important festivals of contemporary Jewish culture in the world.
Every year, nearly thirty thousand people take part in this event; the ten-day duration of the Festival marks the presence in Krakow’s Kazimierz neighborhood of artists, filmmakers, and musicians from around the world.
The themes of the 26th JCF were the Diaspora and the Sabbath, as symbols of historical and contemporary Jewish identity. The implementation of each edition of the Jewish Culture Festival is supervised by the Festival Office, operating under the auspices of the Association of the Jewish Culture Festival (cf. http://www.jewishfestival.pl/pl/).
The Jewish Culture Festival has become a permanent and very important part of Krakow’s cultural life, in addition to its significant contribution to the spread of knowledge about Jewish culture and tradition, not only in Poland but internationally. The organizers devote particular attention to the cultural significance of music; this is strongly supported by the Jewish religious tradition, in which oral transmission is particularly important. But Krakow’s Jewish Culture Festival also represents a bold transcendence of the boundaries of tradition, codes, and signs, which, expressed in the language of music, equates to “world music.”
Today, not only in Poland but also throughout Europe, very important voices are being raised on the topic of the cultural integration of multiple, often historically conflicting, religious circles. In terms of politics and, especially, economics, this problem, far from disappearing, is actually (as shown by the events currently taking place in Europe) growing. However, World Music shows another side of cultural dialogue, one referring to spontaneous cognitive and artistic desires. This is shown and proven not only by the numerous festival concerts, but also by academic lectures such as “The Musical Meeting of Judaism and Islam” by Prof. Edwin Seroussi of the Hebrew University in Jerusalem. More on this topic, on the example of the musicians of the 26th Jewish Culture Festival, is presented below.
In 2016, Krakow hosted musicians from around the world, with a significant portion coming from Israel but as well from the United States, Hungary, Germany, Russia, and Turkey.
The first day of the Festival opened with an evening session in the rhythm of mizrahi, a genre that combines Arabic, European and African music. Khen Elmaleh and David Pearl, creators of the best mizrahi events in Tel Aviv today, played their sets. The second day of the Festival featured an international evening concert of cantors, “By the Rivers of Babylon …,” with the participation of cantor Benzion Miller, one of the most famous Jewish cantors in the world (from the synagogue of the Jewish Center in Hillside, New York, and from 1981 Temple Beth El, Borough Park, Brooklyn, New York, USA), who, in Poland with Alberto Mizrahi and the Ben Baruch Choir, inaugurated the 8th Jewish Culture Festival in 1998 in the courtyard of Collegium Maius of Jagiellonian University.
Also taking part in this year’s concert was the world-famous lyric tenor cantor Yaakov Lemmer, followed by Avraham Kirshenbaum, lyric tenor and hazzan of the Great Synagogue of Jerusalem, one of the most outstanding heirs of the legacy of the Levites. This concert was marked as well by the participation of the Jerusalem Great Synagogue Choir, one of the best choirs performing liturgical music; of the composer Maestro Eli Jaffe, a member of the Royal Academy of Music in London and honorary conductor of the Prague Symphony Orchestra; and of pianist Menachem Bristowski. A Polish accent was provided by the participation in the concert of Krakow’s city orchestra, Sinfonietta Cracovia (PL).
The third day of the Festival featured an encounter with Jewish music from Austria-Hungary: Glass House Orchestra is the latest project by Frank London, undertaken on the initiative of the Balassi Institute Hungarian Cultural Center in New York. The group, comprising eight respected musicians from different countries, adopts elements of the extremely complex Jewish musical tradition. The result is – as ensured by the organizers of the Festival – truly cosmic.
Also worthy of our attention are The Brothers Nazaroff. As the Festival organizers write on the event’s website: “In the mid-twentieth century, Yiddish music in America was played mainly in the form of lullabies, elegies and Americanized folk songs. It was OK, but a little boring. In 1954 Nathan ‘Prince’ Nazaroff appeared with the album Jewish Freilach Songs (Freilach means happy in Yiddish) which was boisterous and joyful.”
By the end of the 26th Festival of Jewish Culture, numerous chamber, club, traditional music, and outdoor concerts had been held. The festival closed with a concert by Totemo, an Israeli music producer and singer. Her music is a combination of futuristic beats and precise sounds, enriched with melancholy lyrics, in a downtempo rhythm.
Given the scope of our review, we are unable to mention all of the artists participating in this Krakow festival of World Music, so we encourage you to take a look at the following websites: