Gaye Su Akyol – Istikrarli Hayal Hakikattir (Glitterbeat, 2018)
For the most part we humans like knowing what to expect. We prefer the predictable. We like the safe. We want what we want when we want it. That’s an impossible order when faced with the veritable avalanche of world music out there. I have to admit that I occasionally feel like the well-meaning parent standing with hands on hips over the obstinate child facing an unknown vegetable asking, “How do you know you won’t like it? Have you tried it?”
To brag a bit, I think that the standard World Music Central follower is smarter than the average bear. We have followers who want to know when their favorite Cuban is coming to town, or what’s the latest in music from Mali, or perhaps visit to learn a bit about the heavy hitters in Indian classical music. Unfortunately, that doesn’t stop my incessant need to get you readers to try something new and exciting. It’s a good thing I don’t know where you live because I’m fairly certain I would be sitting on your bed in the middle of the night shoving a set of headphones at you and forcing you to listen to track 4 because it’s amazing.
Well, here we are again. So, be good, open wide and take a sip of Turkey’s singer, songwriter, producer and audio/visual conceptionalist Gaye Su Akyol’s Istikrarli Hayal Hakikattir. You’ll like it.
Translated the title Istikrarli Hayal Hakikattir means Consistent Fantasy is Reality. Ms. Su Akyol says of the recording, “In terms of its philosophy, lyrics, music and motto, this album is the dream of pure freedom, of showing the courage to be yourself, of looking at the culture I was born into without alienation, a ‘dreaming practice’ propounded into a country and world that is increasingly turning inward and becoming a concervatized prison.”
Following up on previous recordings Hologram Imparatorlugu and Develerle Yasiyorum, Ms. Su Akyol’s latest hits the streets November 1st on the Glitterbeat label. Beyond her own vocals, playing percussion and adding electronics, Ms. Su Akyol is joined by co-producer, electric and acoustic guitarist Ali Guclu Simsek; bassist, acoustic guitarist and keyboardist Gorkem Karabudak; drummer Ediz Hafizoglu, saxophonist Ihan Ersahin, classical guitarist Barlas Tan Ozemek; violinist, oud, electro saz and cumbush player Ahmet Ayzit, percussionist Ismail Darici and trumpeter Oguz Bilgin.
Istikrarli Hayal Hakikattir is edgy, moody and wholly satisfying. It’s deliciously exotic, stunningly kickass and delectably dense. Melding the sinuous lines of Turkish classical musical traditions with the sharp edges of Anatolian rock and Western rock turns Istikrarli Hayal Hakikattir into something fresh and extraordinary.
Ms. Su Akyol explains, “Musically the album combines influences from the Anatolian pop/Anatolian rock genre that emerged in Turkey during the ‘60s and the ‘70s with Turkish classical music scales and vocal aesthetics, and various subgenres of rock (psychedelic, post-punk, surf) bringing together strong ballads, Turkish folk tunes, the conventional guitar-bass-drums trio with percussion, joined by violin, oud, cumbush, and – as new additions that the previous albums did not have – baglama (Turkish native instrument), all together making up a very rich instrumental palette.”
Opening with some electronica “İstikrarlı Hayal Hakikattir” takes on weight with Ms. Su Akyol’s vocals, throaty guitar lines and satisfying bass and percussion. It comes across as a fresh take on the Turkish brand of rock, replete with male vocals to round out the sound.
If you don’t simply fall for Ms. Su Akyol’s right out on the sultry “Bağrımızda Taş,” there’s plenty to wrap your musical soul around like ramped up surf feel of “Laziko” or the subterranean goodness of “Gölgenle Bir Başıma” or the brass, electronica and guitar laced gritty powerhouse “Meftunum Sana.”
There’s also goodies like “Şahmeran,” “Bir Yaralı Kuştum” and the intensely lush closing track “Halimiz İtten.”
Try Istikrarli Hayal Hakikattir, you’ll like it. Don’t make me come to your house.
Author: TJ Nelson
TJ Nelson is a regular CD reviewer and editor at World Music Central. She is also a fiction writer. Check out her latest book, Chasing Athena’s Shadow.
Set in Pineboro, North Carolina, Chasing Athena’s Shadow follows the adventures of Grace, an adult literacy teacher, as she seeks to solve a long forgotten family mystery. Her charmingly dysfunctional family is of little help in her quest. Along with her best friends, an attractive Mexican teacher and an amiable gay chef, Grace must find the one fading memory that holds the key to why Grace’s great-grandmother, Athena, shot her husband on the courthouse steps in 1931.
Traversing the line between the Old South and New South, Grace will have to dig into the past to uncover Athena’s true crime.