Exceptionally Vivid Flamenco Alchemy

Jerez Texas – Clar de lluna (Jerez Texas, 2017)

Jerez Texas is a fascinating trio from Valencia (Spain) that has developed a unique combination of musical genres and instruments. ‘Clar de lluna’ is their new live album, recorded at the ancient Roman Theater ruins in Sagunto, north of Valencia.

Frenchman Matthieu Saglio and Spaniards Ricardo Esteve and Jesús Gimeno are three virtuoso musicians who clearly demonstrate the genuine chemistry in their live performances. Jerez Texas’ alluring sound brings together passionate flamenco guitar, graceful classical music cello, and drums rooted in jazz and flamenco, along with additional world music influences.

Clar de lluna features fiery chamber flamenco performed by three remarkable musicians. Jerez Texas has released several music videos from this live concert that showcase their talent.

 

 

Although most of the material on this album are original compositions by members of Jerez Texas, Clar de lluna contains a great version of Joe Zawinul’s jazz fusion classic “Birdland” along with a recreation of Serge Gainsbourg’s Couleur Café retitled in Spanish Color Café.

 

 

The lineup includes Ricardo Esteve on flamenco guitar; Matthieu Saglio on cello; and Jesús Gimeno on drums and flamenco cajón.

 

Get the album from www.jereztexas.com

Author: Angel Romero

Angel Romero y Ruiz has been writing about world music and progressive music for many years. He founded the websites worldmusiccentral.org and musicasdelmundo.com. Angel co-produced “Musica NA”, a music show for Televisión Española (TVE) in Spain that featured an eclectic mix of world music, fusion, electronica, new age and contemporary classical music. Angel also produced and remastered world music and electronic music albums, compilations and boxed sets for Alula Records, Ellipsis Arts, Music of the World, Lektronic Soundscapes, and Mindchild Records. He was also the executive producer of the first Latino feature film made in North Carolina titled “Los sueños de Angélica.”.

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