Rubim de Toledo – The Drip (2023)
Renowned bassist, composer, and ensemble leader, Rubim de Toledo, continues to expand his rich stock of original compositions with his captivating release, The Drip. On this addicting and upbeat new album, the Brazilian-Canadian artist delves even deeper into his tropical heritage. Indeed, using creative bass lines, he explores the vibrant and multifaceted musical landscapes of Brazil, Cuba, the Caribbean, as well as drawing inspiration from Afrobeat, ethiojazz, funk, and the world of contemporary jazz.
De Toledo, a recipient of numerous Western Canadian Music Awards, including the titles of Jazz Artist of the Year in 2018 and Instrumental Artist of the Year in 2021, embarked on his professional journey in Edmonton, Alberta, at a mere 17 years old. He performed alongside leading jazz artists of Alberta, such as Tommy Banks, PJ Perry, and Clarence “Big” Miller. Since those formative years, he has become a highly sought-after collaborator and leader. To date, he has released seven full-length albums filled with his original compositions.
Currently, Rubim de Toledo has solidified his status as one of Western Canada’s most revered and celebrated jazz and world music talents.
For The Drip, Rubim welcomed the talented Edmonton-based vocalist, Karimah, as a collaborator on three tracks, uniting with an ensemble of Western Canadian jazz virtuosos.
Musicians: Rubim de Toledo on bass, guitar, additional percussion & keyboards; Karimah on vocals; Bob Tildesley on trumpet; Audrey Ochoa on trombone; Chris Andrew on keyboards; Felix Tellez on guitar; Raúl Tabera on congas, bongos, jembe, güiro, jam blocks, timbales; and Jamie Cooper on drums.
Regarding the Songs:
- “Up from Under” – This high-energy track showcases a robust bass ostinato in a Songo/Afrobeat fashion that drives the song forward, accompanied by dynamic organ solos delivered by Chris Andrew.
- “The Drip” – The title piece adopts an Afro-House style with influences from the ethio-jazz of Mulatu Astatke. It showcases a distinctive trombone solo by the renowned Audrey Ochoa.
- “Freedom Ain’t the Same” – Highlights vocalist Karimah in a Neo-Soul/Brazilian groove, characterized by potent horn melodies set against an unmistakable samba-jazz rhythm.
- “Rhythm Chante” – The album’s inaugural single, combines Afrobeat and Brazilian Axe elements and features vocalist Karimah. The inclusion of both French and English lyrics exemplifies Rubim’s culturally fused approach in his compositions.
- “Son del Arroyo” – A tribute to the legendary Cuban bassists Cachao and Cachaito (Uncle and nephew), presented as a Cuban son-cha.
- “The Long Way (Down)” – Part one of a two-part composition, this track initiates with a groovy Afrobeat vibe and transitions into a captivating 6/8 feel, driven by an irresistible bassline.
- “Equal Ground” – Showcasing Karimah’s soulful vocals, this track is an embodiment of pure groove. It exudes funkiness, grit, and boundless energy. Notably, it features collective improvisation by Bob Tildesley (trumpet) and Audrey Ochoa (trombone), and even includes a solo conga cadenza by the esteemed Cuban percussionist Raúl Tabera.
- “Danza para los Difuntos” – Another Cuban-inspired piece that commences with a classic Danzonete vibe, leading into a robust Cachao-style Son Montuno. Dedicated to recently departed family members.
- “The Long Way (Up)” – Part two of the composition, this piece delves into an exploratory realm, invoking the essence of Brazilian-jazz luminaries Edberto Gismonti, Hermento Pascoal, and Nana Vasconcelos.
Buy The Drip.