Artist Profiles: Ana Moura

Ana Cláudia Moura Pereira, better known as Ana Moura, was born September 17, 1979 in Santarem, the bustling capital of the Ribatejo province in the center of Portugal’s heartland on the Tejo (Tagus) River northeast of Lisbon. The city of half a million souls is also one of Portugal’s most historic cities-an ideal place to develop an appreciation for fado. “I’ve been singing fado since I was little, because grew up listening to it at home,” she recalls of her early home life.

“My parents sang well, and at family gatherings we all would sing.” Like young people everywhere, she soon developed an appreciation for other styles of music. The lure of singing fado, however, never waned. In her late teens, while sing pop and rock music with a local band. Ana always included at least one fado in each performance. Then, one night on a whim, about the year 2000, she and some friends went to one of Lisbon’s storied fado houses-small performance venues where singers, guitarists and aficionados gather to worship the affecting style that’s become Portugal’s most important music export. At the urging of her companions, she sang.

“People liked me,” she recalls of her first foray into a venerated bastion of the fado culture. Later that year, at a Christmas party that was attended by a lot of fadistas (fado singers) and guitarists, she sang again and, as fate would have it, noted fado vocalist Maria de Fe was in the audience and was duly impressed. “She asked me to sing at her fado house,” Ana recalls of the fortuitous moment that launched her career.

“My life changed when I began going to the fado houses,” Ana states today. “There’s no microphone-it’s very intimate. New singers leam through a kind of apprenticeship, learning the intricacies of the style from the older, more established singers.” Before long, word of Ana’s rich contralto, stunning looks and innate affinity for the demanding style spread, winning airtime on local television programs devoted to fado and rave reviews in Lisbon newspapers.

Music critic Miguel Esteves Cardoso captured her essence when he wrote of her “rare and primitive quality” and her “natural truth, without effort or premeditation.” Ana has emerged as a leading voice of traditional fado just as the venerable idiom is enjoying a renaissance of popularity.

The singer’s association with composer, producer, arranger and guitarist Jorge Fernando, the former guitar player of Amalia Rodrigues (the undisputed queen of fado, who died at the age of 79 in 1999) has helped stimulate her artistic development and has provided her with an alluring repertoire. “Today,” she explains, “there’s a new generation that sings lyrics related to our time. There are some older fado songs that we, the younger singers, cannot perform, because the lyrics are about a time and themes we don’t identify with. We don’t feel it, and fado is all about feelings. We must feel what we sing, and there are many older fados that don’t belong to our generation. Younger singers use lyrics that speak of today, so young people have begun to get more interested in the music again.”

Fado sprang from the culture of working class people and over the years the style evolved from humble origins to win broad appeal. Today, as Ana proudly proclaims, “In Portugal, fado is for everyone.”

Like virtually every aspiring fadista, Ana drew early inspiration from the example of Amalia Rodrigues, the revered singer who most personified the style. “It was her soul and her voice,” she comments of the late vocalist’s singular imprint on the music. “She had everything in her. Some singers have a great voice by no soul, no intensity. Others have feeling but not a suitable voice. She had it all, and, she was a very good improviser.”

Improvising is an under-appreciated part of the fado tradition. One technique, which Ana uses to great effect on the song “Lavava no rio lavava” (I Went to the River to Wash), is what the Portuguese term vocalizes-the expression of words and effects through use of vocal trills. The practice is believed to have been absorbed over centuries of exposure to Spanish flamenco and Moorish styles.

A key track from her debut album exquisitely sums up the magnetic pull, fado has exerted on Ana. “Sou do fado, sou fadista” (I Belong to Fado, I Am a Fadista) by her mentor and primary collaborator, guitarist Jorge Femando, eloquently explains Ana’s total surrender to the style: “I know my soul has surrendered, taken my voice in hand, twisted in my chest and shown it to the world. And I have closed my eyes in a wistful longing to sing, to sing. And a voice sings to me softly, and a voice enchants me softly, I belong to fado, I belong to fado, I am a fadista.”

Her successful debut albums Aconteceu and Para Além da Saudade increased her national and international profile. While she performed at the best fado houses in Lisbon, she also presented her music at Carnegie Hall in New York.

Ana participated in the Rolling Stones Project, led by saxophonist Tim Ries, who invited performers selected from various parts of the world. Ana Moura performed her versions of ‘Brown Sugar’ and ‘No Expectations’.

Her fifth studio album, Desfado topped the Portuguese Albums Chart and it was certified 6× Platinum by the Associação Fonográfica Portuguesa, becoming the best-selling album of the 2010s in Portugal by a Portuguese artist.

In 2021 Ana Moura released a series of singles in anticipation of a new album. The single “Jacarandá” features poetic words and sensual rhythms with an Atlantic feeling, bringing together her familiar Portuguese fado, tropical Brazilian sounds and African rhythms. “Jacarandá” is a collaboration with Mike Scott, the guitarist who accompanied Prince.

Discography:

Guarda-me A Vida Na Mão (Universal Music Portugal, 2003)
Aconteceu (Universal Music Portugal, 2004)
Para Além Da Saudade (Universal Music Portugal, 2007)
Coliseu (Universal Music Portugal, 2008)
Leva-me Aos Fados (Universal Music Portugal, 2009)
Desfado (Universal Music Portugal, 2012)
Moura (Universal Music Portugal, 2015)

Author: Angel Romero

Angel Romero y Ruiz has dedicated his life to musical exploration. His efforts included the creation of two online portals, worldmusiccentral.org and musicasdelmundo.com. In addition, Angel is the co-founder of the Transglobal World Music Chart, a panel of world music DJs and writers that celebrates global sounds. Furthermore, he delved into the record business, producing world music studio albums and compilations. His works have appeared on Alula Records, Ellipsis Arts, Indígena Records and Music of the World.