Photo by Angel Romero
The fall festival this year ran from Thursday, October 4th to Sunday, October 7th. The Sunday lineup was the most attractive for me since it featured three of the main world music/reggae acts: Fatoumata Diawara (Mali), Rupa and the April Fishes (USA), and The Wailers (Jamaica).
I arrived just on time to see the concert by Malian rising star Fatoumata Diawara, who was performing at the large Meadow Stage. Her album Fatou is doing really well internationally and she displays a talented live show, engaging the audience in charming English, which is a plus.
Photo by Angel Romero
She moved to Paris in her early twenties where she spent several years touring internationally with the theatre troupe Royal de Luxe, going on to take the lead in the musical Kirikou et Karaba, while recording and touring with Malian star Oumou Sangare and writing her own film script. She writes her own music, mixing Wassulu traditions with western influences.
The festival has four stages so after Fatoumata’s concert, I walked over to the other stages to check out the artists performing there. The Dance Tent was packed, full of dancers, enjoying the Zydeco and Cajun grooves of Preston Frank and Donna the Buffalo.
Photo by Angel Romero
I headed back to the Meadow Stage to listen to another headliner, but first I stopped at the Carson’s Grove stage. The trio performing there was Carolina Lightning , a traditional bluegrass act featuring three of North Carolina’s best traditional performers: Tommy Edwards (of The Bluegrass Experience) on guitar and vocals, Alice Zincone on bass and vocals, and Rick Lafleur on banjo and vocals. Their extensive repertoire includes traditional bluegrass pieces and original songs together with country, folk and rock songs that have been recreated as bluegrass tunes.
Photo by Angel Romero
The Steep Canyon Rangers performed a fine mix of traditional bluegrass, Gospel and virtuosic jam-style modern bluegrass. Their discography includes Old Dreams and New Dreams (2001), Mr. Taylor’s New Home (2002), The Steep Canyon Rangers (2004), One Dime at a Time (2005), Lovin’ Pretty Women (2007), Deep in the Shade (2009), Rare Bird Alert, with Steve Martin (2011), and Nobody Knows You (2012).
Next, I returned to the dance tent and listened to a little of Driftwood. This band is based in Binghamton, New York and combines old time folk with modern American roots music and world music with a lineup of fiddle, banjo, upright bass and guitar. Their most recent album is A Rock & Roll Heart, released in November 2011.
Photo by Angel Romero
Band members include Ben Miller on vocals and guitars, Scott Leeper on washtub bass, and drummer and percussionist Doug Dicharry. “We’re not some kind of gimmick band,” says Ben Miller. “Just because we use junk to make music doesn’t mean we aren’t serious about it. We are legitimately making real music, and when you hear us play I think you get that.” The Ben Miller Band’s most recent album is Heavy Load (2012).
Photo by Angel Romero
Rupa & the April Fishes has a brand new album, released this month, titled Build that features songs from the road between solitude and solidarity. The band has several new music videos coming out for this album. The first one is by filmmaker Dagen Merrill, for the song “Metamorphosis.”
In a few days Rupa & the April Fishes will be releasing a video for the title track of the album by Matt Mahurin, who has made videos for Tom Waits, U2, Metallica and many others.
I left the Rupa & the April Fishes concert for a few minutes to check out Americana band Humble Tripe, the winners of the Band Contest, who were playing at the Cabaret Tent. The Durham-based group plays acoustic folk music with classical, jazz, punk and even world music influences in the percussion area. The band includes classically trained Shawn Luby on guitar and vocals, Stud Green on strings, and Jess Shell on a wide assortment of percussion. Humble Tripe’s album is titled Counting Stars.
Photo by Angel Romero
Humble Tripe was formed as the music project of Shawn Luby. Although he spent nearly 15 years as a young competitive classical guitarist, Luby re-emerged about a decade later turning his six-string talents and willowy vocals towards the tender folk-inclined Americana of Humble Tripe. Regular contributors include Berklee school of music graduate and string player, Stud Green; and Jess Shell, Tripe’s player of rhythmic instruments and other oddities.
On the way back to the Meadow Stage, I watched a few numbers by another excellent contemporary bluegrass band called Big Fat Gap, which is based in the Chapel Hill area. Band members include Miles Andrews on bass & lead vocal; Rick Hauchman on mandolin & tenor; Jamie Griggs on guitar; Andy Thorn on banjo & baritone; alternating on bass & harmony vocals; and Bobby Britt and John Garris on fiddles.
Photo by Angel Romero
The Wailers are currently celebrating Jamaica’s 50th Anniversary by continuing to perform classic reggae hits like One Love, Get Up Stand Up, Buffalo Soldier, Redemption Song and Three Little Birds.
“It was a great fall festival!” said festival coordinator Sara Waters. “I think we got a lot of first-timers which is always fun, and we know they’ll all come back next time. The family keeps growing.”
The festival has two editions. The next festival, Spring Shakori Hills GrassRoots Festival of Music & Dance, will take place in the spring of 2013, April 18-21 at 1439 Henderson Tanyard Road, Pittsboro, North Carolina.
Find out more about the festival and the Shakori Hills Community Arts Center:
Author: Angel Romero
Angel Romero y Ruiz has dedicated his life to musical exploration. His efforts included the creation of two online portals, worldmusiccentral.org and musicasdelmundo.com. In addition, Angel is the co-founder of the Transglobal World Music Chart, a panel of world music DJs and writers that celebrates global sounds. Furthermore, he delved into the record business, producing world music studio albums and compilations. His works have appeared on Alula Records, Ellipsis Arts, Indígena Records and Music of the World.