The album cover for Passage by The Tannahill Weavers features a futuristic, geometric frame in shades of black and gray, creating a tunnel-like effect. At the center, a photograph of the band members is embedded, showing them standing in front of a modern glass building, dressed in 1970s-style suits and holding instruments. The typography is bold, with "Passage" displayed in a green digital-style font and the band's name in yellow.

Tannahill Weavers’ Passage: A Pivotal Evolution

Tannahill Weavers – Passage (Green Linnet, 1984)

In 1984, Tannahill Weavers expanded their international reach by signing with U.S. label Green Linnet, aiming for the American market. Passage marked a stylistic shift, integrating contemporary influences while maintaining their Scottish folk roots. Canadian musician Bill Bourne introduced electric guitar and contributed covers of Stan Rogers’ “Harris and the Mare” and Gordon Lightfoot’s “Marie Christine,” both Canadian songwriters However, Roy Gullane’s commanding vocals remained central, particularly in his emotive rendition of “Jamie Raeburn’s Farewell.”

Piper Alan MacLeod opened the album with “Roddie MacDonald’s Favourite,” a dynamic two-part tune the band picked up in Philadelphia. Co-founder Phil Smillie provided subtle yet effective keyboard work, reinforcing the band’s cohesion amid frequent lineup changes. While not their definitive release, The Passage reflected the group’s willingness to evolve beyond traditional folk.

Buy Passage.

Author: Ryan Emmert

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