Bixiga 70 – Quebra Cabeça (Glitterbeat, 2018)
The Sao Paulo instrumental group Bixiga 70 is where Brazil and Africa meet. Their layered sound is explosive and energetic and all you have to do is hold on while the music takes over. With the recordings Ocupai, Bixiga 70 and III already under their belts, Bixiga 70 is ready to ride the airwaves again with their latest Quebra Cabeça set for release on October 19th on the Glitterbeat label.
The groups baritone saxophone player and flautist Cuca Ferreira explains, “From the very beginning, what we have always had in common is African-Brazilian music. Some of us come from candomblé (the African-Caribbean religion), others from jazz, reggae, dub, and everything. The whole idea of the band has been to take all these different elements that form us, from Africa and Brazil, and create a hybrid from them.”
Combining the talents of guitarist Chris Scabello, baritone saxophonist and flutist Cuca Ferreira, trumpeter Daniel Gralha, drummer Deicio 7, tenor saxophonist Daniel Nogueira, trombonist Douglas Antunes, bassist Marcelo Dworecki, keyboardist and guitarist Mauricio Fleury and percussionist Romulo Nardes, Bixiga 70 summons up an impossibly rich mix that finds space for Africa’s meaty percussive riches, Brazil’s infectious dance scene all the while sticking fingers into dub, jazz and reggae. So good luck sitting still with a dose of Quebra Cabeca.
Mr. Ferreira notes that the group’s influences often evolve out of collaboration and says, “We’ve been exposed to so much. So many of the people we’ve played with have had an impact on us, like Pat Thomas, the Ghanaian highlife singer or (Nigerian saxophonist) Orlando Julius. And then we toured and recorded with João Donato. He’s over 80 now and still playing piano, one of the icons of Brazilian music. We’ve learned from them all, they’ve made us think about what we can do with our music. Those new ideas have found their way into this album.”
The music of Quebra Cabeca is delicious from the percussion and sizzling guitar opening of title track “Quebra Cabeca” through to high energy dance track “Ilha Vizinha” through to the revolving musical theme of the Brazil soaked bold brass of “Pedra de Raio.”
“We want people to relate to our melodies, to take the line a vocalist might use and play it on the horns,” says Mr. Ferreira. “Sometimes in instrumental music, the players are so good it ends up putting the listener at a distance. We make music as a celebration, a way to connect and bring some joy. We want to draw them in. We try to write something very memorable.”
The melange of sound on Quebra Cabeca is enticing and thrilling. Fans won’t want to miss out on the keyboard or trumpet sections of “Cantos” or the jazzy lushness of “Ladeira” or the dreamy mysteries conjured up on “Levante.” The quick paced “Torre” is just as delicious as the percussion and bass rich “Camelo” and as good as closing track “Portal.”
The layers of sound on Quebra Cabeca isn’t just electrifying it’s evocative and interesting. Too often listeners get hung up on the vocals, but with Bixiga 70 the nuances of turns of phrase are taken not by vocals but by instruments and it’s thrilling. Bixiga 70 adds meat to the bones and it’s all delicious.
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Author: TJ Nelson
TJ Nelson is a regular CD reviewer and editor at World Music Central. She is also a fiction writer. Check out her latest book, Chasing Athena’s Shadow.
Set in Pineboro, North Carolina, Chasing Athena’s Shadow follows the adventures of Grace, an adult literacy teacher, as she seeks to solve a long forgotten family mystery. Her charmingly dysfunctional family is of little help in her quest. Along with her best friends, an attractive Mexican teacher and an amiable gay chef, Grace must find the one fading memory that holds the key to why Grace’s great-grandmother, Athena, shot her husband on the courthouse steps in 1931.
Traversing the line between the Old South and New South, Grace will have to dig into the past to uncover Athena’s true crime.